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Tesis sobre el tema "Kennedy Library and Museum"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 31 de julio de 2024

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1

Fetter, Randolph Robert. "The Kennedy Administration's handling of the Cuban Missile Crisis". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1987. http://www.kutztown.edu/library/services/remote_access.asp.

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2

Alhumaid, Jameel. "The educational impacts of class visits to the Kennedy Museum of Art /". View abstract, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3205447.

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3

Geyer, Andrea. "A TRIBAL SPECIAL LIBRARY AND ARCHIVES PROJECT: ESTABLISHING THE MALKI MUSEUM SPECIAL LIBRARY AND ARCHIVES". CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/752.

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The Malki Museum Tribal Special Library and Archives project is an on-site repository created in order to provide access to information regarding tribal culture and heritage to local tribal members and researchers. The project filled the need for a space dedicated to material related to the history of local Southern California Native American tribes and information regarding the topics of Archaeology, Anthropology and History. The collection includes: books, manuscripts, documents, audio/visual media, and photographs. Bringing together multimedia sources, the Special Tribal Library allows for the preservation and accessibility of these items through cataloging and digitizing the collection. This method allows for the collection to be available to the public while being able to preserve its integrity through limited handling. In order to facilitate the establishment of the Special Library and Archive, the Malki Museum Special Tribal Library and Archives project teamed up with the Malki Museum’s Director, as well as the Malki Museum’s Tribal Board of Directors. Several weeks of organization, assessment, and collaboration helped prepare the Special Library first for user-friendliness. The final product is the Malki Museum Tribal Special Library which provides tribal members and scholars alike a locality where research can be undertaken and acquired. The Malki Museum Tribal Special Library project helps bring important data within reach to its local community.

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4

Doughty, Kelsey. "Memory - Ness: The Collaboration Between a Library and Museum". [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003197.

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5

Tsavelis, Ilias. "Museum of the city of Athens". Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-40626.

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A museum on a historical site that follows the history and evolution of the city of Athens by exploring the underground levels while creating cultural and leisure spaces for the community on its ground floor. Several pavilions on the ground floor with references on classical architecture act as connectors between past and present; Some of those pavilions house activities for the community and some act as vertical circulation and light shafts between today (park level) and history (underground). Both past and present are incorporated into a both vertical and horizontal journey from light-towards darkness-towards light.

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6

Pourbabai, Farahnaz. "A museum of books". Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53154.

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I think of a book as an act of human generosity. In its offerings are the treasures of a mind. The architecture of a library should celebrate the presentation of the book. In celebrating its presence, the library becomes a museum of books. IN THE ORDER OF THE CIRCLE GEOMETRY WARM GARDEN COLD GARDEN GREEN GARDEN STONE GARDEN IN THE NATURE OE THE WALL HOW TO FINISH THE LAND AT THE WATER’S EDGE
Master of Architecture

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7

Ek, Moa y Gertrud Ivarsson. "Fotoindexering på Jämtlands läns museum". Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16747.

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The aim of this thesis is to describe the subject indexing of images performed at the provincial museum of Jämtland and to evaluate the inter-indexer consistency at the museum. The main questions are: How are photographs indexed in the database SOFIE foto regarding Outline-codes, subject headings and natural language keywords? How does these procedures compare to research and indexing projects? How consistent are the indexers at the museum when choosing Outline-codes, subject headings and natural language keywords? Answers are sought by reading articles about classification, image indexing, indexing language, indexing consistency and by looking at a number of projects attempting to standardise image indexing practice in Sweden. The indexing practice at the museum is also described. In addition a minor inter-indexing consistency study, based on the subject indexing of ten photographs made by five indexers at the museum, is performed. The results are calculated conceptually and terminologically using Rollings measure. The main results are that the indexers are quite consistent with one another and that the subject indexing when using a controlled vocabulary is more consistent than the natural language keyword indexing. The results, as expected, are improved when calculated conceptually rather than terminologically. The information obtained in the articles is discussed and compared to the indexing practice at the museum and to the results of the consistency study. A certain agreement is found, which might imply that the indexing practice at the museum is functional, although further research is suggested.
Uppsatsnivå: D

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8

Tolley, Rebecca. "Review of Art Museum Image Gallery". Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.

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9

Morales, Arroyo Miguel Angel. "The Physiology of Collaboration: An Investigation of Library-Museum-University Partnerships". Thesis, Connect to this title online, 2003. http://www.library.unt.edu/theses/open/20032/morales%5Farroyo%5Fmiguel/index.htm.

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10

Borda, Ann Elizabeth. "The museum library : a survey of libraries in the museums and related institutions of the Greater London area, together with a study on the evolution of the museum library in England". Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1317513/.

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The central focus of the present research is a survey of libraries located in, and associated with, the museums and related institutions of the Greater London area. This investigation arises from an awareness of a general absence in the literatures of both the library and museum professions concerning the role and function of these special libraries. A first means of analysis involved an historical survey illustrating the evolution of museums and libraries in England, with particular reference to the South East. This preliminary stage in the research confirmed the historical significance of London in terms of the development of the two communities, locally and nationally, as well as providing a contextual basis from which to approach the present state and status of the museum library. A statistical survey of eighty-four museum institutions and their libraries in the Greater London area comprised the second stage of analysis. The survey population was grouped by sectors as defined, with some modification, by the official advisory body, the Museums and Galleries Commission. Five categories represented the survey sectors under examination: National, Central Government, Local Authority, University and Independent. During the 1993-94 period, data were gathered on individual institutions in each sector through the use of a designed questionnaire and in-person interviews concerning various aspects of library operation and function, namely; Administration and Staff; Finance; Collections; Catalogues; Services; and Networks. Findings suggested that broad parameters existed in what constituted a museum library, i.e., ranging from a service facility to an informal curatorial collection. Consequently, organisation of the library and its role in relation to the parent body varied accordingly. More defined roles generally corresponded to those institutions supporting libraries which were formally organised and professionally staffed. The levels of public access, collections management and services were also significantly related to the sector under which an institution was grouped. These designations indicated, for instance, that the Nationals had the most comprehensive library facilities and services, whereas smaller institutions across the remaining sectors showed considerable variation in library provision. By default, the funding arrangements specific to certain groups and/or maintaining bodies had a documented effect on the state of the museum libraries surveyed. In general, a greater number of libraries are housed in or associated with museums than described in available sources. However, their role as information partner to the museum organisation is not significant on all levels of provision, particularly as an internally networked resource for the study of respective collections and as an accessible facility for the research public. This limitation in potential may be due to its perception within both the organisation and the wider community, although insufficient allocations to the parent body and the library itself are additional factors.

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11

Smith, M. "3D interactive technology and the museum visitor experience". Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33958/.

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There is a growing interest in developing systems for displaying museum artefacts as well as historic buildings and materials. This work connects with this interest by creating a 3D interactive display for Fishbourne Roman Palace Museum, West Sussex, England. The research aimed to create a reconstruction of the Palace as it would have been at its height, a reconstruction that was interactive in the sense that museum visitors would be able to walk through the buildings and local grounds and experience the site in a way not possible through traditional museum displays. The inclusion of the interactive element prompted the incorporation of game engines as a means of visualising and navigating around the reconstructed 3D model of the Palace. There are numerous game engines available, and the research evaluated a selection with respect to their functionality, cost, and ease of use. It also applied a technology readiness method to assess potential users’ response to the incorporation of different degrees of interactivity. Research was undertaken regarding the appearance of the Palace and, based on the available archaeology and relevant artistic interpretations, a model was created using Autodesk Maya software. This model was exported into each of the possible game engines, and a comparison was made based of each engine’s audio, visual, and functional fidelity, as well as composability and accessibility. The most appropriate engine is chosen based on these results. With reference to the assessment criteria, the hardware and software is in preparation for installation at the Fishbourne Roman Palace Museum. The Technology Readiness Index was applied to determine the effectiveness of such a display compared to a non-interactive representation, a study that concludes that a highly interactive display may not be the most sensible solution for the majority of visitors.

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12

Kaufman, James A. (James Arnold). "Siting amenities and the public review process : the Kennedy Library in Cambridge and New England Aquarium in the Charlestown Navy Yard". Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14045.

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13

Tolley, Rebecca. "Review of Chicago History Museum, Digital Collection: Costume and Textile Collection". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/5646.

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14

Essig, Timothy W. "An examination of visitor services and personnel ethics training programs for several museums in the Pennsylvania Historical and Museum Commission". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.P.A.)--Kutztown University of Pennsylvania, 1999.
Source: Masters Abstracts International, Volume: 45-06, page: 2939. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 65-68).

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15

Forsell, Jenny. "Universitetsmuseer som resurs för undervisning och forskning på universitetet. En undersökning av Uppsala universitet och Museum Gustavianum". Thesis, Uppsala University, Department of ALM, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101952.

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16

Campbell, Louise. "Arkivverksamhet på museum. En studie av arkivverksamheten på Nationalmuseum och Upplandsmuseet". Thesis, Uppsala University, Department of ALM, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101441.

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17

Koll, Johannes y Regina Zodl. "Provenienzforschung ins Museum: Ausstellungseröffnung und Restitution der Wirtschaftsuniversität Wien im Technischen Museum Wien". Vereinigung Österreichischer Bibliothekarinnen & Bibliothekare, 2017. http://epub.wu.ac.at/6172/1/1956%2D6938%2D1%2DSM.pdf.

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Am 4. Oktober 2017 wurde die Integrierung der Privatbibliothek des österreichischen Petrochemikers Dr. Leopold Singer (1869-1942), die zwei Jahre vorher von der Wirtschaftsuniversität Wien an dessen Erben und Erbinnen restituiert worden war, in die Dauerausstellung des Technischen Museums Wien gefeiert. Erstmalig werden damit Ergebnisse bibliothekarischer Provenienzforschung in einem international renommierten Museum der Öffentlichkeit zugänglich gemacht. Zugleich wurde ein Buch restituiert, das bis zum "Anschluss" Österreichs Dr. Martin Singer (1874-1950) gehört hatte.

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18

Wasson, Haidee. "Modern ideas about old films : the Museum of Modern Art's Film Library and film culture, 1935-39". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0025/NQ50280.pdf.

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19

O'Leary, Kelli A. "Museums reaching communities: A case study of the 2005 Institute of Museum and Library Services National Award recipients". Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442926.

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20

Spears, Richard Wayne. "The Lyndon Baines Johnson Presidential Library: A Manifestation of Political Rhetoric in Architectural Form". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276976993.

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21

Wonderly, Meghan. "A Son's Dream: Colonel Webb Cook Hayes and the Founding of the Nation's First Presidential Library". Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494367843442774.

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22

Poirrier, Lauren. "A Comparative Study of the National First Ladies' Library and the Women's Rights National Historical Park". Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1277819335.

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23

Kidder, Alana D. "Women Artists in Pop: Connections to Feminism in Non-Feminist Art". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1388760449.

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24

Baillargeon, Tara Jean. "Planning, creating, and evaluating eMuseums : a step by step handbook for museum professionals". Diss., Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/699.

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25

Shaw, Haley N. "Exploring the Role of In-Gallery Technology-Based Interactives on Visitor-Object Experience". Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574365068794488.

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26

Koniasová, Eliška. "SEFO Olomouc". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354968.

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This thesis describes the design of the Central European center in Olomouc (SEFO). Space for the new building is located in a vacant lot in the historic district Olomouc. The objective is the expansion and reconstruction of the Museum of Modern Art in Olomouc on Denis street, so that was sufficient for all the needs of the growing museum. The museum has about 185,000 works of art, this number is one of the most prominent institutions of its kind in the Czech Republic.

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27

Hannfors, Henrik. "Göteborgs konstmuseibibliotek : En skildring av bibliotekets historia till och med 1939". Thesis, Uppsala universitet, Institutionen för ABM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154504.

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The subject of this thesis is the history of the library at The Göteborg Museum of Art. The aim of the thesis is to depict and analyze the emergence and the expansion of the library’s holdings until 1939. To fulfill the aim, two questions are asked. The first question is: Is it possible to argue that the library’s holdings were collected to document the entire world of art? The question is formulated in relation to a comment by Susan Wyngaard. According to Wyngaard, art libraries tries to document the entire world of art. The second question is: What was the point of having a library at The Göteborg Museum of Art and did the library’s holdings support the museum’s educating, aesthetic or ritual function? The question is inspired by some remarks in Carol Duncan’s book Civilizing rituals: Inside public art museums.The source material which is examined to answer the two questions consists mainly of the annual reports that the museum curator Axel Romdahl published in Göteborgs museum’s yearbook and also of two library ledgers found in The Göteborg Museum of Art. The results of the thesis are based on my observations and interpretations of the data in the annual reports and in the library ledgers. Michael Baxandall’s remark that historical objects can be explained by being treated as solutions to problems in situtations has assisted the analysis of the source material. Three conclusions are drawn in the thesis. The first conclusion is drawn in relation to Michael Baxandall’s remark that historical objects can be explained by being treated as solutions to problems in situations. The conclusion is that the visual documents that were collected in the library helped to expand the opportunities to see art at The Göteborg Museum of Art. The textual documents that were collected in the library helped solving another problem, which dealt with gathering written knowledge of art. The second conclusion is that a few specialized areas were particularly prominent during certain periods of time. In the 1910’s and in the 1920’s, the library’s holdings were focused on reproductions of graphic art and drawings made by artists from the european continent. During a few years in the beginning of the 1930’s, a large number of monographs on Swedish artists were aquired. The conclusion shows that it is not completely safe to argue that art libraries tries to document the entire world of art. The third conclusion is that the library at The Göteborg Museum of Art supported the museum’s educating function, and that the library at least had the potential to support the museum’s aesthetic and ritual function. This is a two years master’s thesis in Library and Information Science.

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28

Runge, Dana. "Eine ganz mobile Bibliothek". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-69724.

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Im Johanneum am Neumarkt in Dresden - an historisch bedeutsamer Stelle - ist das Verkehrsmuseum zu finden. Das Gebäude hat eine mehr als 400-jährige Geschichte, die eng mit den sächsischen Kurfürsten und Königen sowie deren Sammlungen verknüpft ist. Der 1586 errichtete Marstall beherbergte jahrhundertelang die Pferde, Kutschen und Wagen der sächsischen Regenten. Später waren hier unter anderem die Gemäldegalerie, Porzellansammlung und das Historische Museum untergebracht. Dafür wurde das Gebäude mehrfach umgebaut, zuletzt unter dem kunstsinnigen König Johann, dessen Namen das Haus seit 1876 trägt. Das Erdgeschoss diente bis 1942 ununterbrochen als Wagenhalle. Ein Verkehrsmuseum kann wohl kaum ein passenderes Domizil finden.

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29

Romano, Cara L. "Gallery 66 selling the Southwest /". Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194999497.

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30

Juráš, Ján. "Za zrkadlom slovenskej identity". Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2017. http://www.nusl.cz/ntk/nusl-316334.

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Does the question of collective identity still remain in the hands of companies and institutions, or is it rather becoming an uncontrolled marketable commodity and a victim of the economic opportunism and growing nationalism? What selfidentifying legacy is Slovakia building today? On the one hand we live in the era of historically high economic prosperity, on the other hand we are not creating environment which would help us to identify ourselves. The commercial buildings have become the despotic temples of today's cities. The public buildings are turning into stage props in the name of fnancial “optimization”. Ideological and physical environment of educational and cultural institutions sufers from being underfnanced in comparison with the European average. The eforts to put an end to the 1990s’ provincionalism and to redefne our social self-esteem are suppressed at the expense of the boundless polished ofce areas. The thesis is a critical refection of Slovak politics in the context of education and culture. By puting together seemingly disparate felds of science and fne arts the author

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31

Di, Mauro Annarita. "Scienza e naturalia nel monastero di S. Nicolò l'Arena Ricognizione, analisi e studio del Fondo Benedettino e della collezione museale". Doctoral thesis, Università di Catania, 2018. http://hdl.handle.net/10761/3841.

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Il progetto di tesi si pone di delineare contenuti, forme e modelli delle collezioni scientifiche dei PP. Benedettini del Monastero di San Nicolò l Arena di Catania nell ambito del più vasto panorama del collezionismo naturalistico-scientifico del XVIII-XIX sec. La ricerca propone lo sviluppo di una metodologia integrata per analizzare, descrivere, valorizzare e rendere fruibile le caratteristiche del collezionismo scientifico dei monaci benedettini, inserendosi all interno di un ampio filone di ricerche multidisciplinari sulla valorizzazione dell ex Monastero e sugli episodi del collezionismo siciliano, condotto già da alcuni anni da ricercatori e specialisti del Dipartimento di Scienze Umanistiche dell Università di Catania. All interno di questo principale ambito di ricerca si prevede, infatti, un approfondimento riguardante lo studio degli aspetti naturalistico-scientifici e sperimentali delle collezioni benedettine, con lo scopo di chiarirne l articolazione cronologica, il significato storico-culturale ed i legami con le contemporanee istituzioni e strutture (Biblioteca, Accademia, Museum Biscarianum, etc.) attraverso la lettura delle fonti documentarie archivistiche del Fondo Benedettini conservato presso l Archivio di Stato di Catania e di tutte le altre fonti coeve disponibili in vario modo correlate. Lo studio permetterà di approfondire il rapporto tra benedettini e città, ed in particolare le relazioni con l Accademia Gioienia e l Università, nell ottica del modello museo integrato , tipico del collezionismo settecentesco. Soprattutto si cercherà di indagare attraverso l analisi delle informazioni raccolte, sia archivistiche che librarie, la concezione settecentesca del sapere e dello studio benedettino, la chiave interpretativa dei diversi rami delle collezioni ed il complesso legame tra Scienze ed Arti . Dal recupero di documenti inediti e dalle nuove ricerche sui numerosi documenti d archivio, si avvierà una nuova sistematica indagine per la conoscenza e l approfondimento delle collezioni naturalistico-scientifiche dei monaci benedettini. In particolare si tenterà di rintracciare tendenze, modalità, motivazioni e pratiche sociali dei singoli collezionisti, nonché gli scambi materiali o intellettuali tra i diversi protagonisti, ricostruendo là dove possibile gli specifici contesti di una collezione nel confronto, sempre illuminante, con le esperienze coeve. Inoltre si intende promuovere la valorizzazione e la definizione di un nuovo modello di gestione e fruizione del Fondo Benedettini conservato presso le Biblioteche Riunite Civica e U. Recupero di Catania, attraverso la digitalizzazione del patrimonio storico-documentario e librario indagato. Il progetto, infatti, intende coniugare l indagine scientifica con l innovazione tecnologica ponendosi in linea con le nuove prospettive di ricerca che si affermano nel campo della fruizione, valorizzazione e conservazione del patrimonio umanistico attraverso la collaborazione con l Istituto per i Beni Archeologici e Monumentali del Consiglio Nazionale delle Ricerche di Catania (IBAM-CNR), ente specializzato nel campo della digitalizzazione del patrimonio storico-documentario.

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32

Schneider, Ulrich Johannes. "Bücher kommen entgegen". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-24343.

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In Buchausstellungen begegnen wir Texten, die auf Tonscherben, Papyrus, Pergament oder Papier geschrieben oder gedruckt sind. Die oft nicht sehr großen und nur ausnahmsweise farbigen Objekte werden uns in unterschiedlichen Zusammenhängen vorgeführt, je nach Ausstellungsthema. Kann man über Buchausstellungen und ihre Räume etwas sagen, auch unabhängig vom Thema einer Ausstellung? Die folgenden Überlegungen versuchen das, sowohl abstrakt wie konkret.

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33

Mampieri, Martina. "From Frankfurt to Jerusalem: Jewish Manuscripts in the Nauheim Collection at the National Library of Israel". HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A73369.

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34

Hoins, Katharina y Mallinckrodt Felicitas von. "Macht. Wissen. Teilhabe.: Sammlungsinstitutionen im 21. Jahrhundert". Henry Arnhold Dresden Summer School, 2015. https://slub.qucosa.de/id/qucosa%3A5945.

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Macht, Wissen, Teilhabe – diese Begriffe sind für die Entwicklung von Sammlungsinstitutionen im 21. Jahrhundert zentral. Wie können Museen und Bibliotheken ihre Rolle als Vermittler, Bewahrer und Produzenten von kulturellem Wissen neu denken? Welche Rolle spielen ihre Besucherinnen und Besucher? Wer kann in einer globalisierten und digitalen Welt Deutungsmacht ausüben? Die Beiträge aus Wissenschaft und Praxis reflektieren aus unterschiedlichen Perspektiven, wie sich Museen und Bibliotheken in diesem Spannungsfeld positionieren. So befassen sich Karl-Siegbert Rehberg, Horst Bredekamp, Lambert Wiesing und Wolfgang Ullrich grundlegend mit Praktiken des Sammelns, Zeigens und Ausstellens. Ursula Rao, Stefanie Mauksch und Sarah Fründt gehen auf die besondere Rolle von Ethnologischen Museen ein, während Susanne Wernsing und Cindy Denner aus kuratorischer Perspektive neue Wege der Wissensproduktion in Ausstellungen beschreiben.

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Sheehan, Jennifer Karr. "Intangible Qualities of Rare Books: Toward a Decision-Making Framework for Preservation Management in Rare Book Collections, Based Upon the Concept of the Book as Object". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5213/.

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For rare book collections, a considerable challenge is involved in evaluating collection materials in terms of their inherent value, which includes the textual and intangible information the materials provide for the collection's users. Preservation management in rare book collections is a complex and costly process. As digitization and other technological advances in surrogate technology have provided new forms representation, new dilemmas in weighing the rare book's inherently valuable characteristics against the possibly lesser financial costs of surrogates have arisen. No model has been in wide use to guide preservation management decisions. An initial iteration of such a model is developed, based on a Delphi-like iterative questioning of a group of experts in the field of rare books. The results are used to synthesize a preservation management framework for rare book collections, and a small-scale test of the framework has been completed through two independent analyses of five rare books in a functioning collection. Utilizing a standardized template for making preservation decisions offers a variety of benefits. Preservation decisions may include prioritizing action upon the authentic objects, or developing and maintaining surrogates in lieu of retaining costly original collection materials. The framework constructed in this study provides a method for reducing the subjectivity of preservation decision-making and facilitating the development of a standard of practice for preservation management within rare book collections.

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Sternberg, Ilse. "Policies for the acquisition of printed books at the British Museum Library, 1837-1960 : with particular attention to the procurement of works from Africa, Asia, the Caribbean and Latin America". Thesis, University College London (University of London), 1991. http://discovery.ucl.ac.uk/1317768/.

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Using Panizzi's 1837 declaration to the Trustees of the British Museum as the model, the acquisitions policy for a national library is a statement of the need to acquire the national printed archive followed by an indication of the desirable coverage of foreign publishing. Minimum requirements to achieve this are adequate finance, a knowledgeable staff, sufficient space for both the staff and the collections and the ability to make resources available. The role of Panizzi in ensuring the status of the British Museum Library as the national collection has been well documented. Less well known is the part played by his subordinates and successors in helping him and in ensuring that his ideals were implemented and amplified. The more notable of these have been neglected by library history, the more pedestrian completely forgotten. The period from the later 1850s through the 1880s were years of liberal funding and acquisitions growth matched only by that of the first decade of the British Library. It seems possible that even the recent halcyon days will not match the extraordinary development of the collections during the earlier period. Legal deposit, even though difficult to enforce overseas, and a system of international exchanges played an important role when government was forced to curtail the generous grant. It is not feasible to draw firm conclusions about the percentage of world publishing acquired by the British Museum Library as most countries do not yet have accurate figures for their printed output, nor is it possible to be definite about the quantities procured by the Library since the basis for reporting additions changed frequently. In order to gain a picture of what and how material was obtained it was necessary to make lists of registers and receipt books now in the departmental archives. These lists are reproduced in tables and appendices.

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Nitzschke, Katrin. "Aus dem Index librorum prohibitorum". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2008. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1211455289722-76078.

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Bevor das Buchmuseum der Sächsischen Landesbibliothek - Staats- und Universitätsbibliothek Dresden (SLUB) an seinem alten Standort im Frühjahr 2002 geschlossen wurde und seit 15. Januar 2003 im Bibliotheksneubau wieder der Öffentlichkeit zugänglich ist, fand im November des vergangenen Jahres die letzte Eröffnung einer Sonderausstellung in den alten Räumen statt. Dem Zensieren, Verbieten und Verfolgen des gedruckten Wortes im 20. Jahrhundert nachzugehen und dies an prägnanten Beispielen vorzuführen, galt die Auswahl der Exponate. Dabei spannte sich der Bogen von staatlicher Reglementierung bis zur Selbstzensur der Autoren und Verlage. Auch die Bibliotheken blieben davon nicht unberührt, sondern beteiligten sich beispielsweise mit Ausleihbeschränkungen. Um diese Aspekte zu verdeutlichen, wurde eine chronologische Gliederung gewählt, die Unterschiede und Gemeinsamkeiten an markanten Beispielen beleuchten sollte
Before the book museum of the Saxon State and University Library Dresden (SLUB) closed at its original location in spring 2002 , ready to move into a newly built library centre, a last spezial exhibition was opened in the former rooms in November of last year. The selected exhibits offered striking examples to illustrate the censoring, prohibition and persecution of the printed word during the 20th century, whether attributable to state regimentation or self-censorship on the part of authors and publishers. Libraries were equally involved, for example with restrictions on lending. A chronological structure was chosen to elucidate these perspectives and to present the distinguishing an common aspects revealed in prominent examples

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Schneider, Ulrich Johannes. "Leipziger Judentümer in Stadt und Universität". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-33122.

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Der im Dezember 2009 fertiggestellte Ausstellungsraum der Bibliotheca Albertina erlebt seine erste große Ausstellung, die sich mit den Judentümern in Stadt und Universität befasst. Darunter befinden sich 70 Bücher und sechs Videofilme zur Betrachtung. Zur Ausstellung gibt es einen 80-seitigen farbigen Katalog.

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39

Minenko, Sergey. "Muzeum moderního umění - Bejrút". Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240872.

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The aim of the competition work is to design the Museum of Modern Art in the cultural part of the city of Beirut. The Museum of Modern Art will take up a historical and symbolic site across from the National Museum in the Achrafieh district of Beirut. The Museum will be a dynamic contemporary place true to its social and cultural responsibilities. It will acknowledge the historical significance of the site and its adjoining institutions, providing a connective fabric across the city’s divide.

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40

Graham, Tracy Ann. "A Preventive Conservation Guidebook". University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1248180765.

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Parisi-Moreno, Verónica. "El museo escolar y la biblioteca escolar. Recursos para desarrollar la competencia informacional en educación infantil y educación primaria". Doctoral thesis, Universitat de Lleida, 2021. http://hdl.handle.net/10803/671730.

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La competència informacional, que és un objectiu fonamental des de les primeres etapes educatives, es vincula a la lectura de fonts d’informació escrita i a la biblioteca escolar. Ara bé, és possible que aquests no siguin els recursos més adequats quan la competència lectora encara no ha estat plenament adquirida. En canvi, les fonts d’informació material proporcionen informació independentment de si l’alumnat sap llegir fonts escrites. Per tant, aquesta tesi es centra en el potencial de la lectura d'objectes a fi de garantir una sòlida adquisició de la competència informacional en l'alumnat d'educació infantil i primària. Sota aquest objectiu, es tracta d'establir un vincle entre la competència informacional i les fonts d'informació material. Com a resultat, es recupera el concepte de museu escolar com a recurs didàctic i s’estableixen les bases per a la incorporació d'un espai compartit entre la biblioteca escolar i el museu escolar.
La competencia informacional, que es un objetivo fundamental desde las primeras etapas educativas, se vincula a la lectura de fuentes de información escrita y a la biblioteca escolar. Ahora bien, es posible que estos no sean los recursos más adecuados cuando la competencia lectora aún no ha sido plenamente adquirida. En cambio, las fuentes de información material proporcionan información independientemente de si el alumnado sabe leer fuentes escritas. Por lo tanto, esta investigación se centra en el potencial de la lectura de objetos a fin de garantizar una sólida adquisición de la competencia informacional en el alumnado de educación infantil y primaria. Bajo este objetivo, se trata de establecer un vínculo entre la competencia informacional y las fuentes de información material. De este modo, se recupera el concepto de museo escolar como recurso didáctico y se establecen las bases para la incorporación de un espacio compartido entre la biblioteca escolar y el museo escolar.
Information literacy, a key objective from early childhood education, is linked to the school library and reading written sources of information. However, these may not be the most appropriate resources when reading skills have not been fully acquired yet. In contrast, material information sources provide information regardless of whether students can read written sources. Therefore, this research focuses on the potential of reading objects to guarantee a solid acquisition of information literacy in early childhood education. As a consequence, we establish a link between information literacy and material sources of information. We also propose to reintroduce school museums as a didactic resource in formal education and create a shared space between the school library and the school museum.

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Sá, Cecilia Gomes de. "Setor cultural de Brasília : contradições no centro da cidade". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/101894.

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A seguinte pesquisa trata das origens e projetos arquitetônicos do Setor Cultural de Brasília e busca compreender os antagonismos e similitudes existentes entre o Plano Piloto realizado por Lucio Costa e as diversas propostas elaboradas por Oscar Niemeyer e outros arquitetos para o local, algumas das quais construídas e consolidadas. A Esplanada dos Ministérios em Brasília é o ponto mais representativo do urbanismo e arquitetura da cidade e após cinquenta e três anos da inauguração da capital o Setor Cultural é o único trecho da Esplanada ainda não executado plenamente. Essa situação associada ao tombamento do conjunto urbanístico de Brasília em 1991 e à portaria 314/92 que estabelece exclusividade de intervenção aos dois arquitetos autores de Brasília fortalece a preocupação entre arquitetos, cidadãos e Estado em conciliar os propósitos de Costa e Niemeyer. Apesar da referência afirmativa de ambos sobre o modelo progressista na idealização do plano urbanístico e ainda um consenso e maturação dos conceitos e críticas ao urbanismo moderno, associados a uma postura respeitosa dos arquitetos em relação aos precedentes arquitetônicos, há contradições explícitas entre projetos executados de Oscar Niemeyer e o plano-‐piloto levando até hoje a diversos projetos inconclusos e à polêmicas discussões sobre o Setor. A compreensão do desenvolvimento desse processo resulta da análise crítica dos projetos concebidos confrontados ao Plano Piloto de Lucio Costa e seus precedentes históricos, além da organização do inventário de projetos para o setor.
This research deals with the origins and architectural projects of the Cultural Sector of Brasília and pursues to understand the antagonisms and similarities between the Pilot Plan conducted by Lucio Costa and the various proposals made by the architect Oscar Niemeyer and other architects to the site, many of them built and consolidated. The Esplanade of Ministries in Brasilia is the most representative site of the urbanism and architecture of the city and fifty-‐three years after the foundation of the capital, the Cultural Sector is the only part of the Esplanade that has not yet completely implemented. This situation associated with the legally protection of the urban site of Brasilia sanctioned in 1991 and the decree number 314/92 establishing exclusivity of architectural intervention to the two authors of Brasilia signs the concern among architects, citizens and government to conciliate the purposes of Costa and Niemeyer. Despite the positive reference of both architects about progressive urbanism model in the idealization of the urban plan of Brasília and even a consensus and maturation of concepts and critiques of modern urbanism, associated with a respectful attitude towards the architectural precedents, there are explicit contradictions between projects executed by Oscar Niemeyer and the pilot plan designed by Lucio Costa that leave until today many unfinished projects and controversial discussions about the sector. The understanding of this process development results in the critical analysis of architectural projects confronted to the Pilot Plan of Lucio Costa and its historical precedents, beyond the inventory organization of the Cultural Sector projects.

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43

Nitzschke, Katrin. "Bibliothek und Wissenschaft - Bedeutende Bibliothekare aus 450 Jahren". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2006. http://nbn-resolving.de/urn:nbn:de:swb:14-1159455773509-07413.

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Die derzeitige Exposition widmet sich dem Spannungsfeld von wissenschaftlicher Leistung und bibliothekarischer Arbeit. 12 Persönlichkeiten werden vorgestellt, die in den Vorgängereinrichtungen der Sächsischen Landesbibliothek (SLB) – sie geht in ihren Anfängen auf das Jahr 1556 zurück – und der Universitätsbibliothek (UB) der TU Dresden tätig waren.

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Kolb, Lisa Christina. "Kulturelle Gedächtnisinstitutionen und ihre digitale Zukunft". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-111305.

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Bereits seit einiger Zeit ist von Seiten kulturgutverwahrender Institutionen ein Aufbruch in Richtung der digitalen Welt zu konstatieren. Eine steigende Anzahl von Tagungen, Publikationen und kulturwissenschaftlichen Studien zu diesem Thema belegt dies.1 Doch welche Umbrüche in den Strukturen, im Denken und in den Strategien sind notwendig, um die digitale Zukunft erfolgreich zu beschreiten? (...)

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Drexhage, Glenn. "The future of our past : inside the 2008 B.C. Digitization Symposium". British Columbia Library Association, 2009. http://hdl.handle.net/2429/8545.

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This article, written by Glenn Drexhage, Communications Officer – UBC Library/Irving K. Barber Learning Centre, appeared in the BCLA Browser: Linking the Library Landscape online newsletter (vol.1, no.1 2009). For more information, please visit the BC Digitization Symposium 2008 website at: http://symposium.westbeyondthewest.ca and the BCLA Browser website at: http://bclabrowser.ca.

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46

Nitzschke, Katrin. "Bibliotheken als Kunstsammlungen". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-25828.

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Bibliotheken besinnen sich wieder darauf, daß sie auch Kunstsammlungen sind.“ Als Erhart Kästner 1936 diese Aussage formulierte, bestand das von ihm begründete Buchmuseum der Sächsischen Landesbibliothek im Japanischen Palais gerade ein Jahr. Deutlich länger aber lassen sich die Anfänge der Ausstellungspraxis in Dresden zurückverfolgen.

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47

Barbanti, Cristina Hilsdorf. "Representação e recuperação da informação em centros de memória". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-13012016-103551/.

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Os Centros de Documentação possuem nomenclaturas variadas: Centro de Documentação, Centro de Referência, Centro de Memória, Núcleo de Documentação e outros. Nessa pesquisa, utilizaremos o termo Centro de Memória, numa tentativa de padronização, à luz de algumas pesquisas recentes. Ao nos referirmos a Centros de Memória institucionais, a heterogeneidade da informação acumulada é abundante. Trata-se de diversos suportes que são ou pretendem ser armazenados, tais como papéis, cartazes, mapas, objetos tridimensionais, livros, CDs e imagens, entre outros. Essa heterogeneidade nos trouxe a necessidade de um estudo e de uma reflexão teórica mais aprofundados, no que concerne ao tratamento da informação nas três áreas envolvidas pela nossa pesquisa Arquivologia, Biblioteconomia e Museologia sob a ótica da Organização e Representação do Conhecimento, no âmbito da Ciência da Informação. O levantamento trouxe uma perspectiva histórica das três áreas, estudadas verticalmente, trazendo pontos de intersecção e diferenciação entre elas. Uma vez que a representação de cada acervo é diferente, acarretando problemas em sua recuperação, propusemos a utilização das Linguagens Documentárias para compatibilizar o acesso à recuperação desses acervos. Assim, procuramos investigar e discutir a viabilidade de um novo modelo de vocabulários controlados que possa melhorar a qualidade do acesso à informação nos acervos de Centros de Memória e contribuir com os estudos sobre a linguagem no campo da Ciência da Informação. Essa construção deve ser pontuada por diretrizes específicas para a representação e recuperação da informação em Centros de Memória, como uma decisão administrativa estratégica para a padronização e otimização de serviços, e a racionalização da recuperação da informação. Estes procedimentos e diretrizes devem ser trabalhados e acordados na construção de uma Política de Indexação. Em suma, a pesquisa discute a necessidade atual do desenvolvimento de diretrizes que se utilizem das Linguagens Documentárias, para que sejam atendidas as especificidades de recuperação da informação em acervos de Centros de Memória sobretudo, os que possuam informação registrada nos arranjos pertencentes à tríade: arquivo, biblioteca e museu.
The Documentation Centers have different nomenclatures: Documentation Center, Reference Center, Memory Center, Memorial Center, and others. In this research, we will use the term Memory Center in an attempt to standardization - in the light of some recent research done. When referring to institutional Memory Centers, our attention is drawn to the heterogeneity of the accumulated information. It is many document formats that are or intend to be stored, such as papers, posters, maps, three-dimensional objects, books, CDs and images, among others. This heterogeneity brought us the need for a study and a deeper theoretical reflection, regarding the processing of information in the three areas involved by our research - Archival, Library and Museum Studies - from the perspective of the Organization and Knowledge Representation, under Information Science. The survey brought a historical perspective of the three areas that were studied vertically, bringing points of intersection and differentiation between them. Since the representation of each collection is different, causing problems in their recoveries, we proposed the use of Documentary Languages to grant access to the recovery of these collections. Hence, we try to investigate and discuss the feasibility of a new controlled vocabularies model, which can improve the quality of access to information in memory centers of collections and contribute to the study of the language in the field of Information Science. This construction should be punctuated by specific guidelines for the representation and retrieval of information in memory centers as a strategic management decision for the standardization and optimization of services, and the rationalization of information retrieval. These procedures and guidelines should be worked out and agreed on building a Indexing Policy. In short, the study discusses the current need to develop guidelines that use the Documentary Languages, so the specifics of information retrieval are met in Memory Centers collections - especially those who have information recorded in the arrangements belonging to the triad Archival, Library and Museum.

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Flodrová, Helena. "Nová synagóga v Brně". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-227132.

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The subject of this diploma thesis is the architectural design of the New synagogue in Brno. The aim of this study is to create the closed a closed complex of buildings, which will be used by the Jewish religious communities and their members. Therefore, a building program is designed individually, according to the preferences and needs of the target group. The new building is located in Brno-Trnitá. At present, a new Jewish community center with a new synagogue in his heart is under development. The center is intended for all age groups. Besides the New synagogue, the area will contain a museum, kosher restaurants and administrative center. The administrative building of the Jewish community center is composed of a multi-purpose hall, a Jewis library, offices and a mikveh. Design of adjacent buildings and planned housing development is part of the presented urban design.

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De, Pasquale Andrea. "Jean-Baptiste Bodoni, imprimeur d’Europe". Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4051.

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Jean-Baptiste Bodoni (1740-1813) est l’un des imprimeurs les plus célèbres du monde occidental et, pour l’Italie, le dernier représentant de la « Typographie d’Ancien Régime » en même temps que le premier des « modernes ». Il a en effet été le dernier capable de dessiner, graver et fondre lui-même ses caractères, tout en exerçant conjointement l’imprimerie et la librairie. Après lui, l’industrialisation du livre commence : les activités qu'il réunissait dans son entreprise, selon la tradition remontant à la naissance de l’imprimerie, se scindèrent sans retour, tandis que la production imprimée s’adressait désormais à la fois à des marchés plus vastes et à des publics différents et plus larges. Les tirages de masse s'accompagnèrent d'une baisse de la qualité et d'une plus grande banalité du style. Grâce à Angelo Pezzana, directeur de la Bibliothèque de Parme au XIXème siècle, les outils utilisés par Bodoni pour fabriquer les caractères, mais aussi ses archives et une collection complète des volumes produits par son atelier, ont été conservés jusqu’à nos jours. Il est donc possible de reconstruire la vie de Bodoni, en insistant notamment sur ses rapports avec les cours d’Europe et avec le marché de la bibliophilie, sur les conditions et les pratiques de travail dans la fonderie de caractères et dans l’imprimerie, et sur la genèse des ouvrages les plus célèbres. La fortune qui a été la sienne remonte aux décennies qui suivent sa disparition et se prolonge jusqu’à aujourd’hui, où les caractères Bodoni sont utilisés dans les graphismes publicitaires et dans les revues, ainsi que pour les marques de mode. Ils sont, toujours, des symboles de l’élégance, de la simplicité, et en même temps du luxe et de l’italianité
Giambattista Bodoni (1740-1813) is one of the most famous printers of the western world and, for Italy, the last representative of the "Ancien Régime Typography" at the same time as the first "modern". It has indeed been able to make his own characters while exercising together printing and book trade. After him, the industrialization of the book begins: the activities he met in his company, according to tradition dating back to the birth of printing, divided without return, while print production is now addressed to both larger markets and different and wider audiences. Mass prints were accompanied by a decline in quality and of greater banality of style. With Angelo Pezzana, director of the Library of Parma in the nineteenth century, the tools used by Bodoni for making type, but also its archives and a complete collection of volumes produced by his typography, have been preserved until today. It is therefore possible to reconstruct Bodoni of life, with particular emphasis on its relations with the courts of Europe and the market for bibliophile, on the conditions and labor practices in the foundry of characters and in printing, and the genesis of the most famous works. His fortune follow his death and continues until today, where Bodoni characters are used in graphics and for publications and magazines, as well as for fashion brands. They are always, symbols of elegance, simplicity, and at the same time of the luxury and of the Italian style

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50

Södergren, Gabriella y Isabelle Lundin. "UTRYMNINGSSÄKERHET I STATLIGA BYGGNADSMINNEN : För personer med funktionsnedsättning". Thesis, Mälardalens högskola, Akademin för ekonomi, samhälle och teknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-33161.

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Background: Historical buildings in Sweden with the highest value of cultural heritage are administrated by the state and are protected by the directive SFS 2013:588. Also there are laws which demands that all public buildings which are administrated by the government should be accessible for everyone, with or without disabilities. This law also demands that in case of fire all visitors should be able to evacuate safely, including people with disabilities. This may be problematic to achieve without damaging the cultural value. Aim: The aim of this work is therefore to investigate a safe way for people with disabilities to evacuate in case of fire in buildings with high cultural value in Sweden, which are administrated by the state, with focus on the technical solutions. The aim is also to investigate improvement measures for the studied buildings and the laws in Sweden regarding the subject. Method: This work in bases on a literature study and a case study. The purpose of the literature study was to identify the previous studies and background information which was needed to find solutions to the problem. The case study were constructed to see how technical solutions are incorporated in actual buildings, but also to see how the evacuation can improve. Results: The work shows that all buildings in the case study has a sufficient evacuation plan for people with disabilities, but could be improved especially for people with visual disabilities without destroying the cultural heritage. Conclusion: One conclusion is that the focus often lies on technical solutions to make it possible for people with mobility impairments to evacuate, but the needs of people with visual disabilities are often overlooked. Therefore the laws regarding the subject should clarified that all people with disabilities also should have the same possibility to evacuate safety. Another conclusion is that it is possible to implement technical solutions in historical buildings without significantly destroying the cultural value. However, more research is required to develop new and improved solutions for these type of buildings.

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