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Tesis sobre el tema "Latin american photography"

Autor: Grafiati

Publicado: 15 de febrero de 2025

Última modificación: 31 de julio de 2025

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1

Mandrile, Ana Cecilia. "The translation of fragments : a dialogue between photography and displacement in the practice of selected Latin American emigrant artists." Thesis, University of the West of England, Bristol, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415877.

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2

Callen, Tara Ashmore. "Video Art and Photography in Creation of Autobiographical Narratives with Adolescent Girls Aging out of an Orphanage (Hogares de Ni?as) in Peru." Thesis, Teachers College, Columbia University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10689108.

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<p> This dissertation was designed using a qualitative research mode of inquiry that utilized a mixed methodology approach. This dissertation was an ethnographic narrative study tracking eight young women who were “aging out” or forced to leave their orphanage in Peru, where most of them had spent a majority of their lives. The study examined the way in which a collaborative art community could support the participants as they narrated their lives over a 16-month period of time through photojournaling and social media outlets. </p><p> This study relied upon interviews, on-site ob

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3

Jamett, Christian. "Análisis de la violencia (política, económica y social) en la fotografía documental en Chile y México entre los años 1980 y 1990 : un acercamiento semiótico." Electronic Thesis or Diss., Perpignan, 2024. http://www.theses.fr/2024PERP0035.

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L'objectif de cette thèse est d'analyser la violence dans les photographies des photojournalistes au Chili et au Mexique dans les années 1980 et 1990. La recherche portera sur quinze cas qui seront analysés d'un point de vue technique et sémiologique, sur la base du schéma esthétique de Luciano Nanni. La méthodologie utilisée est qualitative avec des généralités comparatives, afin d'aborder les deux types de cas, chiliens et mexicains, dans la recherche de l'analyse de la violence dans les photographies enregistrées dans le contexte chronologique susmentionné. La recherche considère un regard

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4

Corp, Mathieu. "Des expériences du temps dans la photographie latino-americaine contemporaine." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA093/document.

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Les images exposées sous l’appellation de photographie latino-américaine varient selon les expositions où commissaires et critiques déterminent les critères qui légitiment la sélection et l’organisation des images. Seuls des partis pris curatoriaux semblent ainsi gouverner des choix dont les enjeux éthiques et esthétiques diffèrent et découper les expositions par des catégories thématiques et des textes exégétiques des œuvres où, depuis les années 1990, l’usage récurrent des termes « histoire », « mémoire » et « identité » contribue à attribuer des significations moins géographiques qu’histori

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5

Askam, Richard. "Memory, truth and justice: A contextualisation of the uses of photographs of the victims of state terrorism in Argentina, 1972-2012: Communicating an intersection of art, politics and history." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1339.

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Photographs of the victims of Argentine state terrorism from 1972 to 1983, and most prominently those of the detained-disappeared victims of the Proceso de Reorganización Nacional dictatorship (1976-1983), have had a significant role in elucidating the demands of human rights activists since the aftermath of the Trelew Massacre in 1972. In this thesis I examine the role of photographs of victims of state terrorism in the construction of unofficial, or counter, narratives critical of those produced by two dictatorships and by elected democratic administrations in the demand for truth and justic

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6

Calderón, Natalia. "Technologie de l'appareil photographique en Amérique latine : entre prise de vue et prise de pouvoir." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080041.

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L’arrivée de l’appareil photographique en Amérique latine au XIX siècle doit être considérée comme une problématique d’ordre techno-politique et pas seulement comme l’arrivée d’un nou-veau mode de représentation qui vient s’ajouter aux anciens types d’images déjà présentes dans le Nouveau Continent. À l’opposé, on considère que le mode de fonctionnement propre à l’appareil, en tant que producteur d’images techniques, a généré un changement dans le mode de perception et dans le mode de penser l’événement. Pour rendre compte de ce « changement du médium de la perception » comme le signalait Walt

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7

Jennings, Joshua Kerby. "On Making a Difference: How Photography and Narrative Produce the Short-Term Missions Experience." UKnowledge, 2017. http://uknowledge.uky.edu/cld_etds/32.

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Short-term missions participants encounter difference in purportedly captivating ways. Current research, however, indicates the practice does not lead to long-lasting, positive change. Brian M. Howell (2012) argues the short-term missions experience is confined to the limitations of the short-term missions narrative. People who engage in short-term missions build assumptions, seek experiences, understand difference, and convey meaning, as a result of this narrative. The process of telling and retelling travel stories is integral to the short-term missions experience. Drawing upon literature on

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8

Jacinto, Aeleen. "Mes-ti-zo." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/915.

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Meztiso is an exploration of the artist’s identity as an individual born and raised in Guatemala; which is a country rich in natural resources where the majority of the population is native Maya yet the ruling class is majority white and poverty is widespread. The artist takes on this stunning contradiction using her own influences and views which were shaped by the political and economic upheaval and instability of her youth in Guatemala. The artist comments on her own identity as a person of mixed ancestry, a Meztiso, and because of her own family’s involvement in the capitalist government t

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9

Schmitter, Gianna. "Estrategias intermediales en literaturas ultracontemporáneas de América Latina. Hacia una TransLiteratura." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030016.

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L’objectif général de cette thèse est d’étudier les stratégies inter- et transmédiales des littératures latino-américaines émergentes en lien avec les nouvelles technologies. Le corpus se compose de livres (prose et poésie) d’écrivains et écrivaines d’Argentine, du Chili et du Pérou qui ont été publiés en format papier entre 2000 et 2015 et qui introduisent internet et/ou l’image  la photographie, la vidéo et la visualité du texte lui-même qui émule des interfaces. Dans la première partie, nous proposons d’abord un état des lieux sur la relation entre technologie et littérature en Amérique La

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10

Brito, Isa Marcia Bandeira de. "O feminino na fotografia latino-americana e moçambicana: Ricardo Teles, Hernán Díaz e Ricardo Rangel." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-12092018-122241/.

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O presente trabalho tem como objetivo promover um maior debate e reflexão sobre a representação do feminino negro na fotografia no século XX e começo do século XXI, especificamente no Brasil, com o projeto fotográfico de Ricardo Teles (1966), na Colômbia com Hernán Díaz (1931-2009) e em Moçambique com Ricardo Rangel (1924-2009) tendo como base seus livros autorais, respectivamente: Terras de Preto: Mocambos, Quilombos: Histórias de Nove Comunidades Negras Rurais do Brasil, de 2004; Cartagena de Siempre, de 2002 e O Pão Nosso de Cada Noite. Our nightly bread, de 2004. Para tanto, comparamos a f

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11

Asquith, Wendy. "Haiti and art : curating the nation for international exhibitions." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.

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This dissertation presents a fresh approach to the study of Haitian art through research conducted in the emerging interdisciplinary field of exhibition history. In a deliberate attempt to move away from existing notions of Haitian art as a formal or aesthetic style of art practice associated with primitivism – based on mid-twentieth-century art historical narratives – I have opted to explore the display of works by Haitian artists outside of conventional museum and gallery settings. Taking a broader cultural studies approach centred on three case studies, I examine the exhibition of artworks

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12

Paz, Moscoso Valeria. "Roberto Valcárcel : renaming repression and rehearsing liberation in contemporary Bolivian art." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/17659/.

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This study analyses the invisible forms of repression in the Bolivian art system by interpreting Roberto Valcárcel’s artwork in the light of Herbert Marcuse’s ideas on repression and liberation as expounded in Eros and Civilization. It considers, on the one hand, Valcárcel’s artwork in relation to the liberating role that Marcuse attributes to art (via phantasy, polymorphous eroticism, and Orphic paradigm). On the other hand, it explores the strategies devised by Valcárcel against repression, such as self-promotion, multiple texts, play, humour and unmasking certain repressive truths. The read

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13

Villares, Mónica Ferrer 1982. "Arte fotografica e liberdade de expressão = um dialogo entre Brasil e Cuba (1960-1990)." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281783.

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Orientador: Claudia Valladão de Mattos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-15T14:24:13Z (GMT). No. of bitstreams: 1 Villares_MonicaFerrer_M.pdf: 4737397 bytes, checksum: eb971cf5e2273525e932fb659df9af9e (MD5) Previous issue date: 2010<br>Resumo: ¿Arte fotográfica e liberdade de expressão: um diálogo entre o Brasil e Cuba ¿ aborda o desenvolvimento da fotografia latino-americana na segunda metade do século XX, a partir de um estudo comparativo e da análise de obras de fotógrafos cubanos

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14

Rocha, Eva. "Antithetical Commentaries on X, Y and the Disruption of Being." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4278.

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Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the

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15

Bolte, Rike. "Gegen(-) Abwesenheiten." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2014. http://dx.doi.org/10.18452/16907.

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Während der letzten argentinischen Diktatur (1976-1983) wurden zehntausende Menschen in geheimen Lagern festgehalten, gefoltert und ermordet – dann ''verschwanden'' sie. Die meisten Fälle sind nur schwer rekonstruierbar, viele Täter kamen ungestraft davon. Für diese staatsterroristische Praxis wurde die Bezeichnung erzwungenes Verschwinden eingeführt (spanisch desaparición forzada). Die Untersuchung beschäftigt sich mit medialen und ästhetischen Verfahrensweisen, die in Argentinien in der Auseinandersetzung mit der desaparición forzada entwickelt wurden. Im Vordergrund steht die These, dass d

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16

Wurst, Daniella. "Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru." Thesis, 2019. https://doi.org/10.7916/d8-1exn-8h10.

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Breaking the Frames of the Past examines recent visual and literary work about the periods of historical violence in Argentina, Chile, and Peru. In my dissertation, I argue that these cultural productions can challenge the linear conception of historical time, and reveal the existent tensions and blind spots present within the cultural memory realm of each nation. By examining the specificity of the materials and the aesthetic strategies present in the works, I hope to elucidate a necessary introspective turn in memory- what I have nominated metamemory, present in works that not only se

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17

"Reconceptualizando las masculinidades nacionales a través de la lente de la fotografía homoafectiva: cuatro proyectos de Argentina, México y Brasil." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.54840.

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abstract: This doctoral dissertation proposes an analysis of a selection of photographic series by a diverse group of Latin American photographers such as Argentinian Gustavo Di Mario, Brazilians Claudio Edinger and Alair Gomes, and Mexican Dorian Ulises López Macías. The analyzed material focuses on a revision of characteristics of masculinity and imperative heteronormativity in the discourses on their respective national identities. The projects put-fourth by these four artists represent a political proposal that unveals the homoaffective possibilities of their photographic referents. Susan

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18

Mann, Nadia. "Intermedia strategies of narrative resistance: Cartucho, La noche de Tlatelolco, and representations of Ayotzinapa." Thesis, 2018. https://hdl.handle.net/2144/34767.

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This dissertation examines the use of visual media as a means of resistance to oppressive political narratives in five Mexican works from the twentieth and twenty-first centuries. Included are two novels: Nellie Campobello’s Cartucho: Relatos de la lucha en el Norte de México (1931), on the Mexican Revolution, and Elena Poniatowska’s La noche de Tlatelolco (1971), about the 1968 Mexican student movement and the October 2 massacre. I also analyze three projects, both visual and discursive, related to the 2014 forced disappearance of 43 students of the Ayotzinapa Teacher’s College in Guerrero, M

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19

Rodriguez-Balanta, Beatriz Eugenia. "Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907." Diss., 2010. http://hdl.handle.net/10161/3079.

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<p>Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907 investigates the visual and literary mechanisms used to refurbish racial and social hierarchies in Brazil and Colombia in the aftermath of the abolition of slavery. Chorographic paintings, scientific photographs, identification documents, and naturalist literature are taken to together to argue that: on the one hand, the slave is the fleshy object that defines freedom and, in the postcolonial moment, citizenship. In "Realism, Race and Citizenship: Four Moments in the Making of the B

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20

Forero, Santiago. "I want to live in America." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1324.

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The following graduate report is the review of my artistic developments after three years of rigorous training in photography at The University of Texas at Austin. After a long period of not producing artwork, my entrance into graduate school at UT was the first step for beginning to take pictures and rethinking my objectives as an artist. I have to confess that when I was applying to graduate school I did not consider art as the profession I wanted develop in my life; instead, I applied to schools that had an strong focus in commercial photography. As a Colombian, most of my concerns were m

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21

Molinié, Roxana. "Experiencia de la desaparición en Lumpérica de Diamela Eltit, Los planetas de Sergio Chejfec y Los rubios de Albertina Carri." Thèse, 2014. http://hdl.handle.net/1866/12018.

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Cette thèse analyse l’articulation de l’expérience de la perte d’expérience à laquelle donnent lieu les dictatures et les post-dictatures au Chili et en Argentine dans Lumpérica (1983) de Diamela Eltit, Los planetas (1999) de Sergio Chejfec, et Los rubios (2003) d’Albertina Carri. Les dernières dictatures militaires dans le Cône sud latino-américain imposent ou préparent le terrain pour l’implantation d’un nouvel ordre néolibéral qui s’intensifie sous les régimes démocratiques postérieurs. Au cours de cette transition, le terrorisme d’État au moyen duquel les gouvernements militaires visent à

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22

Otis, Louis. "Chronique, enquête et silence : autopsie de la présentation du conflit interne par la presse de Lima jusqu’au massacre d’Uchuraccay, 1960-1983." Thèse, 2011. http://hdl.handle.net/1866/6172.

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En 2003, la Commission de vérité et de réconciliation du Pérou (CVR) publie un rapport sur la période de guerre interne et de violence qui a déchiré le pays entre 1980 et 2000. Ce rapport étudie ces deux décennies pour faire la lumière sur les événements et évaluer la position de divers secteurs de la société afin que les Péruviens puissent se réconcilier avec un pan de leur histoire. Dans son rapport, la CVR consacre une section aux médias, notamment la presse écrite, et salue le rôle « important » qu’ils ont joué, tout en notant au passage que leur couverture du conflit n’a pas favorisé la p

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23

"The City Framed: A Photographic Examination Of Space And Violence In Ciudad Juarez." Tulane University, 2015.

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24

Callen, Tara. "Video Art and Photography in Creation of Autobiographical Narratives With Adolescent Girls Aging Out of an Orphanage (Hogares De Ninas) in Peru." Thesis, 2018. https://doi.org/10.7916/D83F6267.

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This dissertation was designed using a qualitative research mode of inquiry that utilized a mixed methodology approach. This dissertation was an ethnographic narrative study tracking eight young women who were “aging out” or forced to leave their orphanage in Peru, where most of them had spent a majority of their lives. The study examined the way in which a collaborative art community could support the participants as they narrated their lives over a 16-month period of time through photojournaling and social media outlets. This study relied upon interviews, on-site observations, personal journ

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