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Tesis sobre el tema "Landscape in art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 29 de julio de 2024

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1

Pontelli, Elena. "Landscapes before the landscape in ancient Etruscan art." Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.

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This thesis approaches the broad field of landscape study from a specialized standpoint, namely by investigating the different ways in which landscape is represented in Etruscan art. In particular, this analysis aims to identify the significance of what we might nowadays refer to as “landscape elements” in the production-fruition systems of Etruscan visual culture. The iconographic analysis presented here shows that landscape features are working material which, employed in relation to other image elements, express specific meanings in the construction of the image. This thesis begins with a

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2

Sleeman, Alison Joy. "Landscape and land art." Thesis, University of Leeds, 1995. http://etheses.whiterose.ac.uk/15211/.

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Landscape and Land Art focuses on so-called ‘Land Art' in Britain in the period from the mid-1960s to the present day. The dissertation concentrates particularly on Richard Long who, it is argued, functions as the definitive index of British Land Art. Land Art Beginning investigates how Land Art's earliest instances have shaped its subsequent discourse and introduces the methodological approaches employed in the dissertation. Land Art is then studied through a series of frames or milieus in the following chapters. Land Art Sculpture defends the necessity of viewing Land Art in the context of t

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3

Fiedor, Edward J. "Environmental art in the landscape." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1230602.

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An effort to understand the basic contextual foundation of environmental art design in relation to site-specific context. As a result of this understanding, environmental artwork designs will be developed based upon the context of chosen sites on the Ball State University's campus with a view toward the development of greater visual literacy. The work effort includes a preliminary exploration of the methods and approaches followed by contemporary designers (including artists, landscape architects, landscape designers, and architects) in the design and execution of environmental art works that

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4

Hogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape." Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.

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5

Sin, Ka-ki. "Narrator-public art landscape regeneration strategy /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34609659.

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6

Sin, Ka-ki, and 冼家琪. "Narrator-public art landscape regeneration strategy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45009661.

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7

Harris, Elizabeth. "Transparent landscape." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3407.

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8

Rhode, John C. "The inner landscape." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53300.

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9

Hays, Dan. "Screen as landscape." Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/24599/.

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People have become accustomed to living with - and inside of - the media screen. Not just in the cinema or living room, but more pervasively with mobile telephones, advertising hoardings, and computer interfaces. It has infiltrated the art gallery, its high definition, contrast ratio and immersive scale tending to blind the audience to its mediating presence. And what about the genre of landscape today, beyond the latest BBC wildlife spectacular, computer simulated Hollywood blockbuster, video game or Google Earth? As the screen populates the cultural landscape, and increasingly mediates betwe

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10

von, Wiedersperg Carolina Sophie. "Kyoto art in nature habitat /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/von_wiedersperg/von_WiederspergC0509.pdf.

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The purpose of this thesis is to find architectural solutions which apply the theoretical findings centered around the biophilia hypothesis. The principles resulting from this investigation should help architecture to soften the separated conditions of the natural and the man-made environment. The application of these principles will then result in the design development of an Art in Nature Habitat in Kyoto, Japan.

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11

Greening, Daniel John. "Art, landscape and material : subject into media." Thesis, University of Wolverhampton, 2010. http://hdl.handle.net/2436/299209.

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A research investigation that illustrates the development of the European landscape tradition as an unbroken interactive and material movement, through discussion of artists from Annibale Carracci (1560-1609) to Richard Long (1945 –). The contribution of each artist within their respective epoch will be used to propose that the subject of landscape has become an actual creative medium, integral to and consistent with the external Plein-Air technique. Thus, presenting a ‘creative narrative’ from the observed into the articulated that will demonstrate how the examination and representation of ac

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12

Vickery, Veronica. "Fractured earth : unsettled landscape through art practice." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/25237.

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This thesis brings feminist ontologies into a renewed dialogue with post-phenomenological landscape studies through the development of a critical arts-research practice. Contemporary landscape scholarship in cultural geography foregrounds landscaping practices as performative; visual culture studies, similarly influenced by phenomenology, critiques the powerful fixings of representation; whilst current commentaries on art-geographies focus on questions of interdisciplinarity, rather than the potential for art practice-as-research to be generative of politically complex cultural geographies. La

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13

Fishwick, Emma. "Choreography as landscape: Landscape discourse framing choreographic practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2466.

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At the centre of this research is the notion of landscape and how thinking and talking about landscape impacts choreography. The result of the research is a new work, Dance, Quiet Riot, and an exegesis discussing the process of making it as well an exploration of various art forms, field experiences and the area of cultural geography. I use the development and presentation of Dance, Quiet Riot as a case study or creative artefact, if you will, for how landscape discourse can support and intersect with choreographic practice. This exegetical discussion understands landscape as a relational conv

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14

Gross, Bernard O. "Sex, death, and the landscape /." Online version of thesis, 1992. http://hdl.handle.net/1850/11898.

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15

Donald, Colin University of Ballarat. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12759.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)

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16

Donald, Colin. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/37534.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)

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17

Donald, Colin. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14594.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)

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18

Lambert, Raymond John. "Landscape existing with art : a study of ideas and style in John Constable's landscapes." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313592.

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19

Parker, Margaret Ina. "Landscape painting : connection, perception and attention /." Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.

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Thesis (M.Visual Arts) -- La Trobe University, 2006.<br>Research. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.

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20

Neale, Stacey J. "Light and landscape /." Online version of thesis, 1990. http://hdl.handle.net/1850/11315.

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21

Piercey, Daniel. "Cultural geography : public art and the urban landscape." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323896.

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22

Strydom, Gerrit. "The value of public art in landscape architecture." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/7535.

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To design spaces for public art has become an increasingly difficult exercise due to the constant shifts in the public's social behaviour and attitude towards art. This is exacerbated by the fact that the discipline of art is so unique and diverse it is almost impossible to find a commonly applicable definition. Although these challenges sound daunting, it provide opportunities for creative thinking and unique design solutions. This dissertation is in response to a brief received from the City of Cape Town concerning public art and public space, this brief will be mentioned in detail later. Re

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23

Betlem, Gloria. "Landscape and the light /." Online version of thesis, 1989. http://hdl.handle.net/1850/11519.

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24

Haley, Rochelle Denise Art College of Fine Arts UNSW. "Land incorporated: moving through landscape." Awarded by:University of New South Wales. Art, 2009. http://handle.unsw.edu.au/1959.4/43796.

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Land Incorporated is a practice-based investigation into the relation between the land, the body and its representation. The textural and haptic nature of light, philosophical notions of reflection and the embodied and phenomenological experience of movement through the landscape are explored via mediums of incised paper, etched mirror and line drawing. Studies in philosophy, film theory and anthropology into the structure of vision in space, the touch of the eye upon an object and the haptic nature of the mark that in-scribes a surface, have illuminated bodily perceptual relationships to the

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25

Williams, Cheryl Lynn. "Mapping the art historical landscape : genres of art history appearing in art history literature and the journal, Art education /." Connect to this title online, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1102365647.

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26

Selwood, Michael. "Inside landscape : an iconography of delusion." Thesis, University of York, 1993. http://etheses.whiterose.ac.uk/10931/.

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27

Roberts, Judith. "Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.

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Groundwater basins are vast subterranean reservoirs of water whose complexity is not yet fully understood by scientists. These ancient aquifers resist simple imaging and, through their enormity, depth and systemic complexity, present challenges to scientists and artists alike. My research practice has sought to deploy various drawing strategies and print processes to uncover something of the land/water interactive systems that we cannot visibly experience. A deeper personal understanding of the fragile history and geography of Western Queensland has been revealed through the physical act of ma

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28

Boggess, Jennifer Hall. "Mapping Appalachia." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1770.

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Thesis (M.F.A.)--West Virginia University, 2000.<br>Title from document title page. Document formatted into pages; contains v, 35 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 29).

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29

Alonzo, Gerard J. "Furniture from the landscape /." Online version of thesis, 1990. http://hdl.handle.net/1850/10908.

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30

Whitson, Robert. "Sacred landscape : An unsettling." Thesis, Mt. Helen, Vic. :, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/36547.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)

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31

Whitson, Robert. "Sacred landscape : an unsettling." Mt. Helen, Vic. :, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15639.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)

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32

Covell, Anne Lindsey-Alvey. "Towards a just landscape." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1575.

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Towards a Just Landscape is a multi-part project about the 49th Parallel, the 20-foot swath of clear-cut that divides the US from Canada along its International Boundary, as it physically marks the landscape between the Lake of the Woods and the Northern Rockies. More specifically, it is a project about the portion of the border swath that runs through the center of Waterton-Glacier International Peace Park, dividing in two an area of land reserved to commemorate international peace and good will between two nations. Comprised of three artist's books, these works each address the political and

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33

Garman, Keli L. "The Art of Designing a Meaningful Landscape through Storytelling." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32181.

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Meaning in the landscape is a concept that is receiving attention from many landscape architects asking the questions: how is meaning found in the landscape, or what makes a landscape meaningful? While there are many design processes that incorporate meaning into the design, it is the art of storytelling that the thesis investigates. The research for the thesis and a comparison analysis is performed on three texts, which explore meaning in the landscape. The three texts are Marc Treibâ s â Must Landscapes Mean?â ; Matthew Potteiger and Jamie Purintonâ s Landscape Narratives, and Mark Fra

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34

Dass, Meera I. "Udayagiri : a sacred hill : its art, architecture and landscape." Thesis, De Montfort University, 2001. http://hdl.handle.net/2086/13256.

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35

Rozdilsky, John. "The landscape art of Richard Haag roots and intentions /." Google Book Search Library Project, 1991. http://books.google.com/books?id=_pNRAAAAMAAJ.

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36

Chandler, Patricia Elaine. "Aesthetics of healing : joining feminism, autobiography and landscape /." Online version of thesis, 1993. http://hdl.handle.net/1850/11759.

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37

Edwards, Leah. "History, identity, art: visually expressing Nicodemus, Kansas' identity." Kansas State University, 2014. http://hdl.handle.net/2097/17545.

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Master of Landscape Architecture<br>Department of Landscape Architecture<br>Mary Catherine (Katie) Kingery-Page<br>History is embedded in a landscape. History of a community is embedded in the landscape where land was inhabited, cultivated, and where people have and continue to thrive. Rural communities have this embedded history and culture to look back. However, these communities are suffering from loss of population, jobs, economic stability, and accessibility (Woods 2008). This phenomenon can destroy not only communities and peoples’ lives, but also the history and culture that is embedded

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38

Chak, Chung-Ho. "A visual study of Indiana's landscape." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/461933.

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The purpose of this Creative Project was to create and analyze the student's art work,which was finished within the academic year 1985-86, at Ball State University. Due to the difference in geographical features between Indiana and Hong Kong (where the student originally came from), the attitude and approach of the student towards painting was affected. This paper traced and identified how and where his works of art changed.The whole analysis was based on three major pieces. They were Frankton I, A Cold Summer, Frankton II and LandscaDe VI (which was a landscape of Muncie). These three works w

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39

Biederman, Angela L. "Body in the Landscape of the Mind." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461593111.

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40

Mah, D. B., University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Australian landscape : its relationship to culture and identity." THESIS_FPFAD_Mah_D.xml, 1997. http://handle.uws.edu.au:8081/1959.7/257.

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This paper is an examination of the relationship of Australian landscape imagery to culture and identity. Visual and historical ideas in the Heidelberg School and more contemporary landscape work is assessed in relation to social history in the work of Ian Burn et al and the social history in the work of Anne Maree Willis. These two types of history are compared and conclusions are made about their similarities and differences in the articulation of identity and culture. It will be concluded that identity and culture are ideas and values which are recycled and relocated with the passage of tim

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41

Briggs, Susan H. "Landscape as metaphor: artist as metaphier." Thesis, Curtin University, 2002. http://hdl.handle.net/20.500.11937/1470.

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This research records a three year journey of exploration through the visual arts, specifically painting and drawing in relation to the landscape. The written work presented here provides a support document to my final exhibition of paintings that were exhibited in the John Curtin Gallery at Curtin University of Technology from November 24th - December 15th 2002.The writing of this exegesis is in itself a creative piece, but it is not the same as the visual research that culminates in the paintings. I am convinced that to talk about creating art actually leads one away from being in the experi

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42

Pietrantoni, Nicole Susonne. "Encountering landscape: printmaking & placemaking." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/572.

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The landscape has long been the focus of my artistic research. Yet no matter how often I return to it, I continue to wrestle with how to engage, respond to, and conceptualize landscape and my place in it. I recognize "that which is real (the actuality of one's experience) butting up against the forms of cultural representation that encode it." There are two primary ways that I encounter landscape: 1) through my body and a phenomenological orientation; 2) through layers of discourse, stories, and representations. While the landscape and its features may be neutral space and objects, it is a sit

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43

Pente, Patti Vera. "Being at the edge of landscape : sense of place and pedagogy." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2579.

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This study is an experiment in landscape art where artists put large pieces of fabric in personally significant places to be marked by the land. Landscape art is a site of power that can challenge embedded assumptions regarding national identity within tensions among local, national, and global scales. This research ruptures the Canadian myth of wilderness nation through the creation of an alternative landscape art that is informed by a theoretical discourse on the threshold as a site of difference and of learning. Inspired by the creative processes of the participating artists, Peter von Ties

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44

Beyer, Anjelie, and mikewood@deakin edu au. "Our ground : A study of artmaking and landscape in Mildura." Deakin University. School of Social Inquiry, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060831.115529.

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45

Woodfield, Linda University of Ballarat. "The landscape of my life." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12801.

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The investigations surrounding the topic ‘The Landscape of My Life’ questions whether it is possible for a landscape to delineate the way in which we live our lives. For a period of thirty-two years my home has been a historic rural property comprising a dwelling and outbuildings on twenty acres of undulating countryside at Carngham. The work conveys the story of my life at this locale and pursues the motives behind the purchase of the country property, the experiences and remembrances that exist from this period of time and reflects upon the implications of a way of life over the last three d

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46

Woodfield, Linda. "The landscape of my life." Thesis, University of Ballarat, 2007. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/32088.

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The investigations surrounding the topic ‘The Landscape of My Life’ questions whether it is possible for a landscape to delineate the way in which we live our lives. For a period of thirty-two years my home has been a historic rural property comprising a dwelling and outbuildings on twenty acres of undulating countryside at Carngham. The work conveys the story of my life at this locale and pursues the motives behind the purchase of the country property, the experiences and remembrances that exist from this period of time and reflects upon the implications of a way of life over the last three d

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47

Woodfield, Linda. "The landscape of my life." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15613.

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The investigations surrounding the topic ‘The Landscape of My Life’ questions whether it is possible for a landscape to delineate the way in which we live our lives. For a period of thirty-two years my home has been a historic rural property comprising a dwelling and outbuildings on twenty acres of undulating countryside at Carngham. The work conveys the story of my life at this locale and pursues the motives behind the purchase of the country property, the experiences and remembrances that exist from this period of time and reflects upon the implications of a way of life over the last three d

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48

Gray, Sarah Willard. "Abstracting from the landscape a sense of place /." Access electronically, 2008. http://ro.uow.edu.au/theses/147.

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49

Mercado, Nicholas. "A framework for site informed light art installations." Kansas State University, 2015. http://hdl.handle.net/2097/19162.

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Master of Landscape Architecture<br>Landscape Architecture/Regional and Community Planning<br>Mary C. Kingery-Page<br>The purpose of this study is to investigate and design public light art installations. The investigation consisted of evaluating select examples of public light installations in order to develop a typology, and designing two site-specific light art installations: one in Wichita, Kansas, and the other, in Denver, Colorado. Though public light art is found in most cities, its potential is often lost or unrecognized. In certain cases, public light art can be ‘plop art,’ which is

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50

Hemingway, Andrew. "Landscape imagery and urban culture in early nineteenth-century Britain /." Cambridge (GB) : Cambridge university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573738q.

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