Bibliografías temáticas / Medea (Euripides)

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Literatura académica sobre el tema "Medea (Euripides)"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de agosto de 2024

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Artículos de revistas sobre el tema "Medea (Euripides)"

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Walsh, Lisl. "The Metamorphoses of Seneca's Medea." Ramus 41, no. 1-2 (2012): 71–93. http://dx.doi.org/10.1017/s0048671x00000266.

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Seneca's Medea is not a rewriting of Euripides' character. At least, Seneca's Medea shares more similarities with Ovidian Medeas (the extant ones, at any rate) than the Euripidean Medea. Rather than focusing on Seneca's departures from the tragic legacy of Euripides (however important they are for an informed reading of the play), I would like to focus on Seneca's Medea as a potentially Ovidian character. Specifically, I would like to posit that the Senecan Medea reads more like a dramatisation of Medea's experience within the ellipsed Corinthian episode of Ovid's Metamorphoses (7.394-97). Sen
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Cropp, Martin, and Donald J. Mastronarde. "Euripides: "Medea"." Phoenix 58, no. 3/4 (2004): 362. http://dx.doi.org/10.2307/4135179.

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Hansen, Hardy, and Donald J. Mastronarde. "Euripides: "Medea"." Classical World 97, no. 4 (2004): 454. http://dx.doi.org/10.2307/4352887.

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Torrance, Isabelle, D. Egan, and D. Egan. "Euripides: Medea." Classics Ireland 13 (2006): 97. http://dx.doi.org/10.2307/25528451.

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Meridor, Ra'Anana. "Euripides, Medea 639." Classical Quarterly 36, no. 1 (1986): 95–100. http://dx.doi.org/10.1017/s0009838800010569.

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Modern interpretation tends to take E. Med. 639, ‘driving from the senses over a second bed’ (θυμ⋯ν ⋯κπλήξασ' ⋯τέροις ⋯π⋯ λέκτροις), found within the petition of the chorus that ‘dread Cypris never…inflict angry arguments and insatiate quarrels’ (637–40a), as referring to a second bed that might allure these women themselves rather than one that might allure their husbands. None the less, the latter interpretation seems to be recommended by both the contents and the context of the line; it is also consistent with Euripidean idiom. As to the context, v. 639 is found in the second stasimon. An e
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Meccariello, Chiara. "The First Medea and the Other Heracles." Philologus 163, no. 2 (2019): 198–213. http://dx.doi.org/10.1515/phil-2018-0021.

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Abstract This paper focuses on the presumed existence of two versions of Medea and Heracles in the Euripidean corpus that circulated in antiquity. After a brief review of the main papyrological evidence, namely P.Oxy. LXXVI 5093 for the Medea and P.Hibeh II 179 for the Heracles, I discuss the implications of adding another Medea and another Heracles to the Euripidean corpus in the light of the extant ancient testimonies on the number of works in Euripides’ oeuvre. Moreover, I examine the clues provided by the headings of the hypotheses of the extant Medea and the extant Heracles as preserved i
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Cairns, Douglas. "THE DYNAMICS OF EMOTION IN EURIPIDES’ MEDEA." Greece and Rome 68, no. 1 (2021): 8–26. http://dx.doi.org/10.1017/s0017383520000212.

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Medea's emotions loom large in a wide range of dramatic, literary, and philosophical sources from Euripides onwards. In focusing on aspects of the emotional texture of the original Euripidean play, all one can do is scratch the surface of an enormous subject, both in that play and in its reception in ancient literature and thought. Fortunately, we have the other articles in this issue of Greece & Rome to supplement this inevitably limited perspective. My procedure in this short paper is simply to highlight certain aspects of the dramatization of emotion in Euripides’ Medea that strike me a
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Villalba-Lázaro, Marta. "After Euripides: Esotericism in Medea’s English Literary Tradition." Athens Journal of Humanities & Arts 10, no. 1 (2022): 37–54. http://dx.doi.org/10.30958/ajha.10-1-2.

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The Euripidean Medea remains a mystery to human understanding The esotericism of her story has allowed for dramatically different representations. In tracing her English literary history, from classical to contemporary dramatists, this paper follows Medea’s characters throughout the centuries. Drawing on Euripides, it provides a wide perspective on a long tradition, pointing out the distinctive intellectual and moral features of each historical period. In particular, it aims to show how this esoteric figure actually suits the writers’ ideology, who recurrently use Medea as a symbol to serve th
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Kim,Yong-Min. "Transformation des Medea-Mythos - Medea von Euripides." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 48 (2010): 165–85. http://dx.doi.org/10.30947/zfdsl.2010..48.165.

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Hadiyanto, Hadiyanto. "Killing Guiltlessly as Reaction of Sadistic Personality Disorder in Euripides’ Medea (A Psychological Approach in Literature)." Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 4, no. 1 (2020): 1–10. http://dx.doi.org/10.14710/culturalistics.v4i1.6649.

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ABSTRACT This research paper is aimed at analyzing one of Euripides’ well-renowned classical literary works entitled Medea by focussing on Medea as the main character of the story, Medea’s psychological state, psychological reason, and sadistic personality disorder reaction. This research paper uses psychological approach in analyzing the related psychological phenomena in Euripides’ Medea. The resut of the research indicates that Medea, who gets accustomed to being raised in a barbarous family and living in a barbaric environment, has a natural impulsive behaviour to kill other persons guiltl
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Tesis sobre el tema "Medea (Euripides)"

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Anderson, Lois Marjory. "Directing Euripides' Medea." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12609.

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This thesis documents the directorial preparation and rehearsal process for the production of Euripides Medea, produced at the TELUS theatre, January 2009, as the thesis requirement for an MFA in Directing from the Theatre Department of the University of British Columbia. Included are a script analysis of the Kenneth McLeish translation of Medea, a rehearsal journal, and an essay examining the role and intervention of the gods in Euripides’ Medea. This production was framed as a re-enactment by the household staff of Jason and Medea. The appendix includes a storyboard script for th
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Jones, Jonathan Hew Cabread. "A literary commentary on Euripides' Medea." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307358.

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Hinkelman, Sarah A. "EURIPIDES’ WOMEN." Ohio University Art and Sciences Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1428872998.

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O'Neill, G. G. "A study of the major speeches in Euripides' Medea." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252596.

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Evans, Samantha Jane. "The self and ethical agency in Euripides' Hippolytus and Medea." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326624.

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Kipker, Sarah. "Medea: översättningar och omtolkningar : En receptionsstudie av Euripides drama mellan 1860 och 2016." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323790.

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Medea is, even though a mythological woman from ancient Greece, very popular today and her story feels modern, which many recent adaptations clearly prove. How can this ancient material be so applicable and thought-provoking to discuss today? This study shows how different translators and authors have interpreted and re-imagined Medea to make her feel relevant to their contemporary societies. Focus is put on Medea’s roles as a woman and a foreigner, because these aspects are especially relevant today. The following research compares three Swedish translations of Euripides Medea from 1860, 1931
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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Hoyt, Maggie Sharon. "Giving Birth to Empowerment: Motherhood and Autonomy in Greek Tragedy." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3613.

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The Greek tragedies of Classical Athens frequently portray mothers in central roles, but despite this significance, the relationship between mother and child has long been overshadowed in secondary scholarship by the relationship between husband and wife. This study demonstrates the direct relationship between a female character's active possession of her children and her autonomy, or her ability to act in her own interests, in three plays of Euripides: Electra, Medea, and Ion. In general, women who internalize their ownership of their children, expressed on stage both in word and action, have
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Thumiger, Chiara. "Hidden paths : self and characterization in Greek tragedy: Euripides' Bacchae /." London : Institute of Classical studies, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016267112&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Syrový, Michal. "Euripides : Medeia." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79462.

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Greek drama defines the place in which the theatrical performances takes place, fave a birth to the basic genres - tragedy and comedy. The emergence of the dramatic genre is somehow associated with the initial magical beliefs of our ancestors, that will play when the story will help to the real implementation. Some of the myths that have for the psyche of the Greeks fundamental importance, have been demonstrated in the context of religious rituals on stage and later gave rise to the classic drama. The Tragedy has probebly its origin in ritual worship of the god Dionysus - in simpplified playin
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Libros sobre el tema "Medea (Euripides)"

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Kennelly, Brendan. Euripides' Medea. Bloodaxe, 1991.

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William, Arrowsmith, Diamond Dennis, Steadman Peter, and The New York Greek Drama Company., eds. Euripides' Medea [videorecording]. The New York Greek Drama Company, 1986.

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Underiner, Tamara L. Euripides' Medea and Electra. Research & Education Association, 1995.

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Papageorgiou, Vasilis. Euripides' Medea and cosmetics. Almqvist & Wiksell International, 1986.

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Euripides, ed. Euripides' Medea: A new version. Bloodaxe Books, 1991.

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Euripides, ed. Euripides' Medea: In a new version. Nick Hern, 2010.

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Goodrich, Joseph. Medea: A new adaptation of Euripides. Playscripts, Inc., 2005.

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Paulin, Tom. Euripides' Medea: In a new version. Nick Hern, 2010.

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Ohlander, Stephen. Dramatic suspense in Euripides' and Seneca's Medea. P. Lang, 1989.

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Euripides, ed. Euripides: Mit einer Prosa-Übertragung der Medea. Adolf M. Hakkert, 2002.

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Capítulos de libros sobre el tema "Medea (Euripides)"

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Ewans, Michael. "EURIPIDES Medea." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-2.

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Grethlein, Jonas. "Euripides, Medea." In Asyl und Athen. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02906-5_6.

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Manolopoulos, Sotiris. "Euripides' Medea." In Understanding Human Life through Psychoanalysis and Ancient Greek Tragedy. Routledge, 2024. http://dx.doi.org/10.4324/9781032712864-4.

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Ewans, Michael. "Theatrical commentary." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-4.

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Ewans, Michael. "Introduction." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-1.

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Ewans, Michael. "Translation notes." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-3.

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Swift, Laura. "Medea." In A Companion to Euripides. John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119257530.ch6.

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Brown, Robert D., and Robert DeMaria. "Translations from Euripides's Medea." In The Complete Poems of Samuel Johnson. Routledge, 2024. http://dx.doi.org/10.4324/9781003273257-91.

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Marwah, Anuradha. "Interpreting Euripides's Medea in the Contemporary Indian Context." In From Canon to Covid. Routledge India, 2023. http://dx.doi.org/10.4324/9781003399926-10.

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"MEDEA." In Euripides: Medea. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511806223.007.

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