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Artículos de revistas sobre el tema "Majdanek (Concentration camp) Majdanek"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 13 de febrero de 2022

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Kranz, Tomasz y Patrycja Kowalczyk. "L’extermination des Juifs dans le camp de concentration de Majdanek". Revue d’Histoire de la Shoah N° 197, n.º 2 (2012): 179. http://dx.doi.org/10.3917/rhsho.197.0179.

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Brown, Daniel Patrick. "Female SS Guards and Workaday Violence: The Majdanek Concentration Camp, 1942–1944Elissa Mailänder". Holocaust and Genocide Studies 31, n.º 3 (2017): 484–87. http://dx.doi.org/10.1093/hgs/dcx043.

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ORYCIŃSKI, WOJCIECH, KRZYSZTOF J. KRAJEWSKI y PAWEŁ KOZAKIEWICZ. "Resistograph investigation of Scots pine wood utility poles in the State Museum at Majdanek". Annals of WULS, Forestry and Wood Technology 108 (31 de octubre de 2019): 58–67. http://dx.doi.org/10.5604/01.3001.0013.7682.

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Resistograph investigation of Scots pine wood utility poles in the State Museum at Majdanek. Any activity relative to the protection of monuments is determined by the requirements of fidelity and authenticity in the preservation of the place and landscape. On the site of the State Museum at Majdanek, the former infrastructure of the concentration camp has been reconstructed. An element there of are pine wood utility poles.The present research project involved an assessment of their state of preservation with the method of resistography. The poles were subjected to inspection and preliminary acoustic assessment by means of tapping. Resistograph drillings were made radially, perpendicularly to the side surface of the poles, at various heights. A number of the poles have been found to be highly degraded in their sapwood part, which threatens their stability – these poles require immediate replacement. The principal cause of the degradation areactive feeding grounds of European house borer.The results of the research confirmed the effectiveness of resistographyin onsite assessment of the state of preservation of wooden poles.

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Kelley, Erin L., Magda Javakhishvili y Alexander T. Vazsonyi. "Book Review: Female SS guards and workaday violence: The Majdanek concentration camp, l942–1944". International Criminal Justice Review 26, n.º 2 (9 de noviembre de 2015): 206–7. http://dx.doi.org/10.1177/1057567715615189.

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Ripatti-Torniainen, Leena y Grazyna Stachyra. "The human core of the public realm: women prisoners’ performed ‘radio’ at the Majdanek concentration camp". Media, Culture & Society 41, n.º 5 (9 de mayo de 2019): 654–69. http://dx.doi.org/10.1177/0163443719848584.

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The article elaborates Hannah Arendt’s thought on the public realm to analyse the performed ‘radio’ that women prisoners ‘produced’ with their voice at the Majdanek concentration camp, Poland, in Spring 1943. The authors reconstruct the rationale that clarifies why an image of a radio was meaningful at a death camp. The documented memories reveal that the ‘radio’ created a resistant, harm-preventing and despair-relieving space. Mobilizing the meanings Arendt gives to the public realm as the shared reference and shared belonging, the authors show that the memories point towards the prisoners’ efforts to break their exclusion by decisively continuing their belonging to the public world through their own performance. In Arendt’s concepts, ‘broadcasting’ and listening to ‘programmes’ actualized prisoners’ being and subjectivity, both of which were under constant assaults. Conceptualized through Arendt’s thought, the performed ‘radio’ reveals amid the extreme exclusion, isolation and cruelty of the death camp how profoundly meaningful the public realm is to humans.

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Sadzikowska, Lucyna. "Ludobójstwo w świetle wybranych relacji więźniów obozów koncentracyjnych Auschwitz, Majdanek, Stutthof i Gross-Rosen". Narracje o Zagładzie, n.º 6 (22 de noviembre de 2020): 251–63. http://dx.doi.org/10.31261/noz.2020.06.13.

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The article is devoted to the analysis of testimonies, accounts, memoirs, ego-documents by concentration camp prisoners of Auschwitz, Majdanek, Stutthof, and Gross-Rosen. Thesource material kept in the said KLs’ archives contains a multitude of individual histories of survivors of the genocide, either described in detail or concisely noted down. What the authorfocuses on is the variety of those testimonies to suffering and tragedy of people incarcerated in concentration camps. At the same time, she observes that for the former prisoners, decades after leaving the camps, the Shoah and hell are synonymous with genocide. The most common terms used by them to describe genocide are: mass extermination, the Holocaust, Annihilation, hell, the Shoah, hideous violence, total annihilation – both physical and moral.

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Oeser, Alexandra. "Elissa Mailänder Koslov Gewalt im Dienstalltag : die SS-Aufseherinnen des Konzentrationsund Vernichtungslagers Majdanek, 1942-1944 (La violence au quotidien : les surveillantes SS du camp de concentration et d'extermination de Majdanek, 1". Critique internationale N° 61, n.º 4 (2013): 191. http://dx.doi.org/10.3917/crii.061.0191.

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Auchter, Jessica. "Displaying dead bodies: bones and human biomatter post-genocide". Human Remains and Violence: An Interdisciplinary Journal 4, n.º 1 (2018): 41–55. http://dx.doi.org/10.7227/hrv.4.1.4.

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The after-effects of mass atrocity – bodies and bones – struggle to be defined within memorial projects. This article seeks to examine the politics at play in displaying dead bodies to interrogate the role of materiality in efforts to memorialise and raise awareness about on-going violences. It focusses on the nexus between evidence, dignity, humanity and memory to explore bone display in Rwanda. It then takes up two artistic projects that play on the materiality of human remains after atrocity: the art of Carl Michael von Hausswolff, who took ashes from an urn at the Majdanek concentration camp and used them as the material for his painting, and the One Million Bones Project, an installation that exhibits ceramic bones to raise awareness about global violence. In thinking about the intersections between human biomatter, art and politics, the article seeks to raise questions about both production and consumption: how bones and ashes of the dead are produced, and how they are consumed by viewers when placed on display in a variety of ways.

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Wünschmann, Kim. "Female SS Guards and Workaday Violence: The Majdanek Concentration Camp, 1942–1944. By Elissa Mailänder. Translated by Patricia Szobar. (East Lansing, MI: Michigan State University Press, 2015. Pp. xviii, 405. $49.95.)". Historian 79, n.º 2 (1 de junio de 2017): 394–96. http://dx.doi.org/10.1111/hisn.12558.

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Hanula, Justyna. "THE POLISH COMMITTEE’S OF NATIONAL LIBERATION POLICY TOWARDS MUSEUMS". Muzealnictwo 59 (22 de junio de 2018): 86–92. http://dx.doi.org/10.5604/01.3001.0012.1368.

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After World War II museums in Poland were bound to serve political purposes. The aim of new government was to shape citizens’ awareness according to the Stalinist ideology. 21 July 1944, the Polish Committee of National Liberation (further PKWN) was created in Moscow under the patronage of Joseph Stalin. From 1 August 1944, it was located in Lublin together with its Arts and Culture Department. The period from 21 July 1944 to the end of December 1944 on the so-called liberated territories is discussed herein in the context of museums’ formation. It was the time when new institutions were created (e.g. Museum of Majdanek Concentration Camp) and those existing prior to WWII were re-established, such as the Lublin Museum or the National Museum of Przemyśl. In 1944, museums were facing many problems, inter alia, war damages, plunder by the People’s Army that quartered here, financial difficulties, personnel shortage. The lack of professionals in museums was the result of the PKWN strategy at the time, which first of all required propaganda specialists in culture institutions. The land reform initiated in 1944 affected museums to some extent; they were receiving works of art which had been confiscated from parcelled out landed properties. The only reason for it was the ideological one, however – from the historical point of view – they are regarded as unjust and immoral persecution and harassment against groups of society held by the communists in contempt, i.e. landowners. Sources on which the article has been based: reports of the PKWN and Culture Divisions of Regional Offices (Lublin, Rzeszów, Białystok, and Warsaw), which are in the possession of the Archives of Modern History Records (Archiwum Akt Nowych) in Warsaw.

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Howorus-Czajka, Magdalena. "BETWEEN REAL AND SYMBOLIC SPACE. DEATH REPRESENTATION IN WIKTOR TOŁKIN’S MARTYROLOGY MONUMENTS". Muzealnictwo 62 (29 de junio de 2021): 143–52. http://dx.doi.org/10.5604/01.3001.0015.0031.

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It is the representation of death in the monuments by Wiktor Tołkin found at the former concentration camps: Stutthof (at Sztutowo) and Majdanek (in Lublin) that is discussed. As an art historian, the Author confronts Tołkin’s monuments with the theorical framework related to the aesthetics of death representations in martyrology museums. The monuments were created in the late 1960s. The Author has studied how the monuments coincide with the contemporary exhibition strategies used in Holocaust-dedicated museums.

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Koslov, Elissa Mailänder. "“Going east”: colonial experiences and practices of violence among female and male Majdanek camp guards (1941–44)". Journal of Genocide Research 10, n.º 4 (6 de noviembre de 2008): 563–82. http://dx.doi.org/10.1080/14623520802447784.

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Stelingowska, Barbara. "Wysiedlenie widziane oczami dziecka z Zamojszczyzny". Narracje o Zagładzie, n.º 6 (23 de noviembre de 2020): 426–40. http://dx.doi.org/10.31261/noz.2020.06.24.

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The article undertakes the topic of forced population displacement seen through the eyes of a child from Zamojszczyzna along with war-time fates of Polish families deported duringthe Second World War. The history of Zamojszczyzna lands is composed of tragic experiences of people forced out of their family households, imprisoned in the transit camps, deported to be involuntary labourers in the Third Reich, or murdered in concentration camps KL Auschwitz and KL Lublin (Majdanek). The survivors had to carry on throughout their lives with an indelible mark left by war-time childhood reflected by the name “a Child of Zamojszczyna” (the said status was granted to persons who were prisoners of the transit camps in Zamość and Zwierzyniec [solely children until the age of fourteen] and those imprisoned in concentration camps [for at least one day]).

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"Female SS guards and workaday violence: the Majdanek concentration camp, 1942-1944". Choice Reviews Online 53, n.º 01 (18 de agosto de 2015): 53–0404. http://dx.doi.org/10.5860/choice.191107.

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Garraio, Júlia. "Elissa Mailänder (2015), Female SS Guards and Workaday Violence. The Majdanek Concentration Camp, 1942-1944*". e-cadernos CES, n.º 27 (15 de junio de 2017). http://dx.doi.org/10.4000/eces.2253.

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Kiosze, Philipp y Florian Steger. "The Everyday Life of Patients With Tuberculosis in the Concentration Camp of Mittelbau-Dora (1943–1945)". Frontiers in Medicine 7 (25 de septiembre de 2020). http://dx.doi.org/10.3389/fmed.2020.526839.

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The everyday life of patients with tuberculosis in the main prisoner infirmary of the Mittelbau-Dora concentration camp is analyzed historically-critically by medical records, documents of the Schutzstaffel (SS) physicians, contemporary medical textbooks and memoirs of former inmates from partly international archives. To compare the medical treatment in the three phases of the concentration camp, the representative months of February 1944, July 1944 and January 1945 were examined. The analysis shows that SS hygienists inspected the place for fear of a collapse of the V-2 rocket production. The primitive medical infrastructure was slowly expanded after its founding in 1943. SS physicians and medics led and supervised the treatment provided by inmates. These were in an ethical dilemma between cooperation with the SS and commitment to the sick prisoners. The Tuberculosis Department was used for isolation. Sputum diagnostics and X-ray equipment were utilized as selection tools. Infectious patients laid usually for weeks in the same bed with two other patients. Significantly more resources were available, however, for non-infectious tuberculosis patients. The therapy was based on the medical expert opinion of the time and was mainly symptomatic such as fever reduction. Rest and vitamins should make prisoners fit for the armament industry. Patients with tuberculosis had a high death rate. The prisoners who survived were discharged, but often did not recover. Several thousand prisoners were selected for transports, which led to special concentration camps for seriously ill prisoners (Lublin-Majdanek, Bergen-Belsen) and the subcamp Boelcke-Kaserne. There, they often died of catastrophic conditions or were killed.

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Gozdecka, Renata. "Obrazy wojny i holocaustu w muzyce i sztuce. Szkic do edukacji interdyscyplinarnej / The Images of War and the Holocaust in Music and Art. A Sketch for Interdisciplinary Education". Annales UMCS, Artes 12, n.º 2 (1 de enero de 2014). http://dx.doi.org/10.1515/umcsart-2015-0003.

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AbstractThe main premise of the presented study is to show the impact of World War Two events on the creative achievements of selected artists who treated these dramatic events as the direct source of inspiration. The primary object of interest are selected musical pieces composed in the twentieth and twenty-first centuries, analyzed at the same time from the perspective of their correspondence with other domains of art: painting, sculpture, poetry, and partly with film. The article discussed Arthur Honegger’s Second and Third Symphony, compositions: Diffrent Trains by Steve Reich, and Diaries of Hope by Zbigniew Preisner, and in the field of fine art: inter alia the painting works by Izaak Celnikier, Xawery Dunikowski, Bronisław Wojciech Linke, and Andrzej Wróblewski, selected monument sculptures (e.g. in the Majdanek Concentration Camp in Lublin), and with special emphasis on works devoted to the tragedy of the Holocaust.An important aim of the paper is to show the possibility of utilizing the presented content in interdisciplinary teaching provided for in the Ministry of National Education’s core curriculum for general education in art subjects and the subject Knowledge of Culture.

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Żbikowski, Andrzej. "Texts Buried in Oblivion. Testimonies of Two Refugees from the Mass Grave at Poniatowa". Zagłada Żydów. Studia i Materiały, 1 de diciembre de 2008, 76–102. http://dx.doi.org/10.32927/zzsim.76.

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This article contains an analysis and extensive quotations from accounts of two Jewish women, the only survivors of prisoners' execution at the Poniatowa compulsory labour camp. This execution was part of a large-scale operation to physically liquidate Jewish prisoners, the so-called “Operation Harvest” (Erntefest), carried out in the first week of November 1943 at the camps in Trawniki, Poniatowa and Majdanek (in Lublin). Both women survivors,. Due to a number of coincidences, managed to get to Warsaw and, helped by the “˚egota” – Council to Aid the Jews, lived to see the liberation. In this article I also analyse the circumstances of both accounts, reasons for withholding their publication as early as war time, and the importance , for our knowledge, not only of the executions, but also for the nature of complicated Polish–Jewish relations during World War II, because it was the Poles' help that the fate of escaped prisoners hinged upon.

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