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Libros sobre el tema "Jackpot (Dog)"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 31 de julio de 2024

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1

Epstein, Sam. Jackpot of the Beagle Brigade. New York: Macmillan, 1987.

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2

Atkinson, Kate. Started early, took my dog. London: Doubleday, 2010.

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3

Service, United States Forest. Black-tailed prairie dog conservation and management on the Nebraska National Forest and associated units: Draft environmental impact statement : located within Dawes, Sioux, Blaine, Cherry, Thomas Counties, Nebraska and Custer, Fall River, Jackson, Pennington, Jones, Lyman, Stanley Counties, South Dakota. Chadron, NE?]: U.S.Dept. of Agriculture, Forest Service, 2005.

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4

Cherry-Garrard, Apsley. The Worst Journey in the World. Crabtree: The Narrative Press, 2001.

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5

Cherry-Garrard, Apsley. The worst journey in the world. North Salem, NY: Adventure Library, 1997.

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6

Cherry-Garrard, Apsley. The worst journey in the world: Antarctica, 1910-1913. New York: Skyhorse Pub., 2013.

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7

Cherry-Garrard, Apsley. The worst journey in the world: With Scott in Antarctica 1910-1913. Mineola, N.Y: Dover Publications, Inc., 2010.

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8

Cherry-Garrard, Apsley. The worst journey in the world. Washington, D.C: National Geographic, 2002.

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9

Cherry-Garrard, Apsley. Shi jie zui xian e zhi lü. Chongqing: Chongqing chu ban she, 2007.

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10

Cherry-Garrard, Apsley. The worst journey in the world. New York: Penguin Books, 2006.

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11

Cherry-Garrard, Apsley. The Worst Journey in the World: Antarctica 1910-13. 8a ed. London: Pimlico, 2003.

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12

Cherry-Garrard, Apsley. The Worst Journey in the World. New York: Carroll & Graf Publishers, Inc., 1992.

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13

Cherry-Garrard, Apsley. The Worst Journey in the World: A Tale of Loss and Courage in Antarctica. Santa Barbara, California: Narrative Press, 2001.

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14

Cherry-Garrard, Apsley. The worst journey in the world. Guilford, Conn: Lyon's Press, 2004.

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15

Cherry-Garrard, Apsley. The Worst Journey in the World. London: Vintage Books, 2010.

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16

Cherry-Garrard, Apsley. The worst journey in the world. 2a ed. New York: Carroll & Graf, 1997.

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17

Thurber, James. The Thurber carnival. New York: Modern Library, 1994.

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18

Epstein, Sam. Jackpot of the Beagle Brigade. Macmillan Publishing Company, 1987.

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19

Hildesley, Mary. Mr Jackson and his dog Beauty. Wareham Bear, 1991.

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20

Atkinson, Kate. Started Early, Took My Dog : (Jackson Brodie). Transworld Publishers Limited, 2010.

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21

Jackpot: A Swindle Mystery. Scholastic Press, 2014.

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22

Jackson finds a home. New York: Sterling Pub., 2007.

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23

Hall, Kirsten y Dasha Tolstikova. Jacket: Bookplate Edition. Enchanted Lion Books, LLC, 2015.

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24

Lang, John Patrick. Big Bitch: A Jackson Doc Holiday Mystery. Epicenter Press, Incorporated, 2015.

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25

Chrisman, Cheryl L. Neurology for the Small Animal Practitioner (Made Easy Series) (Made Easy Series (Jackson, Wyo.).). Teton New Media, 2002.

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26

Miller, Peggy J. y Grace E. Cho. Charisse Jackson and Her Family. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199959723.003.0010.

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Chapter 10, “Charisse Jackson and Her Family,” describes a working-class African American family with two daughters. Mrs. Jackson quit her full-time, minimum-wage job in preparation for the birth of Charisse’s sister, who was born during the study. Charisse loved to do arts and crafts projects at home and at the public library, and she was proud of the number of words she could read. Mr. and Mrs. Jackson were touched by their daughter’s spontaneous acts of empathy. Charisse had an assertive personality; she knew her own mind and could hold her own in playful banter with her mother and her friends. Her “can-do” attitude convinced her parents that she had high self-esteem, but her Head Start teachers thought she was too quiet, and her kindergarten teacher told her parents that she needed to work on overcoming her shyness and improving her self-esteem.
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27

Cohen, Jonathan D. For a Dollar and a Dream. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197604885.001.0001.

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Abstract Every week, one in eight Americans places a bet on the dream of a life-changing lottery jackpot. Americans spend more on lottery tickets annually than on video streaming services, concert tickets, books, and movie tickets combined. The typical story is that lotteries are a tax on poor people who do not understand basic probability. The reality is more complicated. For a Dollar and a Dream shows how the economic conditions of the late twentieth century led millions of Americans to judge the long odds of a jackpot to be their best chance at a new life. As the rich got richer and as rates of social mobility stagnated, many turned to the lottery as their only chance at the American Dream. Gamblers are not the only ones who bet on betting. Drawing on archives from 17 states, this book illustrates that states legalized gambling hoping to hit a jackpot of their own. As mid-twentieth-century prosperity unraveled, taxpayers and policymakers wanted government to provide public services but did not want to pay for them. Enter lotteries. Even as evidence emerged that lotteries provided only a small percentage of state revenue, and even as data mounted about their appeal to the poor, states kept enacting them, kept advertising, and kept adding new games, desperate for their long-shot gamble to pay off. For a Dollar and a Dream charts the untold history of the nation’s lottery system, revealing how players and policymakers alike got hooked on hopes for a windfall.
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28

Jackson the Dog and the Missing Masterpieces - the 'Pictures by You' Edition: A Story for YOU to Illustrate. Independently Published, 2021.

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29

I Love You Fur-Ever, Jackson: Personalized Book and Bedtime Story with Dog Poems and Love Poems for Kids. Independently Published, 2019.

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30

Boldyreva, Lara. Dog Jacket Sewing Pattern for XS, S, M, l, XL and XXL Sizes: Make a Cute Wear for Your Small Pets. Independently Published, 2021.

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31

edition, Jackson owner. Jackson Dog Vaccination Record Book: Ideal Vaccination Record Book for Those Who Take Care of Their DogS, Record Your Pet Medical Info, Periodic Table,Dog Immunization Record Book,Vaccination Reminder, Vaccination Booklet, Vaccine Record Book for Dogs. Independently Published, 2020.

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32

Kim, Liliana. Dog and Cat Clothes Patterns: Sew for Your Small Pets. Create Individual Pattern for Your Pet - Shirt, Dress, Coat, Polo, Jacket, Overall Sewing Patterns. Independently Published, 2021.

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33

Hound of the Baskervilles (Royal Collector's Edition) (Illustrated) (Case Laminate Hardcover with Jacket). AD Classic, 2021.

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34

Ekelund, Robert B., John D. Jackson y Robert D. Tollison. Mystery of the Artist’s Nature. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190657895.003.0003.

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Chapter 3 produces a study, using both formal and informal evidence, of the relation between artistic productivity and creativity to the artist’s age. Extending the studies of David Galenson to a cohort of eighty prominent American artists, some painting up to the present day, our statistical analysis of value/age profiles shows some support for Galenson’s conclusion that peak productivity is affected by the age of the artist, although we do not add credence to his view that the “type” of artist (experimental or innovative) is the reason. Further, we apply anecdotal evidence to the artistic productivity of two artists—Georgia O’Keeffe and Jackson Pollock—and show that productivity measured by auction sale prices creates gains from being associated with a “school” of painting.
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35

Pettit, Philip. The Program Model, Difference-makers, and the Exclusion Problem. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746911.003.0012.

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How do the notions of programming and difference-making relate to one another? A higher-level property programs for an effect just in case, intuitively, the actual realizer of the property at any lower level gives rise to a realizer of the effect and any possible realizer at that level would also have done this. A higher-level property makes a difference to the effect just in case its presence programs for the effect and, in addition, its absence programs for the absence of the effect. Christian List and Peter Menzies argue for the capacity of the difference-making model to explain away the exclusion problem raised for physicalists by Jaegwon Kim. But the program model, developed in earlier work by Frank Jackson and Philip Pettit, offers a simpler and more straightforward way of handling the challenge.
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36

Passey, Joan y Robert Lloyd, eds. Shirley Jackson’s Dark Tales. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350361140.

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The first exploration of the short fiction of Shirley Jackson, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work following her death in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works such as 'The Lottery' alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.
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37

Allen, Linda y Spencer Moon. Reel Black Talk. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798216006268.

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As evidenced in interviews included in this volume, many African American filmmakers consider themselves artists first, their ethnicity being only part of what influences their work. This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers' productions and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema. From Oscar Micheaux and Spencer Williams to Neema Barnett and the team of George Jackson and Doug McHenry, this revealing reference work will enlighten scholars, students, and film buffs. As early as 1899, African Americans were involved in the filmmaking industry. Oscar Micheaux took directing, writing, and producing to a higher level with the release of his first film in 1918; by 1948 he had made more than forty films. Currently, by international world cinema standards, the African American tradition rivals cinema from anywhere in the world, but these filmmakers face a quandary: whether to make films through the Hollywood system or follow an independent vision. This book presents a cross-section of filmmakers from each camp and also focuses on those who work in both arenas.
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38

Brogaard, Berit. Seeing and Saying. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495251.001.0001.

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We often communicate with each other about how the things we see visually appear to us when we want to achieve a goal like finding the perfect end table, deciding what to eat or issuing a warning. But what do we say when we talk about how things visually appear to us? Can our talk about appearances tell us anything about the nature of visual perception? In this book, the author delves into these questions, defending the view that in spite of all its imprecision, the language used to report on how things look provides important insight into the nature of visual perception. In chapters that explore the semantics of ‘appear’ words and the nature of the mental states they are used to express, she argues that considerations of how we talk and think about our experiences can help us establish that our visual experiences are akin to mental states, such as belief and desire, in being relations to contents, or propositions, that represent things and features in the perceiver’s environment. Along the way, she argues against alternative theories of what our talk about looks can tell us, including those of Chisholm, Jackson, Byrne, Johnston, Martin, Brewer, Travis, Siegel, Schellenberg, and Glüer. Finally, she examines how our talk about visual experience compares to our talk about how things sound, smell, taste and feel. This book is thus an extended defense of the view that experience in creatures like us is representational.
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39

Gallese, Vittorio y Michele Guerra. The Empathic Screen. Traducido por Frances Anderson. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198793533.001.0001.

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Why do people go to the movies? What does it mean to watch a movie? To what extent does our perception of the fictional nature of movies differ from our daily perception of the real world? The authors, a neuroscientist and a film theorist, propose a new multidisciplinary approach to images and film that can provide answers to these questions. According to the authors, film art, based on the interaction between spectators and the world on the screen, and often described in terms of immersion, impressions of reality, simulation, and involvement of the spectator’s body in the fictitious world he inhabits, can be reconsidered from a neuroscientific perspective, which examines the brain and its close relationship to the body. They propose a new model of perception—embodied simulation—elaborated on the basis of neuroscientific investigation, to demonstrate the role played by sensorimotor and affect-related brain circuits in cognition and film experience. Scenes from famous films, like Notorious, The Shining, Full Metal Jacket, Persona, The Silence of the Lambs, and Toy Story are described and analyzed according to this multidisciplinary approach, and used as case studies to discuss the embodied simulation model. The aim is to shed new light on the multiple resonance mechanisms that constitute one of the great secrets of cinematographic art, and to reflect on the power of moving images, which increasingly are part of our everyday life.
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40

Shimshon-Santo, Amy y Genevieve Kaplan. Et Al.: New Voices in Arts Management. Illinois Open Publishing Network, 2022. http://dx.doi.org/10.21900/pww.15.

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Et Al. imagines kaleidoscopic possibilities for the stewardship of culture and land as decolonizing practices. Culture and the arts can enhance society by strengthening our connections to each other and to the earth. This arts management book was born during a racial reckoning and accelerated by a global pandemic. What exactly is the business of no-business-as-usual? The ethical challenge for arts management is far more complex than asking how to get things done; we must also ask who gets to do things, where, and with what resources? Our task is to generate cultures that refuse to annihilate themselves or each other, much less the planet. Et Al. contributes to the conversation about arts and cultural management by providing rare, behind-the-scenes insights on justice-centered arts management praxis — ideas tied to action. The book makes space for people to publicly reflect, write, and share insights about their own ideas and ways of working. Its polyphonic voices speak to pragmatic strategies for arts management across cultures, genres, and spaces. Its stories are told from the perspective of individuals and families, micro businesses, artist collectives, and civic institutions. As a digital publication, the platform lends itself to multi-media knowledge objects; the experiences documented within it include ethnographies, qualitative social research, personal and communal manifestos, dialogues between peers, visual essays, videos, and audio tracks. This open source, multimedia book is structured into six streams which are numbered for their exponential powers: Stream¹ : Center is Everywhere; Stream² : Gathering Community; Stream³ : Honoring Histories; Stream⁴ : Shifting Research; Stream⁵ : Forging Paths; Stream⁶ : Generative Practice. The book discusses imaginative ways of generating cultural equity in praxis, and is an invitation for further imagination, conversation, and connection. Et Al. presents an interactive landscape for readers, thinkers, and creators to engage with multimedia and intergenerational essays by Amy Shimshon-Santo, Genevieve Kaplan, Gerlie Collado, Abraham Ferrer, Julie House, Britt Campbell, Delia Xóchitl Chávez, Sean Cheng, Yvonne Farrow, Allen Kwabena Frimpong, Kayla Jackson, Erika Karina Jiménez Flores, Cobi Krieger, Loreto Lopez, Cynthia Martínez Benavides, Christy McCarthy, Janice Ngan, Cailin Nolte, Michaela Paulette Shirley, Robin Sukhadia, Katrina Sullivan, and Tatiana Vahan.
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41

Kamler, Kenneth, Apsley Cherry-Garrard y Ted Janulis. Worst Journey in the World: Antarctic 1910-1913. Skyhorse Publishing Company, Incorporated, 2016.

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42

Cherry-Garrard, Apsley. Worst Journey in the World: Antarctic, 1910-1913. Independently Published, 2022.

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43

The Worst Journey in the World (Audiofy Digital Audiobook Chips). Audiofy/Blackstone, 2003.

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44

Cherry-Garrard, Apsley. Worst Journey in the World. Independently Published, 2019.

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45

Cherry-Garrard, Apsley. Worst Journey in the World. Barnes & Noble, Incorporated, 2012.

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46

Cherry-Garrard, Apsley. Worst Journey in the World. Creative Media Partners, LLC, 2022.

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47

Cherry-Garrard, Apsley. Worst Journey in the World. Creative Media Partners, LLC, 2022.

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48

Cherry-Garrard, Apsley. The Worst Journey in the World. Nook Press, 2017.

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49

Cherry-Garrard, Apsley. Peor Viaje del Mundo: La Expedición de Scott Al Polo Sur. Penguin Random House Grupo Editorial (USA) LLC, 2009.

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50

Cherry-Garrard, Apsley. Worst Journey in the World: Antarctica, 1910-1913. Skyhorse Publishing Company, Incorporated, 2013.

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