Bibliografías temáticas / Metal music / Tesis
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Tesis sobre el tema "Metal music"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Mynett, Mark. "Contemporary metal music production." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/19314/.

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Distinct challenges are posed when conveying Contemporary Metal Music’s(CMM) sounds and performance perspectives within a recorded and mixed form. CMM often features down tuned, heavily distorted timbres, alongside high tempi, fast and frequently complex subdivisions, and highly synchronised instrumentation. The combination of these elements results in a significant concentration of dense musical sound usually referred to as ‘heaviness’. The publications for this thesis present approaches, processes and techniques for capturing, presenting and accentuating heaviness, as well as intelligibility
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2

Marjenin, Peter A. "The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1412632625.

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3

Strother, Eric S. "Unlocking the Paradox of Christian Metal Music." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/9.

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In 1984, Stryper released its first album The Yellow and Black Attack and introduced audiences to a different kind of heavy metal. Instead of lyrics about sex, alcohol, and Satan, Stryper sang about Jesus, salvation, and God. While there were a number of fans ready for this change more were not. Members of the Church as well as members of the metal subculture were in agreement that Christianity and heavy metal were incompatible. Despite these objections, however, more bands emerged, and Christian metal became a significant genre within the Christian music industry. These bands presented Christ
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4

Kennedy, Lewis F. "Functions of genre in metal and hardcore music." Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16545.

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This thesis addresses various functions of genre in metal/hardcore music as a lens through which to study popular music in the twenty-first century. The thesis proposes that issues of genre are fundamental to understandings of popular music for all participants. Predominant in metal/hardcore discourse, genre serves as an organising principle in historiographies that exert significant influence upon contemporary perceptions of metal and hardcore. I propose generic symbiosis as a new way to conceptualise the relationship between metal and hardcore, addressing issues of consequentiality arising f
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5

Lindgren, Mats. "Känsla för metal : Att gestalta känslor med hjälp av symphonic metal." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43447.

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Syftet med det här arbetet var att gestalta fem olika känslor inom genren symphonic metal. Därigenom ville jag avgöra vilka verktyg jag kunde ha nytta av i framtiden för att gestalta känslor musikaliskt och vilka skillnader som finns mellan att gestalta olika känslor. För att göra detta använde jag mig av referenslyssning av tio låtar plus några orkestrala stycken per känsla. Resultatet av lyssningen, tillsammans med olika låtskrivningstekniker, litteratur, Kirnbergers intervallkaraktäristik och Matthesons tonartskaraktäristik, användes till att skriva och arrangera mina fem låtar.   Resultate
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6

Trum, David W. "wood, metal, and vibrating air." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337287625.

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7

Allett, Nicola Faye. "'Love's labours' : extreme metal music and its feeling community." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3110/.

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"'Love's Labours': Extreme Metal Music, and its Feeling Community" proposes an understanding of the nature of subcultural investments in music. It explores the distinct character of Extreme Metal music and the subcultural world that surrounds its fandom. In particular, it is concerned with the nature of attachments to and investments in subculture, investigating how fans feel part of a community, how identities are positioned and postured as 'Extreme Metal', and what processes and activities construct such identifications. Through qualitative research of a group of Extreme Metal fans, and draw
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8

Harris, Keith Daniel. "Transgression and mundanity : the global extreme metal music scene." Thesis, Goldsmiths College (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397110.

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9

Lucas, Olivia. "Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493271.

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Extreme metal music, with its consummate loudness and distortion, and intransigent culture of transgressiveness, resists analysis. This dissertation embraces extreme metal’s liveliness and channels it toward a broad cultural and musical analysis, exploring avenues of loudness, rhythm and ecocriticism. The study of extreme metal opens a window on liminal auralities, allowing the listener to encounter the thresholds of listening and the sheer physicality of sound. These aspects of the extreme metal listening experience open up a broader range of issues: the effects of loudness on the body and mi
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10

Barone, Stefano. "Fragile Scenes: Metal, Rap, and Electro in Post-Revolutionary Tunisia." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366023.

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The thesis analyses three youth cultures in contemporary Tunisia: metal, rap, and electro. Tunisia is a North-African country which has often been represented as a bridge between Europe and the Arab/Muslim world. It is a crossroad of cultural influences, and its complex situation of economic disadvantage and social inequality imposes peculiar conditions to the existence of local youth cultures and popular music scenes. Moreover, its history of dictatorship, and its 2011 revolution (which inaugurated the so-called Arab Springs), render it a locus of political and cultural struggle. For these re
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11

Smith, Gregory Vance. "Rhetorics of Fear, Deployment of Identity, and Metal Music Cultures." Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/3676.

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The purpose of this study is to analyze the rhetorics of fear operating in public discourses surrounding metal music. This analysis focuses on how the public rhetorics deploy identity on listener populations through both the mediation and legislation of identities. Specifically, this mediation takes place using both symbols of fear and arguments constructed on potential threats. Texts for analysis in this study include film and television documentaries, newspaper articles, book-length critiques of and scholarship on heavy metal, and transcripts from the U.S. Senate Hearings on Record Labeling.
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12

Vaughn, Erin M. "Harmonic Resources in 1980s Hard Rock and Heavy Metal Music." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1449012267.

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13

Roby, David Allen. "Bastard offspring : heavy metal, hardcore punk, and metalcore." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1486.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Music
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14

Olson, Benjamin Hedge. "I am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206132032.

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15

Reynisson, Haukur. "Man vs. Machine : A comparative study on MIDI programmed and recorded drums." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43782.

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Whilst drum replacement, the act of replacing the sound of a particular drum with a pre-recorded sample, has been in practice since the 1970s it is only towards the end of the first decade of the 21st century that software drum machines such as Toontrack’s Superior Drummer 2.0 and Steven Slate Drums have become an popular alternative to actual drum recordings within music production. With the increasing popularity there have been voices from the music community in protest claiming that a machine could never replace an actual drummer. What I aimed to do in this project was to do a comparative s
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16

Eriksson, Johan. "Metalcore, den hatade genren : En studie om hur metalfans upplever subgenren metalcore." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-29774.

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Metalcore är en subgenre som är ständigt ifrågasatt av många. En del metalfans ser metalcore som någoting dåligt i metalgenren och tycker att subgenren inte är metal. I denna studie undersöks hur olika gränser skapas mellan genrerna metal och metalcore, detta genom att undersöka argumenten som metalfansen har om metalcore. Argumenten analyseras med hjälp av en kvalitativ argumentationsanalys med material från internetforumet Reddit. Resultatet visar på att negativitet finns mot metalcore, genren är alldeles för simpel och alldeles för mainstream för metalfans. Metalcore-låtar är endast en omst
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17

Cope, Andrew Laurence. "From the dawn of the Sabbath ... metal was born." Thesis, University of Salford, 2007. http://usir.salford.ac.uk/26626/.

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The early 1990s saw the publication of important academic works on the subject of heavy metal music. These works were seminal in that they were the first to recognise and interrogate, in any substantial way, a topic that had been, until then, valued only as a cultural/sociological subject. Those ground-breaking works included Robert Walser's 1993 publication Running with The Devil: Power, Gender and Madness in Heavy Metal and Deena Weinstein's Heavy Metal: The Music and its Culture first published in 1991. Both works however, present heavy metal in broad terms, creating a wide paradigm that in
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18

Permgård, Johan. "Musik tar aldrig slut : En undersökning i hur jag kan förlänga speltiden på en låt inom genren progressiv metal." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-64550.

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Denna uppsats handlar om vilka tekniker som kan användas då man vill förlänga speltiden på en låt inom rock och metal. Jag har förlängt en låt som från början var 4 minuter till en låt som numera är 14 minuter. Jag har analyserat band och artister som spelar progressiv rock och progressiv metal för att ta lära från deras tekniker hur man håller en röd tråd genom en längre komposition. Min projektlåt skrev jag om genom att lägga till flera olika instrumentala delar, allt från intro till gitarrsolos och melodier som vackert smälter samman låtens olika delar. Originallåten, som inte har progressi
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19

Körner, Stefan. "Theologie als Beat, Pop und Heavy Metal." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-101963.

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Der erste Eindruck, er täuscht. Viele Besucher, die das „Schallarchiv“ zum ersten Mal betreten, äußern sich verhalten, die leichte Enttäuschung kaum verhehlend: „Das ist es also“. Ja, das ist es, das weltgrößte Archiv für christliche Popmusik. Und in der Tat: 2.500 LPs sind optisch weit weniger eindrücklich als die gleiche Anzahl Bücher. Was sich aber in den Plattenhüllen, in den Rillen des Vinyl verbirgt, das hörbar wird, sobald die Nadel die Vertiefungen nach den darin eingepressten Tönen abtastet, bringt den Hörer unvermittelt ins Staunen. Manch angestaubte Platte lässt vernehmen, wie sehr
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20

Bergström, Pontus. "En tung historia : En undersökning om metalbandet Sabatons historiebruk." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40594.

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The purpose of this paper has been to examine the heavy metal band Sabatons use of history and to relate it to societal trends in today’s Sweden. I have examined Sabatons music, album covers and music videos in order to define a certain use of history. To do this I have used a use of history theory and a heavy metal theory. My results showed that some of Sabatons use of history could be defined as commercial and that the societal trends in today`s Sweden have in some cases affected the selection and presentation of events and characters that`s been portrayed by Sabaton. Earlier use of history
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21

Mcdowell, Michael A. "Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6319.

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The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this South
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22

Aglugub, Raymond David. "Shape shift: riff variation and development in the music of Metallica." Thesis, Boston University, 2007. https://hdl.handle.net/2144/30663.

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Thesis (M.M.)--Boston University<br>Past musicological efforts have helped to elucidate the elements of style and aesthetics in heavy-metal music and explain their deeper social and cultural meanings, especially through the efforts of musicologists such as Robert Walser, Steve Waksman, Susan Fast, and Glenn T. Pillsbury. Through these discussions we recognize the riff as the primary structure unit in heavy metal and understand how it has developed out of the blues and earlier rock traditions [TRUNCATED]
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23

Jakobsen, Benjamin. "Autentiskt och kaotiskt : Att förstärka musikaliska uttryck." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96194.

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Syftet med det här arbetet är att undersöka i vilken utsträckning mina nuvarande mixnings-metoder förhåller sig till Bobby Owsinskis sex kända mixningsbyggstenar under mixning av dödsmetalbandet Voids album Void. Detta görs genom att kritiskt analysera en ursprunglig mix som fanns tillhanda med hänseende till Owsinskis byggstenar. De mixtekniska problem som redogörs i analysen åtgärdas därefter för att låta albumet analyseras på nytt, åter med beaktning av Owsinskis byggstenar. Slutligen visar detta arbete hur dessa två analyser skiljer sig åt och således visar hur mina mixmetoder i förhålland
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24

Shadrack, Jasmine Hazel. "Denigrata cervorum : interpretive performance autoethnography and female black metal performance." Thesis, University of Northampton, 2017. http://nectar.northampton.ac.uk/9679/.

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I am concerned with the performance of subversive ... narratives ... the performance of possibilities aims to create ... a ... space where unjust systems and processes are identified and interrogated. (Madison 280). If a woman cannot feel comfortable in her own body, she has no home. (Winterson, J; The Guardian 29.03.2013). Black metal is beyond music. It exceeds its function of musical genre. It radiates with its sepulchral fire on every side of culture [...] Black metal is the suffering body that illustrates, in the same spring, all the human darkness as much as its vital impetus. (Lesourd 4
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25

Hoh, Lyndsey. "The sound of metal : amateur brass bands in southern Benin." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:d47d74ec-39f0-4ed8-87fa-91094174009d.

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This thesis contributes an empirically informed understanding of postcolonial experience and musical expression in West Africa through an ethnographic study of amateur brass bands (fanfares) in the Republic of Benin. During the nineteenth and twentieth centuries, the Western hegemonic cultural tradition of the brass band was exported across the globe through imperialist institutions such as the military and the church. Music in colonial Dahomey was an integral part of the French civilizing mission, and the brass band took center stage. Brass bands remain pervasive in present-day Benin and perf
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26

Klypchak, Bradley C. "Performed Identities: Heavy Metal Musicians Between 1984 and 1991." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1167924395.

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27

Allen, Tammy Reneé. "A classification of the dress of heavy metal music groups using content analysis /." This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-12042009-020120/.

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28

McGarvey, Timothy D. "Desi, Bizarro, and Motown Metal the wind and percussion music of Michael Daugherty /." [S.l. : s.n.], 1997. http://catalog.hathitrust.org/api/volumes/oclc/57205361.html.

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29

Chan, Ka-shue, and 陳嘉澍. "The association between listening to heavy metal music and risk behavior in adolescents." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/193835.

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Background: In 1984, a 19-year-old boy shot himself to death. According to the news at that time, the boy have listened to a heavy metal singer: Ozzy Osbourne's song "Suicide Solution". His parents believed Ozzy Osbourne is responsible for their son's death. Because of this case, listening to heavy metal music induced adolescent risk behaviors and suicidal behaviors became a keen dispute. Especially some parents have proposed that heavy metal music should be banned so as to prevent similar case occur again. Objective: To investigate the association between heavy metal music and adolescent ris
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30

Ahone, Lauri. "Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1941.

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The writer of this master thesis was acquiring an education in classical percussion and deeply respecting the music genre named djent. He was so impressed by metal music that he taught himself how to use the notation programme Sibelius 7 and arranged a number of his favourite songs for the percussion ensemble so he would be able to play them. The following text supports and describes the process. A short analysis of 16 arrangements is included as well.
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31

Allen, Tammy Rene. "A classification of the dress of heavy metal music groups using content analysis." Thesis, Virginia Tech, 1993. http://hdl.handle.net/10919/46090.

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<p>The research was a qualitative study of the dress of heavy metal (HM) music groups using content analysis. The purpose was to examine dress characteristics of a representative random sample of HM music groups. The objectives were (a) to develop a classification system for HM music groups based on time and subgenre, (b) to identify music groups within each cell (i.e., time and subgenre) of the classification system, and (c) to identify dress characteristics of a representative random sample of the music groups.</p> <p> The subjects in the study were HM music groups as pictured on albums. The
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32

Silva, Wlisses James de Farias. "Heavy metal no Brasil: os incômodos perdedores (década de 1980)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112014-111119/.

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presente estudo pretende analisar o Heavy Metal no Brasil nos anos 1980, historiando sua origem, bem como sua chegada ao Brasil e a forma como esse estilo foi absorvido pela juventude brasileira, destacando suas especificidades. Ao historiar esse processo, daremos ênfase ao panorama político, econômico e social do país no período e suas articulações com o movimento heavy metal, procurando responder até que ponto essas condições influenciaram a estética desse movimento, e como ele foi adaptado e absorvido no panorama cultural brasileiro, influenciando-o por sua vez<br>This study aims to analyze
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33

Brunner, Ike. "Taken to the extreme heavy metal cover songs-- the impact of genre /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1155518980.

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34

Smialek, Eric. "Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32597.

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The unusual complexity of two recent recordings by the extreme metal band Meshuggah has resulted in a strongly divided reception amongst fans, providing the opportunity to reconsider some common conceptions of metal aesthetics and to contribute to subtler ways of understanding taste and social demographics. Spanning twenty-one and forty-seven minutes respectively, I (2004) and Catch Thirtythr33 (2005) surprised fans with their unusual lengths (both recordings considered by the band to be single songs), co
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35

Brunner, Isaac. "Taken to the Extreme: Heavy Metal Cover Songs – The Impact of Genre." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1155518980.

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36

Hall, Frances L. "Metal Music and Masculinity in the 1980s: Cultural Markers for the End of the Century." Kent State University Honors College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1481478280201701.

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37

Zheng, Yu. ""The Screaming Successor": Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1479453595002855.

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38

Mirabella, Marita. "Heavy Metal and Globalization : Reception study on the Metal community in the Global South." Thesis, Stockholms universitet, JMK, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144032.

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Heavy Metal is a peculiar music genre, made by fans for fans, which spread throughout the entire planet and became, over its five decades of existence, a global community as well. These aspects of Heavy Metal make it a very interesting phenomenon to study. Heavy Metal has previously been researched with a micro outlook on its local connotations in several different Global South countries, analyzing one at a time. As far as the whole Global Metal community is concerned, to this day, there seems to be no literature that is based on the Global South perspective, but only on the Western one. As it
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39

Hagen, William Ross. "Norwegian black metal: Analysis of musical style and its expression in an underground music scene (Paganism)." Diss., Connect to online resource, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1432318.

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40

Mayer, Adam P. "“The Fist in the Face of God”: The Decentralized Diffusion of Heavy Metal Music through the Internet." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314362557.

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41

Watts, Chelsea Anne. "Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6601.

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This dissertation offers a cultural history of the 1980s through an examination of one of the decade’s most memorable cultural forms – hair metal. The notion that hair metal musicians, and subsequently their fans, wanted “nothin’ but a good time,” shaped popular perceptions of the genre as shallow, hedonistic, and apolitical. Set against the backdrop of Reagan’s election and the rise of conservatism throughout the decade, hair metal’s transgressive nature embodied in the performers’ apparent obsession with partying and their absolute refusal to adopt the traditional values and trappings of “yu
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42

Thomas, Sara Ann. "Subjectivity In American popular metal : contemporary gothic, the body, the grotesque, and the child." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/644/.

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This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivi
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43

Chauvin, Max. "In and out of control : the consumption of loudness in the metal community." Thesis, Cergy-Pontoise, Ecole supérieure des sciences économiques et commerciales, 2014. http://www.theses.fr/2014ESEC0008.

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La consommation de musique live durant les concerts peut avoir des conséquences graves pour les individus et la société dans son ensemble. Cette thèse explore les motivations des consommateurs à s’exposer à des niveaux sonores extrêmes. Nous nous concentrons plus précisément sur le cas du métal, un genre qui place la puissance sonore au coeur de son identité collective. Nous analysons comment les amateurs du genre valorisent des niveaux sonores potentiellement délétères. Nous utilisons un paradigme sémiotique afin d’interpréter les données issues d’un travail ethnographique multi-méthodes et i
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44

Leighton, Tristan Daniel. "Contrasting sounds and overlapping scenes: The role of the middle class in punk/metal crossover." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617318778941129.

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45

Yang, Zixuan. "Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212593057542.

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46

Dunnett, Ninian. "Same old song : an exploration of originality in popular music history." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17949.

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Originality is an important social and cultural value. In pop music its influence is comprehensive: it shapes the economics of an industry through copyright law, and the temperament of musical culture through its place as keystone of the prevailing Romantic tradition. The concept extends beyond issues of artistic and technical innovation: a point of origin is fundamental to the stories we tell about pop. What these stories tell us about ourselves and the way we use music, though, may be more complex than the orthodoxy allows; while the moderns from Eliot and Frye through Barthes and Foucault h
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47

Andersson, Mats. "Rädd för död(s)en : Death metal, skräckfilm och det förfärligt sublima." Thesis, Högskolan Dalarna, Institutionen för kultur och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37641.

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Syftet med den här uppsatsen var att vidga förståelsen av hur musikgenren death metal samspelar med scener från skräckfilm. För att metodiskt genomföra detta skapades fyra gestaltningar där musikstycken av sagda genre spelas ihop med fyra filmscener. Dessa gestaltningar analyserades och visades för fem informanter i samband med att de blev intervjuade. Resultatet indikerar på att genren deathmetal samspelar med sagda gestaltningar likt traditionell filmmusik. Resultatet indikerar även på att detta samspel uppfattas snarlikt oberoende på informanternas erfarenhet av musikgenren.
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48

Lattimer, Paul. "Sacred Metalcore: A worship, culture, and missiology study of the Christian metal scene." Ashland University Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=auhonors1366039234.

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49

Oliveira, Ester. "A distonia focal na embocadura dos instrumentistas do naipe de metais: um estudo de caso." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4579.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-05-25T12:02:13Z No. of bitstreams: 2 Dissertação - Ester Oliveira - 2014.pdf: 511456 bytes, checksum: f80dc4397cb0f5aa84be8543b3144fba (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-05-25T12:06:29Z (GMT) No. of bitstreams: 2 Dissertação - Ester Oliveira - 2014.pdf: 511456 bytes, checksum: f80dc4397cb0f5aa84be8543b3144fba (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made availa
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50

Andersson, Robert. "Of chaos and internal fire : the quest for nothingness by lyrical manifestations of re-interpreted Gnostic thought." Thesis, Högskolan i Gävle, Avdelningen för kultur-, religions- och utbildningsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-11443.

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This essay researches the prevalence of Gnostic influences in contemporary music lyrics, more exclusively within the context of the extreme metal scene. A resurgence of such topics has also been evident in contemporary music; not surprisingly, as music in general is part of the foundations of culture, and in a wider aspect, of society at large. The essay is performed using a hermeneutic method, interpreting music lyrics and discussing them from a background of cultural and religious theory. The purposes of researching the influences of Gnosticism in this environment are to determine the presen
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