Bibliografías temáticas / Maori meeting houses

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Literatura académica sobre el tema "Maori meeting houses"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Maori meeting houses"

1

Sissons, Jeffrey. "Building a house society: the reorganization of Maori communities around meeting houses." Journal of the Royal Anthropological Institute 16, no. 2 (2010): 372–86. http://dx.doi.org/10.1111/j.1467-9655.2010.01630.x.

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Sloggett, Robyn. "Decolonising Conservation: Caring for Maori Meeting Houses Outside New Zealand." Studies in Conservation 54, no. 2 (2009): 130–31. http://dx.doi.org/10.1179/sic.2009.54.2.130.

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Rosenblatt, Daniel. "Art and Biculturalism: Innovative Maori Meeting Houses and the Settler Nation." Visual Anthropology Review 29, no. 2 (2013): 133–51. http://dx.doi.org/10.1111/var.12010.

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Hardy, Ann. "Decolonising conservation caring for maori meeting houses outside new zealand Sully, Dean (ed.)." Material Religion 5, no. 3 (2009): 367–68. http://dx.doi.org/10.2752/175183409x12550007730228.

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Donnay, J. D. H., and Gabrielle Donnay. "Symmetry and Antisymmetry in Maori Rafter Designs." Empirical Studies of the Arts 3, no. 1 (1985): 23–45. http://dx.doi.org/10.2190/gkrh-mxp2-3bn1-f6vp.

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The Maori settled in New Zealand in the eighth or ninth centuries A.D.; the Europeans, many centuries later. Maori meeting houses are very ornate: besides carved wood figures, painted black-red-white designs embellish rafters and structural posts. These designs stand out as highly sophisticated examples of the twenty-four known band groups of 2-dimensional 1-translational symmetry G21 and antisymmetry (G21)′ The two independent symmetry elements, periodically repeated by lattice p or antilattice p′, are any two of the following: mirror m and antimirror m′, both either transverse or longitudina
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Sissons, Jeffrey. "The Traditionalisation of the Maori Meeting House." Oceania 69, no. 1 (1998): 36–46. http://dx.doi.org/10.1002/j.1834-4461.1998.tb02693.x.

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Anderson, Catherine. "CONSERVATION AND INSTALLATION OF RUATEPUPUKE II: A MAORI MEETING HOUSE." AICCM Bulletin 20, no. 1 (1994): 19–24. http://dx.doi.org/10.1179/bac.1994.20.1.003.

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Gladstone, Stephen (Teeps). "A Place to Stand Turangawaewae." FORUM, no. 3 (July 2009): 145–54. http://dx.doi.org/10.3280/foru2009-002012.

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- New Zealand is relatively unique as a ‘new' nation. We enjoy a strong Maori (indigenous) culture and an equally strong Eurocentric influence. Unfortunately, Maori are over-represented in prison by a multiple of five times their number in the general population. In my work, I have observed that there is a need for the clinician to ‘earn the right', from a cultural perspective, to quickly build a strong foundation upon for the clinician to indicate to the client that he (or she) understands the dynamics and values of Maori Culture because they run parallel to the dynamics and values of the cli
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9

Gray, Jack. "Ko Mitimiti ahau, I Am (of) the Place, Mitimiti." Dance Research Journal 48, no. 1 (2016): 33–36. http://dx.doi.org/10.1017/s0149767716000085.

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Kia ora, tenei te mihi kia koutou. Warm greetings to you all. My culture shares ‘tikanga’, a way of doing, a conceptual framework based on notions of ancestral continuum and the passing down of codes, which embed land, sea, and sky within our consciousness. As the descendants of oceanic navigators, we as contemporary Maori still follow ancient practices of mapping to situate and connect place to person. In our traditional greeting, I would recite my ‘pepeha’—an oratory statement that places my ‘mana’ (power, authority) beneath the status of a tribal mountain, of our river, of our canoe (from o
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10

McKay, Bill, and Antonia Walmsley. "Māori Architecture 1900–18." Architectural History Aotearoa 1 (December 5, 2004): 57–62. http://dx.doi.org/10.26686/aha.v1i0.7895.

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This decade can be noted for several distinct approaches to Māori architecture, reflecting a variety of nationalistic impulses. This paper offers a brief overview of the diversity of Māori architecture and ideas in this period. Pākehā, in the search for national identity, and also reflecting the interests of the global Arts and Crafts movement, were enthused by the local example of the carved and decorated whare whakairo, native timbers, Māori adzing techniques and local flora and fauna. This can be seen in the work of architects such as JW Chapman Taylor, as well as the symbolism and trademar
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Libros sobre el tema "Maori meeting houses"

1

Zeininger, Michaela. Architektur der Maori: Kontinuität und Wandel in der indigenen Baukunst Neuseelands. IVA-Verlag, Institut für vergleichende Architekturforschung, 2011.

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2

Dean, Sully, and University College, London. Institute of Archaeology., eds. Decolonizing conservation: Caring for Maori meeting houses outside New Zealand. Left Coast Press, 2007.

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3

Gilliam-Knight, Diane, and Annemarie Hope-Cross. Te Maungarongo: The ancestral house of the Maori Synod. Edited by Presbyterian Church of Aotearoa New Zealand. Presbyterian Church of Aotearoa New Zealand, 1992.

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4

Presbyterian Church of Aotearoa New Zealand, ed. Te Kakano o te Aroha: The church marae of the Wellington Maori Pastorate. Presbyterian Church of Aotearoa New Zealand, 1992.

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5

The Māori Meeting House. University of Hawaii Press, 2016.

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6

Sully, Dean. Decolonizing Conservation: Caring for Maori Meeting Houses Outside New Zealand. Taylor & Francis Group, 2016.

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7

Sully, Dean. Decolonizing Conservation: Caring for Maori Meeting Houses Outside New Zealand. Taylor & Francis Group, 2016.

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8

Walters, Muru, Robin Walters, and Sam Walters. Marae - Te Tatau Pounamu: A Journey Around New Zealand's Meeting Houses. Random House New Zealand, 2014.

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9

House Rauru: Masterpiece of the Maori. Museum fur Volkerkunde, 2012.

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10

Hakiwai, A. Ruatepupuke: A Maori Meeting House. Field Museum of Natural, 1994.

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Capítulos de libros sobre el tema "Maori meeting houses"

1

van Meijl, Toon. "Maori Meeting-Houses in and Over Time." In Inside Austronesian Houses: Perspectives on domestic designs for living. ANU Press, 2006. http://dx.doi.org/10.22459/ia.09.2006.08.

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Gray, Jack, and Jacqueline Shea Murphy. "Ruatepupuke II: A Māori meeting house in a museum." In Music, Dance and the Archive. Sydney University Press, 2022. http://dx.doi.org/10.30722/sup.9781743328675.03.

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Our contribution to this volume is not written in the same form as most academic articles, but rather as a kōrero – a term in Te Reo Maōri that is sometimes translated into English as narration, talk, discourse, account, conversation, and is also used as a verb, or something one does. To kōrero is to dialogue, converse, address, speak truth. The kōrero that follows is a sharing of thoughts and ideas that, like all kōrero, may or may not conclude with a clearly stated argument, and which requires from the reader active listening and trust that, in the act of our speaking together, meaning is be
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