Bibliografías temáticas / Jungle – Au cinéma

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Literatura académica sobre el tema "Jungle – Au cinéma"

Autor: Grafiati
Publicado: 23 de noviembre de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Jungle – Au cinéma"

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Bernabei, Maria Ida. "La jungle du cinéma." 1895, no. 95 (October 1, 2021): 60–87. http://dx.doi.org/10.4000/1895.8968.

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Lempereur, Johann. "Cinéma & séries." Revue Défense Nationale N° 870, no. 5 (2024): 120–26. http://dx.doi.org/10.3917/rdna.870.0120.

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La Légion étrangère et l’Indochine ont été des sujets de prédilection du cinéma. Le film Les derniers Hommes , sorti en France en février 2024, rappelle cette épopée dramatique où une poignée de légionnaires affronta les Japonais et la jungle. Derrière le scénario et les images bien tournées, se révèle toute la dimension humaine de la Légion, une « société multiraciale mais “monoculturelle” » au service de la France depuis 1831.
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Duhamel Muller, Marie-Pierre. "Les architectes le font sur la table." Le Visiteur N° 23, no. 1 (2018): 93–104. http://dx.doi.org/10.3917/visit.023.0088.

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La profession d’architecte, dans le cinéma commercial américain, et ce depuis un bon demi-siècle, semble être une de celles qui garantissent non seulement le respect de l’entourage, mais aussi et surtout, l’attention féminine. Du Gary Cooper du Rebelle de King Vidor au bouillant Wesley Snipes de Spike Lee ( Jungle Fever ), en passant par Paul Newman ( La Tour infernale ) ou Woody Harrelson citant Louis Kahn ( Proposition indécente ), l’architecte – de sexe masculin et strictement hétéro – est une figure de l’intellectuel idéalement « sexy », plus que l’écrivain, le peintre ou le professeur. Il
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Betancourt, Manuel. "The Natural Order of Things." Film Quarterly 74, no. 4 (2021): 68–71. http://dx.doi.org/10.1525/fq.2021.74.4.68.

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Forced to slow down by the COVID-19 pandemic, Film Quarterly columnist Manuel Betancourt found himself drawn to films that embraced stillness. Marking a refreshing change from the urban settings that dominate much Latin American cinema, Los silencios (Beatriz Seigner, 2018), Selva trágica (Tragic Jungle, Yulene Olaizola, 2020), and Ceniza negra (Land of Ashes, Sofía Quirós Úbeda, 2019) are set in jungle and rural landscapes complete with lush, dreamy soundscapes. Privileging mood over plot, these films revel in their sense of being unmoored from familiar locales, becoming portals that open ont
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Ma, Sheng-mei. "Sino-Anglo-Euro Wolf Fan(g)s from Jiang Rong to Annaud // Fans lupinos sino-anglo-europeos de Jiang Ring a Annaud." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 1 (2016): 76–93. http://dx.doi.org/10.37536/ecozona.2016.7.1.980.

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Fans of Jiang Rong’s Wolf Totem could arguably shapeshift into a wolf’s fangs, the sharp tips of China’s Social Darwinism today. Jiang mourns the killing of Mongolian wolves, erecting a literary totem there after wolves are gone. An elegy for the wild comes to justify the growing of fangs amid the jungle of the socialist-capitalist market. Wolf totem becomes a phallic symbol for power. A Sino-Anglo-Euro morphing materializes in global cinema as Annaud transforms the novel into The Last Wolf. Annaud’s romantic film downplays Jiang’s nationalistic tenor, avoiding to bare “red [in] tooth and claw
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Weaver, Heather A. "“The Teacher's Unexpected Bath”: Plumbing the Meaning of Mayhem in the Celluloid Schoolroom." History of Education Quarterly 54, no. 2 (2014): 145–71. http://dx.doi.org/10.1111/hoeq.12055.

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Since the late 1930s, cinematic depictions of schooling have generally affirmed the necessity of school as a social institution and underscored the importance of formalized education for children and youth. Movies ranging fromGoodbye, Mr. Chips(1939) toDead Poets Society(1989) have represented school as a place of tradition and order, and films such asThe Corn Is Green(1945);Blackboard Jungle(1955);Good Morning, Miss Dove(1955);Up the Down Staircase(1967); andStand and Deliver(1988) have portrayed teachers as heroic figures. It could seem that the film industry has always portrayed schooling i
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Ingawanij, May Adadol, and Richard Lowell MacDonald. "Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur." New Cinemas: Journal of Contemporary Film 4, no. 1 (2006): 37–54. http://dx.doi.org/10.1386/ncin.4.1.37_1.

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Rountree, Cathleen. "Cinema." Jung Journal 1, no. 4 (2007): 97–100. http://dx.doi.org/10.1525/jung.2007.1.4.97.

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Yebra, José María. "Transmodern Motion or the Rhizomatic Updated in In a Strange Room, “Take me to Church” and Babel." Anglia 136, no. 3 (2018): 508–29. http://dx.doi.org/10.1515/ang-2018-0050.

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Abstract The article aims at exploring how the concept of the transmodern fits, comprises and helps to understand transcultural events from a wider perspective. To do so, three metaphors will be addressed, namely Enrique Dussel’s ‘jungle’, Gilles Deleuze’s and Félix Guattari’s ‘rhizome’ and Sarah Dillon’s ‘palimpsestuous palimpsest’. In all three cases, issues like multiplicity, connectedness and a sense of motility are present. And, the article proves, they prove valid to render the aesthetic, ethical and political possibilities of contemporary texts that range from literature, Damon Galgut’s
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Zucconi, Francesco. "Mediazione radicale, coscienza impersonale: "Qu'ils reposent en révolte" di Sylvain George." Fata Morgana 31 (June 1, 2017): 245–52. https://doi.org/10.5281/zenodo.822632.

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Sylvain George realized two documentaries and several short films within the refugee camps of Calais, commonly called “The Jungle”. Examining one of the key scenes of <em>Qu’ils reposent en revolte</em> (2010) the article analyses his ability to investigate and restore visibility to the everyday gestures and tactics through which refugees avoid surveillance and make the environment of the border area habitable. Rethinking the concepts of “consciousness” and “mediation” in light of this film, the article concludes by arguing that George’s cinema constitutes an attempt to generate a visual frame
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Tesis sobre el tema "Jungle – Au cinéma"

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Pistone, Marianne. "L’autrement qu’être dans le cinéma d’Apichatpοng Weerasethakul : une étude de l’apparaissant". Electronic Thesis or Diss., Normandie, 2024. http://www.theses.fr/2024NORMC009.

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Ce travail de thèse se propose de considérer le cinéma d’Apichatpong Weerasethakul sous l’angle du visible et de l’invisible et du mouvement qui va de l’un à l’autre. Cet angle est celui de l’apparaissant, c’est-à-dire de ce qui, entre la divulgation, l’émergence et l’occultation, a lieu ou se retire. Il n’est pas seulement – posément – apparent mais bien apparaissant, c’est-à-dire entrevu dans l’inquiétude de l’acte d’apparition. En se concentrant notamment sur les espaces cruciaux des films que sont les jungles, une prospection mésographique est engagée dans les champs de la spatialité et d
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Zanatta, Maria Cecilia. "As metáforas alquímicas no cinema." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284950.

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Orientador: Elisabeth Bauch Zimmermann<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:07:36Z (GMT). No. of bitstreams: 1 Zanatta_MariaCecilia_M.pdf: 1501616 bytes, checksum: 734e8edc11754f019e326f0e22610e78 (MD5) Previous issue date: 2010<br>Resumo: Dentre os teóricos que buscaram uma visão mais abrangente de ser humano em relação às manifestações culturais de todos os tempos, C. G. Jung (1875-1961), foi quem se dedicou ao estudo da alma humana através de imagens de sonhos, mitos e símbolos da cultura, por acredi
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Rubio, Marin Miguel Federico. "Ciné-mythe : analyse de l'expression contemporaine du mythe dans l'audiovisuel." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20063/document.

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Ce travail étudie les rapports que les mythes (considérés du point de vue de la psychologie analytique) entretiennent avec le cinéma et la vidéo, supports devenus, grâce à leurs caractéristiques techniques, discursives et esthétiques propres, des moyens idéaux à l’expression moderne du mythe, lui apportant en même temps de nouvelles possibilités de construction ainsi que des dynamiques nouvelles. En comparant d’une part, la conception du mythe chez Carl Gustav Jung, Joseph Campbell et autres auteurs, et d’autre part, les techniques et structures cinématographiques, on montre que le mythe conti
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Wade, Tom H. "Circulation of the Light: Mandalas, Alchemy, and Non-Linear Cinema." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors149441657291478.

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Hong, Sora. "La génération des centres culturels (Munhwawon sedae) et la nouvelle vague du cinéma sud-coréen des années 1980-1990." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0051.

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Depuis les années 1980, la Corée du Sud a observé un processus de légitimation culturelle du cinéma. En prenant appui sur ce phénomène, cette thèse attire l’attention sur le rôle des cinéphiles regroupés sous l’expression, « Munhwawon sedae » : la génération des centres culturels. Dans cette thèse, nous la définissons comme un réseau social de cinéphiles sud-coréens qui émerge à partir de la fréquentation des centres culturels européens à Séoul sur une période qui s’étend entre 1977 et 1984. Notre analyse de ce réseau s’appuie sur une méthode prosopographique permettant d’apprécier les rapport
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Gerontaki, Evangelia. "HOMO PULCHRITUDUS : Beauty as a Product of Dominant Ideology and its Representations in Film." Thesis, Uppsala universitet, Filosofiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-455305.

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This dissertation approaches the concept of beauty. Looking through the consistent efforts ofphilosophers and artists over the centuries to define and capture beauty, we come to the conclusionthat such a thing is impossible in its entirety. The rules and the standards that measure out thebeautiful. By being something that can be defined and measured, I come to the conclusion thatbeauty and the way we talk about it and recognize it, forms a set of rules that establish a system.This system helps the dominant beholding part of power to maintain its status. Nietzsche, throughhis genealogical metho
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Tsai, Wen-Sheng. "Le cinéphile à la découverte de sa nostalgie : une circumambulation sous le signe de Wong Kar Wai." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100055/document.

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Comment faire un travail scientifique si le chercheur est déjà trop obsédé par son objet d’étude et si, d’ailleurs, ce dernier n’est pas seulement un objet réifié mais doté d’une certaine réalité de l’âme ? La distance délicate entre le subjectif et l’objectif est ainsi l’enjeu principal de cette thèse, une recherche dont le chercheur est un cinéphage devenu cinéphile, qui est hanté par sa passion pour son objet bien vivant qu’est le cinéma de Wong Kar Wai mais qui a envie de vivre symboliquement cette passion. Il s’agit donc de l’équation personnelle d’après C. G. Jung et de cette distance ir
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Andrade, Ricardo Sousa. "Fellini, a lenda : O sonho é a única realidade." Master's thesis, 2009. http://hdl.handle.net/10400.12/4666.

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Dissertação de Mestrado apresentada no Instituto Superior de Psicologia Aplicada para obtenção do grau de Mestre na especialidade de Psicologia Clínica.<br>Neste trabalho procuro compreender a relação entre a vida e a obra do inimitável realizador italiano, Federico Fellini. Da análise realizada a diversos filmes e entrevistas de Fellini, realço a certeza que para Fellini, os seus sonhos são o reflexo mais profundo e verdadeiro da sua realidade. O universo onírico é o canal que medeia o contacto entre a vida e a obra do autor. A obra de Fellini reflecte a sua vida, e a sua vida alimenta,
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Libros sobre el tema "Jungle – Au cinéma"

1

Mounier, Fabienne. La vie trépidante des Bolkodaz. L'École des loisirs, 2014.

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Gréville, Edmond T. Trente-cinq ans dans la jungle du cinéma. Institut Lumière, 1995.

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Convegno internazionale di studi Nuovo cinema tedesco, storia, figure, eredità (2011 : Rome, Italy), ed. Nuovo cinema tedesco: (Junger/neuer deutscher Film) : 17 studi. Edizioni Fondazione Ente dello spettacolo, 2014.

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Violle, Nicolas. Je(ux) d'enfants: Littérature et cinéma italiens du XXe siècle. Presses universitaires Blaise Pascal, 2016.

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Bordwell, David. Film art: An introduction. 3rd ed. McGraw-Hill, 1990.

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Bordwell, David. Film art: An introduction. 2nd ed. Knopf, 1986.

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Bordwell, David. Film art: An introduction. McGraw Hill, 2001.

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Bordwell, David. Film art: An introduction. 2nd ed. McGraw-Hill, 1985.

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Bordwell, David. Film art: An introduction. McGraw-Hill Higher Education, 2009.

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Bordwell, David. Film art: An introduction. 7th ed. McGraw-Hill, 2004.

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Capítulos de libros sobre el tema "Jungle – Au cinéma"

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Melbye, David. "River/Jungle and Other Imperialist Allegories." In Landscape Allegory in Cinema. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109797_10.

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Izod, John. "Jung’s Analytical Psychology and the Cinema." In The Films of Nicolas Roeg. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11468-9_1.

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Porter, Laraine. "All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932." In When Music Takes Over in Film. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_6.

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AbstractBritish silent cinema transformed to sound in June 1929, slightly ahead of Europe and a year or so behind Hollywood whose popular Al Jolson Musicals The Jazz Singer (1927) and The Singing Fool (1928) had taken British cinemas by storm. Alfred Hitchcock’s murder story (Blackmail, Alfred Hitchcock, UK) was Britain’s first official talkie and like the majority of films that followed in its wake, contained a pivotal musical moment. This article analyses the use of song and music in early British talkies as they sought to forge a new ‘talkie film language’ by combining dialogue, music and p
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Russell, Catherine. "Jungle Films / White Women." In The Cinema of Barbara Stanwyck. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252045042.003.0011.

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This chapter examines three of Stanwyck’s films set in colonial spaces in which, as the white woman, her presence troubles Imperial relations of power and subjugation. A Message to Garcia (1935) and Escape to Burma (1955) are both set in fake jungles. The western Trooper Hook (1959) is set in a very austere desert with an extensive use of process shots, constructing what Laura Mulvey calls a “clumsy sublime.” Drawing on Richard Dyer’s work on whiteness in Hollywood, the chapter argues that these three curious films foreground the dangerous currents of gender as they intersect with race in the
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"From Blackboard Jungle to The Teahouse of the August Moon:." In Cinema under National Reconstruction. Rutgers University Press, 2024. http://dx.doi.org/10.2307/jj.18654623.8.

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Weinstein, Valerie. "Chapter 8. Embracing the Off-White: Race and Sex in William Thiele’s Jungle Princess (1936)." In Enchanted by Cinema. Berghahn Books, 2024. http://dx.doi.org/10.1515/9781805395386-012.

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"6. Drawing Pictures of Cats: National Cinema and Anime in Jungle Emperor Leo." In Cinema Is a Cat. University of Hawaii Press, 2020. http://dx.doi.org/10.1515/9780824881344-008.

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"2. From Blackboard Jungle to The Teahouse of the August Moon: Censoring Hollywood in Postcolonial Korea." In Cinema under National Reconstruction. Rutgers University Press, 2024. http://dx.doi.org/10.36019/9781978838741-007.

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"PHOTOGRAPHS, CINEMA, AND THE MAGAZINE HOME AND THE WORLD." In On This Modern Highway, Lost in the Jungle. Karolinum Press, Charles University, 2022. http://dx.doi.org/10.2307/jj.5211775.26.

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Ingawanij, May Adadol, and Richard Lowell MacDonald. "Blissfully Whose? Jungle Pleasures, Ultra-modernist Cinema and the Cosmopolitan Thai Auteur." In The Ambiguous Allure of the West. Hong Kong University Press, 2010. http://dx.doi.org/10.5790/hongkong/9789622091214.003.0006.

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Actas de conferencias sobre el tema "Jungle – Au cinéma"

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Uya, Yifan. "Vibração colaborativa: A jornada mítica de um menino de carvão." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g190.

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A pesquisa tem como objetivo examinar o conceito de mito das perspectivas psicológicas e estruturais de Carl Jung e Lévi-Strauss, com as reflexões filosóficas de Maurice Merleau-Ponty e Martin Heidegger sobre a fenomenologia e discussões em torno do conceito ocidental da luz simbólica e críticas à postura instrumentalista da tecnologia. A pesquisa argumenta que a criação de mitos é uma forma necessária de tecnologia social, que pode transformar a experiência em valores altruístas a serem realizados no futuro, movidos pelo poder saciável da sabedoria e do conhecimento. Para desenvolver ainda ma
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Orlandi, Maurizio. "Protezione della sovranità economica e misure anti-sovvenzione – verso l’introduzione di dazi compensativi nei confronti delle autovetture elettriche cinesi." In nternational scientific thematic conference From national sovereignty to negotiation sovereignty "Days of Law Rolando Quadri", Belgrade, 14 June 2024. Institute of Comparative Law : University "Niccolò Cusano", 2024. http://dx.doi.org/10.56461/zr_24.fnstns.08.

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L’intervento illustra come la rapida transizione verso il trasporto elettrico che l’Europa sta compiendo in questi anni rappresenti una scelta politica attuata secondo modalità e tempi non proprio condivisibili e piena di insidie. Molte di tali insidie derivano dalle sovvenzioni massicciamente erogate dalla Cina le quali hanno generato una sovracapacità produttiva capace di distorcere i tradizionali flussi commerciali con l’Occidente ed alle quali l’UE sta rispondendo attraverso l’introduzione di dazi compensativi.
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