Bibliografías temáticas / Latin metric

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Literatura académica sobre el tema "Latin metric"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 14 de febrero de 2022

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Artículos de revistas sobre el tema "Latin metric"

1

Rezek, Jon, Graham Cano y Brent Evans. "Life, Liberty and The Pursuit of Happiness: A Jeffersonian Approach to Development Indicators". American Economist 56, n.º 2 (noviembre de 2011): 35–46. http://dx.doi.org/10.1177/056943451105600206.

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International comparisons of societal development are traditionally based, at least partially, on per capita GDP. This paper develops an alternative approach to evaluating human progress using criteria outside the traditional income-based metrics. We evaluate national achievement using Thomas Jefferson's inalienable rights – Life, Liberty, and the Pursuit of Happiness – as the development indicator. The results suggest that the northwestern European countries and their offshoots are most successful. Former Spanish territories, including the Philippines and those in Latin America, also perform well according to this metric. Eastern European and economically prosperous East Asian nations perform poorly.
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2

Dangel, Jacqueline. "Lucretius". Linguistic Approaches to Poetry 15 (31 de diciembre de 2001): 87–102. http://dx.doi.org/10.1075/bjl.15.07dan.

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Lucretius wanted his poetry to convey the scientific truths of Epicurean doctrine. In addition, he thought that one single generative and organic principle unites atomistic physics and the combinatory production of meaning. Thanks to the interplay between its “outer metric” (the distribution of dactylic/spondaic feet and caesuras) and its “inner metric” (the collocation of metrical word-types), the Latin hexameter allowed him to create intricate networks of similarities and differences, aimed at expressing the central tenets of the Epicurean system in such a way that they acquire the “evidence” of sensory impressions. As shown by the detailed analysis of two excerpts (II, 308-332; I, 1-20), systematic choices operating at the level of both “outer” and “inner” metrics provide a mimetic representation of the very essence of Epicurean reality, whose constant change and movement produce order and complexity based on the functional properties of its pro-forms.
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3

Bernal Pedraza, Oscar F. "Theoretical Framework for Research on Mathematical Olympiads in Latin America". International Education and Learning Review 2, n.º 1 (2 de marzo de 2020): 25–30. http://dx.doi.org/10.37467/gka-edurev.v2.1568.

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This theoretical framework is intended to serve as guide to research on national Mathematical Olympiads in Latin America. Research with the goal to elucidate critical factors involved in the existence and results obtained by Latin American teams in the International Mathematical Olympiad (IMO) and other international contests, may find a stepping stone in this framework and the references cited in it. From the way local committees see themselves and their indicators for success. to the feedback subsumed in the IMO results, different comparable metrics for success must be developed to understand the specific challenges faced by these organizations and the goals set by themselves and the educational communities in their own countries. As for Latin American countries the IMO is not the only competition they attend or their single metric for success, reference to the IMO is provided as the evolving opportunity leading to the creation of local olympiad committees, the committees this framework presents as an opportunity for research and understanding of the search for talent in developing countries. As a way of closing the document, a few questions are proposed, offering both quantitative and qualitative research areas and with the possibility to reach findings helpful for those organizations, for the school students in their respective countries, and for similar organizations in other countries.
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Bernal Pedraza, Oscar F. "Theoretical Framework for Research on Mathematical Olympiads in Latin America". EDU REVIEW. Revista Internacional de Educación y Aprendizaje 8, n.º 2 (25 de septiembre de 2020): 95–101. http://dx.doi.org/10.37467/gka-revedu.v8.2661.

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This theoretical framework is intended to serve as guide to research on national Mathematical Olympiads in Latin America. Research with the goal to elucidate critical factors involved in the existence and results obtained by Latin American teams in the International Mathematical Olympiad (IMO) and other international contests, may find a stepping stone in this framework and the references cited in it. From the way local committees see themselves and their indicators for success. to the feedback subsumed in the IMO results, different comparable metrics for success must be developed to understand the specific challenges faced by these organizations and the goals set by themselves and the educational communities in their own countries. As for Latin American countries the IMO is not the only competition they attend or their single metric for success, reference to the IMO is provided as the evolving opportunity leading to the creation of local olympiad committees, the committees this framework presents as an opportunity for research and understanding of the search for talent in developing countries. As a way of closing the document, a few questions are proposed, offering both quantitative and qualitative research areas and with the possibility to reach findings helpful for those organizations, for the school students in their respective countries, and for similar organizations in other countries.
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5

Jakuba, Stan. "Standard Measure". Mechanical Engineering 123, n.º 04 (1 de abril de 2001): 70–72. http://dx.doi.org/10.1115/1.2001-apr-6.

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This article provides an understanding of a metric system and a standard that describes a universal, international language of measurement. Essentially, all units created in modern times are metric in every country of the world, including the United States. The evolution is coordinated by an international committee in which the United States has participated since 1875. The modern system of measurement is properly called SI, not metric. Individually, they measure such basic physical quantities as length, mass, or time. Alone or in combination, they let mankind measure anything. Many derived units can be expressed in more than one form, but professional use usually settles on a single convention. The degree Celsius is an alternate name for the Kelvin when a temperature increment is meant. It is also a name that designates a temperature on the Celsius scale. If each symbol is written according to the SI rules distinguishing between uppercase and lowercase letters, and between the Latin and Greek letters—it will be intelligible anywhere, regardless of the script and language a nation uses.
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6

Nedeljkovic, Vojin. "Features of Vulgar Latin in the inscriptions of Naissus". Zbornik radova Vizantoloskog instituta, n.º 50-1 (2013): 45–63. http://dx.doi.org/10.2298/zrvi1350045n.

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The epigraphic material from the region of Naissus, in spite of its relative scarcity and poor state of preservation, offers valuable examples of Vulgar Latin usage. Interesting phenomena include an instance of the imperial name Pertinax in the form Pertenax, which may be due to a vulgar reinterpretation of the name (?Very Tough?, cf. Constans, Valens, sim.) and may imply rhizotony (Pert?nax); the adjective superstantes ?survivors?, apparently the issue of two consequent vulgar developments, superstes > superstens (hypercorrect spelling) > superstans (false analogy); an isosyllabic 3rd declension nominative singular, Melioris (from the name Melior), as well as a 3rd decl. dative singular generi from the 2nd decl. noun gener ?son-in-law?; an early borrowing from Germanic, brutes ?daughter-in-law?; a ?weak? future participle, sequiture, for secuturae; the bastard noun volumptas, cf. voluntas and voluptas; a correlative construction with sic...sic for quemadmodum...sic; and the verb adjuvare followed by a dative, which illustrates a vulgarism known from the Glossaries. Another kind of vulgarity, which is rather a matter of simplicity than purely linguistic incompetence, is found in cases such as an epitaph whose dedicator calls herself bene merita; or a semi-metric inscription-a commaticum-whose actual text may be the outcome of tampering with a regular epigraphic poem
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7

WILLIS, GRAHAM DENYER. "Before the Body Count: Homicide Statistics and Everyday Security in Latin America". Journal of Latin American Studies 49, n.º 1 (27 de junio de 2016): 29–54. http://dx.doi.org/10.1017/s0022216x16000407.

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AbstractHomicide statistics are a widely accepted metric of security and democracy. This article argues for a focus on how bodies come or do not come to be counted – of what happens before states enumerate. The experience of São Paulo relates that how many people die and how many do not is connected to the governance of an organised crime group known as the PCC. The punishment practices of the PCC and groups like it throughout Latin America reshape the lived paradigm of governance over life and death, albeit in concealed ways. Statistics are produced by and are productive of a de jure state, different from the state de facto. The acceptance of state-made homicide figures, whether for analysis, visualisation or political claims, is consequential for the future of lived security and social science knowledge production.
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8

Erylmaz, Nurullah, Mauricio Rivera-Gutiérrez y Andrés Sandoval-Hernández. "Should different countries participating in PISA interpret socioeconomic background in the same way? A measurement invariance approach". Revista Iberoamericana de Educación 84, n.º 1 (11 de noviembre de 2020): 109–33. http://dx.doi.org/10.35362/rie8413981.

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It has been claimed that there is a lack of theory-driven constructs and a lack of cross-country comparability in International Large-Scale Assessment (ILSA)’s socio-economic background scales. To address these issues, a new socio-economic background scale was created based on Pierre Bourdieu’s cultural reproduction theory, which distinguishes economic, cultural and social capital. Secondly, measurement invariance of this construct was tested across countries participating in the Programme for International Student Assessment (PISA). After dividing the countries which participated in PISA 2015 into three groups, i.e., Latin American, European, and Asian, a Multi-Group Confirmatory Factor Analysis was carried out in order to examine the measurement invariance of this new socio-economic scale. The results of this study revealed that this questionnaire, which measures the socio-economic background, was not found to be utterly invariant in the analysis involving all countries. However, when analysing more homogenous groups, measurement invariance was verified at the metric level, except for the group of Latin American countries. Further, implications for policymakers and recommendations for future studies are discussed.
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9

Pla Colomer, Francisco Pedro. "Aportaciones a la evolución castellana de f- latina en su contexto románico: del signo lingüístico al signo poético". Zeitschrift für romanische Philologie 136, n.º 2 (4 de junio de 2020): 475–506. http://dx.doi.org/10.1515/zrp-2020-0025.

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AbstractThe main objective of the current paper is the study of the aspiration process and its loss of Latin f- in Spanish during the Middle Ages in contrast with other peninsular languages from the metric of the texts written in verse (from the Auto de los Reyes Magos until the Cancionero of Juan del Enzina). The analysis of the sounds distributed along the metrical feet of the verses sheds light on the reconstruction of the phonological element which underlies in the spelling. The systematic application of the dyalepha and synalepha, according to each period, will allow us to obtain an accurate perspective of this phenomenon, as well as to place it in its appropriate variational level of usage.
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10

Morales, Jose, Johannes Flacke y Jaap Zevenbergen. "Modelling residential land values using geographic and geometric accessibility in Guatemala City". Environment and Planning B: Urban Analytics and City Science 46, n.º 4 (25 de agosto de 2017): 751–76. http://dx.doi.org/10.1177/2399808317726332.

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Location and accessibility are core concepts for land-value research. However, the perspective is still limited in their conceptual and methodological application to cities from the Global South. The objective of this research is to bridge concepts and definitions to comprehensively operationalize accessibility indicators and uncover its relation with residential land-values in Guatemala City. We developed a multivariate regression model using the following access metrics: (1) geographic-access indices that were computed using time-based analyses per transport mode; (2) geometric-access metrics estimated via Space Syntax at various spatial scales; (3) a proposed geometric via geographic-access metric computed as potential access to network centrality. A variable selection process allowed to assess the information contribution of each variable in building a parsimonious model. We assessed the model in the context of model variations that represent common approaches used in existing literature. Geographic access to the core business district has the highest impact on the land-values, followed by proximity to urban areas with high geometric-access, measured as geometric via geographic access. Geometric accessibility at neighbourhood and city-wide scales add spatialized information that contributes to a parsimonious model and reduces spatial dependence. The model yielded the highest goodness of fit and prediction accuracy compared with the model variations. We concluded that Guatemala City land-values follow a predominant monocentric structure. Additionally, potential access to vital urban areas as identified via Space Syntax denotes the presence of economic activities, or potential for such, which were not explicitly addressed through the geographic-access metrics. The results have limitations but pose methodological possibilities relevant for research and practice in similar Latin American cities.
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Tesis sobre el tema "Latin metric"

1

Jesus, Isabela Maia Pereira de. "Terentiani Mauri De Litteris, De Syllabis, De Metris : estudo crítico e tradução anotada /". Araraquara, 2020. http://hdl.handle.net/11449/192861.

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Orientador: João Batista Toledo Prado
Resumo: O presente trabalho consiste em um estudo da arte gramatical intitulada Terentiani Mauri de litteris, de syllabis, de metris, do autor latino Terenciano Mauro (TM), que se ocupa da descrição e técnica de uso dos versos da lírica latina. Composto pelos livros De litteris, De syllabis e De metris, o tratado técnico perpassa os mais variados tópicos: desde o estudo das letras latinas e da formação de sílabas, até o emprego de diferentes metros na composição dos versos de renomados poetas latinos. O estudo volta-se à investigação das principais características do Prefácio e do livro De Metris de TM, a fim de evidenciar as diferentes camadas que constituem o texto, uma vez que é possível identificar, em algumas passagens, a emergência de uma função poética, ainda que em segundo plano. Nesse sentido, observou-se que TM demonstra certo cuidado na elaboração do plano de expressão de sua obra, na medida em que compõe o texto empregando metros do acervo da poesia clássica latina. Verificou-se também que o metricista constrói o ritmo de seu texto mantendo um movimento constante dos versos, além de explorá-lo por meio de um arranjo regular dos elementos na oração. Trata-se, portanto, de uma arte métrica com aspectos metapoéticos. Assim, pretendeu-se comprovar que esse aspecto indica certa performatividade do texto, uma vez que ele demonstra a matéria por meio do arranjo dos versos que compõem o arranjo do plano de expressão. À luz de estudos antigos e recentes, dispôs-se não apenas a apr... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The present work consists of a study of the ars grammatica named Terentiani Mauri de litteri, de syllabis, de metris, written by the Latin author Terentianus Maurus (TM) and which focuses on the description and technique used in the verses of the Latin lyric. It is composed of the books: De litteris, De syllabis and De metris, covering varied topics - from the study of the Latin letters and the formation of the syllables to the usage of different metric in the composition of renowned Latin poets. This study aims to investigate the main characteristics of the Preface and the book De Metris, by TM, highlighting the different parts that constitute the text, since it is possible to identify in some excerpts the presence of a poetic function. It is observed that the grammarian was quite careful in the elaboration of the plan of expression of his work as far as he uses meters of the classic Latin poetry catalogue while he writes his text. Furthermore, it is noticed he develops the rhythm of his text maintaining a constant movement of his verses besides exploring it through a regular arrangement of the elements in the sentence. It is, thus, a metrical treatise with metapoetic features. Therefore, it was intended to prove that this aspect suggests some performativity of the text as it shows the subject through the arrangement of the verses which form the arrangement of the plan of the expression. In the light of past and present studies, not only was it desired to submit an overview ... (Complete abstract click electronic access below)
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Meschini, Fabio Orsi [UNESP]. "Estudos métricos da informação na América Latina e Caribe: uma análise bibliométrica da produção e coautoria (2011-2015)". Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154149.

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Objetivou-se analisar a produção e a coautoria latinoamericana e caribenha em Estudos Métricos da Informação na base Scopus no período de 2011 a 2015, contextualizando as políticas científicas e tecnológicas da região. Mais especificamente propõe-se destacar os pesquisadores, países, instituições e periódicos mais produtivos; classificar as temáticas mais trabalhadas segundo proposta de Glänzel (2003) que versa sobre três grupos-alvo (G1 - Bibliometria para profissionais da bibliometria; G2 - Bibliometria aplicada às disciplinas científicas e G3 - Bibliometria para a política científica e gestão); verificar o impacto da produção por meio do número de citações e citantes e relacionar os países e autores mais produtivos em Estudos métricos sob a perspectiva da análise de redes de coautorias. Como resultados, destaca-se o Brasil como o país mais produtivo e consequentemente os pesquisadores brasileiros destacam-se com uma representação de 67% entre os mais produtivos e os mesmos são predominantemente oriundos de universidades. Quanto às coautorias, tem-se um baixo número entre os países e pesquisadores da América Latina e Caribe e até mesmo com os demais do mundo, uma vez que grande parte destas coautorias ocorreu no âmbito interno dos próprios países. Como conclusões, observa-se que há uma necessidade de ampliação de pesquisas a serem realizadas em cooperação no âmbito desta região em Estudos Métricos da Informação, objetivando propiciar um papel de destaque na ciência, almejando a tão merecida representatividade desta região na ciência internacional.
The aim of this research was to analyze the Latin American and Caribbean production and co-authorship in Metric Information Studies at the Scopus base from 2011 to 2015, contextualizing the region's scientific and technological policies. More specifically, it is proposed to highlight the most productive researchers, countries, institutions and periodicals; (G1 - Bibliometrics applied to scientific disciplines and G3 - Bibliometrics for scientific policy and management); to verify the impact of production through the number of citations, the citers and to relate the most productive countries and authors in Metric Studies from the perspective of analysis of co-authorship networks. As a result, Brazil stands out as the most productive country and consequently Brazilian researchers stand out with a representation of 67% among the most productive ones, whose majority is predominantly from universities. As for co-authorships, there is a low number of countries and researchers in Latin America and the Caribbean and even with the rest of the world, since a large part of these co-authorships took place within the countries themselves. As conclusions, it is observed that there is a need to expand research to be carried out in cooperation within this region in Metrics Studies of Information, aiming to provide a prominent role in science and focus on the deserved representativeness of this region in the international science.
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3

Zeleny, Karin. "Itali Modi : Akzentrhythmen in der lateinischen Dichtung der augusteischen Zeit /". Wien : Verlag der Österreichischen Akademie der Wissenschaften, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783700139560.

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Pereira, João Jorge da Silva [UNESP]. "A música em As Báquides, de Plauto: tradução e análise dos cantica". Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123146.

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Titus Maccius Plautus, ou simplesmente Plauto para os lusófonos, foi um dos mais representativos comediógrafos da antiguidade. Suas peças foram traduzidas para os mais diversos idiomas ao longo do tempo e serviram de inspiração para dramaturgos do calibre de Shakespeare e Moliére, e movimentos artísticos como a Commedia Dell'Arte italiana. Apesar de ter se inspirado em grande parte na Comédia Nova grega, especialmente em Menandro (como é o caso de As Báquides, adaptada da comédia intitulada Δὶς ἐξαπατῶν (Dis Exapaton), cujo nome pode ser traduzido por O que engana duas vezes), e a exemplo de outro comediógrafo latino de grande renome, Publius Terentius Afer, ou Terêncio, as comédias plautinas apresentam numerosas diferenças em relação a suas contrapartidas gregas, inclusive no que tange aos nomes das personagens e localidades retratadas. Uma delas, em especial, e justamente a que se pretende abordar neste trabalho, é a presença constante do canto, com ou sem acompanhamento musical, em grande parte das performances, os chamados cantica, em que o instrumento utilizado geralmente era a tibia, a versão latina do αὐλός grego, e a utilização de diferentes metros para as partes musicadas ou cantadas, em contraste com aquelas simplesmente dialogadas. O presente trabalho tem por objetivo apresentar uma proposta de tradução em versos dos cantica presentes na peça As Báquides, de Plauto, assim como uma análise acerca da expressividade dos metros utilizados em sua composição, de seu propósito e também dos efeitos pretendidos por Plauto ao utilizá-los
Titus Maccius Plautus, or simply Plautus, was one of the most important playwrights in antiquity. His plays have been translated into several languages over time and have been a source of inspiration for writers such as Shakespeare and Molière, and for artistic movements such as the Italian Commedia Dell'Arte. Although he was greatly influenced by the Greek New Comedy playwrights, especially by Menander (as it occurs in Bacchides, adapted from Menander's Δὶς ἐξαπατῶν (Dis Exapaton), whose title can be roughly translated as Twice a Swindler) just like another renowned Latin playwright, Publius Terentius Afer, or Terentius, plautine comedies show numerous differences when compared to their Greek counterparts. One of them in particular, which is the one this work seeks to study, is the constant presence of song in great part of their performances, played with or without musical accompaniment: the so-called cantica, in which the instrument used was the tibia, the latin version of the Greek αὐλός, as well as the use of various different meters for the sung parts, in contrast with the ones that are merely spoken. This work has as its primary objective to present a translation in verse of the cantica present in the play Bacchides, by Plautus, as well as to provide an analysis of the poetic expressiveness in the meters used in their making, and of the purpose and also of the effects intended by the author with the usage of such meters
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5

Yeh, Wei-Jong. "Structures métriques des poésies de Pétrone : pour quel art poétique ? /". Louvain : Peeters, 2007. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789042919280.

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Pereira, João Jorge da Silva. "A música em "As Báquides", de Plauto : tradução e análise dos cantica /". Araraquara, 2014. http://hdl.handle.net/11449/123146.

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Orientador: João Batista Toledo Prado
Banca: Robson Tadeu Cesila
Banca: Brunno Vinicius Gonçalves Vieira
Resumo: Titus Maccius Plautus, ou simplesmente Plauto para os lusófonos, foi um dos mais representativos comediógrafos da antiguidade. Suas peças foram traduzidas para os mais diversos idiomas ao longo do tempo e serviram de inspiração para dramaturgos do calibre de Shakespeare e Moliére, e movimentos artísticos como a Commedia Dell'Arte italiana. Apesar de ter se inspirado em grande parte na Comédia Nova grega, especialmente em Menandro (como é o caso de As Báquides, adaptada da comédia intitulada Δὶς ἐξαπατῶν (Dis Exapaton), cujo nome pode ser traduzido por "O que engana duas vezes"), e a exemplo de outro comediógrafo latino de grande renome, Publius Terentius Afer, ou Terêncio, as comédias plautinas apresentam numerosas diferenças em relação a suas contrapartidas gregas, inclusive no que tange aos nomes das personagens e localidades retratadas. Uma delas, em especial, e justamente a que se pretende abordar neste trabalho, é a presença constante do canto, com ou sem acompanhamento musical, em grande parte das performances, os chamados cantica, em que o instrumento utilizado geralmente era a tibia, a versão latina do αὐλός grego, e a utilização de diferentes metros para as partes musicadas ou cantadas, em contraste com aquelas simplesmente dialogadas. O presente trabalho tem por objetivo apresentar uma proposta de tradução em versos dos cantica presentes na peça As Báquides, de Plauto, assim como uma análise acerca da expressividade dos metros utilizados em sua composição, de seu propósito e também dos efeitos pretendidos por Plauto ao utilizá-los
Abstract: Titus Maccius Plautus, or simply Plautus, was one of the most important playwrights in antiquity. His plays have been translated into several languages over time and have been a source of inspiration for writers such as Shakespeare and Molière, and for artistic movements such as the Italian Commedia Dell'Arte. Although he was greatly influenced by the Greek New Comedy playwrights, especially by Menander (as it occurs in Bacchides, adapted from Menander's Δὶς ἐξαπατῶν (Dis Exapaton), whose title can be roughly translated as "Twice a Swindler") just like another renowned Latin playwright, Publius Terentius Afer, or Terentius, plautine comedies show numerous differences when compared to their Greek counterparts. One of them in particular, which is the one this work seeks to study, is the constant presence of song in great part of their performances, played with or without musical accompaniment: the so-called cantica, in which the instrument used was the tibia, the latin version of the Greek αὐλός, as well as the use of various different meters for the sung parts, in contrast with the ones that are merely spoken. This work has as its primary objective to present a translation in verse of the cantica present in the play Bacchides, by Plautus, as well as to provide an analysis of the poetic expressiveness in the meters used in their making, and of the purpose and also of the effects intended by the author with the usage of such meters
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7

Borea, Marco. "La clausule dans les trimètres et sénaires iambiques grecs et latins". Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC027.

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Cette étude de métrique stylistique veut démontrer que, si la rime en tant que retour de sonorités identiques appartient uniquement à la poésie moderne, les poètes grecs et latins disposent néanmoins d’une gamme de schémas verbaux spécifiques pour conclure leurs vers. Cela permet d’établir une hiérarchie de clausules, plus ou moins pratiquées selon les époques, les genres littéraires, les scènes, dans deux des vers les plus fréquents du théâtre antique, le trimètre et le sénaire iambiques. Il s’agit d’un véritable répertoire des fins de vers dans lequel le poète peut puiser. D’Archiloque jusqu’à Phèdre, d’Athènes jusqu’à Rome, cette étude parcourt les multiples étapes de cette évolution, en mettant l’accent sur les points communs et les divergences des deux traditions poétiques, la grecque et la latine
Although rhyme, as a refrain of identical sounds, belongs only to modern poetry, this study of stylistic metrics aims to demonstrate that Greek and Latin poets have a range of specific verbal patterns at the verse-end. This allows to establish a hierarchy of clausulae, varying according to epochs, literary genres, scenes, in two of the most frequent verses of the ancient drama, namely iambic trimeter and the senarius. It is a veritable repertory of the poet can draw on. From Archilochus to Phaedrus, from Athens to Rome, this study goes through the many stages of this evolution, focusing on commonalities and divergences of the two poetic traditions, Greek and Latin
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Fonseca, Jassyara Conrado Lyra da. "Figuras carnavalizadas na 'Cena Trimalchionis', de Petrônio e em Trimalchio, de F. Scott Fitzgerald /". Araraquara, 2017. http://hdl.handle.net/11449/151127.

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Orientador: Márcio Thamos
Banca: Maria Clara Bonetti Paro
Banca: Cláudio Aquati
Banca: Álvaro Luiz Hattnher
Banca: Elaine Cristina Prado dos Santos
Resumo: Esta pesquisa desenvolve-se em torno da análise comparada das obras "Cena Trimalchionis" - ou "O Banquete de Trimalquião" - episódio inserido no Satyricon, de Petrônio (? -65d. C.) e Trimalchio, uma primeira versão da obra The Great Gatsby, de F. Scott Fitzgerald (1896-1940). A aproximação dos textos é feita pelo narrador de Trimalchio que compara Gatsby a Trimalquião, e acentua-se no título dado à versão publicada em 2000, que declara o caráter intertextual da narrativa, que aqui será pensado com Julia Kristeva (1974). Partimos dessa relação para a observação de um tema comum às duas obras: o da carnavalização, desenvolvido por Bakhtin (1981;1986;1993). A partir da investigação de aspectos típicos do carnaval encontramos similaridades na composição de personagens e cenários e estudamos tal composição por meio de figuras que vemos repetidas na duas obras. Para o estudo dessas figuras nos valemos da teoria semiótica da figuratividade, seguindo, principalmente, os preceitos de Bertrand (2003), apoiando-nos também nas análises de Fiorin (2014). A inovadora obra de Petrônio desafia os estudiosos na classificação de seu gênero, todavia é possível observar importantes características da sátira menipeia, o que ratifica o caráter carnavalizado da narrativa. O romance de Fitzgerald, inegavelmente autônomo, ganha um novo realce ao dialogar com o texto latino.
Abstract: This research develops around the comparative analysis of the piece "Cena Trimalchionis" - or "Trimalchio's Feast", episode inserted in Petronius' (?-65d.C.) Satyricon; and Trimalchio, a first version of the novel The Great Gatsby, by F. Scott Fitzgerald (1896-1940). The parallel between the texts is made by the narrator of Trimalchio who compares Gatsby to Trimalchio, and is emphasized in the title given to the version published in 2000, which declares the intertextual character of the narrative, which will be thought here with Julia Kristeva (1974). We start from this relation for the observation of a theme common to both works: the one of carnivalization on literature, developed by Bakhtin (1981, 1986, 1993). From the investigation of typical aspects of carnival we find similarities in the composition of characters and scenarios and study this composition through figures that we see repeated in both works. For the study of these figures we use the semiotic theory of figurativity, following mainly the precepts of Bertrand (2003), also supporting this research in the analyzes of Fiorin (2014). The innovative work of Petronius challenges the scholars in the classification of its genre, however it is possible to observe important characteristics of the menippean satire, which confirms the carnavalized disposition of the narrative. Fitzgerald's novel, undoubtedly autonomous, gains a new accent when dialoguing with the Latin text.
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Miralles, Maldonado José Carlos. "Los fragmentos de Lucilio en la "edición" inédita de Antonio Agustín: estudio y comentario". Doctoral thesis, Universidad de Murcia, 1993. http://hdl.handle.net/10803/38013.

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En los manuscritos 7901 y 7902 de la Biblioteca Nacional de Madrid se nos han conservado unos "Fragmenta ueterum scriptorum Latinorum", recopilados por el humanista español Antonio Agustín (1517-1586. Tras los fragmentos de algunos poetas latinos se nos han transmitido algunos comentarios métricos y textuales, elaborados por el humanista italiano Gabriele Faerno (1510-1561). El objetivo de nuestro trabajo es analizar las aportaciones de estos humanistas a la Crítica Textual de los fragmentos de Lucilio.
In the manuscripts 7901 and 702 from the Biblioteca Nacional of Madrid we find a collection of "Fragmenta ueterum scriptorum Latinorum" gathered by the Spanish humanist Antonio Agustín (1517-1586). After the fragments of some poets there are some metrical and textual notes to the fragments, written by the Italian humanist Gabriele Faerno (1510-1561). The aim of our work is to analyze the contributions of these scholars to the textual criticism of Lucilius' fragments.
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Gauvrit, Olivier. "La polyphonie métrique dans la poésie lyrique latine : Catulle, Horace, Sénèque le tragique. Poétiques en variation". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040137.

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L'objectif de ce travail est d'étudier l'évolution des vers lyriques à Rome du premier siècle avant J.-C. au premier siècle après J.-C., à travers l'usage qu'en font trois poètes : Catulle (œuvres complètes), Horace (Odes, Chant Séculaire et Épodes) et Sénèque (chœurs non anapestiques de ses tragédies). Ce corpus polymétrique permet d'étudier l'adéquation d'un mètre à un genre ou à une tonalité donnés. À partir d'une étude statistique portant sur les variations du schéma métrique, la fréquence des élisions, l'emploi des coupes, le volume verbal recherché et le rapport entre l'ictus et l'accent, il s'agit de montrer comment s'opère le processus de régularisation du vers entre Catulle et Horace, puis entre Horace et Sénèque, en proposant également des interprétations stylistiques de passages où apparaissent les phénomènes les plus marquants. Le travail est organisé en trois parties, consacrées respectivement aux vers éoliens, aux vers dactyliques et aux vers iambiques. Les résultats obtenus montrent que la régularisation du vers s'opère à travers la réduction du nombre d'élisions, la diminution des mots au schéma atypique ou la raréfaction des coupes originales. Ils mettent également en évidence l'importance des hellénismes dans les particularités stylistiques observées et la possibilité pour Catulle et Horace d'employer un mètre lyrique de façon parodique dans un poème satirique. Enfin, l'utilisation que fait Sénèque des mètres horatiens et la richesse de sa lyrique chorale témoignent du caractère théâtral de ses tragédies, qui ne sont pas de simples illustrations d'idées stoïciennes, mais des œuvres véritablement dramatiques
The aim of this work is to study the evolution of lyric verse in Rome, from the first century B.C. to the first A.D., through the writings of three poets : Catullus (complete works), Horace (Odes, Carmen Saeculare and Epodes) and Seneca (non anapaestic choruses in his tragedies). This polymetric corpus gives us the opportunity to study how a metre adapts to a specific genre or tonality. We conducted statistical studies on the variations of the metrical scheme, the frequency of elisions, the use of caesurae, the word length and the link between ictus and accent, so as to show how the verse is more and more regular from the poems of Catullus to Horace, and from Horace to Seneca. We also propose stylistic interpretations of passages in which striking phenomena appear. The work is divided into three parts, dealing respectively with aeolic, dactylic and iambic verse. The results reveal that regularization of the verse is obtained by the decreasing use of elisions, words with an atypical scheme or original caesurae. They also highlight the importance of hellenisms in the stylistic particularities observed and the possibility for Catullus and Horace to use a lyrical metre through parody to compose a satirical poem. Finally, the way Seneca uses Horatian metres to create rich choral poetry demonstrates his tragedies are not mere illustrations of stoician ideas but are undoubtedly devised for the stage
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Libros sobre el tema "Latin metric"

1

Lateinische Metrik: Eine Einführung. Stuttgart: Reclam, 2008.

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Raven, D. S. Latin metre. London, England: Bristol Classical Press, 1998.

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Magno, Pietro. Principi di metrica latina. Fasano di Brindisi: Schena, 2003.

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Cupaiuolo, Fabio. Bibliografia della metrica latina. Napoli: Loffredo, 1995.

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Francesca, Romanini, ed. De metris. Hildesheim: Georg Olms, 2007.

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Epigrafia metrica latina di età repubblicana. Bari: Istituto di Latino, Università di Bari, 1992.

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Ceccarelli, Lucio. Due studi di metrica latina arcaica. L'Aquila: Japadre, 1990.

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Fondamenti di prosodia e metrica latina. Roma: Carocci, 2004.

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cent, Atilius Fortunatianus 4th y Morelli Giuseppe, eds. Caesii Bassi De metris: Atilii Fortunatiani De metris Horatianis. Hildesheim: Weidmann, 2011.

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Boldrini, Sandro. Prosodie und Metrik der Römer. Stuttgart: Teubner, 1999.

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Capítulos de libros sobre el tema "Latin metric"

1

Chávez, Edgar y Gonzalo Navarro. "A Metric Index for Approximate String Matching". En LATIN 2002: Theoretical Informatics, 181–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45995-2_20.

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Duan, Ran. "Approximation Algorithms for the Gromov Hyperbolicity of Discrete Metric Spaces". En LATIN 2014: Theoretical Informatics, 285–93. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-54423-1_25.

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Lee, James R., Manor Mendel y Assaf Naor. "Metric Structures in L 1: Dimension, Snowflakes, and Average Distortion". En LATIN 2004: Theoretical Informatics, 401–12. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24698-5_44.

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Bornstein, Claudson F. y Santosh Vempala. "Flow Metrics". En LATIN 2002: Theoretical Informatics, 516–27. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45995-2_45.

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Fortson, Benjamin W. "Latin Prosody and Metrics". En A Companion to the Latin Language, 92–104. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444343397.ch7.

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Araújo, Elói y José Soares. "Scoring Matrices That Induce Metrics on Sequences". En LATIN 2006: Theoretical Informatics, 68–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11682462_11.

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Mori, Roberto. "Metrica vis sacris non est incognita libris. La bible et sa facies metrica à partir de la lettre d’Arator à Vigile". En Culture and Literature in Latin Late Antiquity, 129–40. Turnhout, Belgium: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.stta-eb.5.111496.

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Almeida, A. L., W. J. Bruckard, G. J. Sparrow y J. T. Woodcock. "Investigation of silver extraction from a silver-sulphur flotation concentrate from the electrolytic zinc plant of Companhia Paraibuna de Metais, Juiz de Fora, Brazil". En Mining Latin America/Minería Latinoamerica, 423–49. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1216-1_31.

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Johnson, K. W. "Latin Square Determinants". En Algebraic, Extremal and Metric Combinatorics 1986, 146–54. Cambridge University Press, 1988. http://dx.doi.org/10.1017/cbo9780511758881.009.

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Albinus, _. "De Metris". En The Fragmentary Latin Poets, editado por Edward Courtney. Oxford University Press, 1993. http://dx.doi.org/10.1093/oseo/instance.00077151.

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Actas de conferencias sobre el tema "Latin metric"

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Ramirez, Juan M. y G. Gerardo Garcia. "Model order reduction by a statistical metric". En 2017 IEEE PES Innovative Smart Grid Technologies Conference - Latin America (ISGT Latin America). IEEE, 2017. http://dx.doi.org/10.1109/isgt-la.2017.8126681.

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Gent, Kelson y Michael S. Hsiao. "A control path aware metric for grading functional test vectors". En 2016 17th Latin-American Test Symposium (LATS). IEEE, 2016. http://dx.doi.org/10.1109/latw.2016.7483339.

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Restrepo-Calle, F., S. Cuenca-Asensi, A. Martinez-Alvarez, E. Chielle y F. Kastensmidt. "Efficient metric for register file criticality in processor-based systems". En 2014 15th Latin American Test Workshop - LATW. IEEE, 2014. http://dx.doi.org/10.1109/latw.2014.6841922.

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Leite, Jonatas Boas, Jose Roberto Sanches Mantovani, Tatjana Dokic, Qin Yan Po-Chen Chen y Mladen Kezunovic. "Failure probability metric by machine learning for online risk assessment in distribution networks". En 2017 IEEE PES Innovative Smart Grid Technologies Conference - Latin America (ISGT Latin America). IEEE, 2017. http://dx.doi.org/10.1109/isgt-la.2017.8126683.

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Gomez, Andres F., Roberto Gomez y Victor Champac. "A metric-guided gate-sizing methodology for aging guardband reduction". En 2018 IEEE 19th Latin-American Test Symposium (LATS). IEEE, 2018. http://dx.doi.org/10.1109/latw.2018.8349677.

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Mateos, Cristian, Alejandro Zunino, Sanjay Misra, Diego Anabalon y Andres Flores. "Keeping Web Service interface complexity low using an OO metric-based early approach". En 2016 XLII Latin American Computing Conference (CLEI). IEEE, 2016. http://dx.doi.org/10.1109/clei.2016.7833366.

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Riker, Andre, Carlos J. F. Quadros, Elisangela S. Aguiar, Antonio J. G. Abelem y Eduardo Cerqueira. "ETXMULT: A routing metric for multimedia applications in wireless mesh networks". En 2011 IEEE Third Latin-American Conference on Communications (LATINCOM). IEEE, 2011. http://dx.doi.org/10.1109/latincom.2011.6107402.

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Colares, Rafael Gongalves y Luiz Chaimowicz. "Information potential: A novel metric for information-based exploration". En 2017 Latin-American Robotics Symposium (LARS) and 2017 Brazilian Symposium on Robotics (SBR). IEEE, 2017. http://dx.doi.org/10.1109/sbr-lars-r.2017.8215291.

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Alencar, Francisco A. R., Carlos Massera Filho, Daniela A. Ridel y Denis F. Wolf. "Fast Metric Multi-Object Vehicle Tracking for Dynamical Environment Comprehension". En 2015 12th Latin American Robotics Symposium (LARS) and 2015 3rd Brazilian Symposium on Robotics (LARS-SBR). IEEE, 2015. http://dx.doi.org/10.1109/lars-sbr.2015.60.

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Alencar, Francisco A. R., Luis Alberto Rosero, Carlos Massera Filho, Fernando S. Osorio y Denis F. Wolf. "Fast Metric Tracking by Detection System: Radar Blob and Camera Fusion". En 2015 12th Latin American Robotics Symposium (LARS) and 2015 3rd Brazilian Symposium on Robotics (LARS-SBR). IEEE, 2015. http://dx.doi.org/10.1109/lars-sbr.2015.59.

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Informes sobre el tema "Latin metric"

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Brooks, Amy, Jenna Jambeck y Eliana Mozo-Reyes. Plastic Waste Management and Leakage in Latin America and the Caribbean. Inter-American Development Bank, noviembre de 2020. http://dx.doi.org/10.18235/0002873.

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As of 2017, 8.3 billion metric tons of plastic had been produced worldwide. Since about 40% is used in things that are thrown away relatively quickly (packaging and single use items), 6.4 billion metric tons had already become discarded materials needing to be managed. Only 9% of these discarded materials were recycled globally. The annual estimate of plastic entering our oceans globally is 5 to 13 million metric tons (MMT) per year. Latin America and the Caribbean (LAC) has an extensive populated coast, 119,000 km of coastline and over 205 million people living within 50 km of that coastline. Waste management infrastructure is still under development in many countries. Economic growth without fully developed infrastructure can lead to increased plastic leakage. This report focuses on municipal solid waste as a source of plastic input into the environment in LAC. The reports estimates that total plastic waste available to enter the ocean in LAC in 2020 was 3.7 MMT . Under business-as-usual projections, the report anticipates that the regional quantity available to enter the oceans in 2030 will be 4.1 MMT and 4.4 MMT in 2050.
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Development Effectiveness Overview (DEO) 2021. Inter-American Development Bank, julio de 2021. http://dx.doi.org/10.18235/0003418.

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The Development Effectiveness Overview (DEO) is an annual report produced by the IDB Group to share the results and impact of its work in Latin America and the Caribbean. It showcases the IDB Group's contributions towards the development of its 26 borrowing member countries in the region and the Sustainable Development Goals, as well as progress against key institutional metrics in its Corporate Results Framework.
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Development Effectiveness Overview (DEO) 2021: Executive Summary. Inter-American Development Bank, julio de 2021. http://dx.doi.org/10.18235/0003609.

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The Development Effectiveness Overview (DEO) is an annual report produced by the IDB Group to share the results and impact of its work in Latin America and the Caribbean. It showcases the IDB Group's contributions towards the development of its 26 borrowing member countries in the region and the Sustainable Development Goals, as well as progress against key institutional metrics in its Corporate Results Framework. The 2021 DEO summary provides an overview of the IDB Groups impact in the region, as well as a snapshot of how the Group is performing against its targets.
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