Bibliografías temáticas / Julius Bär Art Collection

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Literatura académica sobre el tema "Julius Bär Art Collection"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Julius Bär Art Collection"

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Tothová, Jolana. "The Working Class Movement Museum Collection – Extensive Array of Objects, Archives and Books." Muzeum: Muzejní a vlastivedná práce 55, no. 2 (2017): 16–26. http://dx.doi.org/10.1515/mmvp-2017-0042.

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Abstract The Collection of the Working Class Movement Museum results from a fusion of three Prague museums – the Klement Gottwald Museum, the V. I. Lenin Museum and the Julius Fučík Museum, which were taken over and completed by the Working Class Movement Museum in 1990. For the reason of securing the completeness of the Collection, the Working Class Movement Museum donated it to the National Museum in 2014. The Collection of hundreds of thousands of items consists of collectibles (e.g. works of visual art, posters, military objects, flags and standards, honours and documents of social events
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Lackner, Rachel M., Solenn Ferron, Joël Boustie, Françoise Le Devehat, H. Thorsten Lumbsch, and Nobuko Shibayama. "Unraveling a Historical Mystery: Identification of a Lichen Dye Source in a Fifteenth Century Medieval Tapestry." Heritage 7, no. 5 (2024): 2370–84. http://dx.doi.org/10.3390/heritage7050112.

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As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) revealed the presence of several multiply chlorinated xanthones produced only by certain species of lichen. Various lichen dye sources have been documented in the literature for centuries and are classified as either ammonia fermentation method (AFM) or boiling water m
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3

Dziduch, Joanna. "Historic, examination and conservation issues relating to Portrait of Gustav Adolf Hollander by Julius Gottfried Siegmund." Baltic Journal of Art History 26 (April 30, 2024). https://doi.org/10.12697/bjah.2023.26.03.

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The aim of this article is to provide an overview of historic, techniqueand technology reaserch, as well as conservation process, relating tothe oil painting on canvas entitled Portrait of Gustav Adolf Hollander(formerly known as Portrait of a Man in an Interior), dated to the thirdor fourth quarter of the 19th century, by Julius Gottfried Siegmund,originally from Riga. The painting has belonged to the collection ofthe National Museum in Poznan since shortly after the end of WorldWar II in 1945.As a result of historical research acomplished during theconservation and restoration of the paintin
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4

Pergam, Elizabeth A. "Designing the V&A: The Museum as a Work of Art (1857–1909), Creating the V&A: Victoria and Albert’s Museum (1851–1861), and Enriching the V&A: A Collection of Collections (1862–1914) by Julius Bryant." Nineteenth-Century Art Worldwide 22, no. 2 (2023). http://dx.doi.org/10.29411/ncaw.2023.22.2.12.

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Libros sobre el tema "Julius Bär Art Collection"

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Museo cantonale d'arte (Lugano, Switzerland), ed. Die Kunstsammlung der Julius Bär: Schweizer Kunst = La collection d'art de la Julius Bar : art suisse = La collezione d'arte della Julius Baer : arte svizzera = The Julius Baer Art Collection : Swiss Art. Museo cantonale d'arte, 2013.

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Julius Bär Gruppe (Zurich, Switzerland) and Helmhaus Zürich, eds. Julius Bär: Art im Helmhaus zu Gast. Helmhaus, 2001.

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Museo cantonale d'arte (Lugano, Switzerland), ed. La realtà non è un luogo comune: Fotografie e video dalla collezione d'arte della Julius Baer = Die Wirklichkeit ist kein : fotografien und video aus der Julius Bär = La réalité n'est èas un lieu commun : photographies et vidéos de la Collection d'art de la Julius Baer = Reality is not a commonplace : photographs and videos from the Julius Baer Art Collection. Museo cantonale d'arte, 2013.

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4

Foundation, Wernher, and English Heritage, eds. The Wernher Collection at Ranger's House. English Heritage, 2002.

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5

Surrounded by Art: The Julius Baer Art Collection. Antique Collectors' Club, 2021.

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6

Artefacts from the Solomon Islands in the Julius L. Brenchley Collection. British Museum Press, 1987.

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7

Ratcliffe, Susan, ed. Oxford Essential Quotations. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780191866692.001.0001.

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Over 12,600 quotationsThis collection is the ideal place to answer all your quotation questions. You can discover which of over 3,000 authors said that tantalising phrase, or you can search over 600 subjects to find an apt quotation for any occasion. You can find out what Harper Lee had to say on Technology, Leon Trotsky on Art, Julius Caesar on Ambition or J. K. Rowling on Parents. This is your chance to find out just who said ‘Imagination is the highest kite that can fly’, ‘We must be the change we wish to see in the world’, or ‘Failure is not an option’.Oxford Essential Quotations ensures c
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Capítulos de libros sobre el tema "Julius Bär Art Collection"

1

"Julius Caesar Ibbetson (1759–1817) Cat. no. 33." In Great British Watercolors: From the Paul Mellon Collection at the Yale Center for British Art. Yale Center for British Art, 2007. http://dx.doi.org/10.37862/aaeportal.00227.016.

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Avery-Quash, Susanna. "John Julius Angerstein and the Development of his Art Collection at No 100, Pall Mall, London." In The Georgian London Town House. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501337321.ch-011.

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Bończuk-Dawidziuk, Urszula. "Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the Second Half of the Nineteenth Century." In Collecting Antiquities from the Middle Ages to the End of the Nineteenth Century: Proceedings of the International Conference Held on March 25-26, 2021 at the Wrocław University Institute of Art History. Ksiegarnia Akademicka Publishing, 2021. http://dx.doi.org/10.12797/9788381385862.11.

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In the second half of the nineteenth century, the museum at the University in Wrocław (formerly Breslau) was reorganised. As a result, the institution was granted a new name and a new – archaeological – profile. The changes were initiated by August Rossbach (1823–1898), professor of classical philology and archaeology, director of the museum from 1856 to 1898. Through his efforts, the university museum started to professionally specialise in Antiquity. Above all, Rossbach significantly developed the collection of copies of ancient art, which were used as research and teaching tools. Through hi
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