Literatura académica sobre el tema "Kisho Kurokawa Architects and Associates"

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Artículos de revistas sobre el tema "Kisho Kurokawa Architects and Associates"

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VOLICHENKO, OLGA. "ENVIRONMENTAL CONCEPT OF THE CHINESE ARCHITECT WANG SHU." Биосферная совместимость: человек, регион, технологии, no. 1(41) (March 10, 2023): 63–75. http://dx.doi.org/10.21869/2311-1518-2023-41-1-63-75.

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The eastern philosophical tradition in the professional mind of the architect is associated primarily with Japanese architecture - the theory of metabolism by Masato Otaka, Fumihiko Maki and the philosophy of symbiosis by Kisho Kurokawa. Today, Chinese architects - Ma Yansong, Zhu Pei, Li Xingang and others - are entering the arena of world architecture, bringing their own approach to the creation of a co-evolutionary space. The purpose of this study is to study the creative concept of the 2012 Pritzker Prize winner Chinese architect Wang Shu. Understanding Chinese traditional culture from the
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Tyurin, Sergey M., Yuri V. Nazarov та Alla Aleksandrovna Kornilova. "Формирование художественно-коммуникационной среды города Астаны в контексте реализации градостроительного проекта Кисе Курокавы". Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, № 3 (27 вересня 2018): 100–106. http://dx.doi.org/10.22337/2077-9038-2018-3-100-106.

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The article is devoted to the interrelation of the master plan for the development of Astana, developed by the Japanese architect Kisho Kurokawa, and the peculiarities of the formation of the artistic and communication environment of the new capital of the Republic of Kazakhstan. The article presents the philosophical ideas of symbiosis and metabolism of Kisho Kurokawa, which are the basis of the development concept of Astana. In the practice of designing the urban environment, they were implemented through the absence of a dominant style, numerous repetitions, the use of techniques of eclecti
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Majeed, Mohammed Ridha Shakir. "Importance of New Use of Concrete in Iraq Analysis of Development And Use of Concrete in Architecture." Journal of Engineering 21, no. 4 (2015): 20–38. http://dx.doi.org/10.31026/j.eng.2015.04.11.

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Since its invention by the Ancient Romans and later developed during the mid-18th century, the concrete structure and finish, has been considered as the most powerful, practical, economic and constructional material that meets the building’s architectural and aesthetical requirements. By creating unique architectural forms, the pioneer architects used concrete widely to shape up their innovative designs and buildings.
 The pre-mixed ultra-high performance concrete which manufactured by Lafarge.
 The transparent concrete and cement that allow the light beams to pass through them, intr
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Dumnova, Elnara. "The Conformity to Nature Phenomenon in Modern Japanese Architecture." Ideas and Ideals 15, no. 1-2 (2023): 388–405. http://dx.doi.org/10.17212/2075-0862-2023-15.1.2-388-405.

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The article examines the uniqueness of modern architecture in Japan from the point of view of combining aesthetic principles, the origins of which go back to the traditional religious and philosophical thought of the Far Eastern civilization, with new design techniques. The author gives a retrospective analysis of its formation, starting from the Meiji era. The phenomenon of the naturalness of the architecture of metabolism and minimalism is revealed based on the analysis of the most important Japanese aesthetic principles, the observance of which allowed modern Japanese architects to create a
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Ek, İpek. "Symbiosis of Contrasts as Aesthetic Effect and Its Role in Designing Japanese Spatial Atmosphere." Tasarim + Kuram 20, no. 41 (2024): 1–13. http://dx.doi.org/10.59215/tasarimkuram.dtj427.

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The word aesthetic has been generally found dangerous by architects. The subjective values related to aesthetics play a role in the perception of the discipline as related to ambiguous notions, in today’s architecture. However, the heart of the discipline resides in the universally recognized qualities/values in the periods of both when it was coined by Aleksander Gottlieb Baumgarten in the eighteenth century and when it was handled with the twentieth century’s phenomenological perspective toward the spatial atmosphere. While aesthetics in today’s architectural design trend proceeds on the bas
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Shishovski, Jordan. "THINKING ABOUT POST-PANDEMIC ARCHITECTURE: HEIDEGGER, JAPANESE NEW WAVE AND NEW DUTCH ARCHITECTURE." September 16, 2021. https://doi.org/10.5281/zenodo.7288593.

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Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors
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Trisno, Rudy, and Fermanto Lianto. "Lao Tze and Confucius' philosophies influenced the designs of Kisho Kurokawa and Tadao Ando." City, Territory and Architecture 8, no. 1 (2021). http://dx.doi.org/10.1186/s40410-021-00138-x.

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AbstractJapanese architecture retains the characteristic of appreciating its culture, despite the growing influence of Western architecture. Based on this issue, it is a very interesting area to study to understand the design concepts behind two masterpieces from the world’s architects Kisho Kurokawa and Tadao Ando. This study uses a qualitative method by analyzing theories and case studies in the work of the architects Kisho Kurokawa and Tadao Ando. It conducts the following detailed analyses; (a) Western architects who influenced both design concepts; (b) The primary considerations of the tw
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Sinclair,, Brian R., Somayeh Mousazadeh, and Ghazaleh Safarzadeh. "Agility, Adaptability + Appropriateness: Conceiving, Crafting & Constructing an Architecture of the 21st Century." Enquiry A Journal for Architectural Research 9, no. 1 (2012). http://dx.doi.org/10.17831/enq:arcc.v9i1.65.

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Architectural design in our current times has tended to generate buildings which, despite their aesthetic qualities, frequently prove static, rigid and intractable. The intense and significant production of architecture around the planet has created a situation whereby modification of the existing building stock is costly, difficult and at times implausible. Beginning in the mid-twentieth century architects began to more seriously question narrow design approaches and in response explored more open, mutable and responsive ways of building. Architects such as Kisho Kurokawa and Cedric Price, in
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ABDRASSILOVA, G., and E. MURZAGALIYEVA. "IMPLEMENTATION OF PROJECTS BY FOREIGN ARCHITECTS IN KAZAKHSTAN: IN SEARCH OF REGIONAL AUTHENTICITY." Urbanizm, 2018, 1–11. http://dx.doi.org/10.58225/urbanizm.2017-22-1-11.

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Changes in the world policy and economy in the late 20th century, namely the collapse of USSR, emergence of new independent states, decline of confrontation between countries with differing socio-political order, technological progress in the field of IT, all contributed to rapid convergence, integration of world science and technology. Simultaneously in the world the processes of searching for political, historical, national, cultural and other identities have become topical. In the conditions of globalization, it is the regional identity that is scrutinized as an effective mechanism which is
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Libros sobre el tema "Kisho Kurokawa Architects and Associates"

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Dennis, Sharp, and Slessor Catherine, eds. Kisho Kurokawa: Kuala Lumpur International Airport. Edition Axel Menges, 1999.

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2

Andy, Whyte, ed. Kisho Kurokawa, architect and associates: Selected and current works ; [edited by Andy Whyte]. Images Pub. Group, 2000.

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1964-, Cachola Schmal Peter, Flagge Ingeborg, Visscher Jochen, and Deutsches Architekturmuseum, eds. Kisho Kurokawa: Metabolism and symbiosis = Metabolismus und Symbiosis. Jovis, 2005.

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Saiki, Maggie Kinser. The Oita Stadium. Idizioni Press, 2003.

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Saiki, Maggie Kinser. The Toyota City Stadium. Edizioni Press, 2002.

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Kisho Kurokawa Architects and Associates., ed. The Fukui Prefectural Dinosaur Museum. Edizioni Press, 2002.

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Saiki, Maggie Kinser. The Oita Stadium: Kisho Kurokawa Architect and Associates. Edizioni Press, 2004.

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(Contributor), Kisho Kurokawa, Peter Cachola Schmal (Editor), Jochen Visscher (Editor), and Ingeborg Flagge (Editor), eds. Kisho Kurokawa: Metabolism And Symbiosis. Jovis, 2005.

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9

Saiki, Maggie Kinser. Kisho Kurokawa Architect and Associates: The Fukui Prefectural Dinosaur Museum. Edizioni Press, 2003.

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10

Kisho Kurokawa Architects and Associates: The Philosophy of Symbiosis from the Ages of the Machine to the Age of Life. Edizioni Press, 2001.

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Capítulos de libros sobre el tema "Kisho Kurokawa Architects and Associates"

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"Oita Stadium Oita City, Japan Kisho Kurokawa architect & associates." In International Architecture Yearbook: No. 8. Taylor & Francis, 2014. http://dx.doi.org/10.4324/9781315012629-46.

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Actas de conferencias sobre el tema "Kisho Kurokawa Architects and Associates"

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Sinclair, Brian Robert. "Agile architecture: cross-cultural critical considerations of mutability in design." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15202.

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Modern architecture is, with limited exceptions, designed and constructed in ways that prove static, staid and resistant to change. Iconic design, crafted by genius architects as sole authors, considered solidity and permanence before responsivity and adaptability. In principle architects knew best what society needed spatially and provided artful designs with expectations that were beyond challenge and not subject to modification. Over the past century there were numerous efforts by designers, such as Gerrit Reitveld, Cedric Price and Kisho Kurokawa, to anticipate change in program, to consid
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