Literatura académica sobre el tema "Janke, Vincenz"

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Artículos de revistas sobre el tema "Janke, Vincenz"

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Kunešová, Jana. "Podmalby na skle ze sbírek Oddělení starších českých dějin Národního muzea. Příspěvky k tvorbě Gerharda Janssena, Daniela Preisslera, Vincenze Jankeho a jejich současníků. K fenoménu a uplatnění techniky verre églomisé. I. část." Časopis Národního muzea. Řada historická 190, no. 1-2 (2022): 59–92. http://dx.doi.org/10.37520/cnm.2021.003.

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Reverse paintings on glass from the collections of the Department of Older Czech History of the National Museum. Articles regarding the works of Gerhard Janssen, Daniel Preissler, Vincenz Janke and their contemporaries. In regard to the phenomenon and application of the verre églomisé technique, part I. This two-part paper presents a diverse collection of approximately 120 reverse paintings on glass produced in the Czech lands and Central Europe, from the beginning of the 18th century to the second half of the 19th century. The first part is devoted to their topics from the aspect of religion,
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Kafka, Luboš. "Vincenz Janke (1769–1838), malíř na pomezí „vysokého“ umění a zlidovělé produkce." Český lid 105, no. 2 (2018): 219–40. http://dx.doi.org/10.21104/cl.2018.2.05.

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Namukobe, Jane, Bernard T. Kiremire, Robert Byamukama, et al. "Cycloartane triterpenes from the leaves of Neoboutonia macrocalyx L." Phytochemistry 102 (June 30, 2014): 189–96. https://doi.org/10.1016/j.phytochem.2014.02.005.

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Namukobe, Jane, Kiremire, Bernard T., Byamukama, Robert, Kasenene, John M., Dumontet, Vincent, Guéritte, Françoise, Krief, Sabrina, Florent, Isabelle, Kabasa, John D. (2014): Cycloartane triterpenes from the leaves of Neoboutonia macrocalyx L. Phytochemistry 102: 189-196, DOI: 10.1016/j.phytochem.2014.02.005, URL: http://dx.doi.org/10.1016/j.phytochem.2014.02.005
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Morrison, Heidi, James S. Finley, Daniel Owen Spence, et al. "Book Reviews." Transfers 6, no. 1 (2016): 131–50. http://dx.doi.org/10.3167/trans.2016.060114.

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Oded Löwenheim, The Politics of the Trail: Reflexive Mountain Biking along the Frontier of Jerusalem (Heidi Morrison)Judith Madera, Black Atlas: Geography and Flow in Nineteenth-Century African American Literature (James S. Finley)Jane Carey and Jane Lydon, eds., Indigenous Networks: Mobility, Connections and Exchange (Daniel Owen Spence)Gijs Mom, Atlantic Automobilism: Emergence and Persistence of the Car, 1895–1940 (Aaron Hatley)Nicole Starosielski, The Undersea Network (Rachael Squire)Sarah Jane Cervenak, Wandering: Philosophical Performances of Racial and Sexual Freedom (Michael Ra-shon Ha
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Hayes, Sheila. "Implementing Cost-Effective Assistive Computer Technologyby Jane Vincent." Journal of Hospital Librarianship 14, no. 2 (2014): 198–99. http://dx.doi.org/10.1080/15323269.2014.888639.

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Lupinacci, Ludmila. "Book review: Jane Vincent and Leslie Haddon (Eds.), Smartphone cultures." Mobile Media & Communication 9, no. 1 (2021): 149–50. http://dx.doi.org/10.1177/2050157920961345.

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Mulderry, Darra D. "From Debutante to Dominican Economist and Public Intellectual: Sister Thomasine Cusack and the Genealogy of U.S. Catholic Social-Liberalism." U.S. Catholic Historian 42, no. 4 (2024): 1–26. http://dx.doi.org/10.1353/cht.2024.a943346.

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Abstract: Sister Thomasine (Jane Evelyn) Cusack (1905–1978) forsook her life of economic privilege to enter the Dominican Sisters of Sinsinawa, Wisconsin. Trained as an economist, she was among the few women religious in the pre-Vatican II era who became prodigious scholars and public intellectuals. This research traces her chief influences, including her father, Thomas Cusack, members of her Dominican community, especially Sister Vincent Ferrer Bradford, and her priest mentors at the Catholic University of America. Their collective influence and her explication of their ideas and ideals sugge
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Sydelko, Bette S. "Making the Library Accessible for All: A Practical Guide for Librarians, by Jane Vincent." Medical Reference Services Quarterly 34, no. 4 (2015): 506–7. http://dx.doi.org/10.1080/02763869.2015.1082398.

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Mason, Antoinette. "Leopoldina Fortunati, Raul Pertierra and Jane Vincent,Migration, diaspora, and information technology in global societies." Asian Ethnicity 15, no. 4 (2014): 573–75. http://dx.doi.org/10.1080/14631369.2014.939335.

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Vannini, Phillip, Nanny Kim, Lisa Cooke, et al. "Book Reviews." Transfers 3, no. 2 (2013): 136–57. http://dx.doi.org/10.3167/trans.2013.030211.

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Tim Ingold, Being Alive: Essays on Movement, Knowledge and Description; Tim Ingold (ed.), Redrawing Anthropology: Materials, Movements, Lines; Tim Ingold and Jo Lee Vergunst (eds.), Ways of Walking: Ethnography and Practice on Foot Phillip VanniniTom Standage, A History of the World in 6 Glasses Nanny KimSimone Fullagar, Kevin W. Markwell, and Erica Wilson (eds.), Slow Tourism: Experiences and Mobilities Lisa CookeJennie Germann Molz, Travel Connections: Tourism, Technology and Togetherness in a Mobile World Giovanna MascheroniHazel Andrews and Les Roberts (eds.), Liminal Landscapes: Travel, E
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Libros sobre el tema "Janke, Vincenz"

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Kafka, Luboš. Vincenz Janke: 1769-1838 : podmalby na skle = Hinterglasbilder. Severočeské muzeum v Liberci, 2017.

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Vincent, Sheridan Eugene. Thomas William Vincent and Abigail Jane (Rockwell) Vincent: Genealogy and photo album. Sheridan Eugene Vincent, 2009.

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Charles-Édouard, Vincent, ed. Sans tabou: Dialogues avec Charles-Edouard Vincent, Richard Descoings, Jean-Paul Fitoussi, Dominique Bourg, Jane Goodall. Martinière, 2010.

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Museum, Chichester District, ed. Landmarks: An exhibition of work by Ted Vincent and Jane Meredith at Chichester District Museum, Chichester, West Sussex. The Museum, 1996.

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Darmstadt, Kunsthalle, ed. Märchen Kunst: Magdalena Abakanowicz, Jane Alexander, Tiana-Alexis, Fides Becker, Andrea Bender, Armin Boehm, Ruud van Empel, Frank Jacob Esser, Laura Ford, William Kentridge, Jonathan Meese, Vincent Olinet, Sigmar Polke, Kara Walker : 06.06-03.10.2010, Kunsthalle Darmstadt. Von Liebig, 2010.

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Weald and Downland Open Air Museum., Knights Park Gallery (Kingston University), and Petworth House, eds. Echoes in the landscape: An exhibition of work by Ted Vincent and Jane Meredith, the Weald and Downland Open Air Museum, Singleton, Chichester, West Sussex, 1-17 April 1995, Knights Park Gallery, Kingston University, 21 April-8 May 1995, the National Trust Petworth House, Petworth, West Sussex. [s.n.], 1995.

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Vincent and Jake Learn Color Mixing. Art Path Press, 2005.

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McGhee, Terry. Mystery on the Seine: A Jake Vincent Mystery. Independently Published, 2018.

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Law, Stephanie, and Vincent Richard, eds. Public and Private Enforcement of Consumer Law – Insights for Luxembourg. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748929888.

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The key challenge in the field of consumer protection lies in ensuring that the rights derived from EU consumer law can be effectively enforced in national legal systems, facilitating access to justice and promoting adequate redress. Through a comparative analysis of the legal and policy frameworks of enforcement in six European legal systems, this book examines the most recent developments in EU consumer law, the challenges to which these developments give rise and the scope for reform that they entail; in so doing, the authors critically evaluate the parameters of the public and private inst
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Rice, Christina. Mean...Moody...Magnificent! University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181080.001.0001.

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By the early 1950s, Jane Russell (1921-2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.Christina Rice offe
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Capítulos de libros sobre el tema "Janke, Vincenz"

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Gutstein, Dan. "Intermission Number Three." In Poor Gal. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496849342.003.0013.

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The final of three “intermissions,” this chapter explores the early years of the “roaring twenties,” when the Charleston and “black bottom” dance crazes took hold. Harlem Renaissance poet Effie Lee Newsome, writing in the NAACP publication The Crisis, relates a short coming-of-age piece about a beguiling young woman, Mayetta, who irons clothes as part of her daily chores. During the story, the young woman relates a dance game which includes “Goodbye Liza Jane.” Many miles away in Winnipeg, the advice columnist Betty Vincent replies to a lovelorn young woman who had sought help with a “problem
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"The (Self-)Portrait." In Audiovisual Thinking and the Essay Film. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463728584_ch02.

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This chapter studies the use of the enunciative device of the (self-)portrait through the analysis of three works. Jane B. par Agnès V. (Agnès Varda, 1987) creates different female portraits, documentary and fictional, to reflect on women’s identity and develop a practice of female intersubjectivity and artistic sisterhood, producing critical thinking about female stereotypes. JLG/JLG, autoportrait de décembre (Jean-Luc Godard, 1994) generates a philosophical identity self-portrait of the author to reflect on his ethical and aesthetic demands, exploring the dialectic between cinematic image an
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"‘EARLY ADOPTER’ CASE STUDIES OF EFFECTIVE MOBILE COMMUNICATIONS BETWEEN CITIZENS AND GOVERNMENT BY JANE VINCENT AND L ISA HARRIS." In e-Governance. Routledge, 2009. http://dx.doi.org/10.4324/9780203883884-13.

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