Bibliografías temáticas / Lord Byron

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Literatura académica sobre el tema "Lord Byron"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 27 de abril de 2022

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Artículos de revistas sobre el tema "Lord Byron"

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Rössner, Stephan. "Lord Byron". Obesity Reviews 14, n.º 3 (18 de febrero de 2013): 263–64. http://dx.doi.org/10.1111/obr.12001.

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Lipman, Samuel. "'Lord Byron' Undone". Grand Street 5, n.º 3 (1986): 180. http://dx.doi.org/10.2307/25006882.

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Disch, Thomas M. "My Roommate Lord Byron". Hudson Review 54, n.º 4 (2002): 590. http://dx.doi.org/10.2307/3853312.

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Jones, Steven. "Lord Byron, Multimedia Artist". Byron Journal 29 (enero de 2001): 36–46. http://dx.doi.org/10.3828/bj.2001.5.

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Minta, Stephen. "Lord Byron and Mavrokordatos". Romanticism 12, n.º 2 (julio de 2006): 126–42. http://dx.doi.org/10.3366/rom.2006.12.2.126.

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Ourania Chatsiou. "LORD BYRON: PARATEXT AND POETICS". Modern Language Review 109, n.º 3 (2014): 640. http://dx.doi.org/10.5699/modelangrevi.109.3.0640.

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Story, Cullen. "Did Lord Byron Know Ugaritic?" Byron Journal 19 (enero de 1991): 146–48. http://dx.doi.org/10.3828/bj.1991.12.

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Gilroy, Amanda. "Lord Byron Borrows A Figure". Byron Journal 20 (enero de 1992): 89–91. http://dx.doi.org/10.3828/bj.1992.7.

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BARTON, ANNE. "John Clare Reads Lord Byron". Romanticism 2, n.º 2 (julio de 1996): 127–48. http://dx.doi.org/10.3366/rom.1996.2.2.127.

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FLETCHER, CHRISTOPHER. "LORD BYRON - UNRECORDED AUTOGRAPH POEMS". Notes and Queries 43, n.º 4 (1 de diciembre de 1996): 425—b—428. http://dx.doi.org/10.1093/nq/43-4-425b.

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Tesis sobre el tema "Lord Byron"

1

Waylett, Dianne Marie. "Does anyone know Lord Byron?" CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1507.

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Marandi, Seyed Mohammad. "Lord Byron, his critics and Orientalism". Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397121.

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Olsen, Gregory. "Byron and God: representations of religion in the writings of Lord Byron". Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6763.

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Although Lord Byron's poetry has been studied in some depth over the last two hundred years, one particular aspect of that poetry has often been slighted: his representation of religion. Religion is a major feature of Byron's poetry, both as a source of imagery and as a subject of commentary. In the early nineteenth century, readers could be expected to understand and to respond to a range of biblical references and theological concepts, and this thesis explores those representations. Ten of Byron's major poems are considered in detail here: Childe Harold's Pilgrimage, Don Juan, The Giaour, The Bride of Abydos, The Corsair, Lara, The Siege of Corinth, Manfred, Cain, and Heaven and Earth. These are the works which focus most heavily upon religious topics, whereas other writings by the poet are discussed only where particularly relevant. While most of these ten concern Christianity, The Giaour, The Bride of Abydos, The Corsair, Lara, and The Siege of Corinth deal in more detail with Islam, and some other religious systems are occasionally mentioned. In the consideration of such representations of religion, crucial considerations are the characterization of God, the differences between depictions of the clergy and depictions of the laity, the respect afforded to sacred texts, and especially the comparison of orthodoxy ('correct opinion') with orthopraxy ('correct practice'). Many of these points vary considerably throughout the corpus of Byron's poetry, but certain consistencies are evident. One is the generally-respectful representation of the figure of God. Another is the frequent condemnation of heteropraxy and the careful avoidance of criticism of orthodoxy, even to the extent of criticizing heteropraxy from an orthodox viewpoint. A third is the resistance to dogmatism, coupled with a scepticism or even a hostility towards ecclesiastical authority. Throughout his work, then, the poet validates a devout but unconventional faith, one which failed to please his more conservative contemporaries but which was nonetheless far from the atheism with which he is often charged.
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Webb, Stephen. "Lord Byron and Nation : Education and Reification". Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210032.

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Smith, Melissa Ann. "A TEI Transcription of Conversations with Lord Byron". Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33006.

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This project accompanies a TEI transcription of Lady Blessingtonâ s Conversations with Lord Byron, currently available on the Life and Times of Lord Byron online archive. Although often cited in biographies of Lord Byron, Lady Blessingtonâ s Conversations of Lord Byron has received little critical attention. Further, the genre of Blessingtonâ s work, the conversation as a biographical form, suffers the same dearth of critical material. My aims, then, are to 1) present a brief history of the conversation as biographical form; 2) examine the publication history of the Conversations and underscore the social dimensions of its publication; and 3) evaluate Blessingtonâ s rhetorical strategies in the Conversations and to argue that Blessingtonâ s work is superior to two other accounts of Byron (by James Kennedy and Thomas Medwin) in terms of its psychological depth.
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Carano, Carol Lorraine Phegley Jennifer. "Mad lords and Irishmen : representations of Lord Byron and Oscar Wilde since 1967 /". Diss., UMK access, 2008.

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Thesis (Ph. D.)--Dept. of English and Dept. of HIstory. University of Missouri--Kansas City, 2008.
"A dissertation in English and history." Advisor: Jennifer Phegley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 233-292). Online version of the print edition.
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Mole, Thomas Seymour. "Byron's romantic celebrity : industrial culture and the hermeneutic of intimacy". Thesis, University of Bristol, 2003. http://hdl.handle.net/1983/36823ff2-0435-43b5-be8e-fcc88fdc179b.

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This thesis argues that modern celebrity culture took shape in the Romantic period, and that Byron should be understood as one of its earliest examples and most astute critics. It investigates the often strained interactions of artistic endeavour and commercial enterprise, the material conditions of Byron's publications, and the place of celebrity culture in the history of the self. It understands celebrity as a cultural apparatus structured by the relations between an individual, an industry and an audience, which emerged at a distinct historical moment. In the Romantic period, it contends, industrialised print culture overcrowded the public sphere with named individuals and alienated cultural producers and consumers. Celebrity tackled the surfeit of public personality by branding an individual's identity to make it amenable to commercial promotion, and palliated the sense of alienation by constructing a hermeneutic of intimacy. The thesis investigates Byron's engagement with industrial culture, showing how it empowered and embarrassed him. It considers how changes in his sense of audience while writing Childe Harold's Pilgrimage led Byron to construct the hermeneutic of intimacy in 'To lanthe'. Byron's celebrity included an important visual dimension, which he fostered in his Turkish Tales. The thesis therefore studies the circulation of his image, in authorised and appropriated versions, and the resulting advantages and anxieties for Byron. It argues that when he tried to move his poetry in a new direction with Hebrew Melodies, his attempt was compromised by generic constraints and publishing practices. The legal wrangles of 1816, it contends, made the hermeneutic of intimacy unsustainable. When he returned to Childe Harold, Byron experimented with alternative models of writing and reading. The thesis concludes by considering Don Juan, examining Byron's reading of Montaigne and arguing that the importance of celebrity culture in normalising the modern understanding of subjectivity has been underestimated.
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Howe, A. R. "System and poetry : studies in the writings of Lord Byron". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604665.

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The thesis aims to offer new insights into Lord Byron's writing, focusing in particular on Don Juan. It attempts this through an investigation into the concept of 'system', a highly resonant term in the early nineteenth century and one the poet repeatedly invoked in a pejorative sense to indicate an unresponsive mind-set antithetical to the poetic. The introductory chapter offers an historical description of 'system' and its related vocabulary, drawing out the different applications of the world (intellectual religious, political and aesthetic). In particular, Byron's antisystematic attitude is related to and distinguished from philosophical scepticism, a subject central to some recent studies of Byron. The remaining four chapters explore the most significant manifestations of 'system' and the resistance to them cultivated in Byron's later writings. Chapter two considers Byron's prose intervention in the controversy over the nature of Pope's poetry in which he attacks a 'systematic' approach to literary writing. Particular emphasis is placed on Byron's engagement with the historical background to the controversy, especially Johnson's implied censure of Joseph Warton. The third chapter looks at the philosophical and religious aspects of Byron's thought through a reading of the drama Cain. The play is considered with reference to past critical interpretation, which has tended to view the play as expressive of a religious or philosophical 'position'. Navigating between these divergent arguments, the chapter suggests that the play resists any dogmatic interpretation and is most fruitfully thought of as a mediation on the role of the poet. Chapter four investigates the presentation of human consciousness in Don Juan through the poem's obsessive interest in physical process and its effects on mental states.
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Zembruski, Soeli Staub. "A tradução da ironia em Don Juan de Lord Byron". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123074.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.
Made available in DSpace on 2014-08-06T17:45:33Z (GMT). No. of bitstreams: 1 326308.pdf: 1751176 bytes, checksum: b260d009c11087f8a428dbbe282a20ba (MD5) Previous issue date: 2013
Abstract : The present work investigates the possibilities and implications of the translation of irony on the published parts of Don Juan by George Gordon Byron (1818-1823) in Brazil by seven Brazilian translators of distinct historical and cultural contexts during 138 years. From the reflection about the irony concept and its evolution (MUECKE, 1995), the irony manifestations are observed. Some of the essential characteristics of irony constitution are listed and related to the poem Don Juan. From the ?irony markers? (HUTCHEON, 2000) a parameter to observe the reconstruction of that discursive strategy on the analyzed parts of the poem is built. Such reconstruction is the subject of the reflections about the translation of irony possibilities, of the importance of the context (MATEO, 2010), the translator?s roll as interpreter (ISER, 2002), of translation strategies (BERMAN, 2007), and the necessity of a translation project that matches with the main characteristics of the original work. On this way, different strategies elected by the translators are analyzed. These translations show the importance of Lord Byron?s works in Brazil. The translation solutions sign to the translation principles that guide each of the translations, and the contextualization as determiners for the translation of irony, so as to the increasing maturing of translation practice in our country.
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Nicholl, Kaila y Kaila Nicholl. "Some Other Being: The Autobiographical Phantom in Wordsworth and Byron". Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12504.

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I explore Wordsworth and Byron's use of a mediating "other Being," or a third-person narrative voice, that functions as a "guide" through their autobiographical texts. After establishing this poetic voice, both poets employ their "other Being" to navigate spaces of ruin. Founded on fragments of memory and experience, as well as mediatory gaps, the poetry of Wordsworth and Byron illuminates the autobiographical poet's struggle with textual self-representation and the sustention of a poetic subjectivity that often substitutes for the poet's own. Through the rhetorical device of prosopopoeia, Wordsworth and Byron find distinct ways to create a voice that will continue to "speak" for them in the lines of their text. While The Ruined Cottage represents a version of Wordsworth's understanding of breakdowns and poetic subjectivity, Byron's Childe Harold's Pilgrimage III and IV push Wordsworth's boundaries even to their limits and turn the autobiographical "other Being" into a "tyrant spirit."
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Libros sobre el tema "Lord Byron"

1

Byron, Byron George Gordon. Lord Byron. New York: C. Potter, 1989.

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Byron, George Gordon Byron. Lord Byron. New York: Garland Pub., 1985.

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W, Graham Peter. Lord Byron. New York: Twayne Publishers, 1998.

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Byron, Byron George Gordon. George Gordon, Lord Byron. Edinburgh: Akros, 1995.

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Byron, Byron George Gordon. Lord Byron: Selected poetry. Oxford: Oxford University Press, 1997.

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Garrett, Martin. George Gordon, Lord Byron. New York: Oxford University Press, 2000.

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George Gordon, Lord Byron. London: British Library, 2000.

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Harold, Bloom. George Gordon, Lord Byron. New York: Chelsea House Publishers, 1986.

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Byron, Byron George Gordon. Lord Byron: Selected poems. New York: Gramercy Books, 1994.

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Byron, Byron George Gordon. The sayings of Lord Byron. London: Duckworth, 1990.

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Capítulos de libros sobre el tema "Lord Byron"

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Cardinale, Philip J. "Lord Byron, Virgil, and Thyrza". En Byron, 93–102. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611047_10.

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Page, Norman. "A Clergyman Visits Lord Byron". En Byron, 98–104. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-06632-2_35.

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Schmid, Susanne. "George Gordon Lord Byron". En Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 56–58. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_7.

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Wang, Shou-ren. "Lord Byron: Closet Drama". En The Theatre of the Mind, 1–27. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20388-8_1.

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Martin, Brian. "George Gordon (Lord) Byron". En The Nineteenth Century (1798–1900), 170–96. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_16.

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Schmid, Susanne. "Byron, George Gordon Lord". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8152-1.

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Wu, Duncan. "Lord Byron". En The Selected Writings of William Hazlitt, 134–42. Routledge, 2020. http://dx.doi.org/10.4324/9780429348662-12.

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"Lord Byron". En A Literary History of England Vol. 4, 120–30. Routledge, 2004. http://dx.doi.org/10.4324/9780203393055-18.

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De Quincey, Thomas. "[Lord Byron]". En The Works of Thomas De Quincey, Vol. 20: Prefaces &c., to the Collected Editions, Published Addenda, Marginalia, Manuscript Addenda, Undatable Manuscripts, editado por Frederick Burwick, David Groves, Grevel Lindop, Robert Morrison, Julian North, Daniel Sanjiv Roberts, Laura Roman y Barry Symonds. Pickering & Chatto, 2003. http://dx.doi.org/10.1093/oseo/instance.00244326.

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Hazlitt, William. "Lord Byron". En The Spirit of Controversy, editado por Jon Mee y James Grande. Oxford University Press, 2021. http://dx.doi.org/10.1093/owc/9780199591954.003.0029.

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Lord Byron and Sir Walter Scott are among writers now living1 the two, who would carry away a majority of suffrages as the greatest geniuses of the age. The former would, perhaps, obtain the preference with the fine gentlemen and ladies (squeamishness apart) — the latter with the critics and the vulgar. We shall treat of them in the same connection, partly on account of their distinguished pre-eminence, and partly because they afford a complete contrast to each other. In their poetry, in their prose, in their politics, and in their tempers no two men can be more unlike.
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