Bibliografías temáticas / London Gardens Guild

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Literatura académica sobre el tema "London Gardens Guild"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "London Gardens Guild"

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Thistlewood, David. "A. J. Penty (1875-1937) and the Legacy of 19th-Century English Domestic Architecture." Journal of the Society of Architectural Historians 46, no. 4 (1987): 327–41. http://dx.doi.org/10.2307/990272.

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Arthur J. Penty, an English architect in private practice in York at the turn of the century, became associated with Barry Parker and Raymond Unwin as a freelance designer and exerted a fundamentally important (though largely unsung) influence on the stylistic principles now associated with Parker and Unwin's work at the First Garden City, Letchworth (founded 1903) and at Hampstead Garden Suburb in London (commenced 1905). He was a competent Arts and Crafts designer during a late phase of this idiom's effectiveness in England, believing it to be both culturally and socially appropriate in its
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Varney, Wendy. "Love in Toytown." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2007.

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If love is a many-splendoured thing, then many of its splendours can be seen on toy shelves occupied by recent playthings such as Luv Buds, Love and Kisses, First Love, My Puppy Loves Me and Love-A-Lot Bear. As the meaning of childhood has changed, particularly over the last 150 years (Postman), toys have become a major means of demonstrating and defining love between generations, between genders and between humans and commodities. The widespread availability of commodities, all increasingly finetuned in their prescribed meanings under a regime of rampant advertising, has been a key factor in
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Tilbury, Farida. "Filth, Incontinence and Border Protection." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2666.

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 This paper investigates linkages between two apparently disparate government initiatives. Together they function symbolically to maintain Australia’s moral order by excluding filth, keeping personal and national boundaries tight and borders secure. The Commonwealth government recently set aside over five million dollars to improve continence in the Australian population (incontinence is the inability to control movements of the bowel or bladder, producing leakage of filth in the form of urine and faeces). The Strategy funded research into prevalence rates, treatment strate
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Cantrell, Kate Elizabeth. "Ladies on the Loose: Contemporary Female Travel as a "Promiscuous" Excursion." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.375.

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In Victorian times, when female travel narratives were read as excursions rather than expeditions, it was common for women authors to preface their travels with an apology. “What this book wants,” begins Mary Kingsley’s Travels in West Africa, “is not a simple preface but an apology, and a very brilliant and convincing one at that” (4). This tendency of the woman writer to depreciate her travel with an acknowledgment of its presumptuousness crafted her apology essentially as an admission of guilt. “Where I have offered my opinions,” Isabella Bird writes in The Englishwoman in America, “I have
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Brien, Donna Lee. "A Taste of Singapore: Singapore Food Writing and Culinary Tourism." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.767.

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Introduction Many destinations promote culinary encounters. Foods and beverages, and especially how these will taste in situ, are being marketed as niche travel motivators and used in destination brand building across the globe. While initial usage of the term culinary tourism focused on experiencing exotic cultures of foreign destinations by sampling unfamiliar food and drinks, the term has expanded to embrace a range of leisure travel experiences where the aim is to locate and taste local specialities as part of a pleasurable, and hopefully notable, culinary encounter (Wolf). Long’s foundati
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Hudson, Kirsten. "For My Own Pleasure and Delight." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.529.

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IntroductionThis paper addresses two separate notions of embodiment – western maternal embodiment and art making as a form of embodied critical resistance. It takes as its subject breeder; my unpublished five minute video installation from 2012, which synthesises these two separate conceptual framings of embodiment as a means to visually and conceptually rupture dominant ideologies surrounding Australian motherhood. Emerging from a paradoxical landscape of fear, loathing and desire, breeder is my dark satirical take on ambivalent myths surrounding suburban Australian motherhood. Portraying my
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Thompson, Susan. "Home and Loss." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2693.

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 Introduction Our home is the most intimate space we inhabit. It is the centre of daily existence – where our most significant relationships are nurtured – where we can impart a sense of self in both physical and psychological ways. To lose this place is overwhelming, the physical implications far-reaching and the psychological impact momentous. And yet, there is little research on what happens when home is lost as a consequence of relationship breakdown. This paper provides an insight into how the meaning of home changes for those going through separation and divorce. Focu
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Wright, Katherine. "Bunnies, Bilbies, and the Ethic of Ecological Remembrance." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.507.

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Wandering the aisles of my local Woolworths in April this year, I noticed a large number of chocolate bilbies replacing chocolate rabbits. In these harsh economic times it seems that even the Easter bunny is in danger of losing his Easter job. While the changing shape of Easter chocolate may seem to be a harmless affair, the expulsion of the rabbit from Easter celebrations has a darker side. In this paper I look at the campaign to replace the Easter bunny with the Easter bilby, and the implications this mediated conservation move has for living rabbits in the Australian ecosystem. Essential to
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Libros sobre el tema "London Gardens Guild"

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England and Wales. Sovereign (1625-1649 : Charles I). By the King: Whereas there hath fallen out an interruption of amitie betweene the Kings Maiestie and the most Christian king .. By Bonham Norton and Iohn Bill ..., 1985.

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Capítulos de libros sobre el tema "London Gardens Guild"

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Saler, Michael T. "The Earthly Paradise of the London Underground." In The Avant-Garde in Interwar England, Medieval Modernism And The London Underground. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195119664.003.0005.

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Abstract Rank pick was one of the most influential members of the DIA, and the London Underground was to become the most persuasive embodiment of medieval modern principles in the interwar period. The aims expressed in Pick’s earlier writings for the Salem Chapel Guild were clarified and reinforced through his membership in this society of like-minded individuals: the DIA was in some respects a replacement for the guild, with its own spiritual mission and reformist creed.Pick was indebted to the support of a number of its members, many of whom came from a similar nonconformist, provincial back
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Comstock, Anna Botsford. "The Two hundred and Fiftieth-anniversary Celebration of the Royal Society and The International Entomological Congress." In The Comstocks of Cornell-The Definitive Autobiography, edited by Karen Penders St Clair. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501716270.003.0015.

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This chapter describes how John Henry Comstock was asked to represent Cornell University at the celebration of the 250th anniversary of the Royal Society of London in 1912. On the evening after the Comstocks' arrival in London, Henry went to the first informal meeting of the delegates to the Royal Society Celebration. On July 16, 1912, there was an impressive service in Westminster Abbey, which was attended by the delegates who were all in Academic dress. That evening, there was a great dinner in the Guild hall for the delegates. Eleven of the wives of delegates, including Anna Botsford Comsto
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Block, Geoffrey. "“There’s Hope for Everyone”." In The Richard Rodgers Reader. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195139549.003.0016.

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Abstract The Theatre Guild shows created new stars (Alfred Drake, Joan Roberts, Celeste Holm in Oklahoma!, John Raitt and Jan Clayton in Carousel). South Pacific began with stars already in public orbit, Broadway’s lustrous Mary Martin (1913-1990) and the famous bass Ezio Pinza (1892-1957) crossing over after several decades of leading roles with the New York Metropolitan Opera and London’s Covent Garden. By the time Rodgers and Hammerstein asked Martin to play Nellie Forbush, she had long since made her auspicious supporting debut in Cole Porter’s Leave It to Me (1938) with the song that woul
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