Literatura académica sobre el tema "Joseph's legend (Choreographic work)"

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Artículos de revistas sobre el tema "Joseph's legend (Choreographic work)"

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Latifić, Amra. "The Legend of Ohrid: Reception of balletization of the dance tradition." New Sound, no. 58-2 (2021): 173–89. http://dx.doi.org/10.5937/newso2158173l.

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The paper discusses the interpretations of the choreographic aspects of different versions of the performance of the ballet The Ohrid Legend by Stevan Hristić. In the choreographies of this ballet, ballet vocabulary is combined with folklore motifs, using the principle of balletization of folklore. This choreographic approach has produced a pluralism of opinions on the ballet critical scene-from the modernization of folklore elements to views that the work still belongs to the traditional ballet choreographic structure. Pluralism of opinion provides an opportunity to open new approaches in the
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2

Vil'danova, Oliya Galeevna. "Life and creative heritage of Rudolf Nureyev: The “presence effect” continues." Pan-Art 3, no. 3 (2023): 204–9. http://dx.doi.org/10.30853/pa20230027.

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The essay describes the life and creative heritage of the outstanding ballet dancer and choreographer of the XX century Rudolf Nureyev and was written in connection with the 85th anniversary of his birth. The work consistently sheds light on the main stages of Nureyev’s life and creative activity, paying special attention to the period of his studies at the Leningrad Choreographic School, where A. I. Pushkin, a well-known ballet teacher, had a significant influence on the formation of Nureyev as a dancer. In conclusion, the author sums up, noting that the contribution of the outstanding figure
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3

Chepalov, Oleksandr. "Ballet Giselle: Return to Homeland and New Challenges (the Legend of the Willis on the Modern German Stage)." Dance Studies 7, no. 1 (2024): 34–45. https://doi.org/10.31866/2616-7646.7.1.2024.307007.

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<strong>The purpose of the article&nbsp;</strong>is to compare and summarise the most characteristic transformations of the legend of Wilis in the ballet Giselle in the choreographic art of Germany in the twentieth and twenty-first centuries, to find scientific evidence of the accompanying changes in the development of ballet art, its viability apart from the opera genre, and to formulate the peculiarities of its stage embodiment.&nbsp;<strong>The research methodology&nbsp;</strong>is based on comparative analysis and the application of the historical method to assess the contribution of each
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4

Stogniy, Irina. "The ballet by R. Strauss "The Legend of Joseph". Musical interpretation of the Biblical story." Ученые записки Российской академии музыки имени Гнесиных, 2024, 46–70. http://dx.doi.org/10.56620/2227-9997-2024-1-46-70.

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The article is dedicated to the musical and choreographic interpretation of the biblical plot in the ballet "The Legend of Joseph" by R. Strauss, with libretto by H. Hofmannsthal and H. Kessler, created in 1914 for the Diaghilev seasons. The events of the Holy Scripture, representing endless possibilities of interpretation, allow to highlight the important cultural problem: the biblical plot and modernity. In this regard, the music and choreography of the ballet attract attention not only with their originality, but also as a vivid example of a work in which different trends of its time are in
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Libros sobre el tema "Joseph's legend (Choreographic work)"

1

Die Ballets Russes auf biblischen Pfaden: Von der Josephslegende zum Verlorenen Sohn. Books on Demand GmbH, 2007.

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2

Scholl, Tim. "Sleeping Beauty," A Legend in Progress. Yale University Press, 2004.

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3

Van Assche, Annelies, Dunja Njaradi, Igor Koruga, and Milica Ivić, eds. (Post)Socialist Dance. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350408180.

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This book sets out to search for the Second World — the (post)socialist context — in dance studies and examines the way it appears and reappears in today’s globalized world. It traces hidden and invisibilized legacies over the span of one century, probing questions that can make viewers, artists, and scholars uncomfortable regarding dance histories, memories, circulations and production modes in and around the (post)socialist world. Our understanding of ‘dance’ is broad and inclusive. The contributions delve into a variety of dance practices (folk, traditional, ballet, modern, contemporary), m
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