Bibliografías temáticas / Metaphor in literature. National characteristics, English, in literature. English drama

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Literatura académica sobre el tema "Metaphor in literature. National characteristics, English, in literature. English drama"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 9 de febrero de 2022

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Artículos de revistas sobre el tema "Metaphor in literature. National characteristics, English, in literature. English drama"

1

Bankauskaitė, Gabija. "Respectus Philologicus, 2009 Nr. 16 (21)." Respectus Philologicus, no. 20-25 (October 25, 2009): 1–240. http://dx.doi.org/10.15388/respectus.2009.21.

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CONTENTS
 I. PROBLEMS AND SOLUTIONSDanguolė Melnikienė (Lithuania). The Issue of the Addressee in Receptive and Productive Dictionaries...11Eleonora Lassan (Lithuania). The Time of Losers...21Yelena G. Zadvornaya (Belarus). Russian Litanies: Types and Characteristics of the Genre...35Evgeny E. Anikin (France). The 2008 US Presidential Election in the Mirror of Sports Metaphor (in the French Press)...46
 II. FACTS AND REFLECTIONSZinaida D. Popova (Russia). The Ways of Representation of Concepts as a Problem of Cognitive Linguistics... 56Marzena Marczewska (Poland). The Willow Tree in
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2

Vella Bonavita, Helen. "“In Everything Illegitimate”: Bastards and the National Family." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.897.

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This paper argues that illegitimacy is a concept that relates to almost all of the fundamental ways in which Western society has traditionally organised itself. Sex, family and marriage, and the power of the church and state, are all implicated in the various ways in which society reproduces itself from generation to generation. All employ the concepts of legitimacy and illegitimacy to define what is and what is not permissible. Further, the creation of the illegitimate can occur in more or less legitimate ways; for example, through acts of consent, on the one hand; and force, on the other. Th
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3

McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an
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4

Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre
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5

Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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6

Woodward, Kath. "Tuning In: Diasporas at the BBC World Service." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.320.

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Diaspora This article looks at diaspora through the transformations of an established public service broadcaster, the BBC World Service, by considering some of the findings of the AHRC-funded Tuning In: Contact Zones at the BBC World Service, which is part of the Diasporas, Migration and Identities program. Tuning In has six themes, each of which focuses upon the role of the BBC WS: The Politics of Translation, Diasporic Nationhood, Religious Transnationalism, Sport across Diasporas, Migrating Music and Drama for Development. The World Service, which was until 2011 funded by the Foreign Office
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7

Delamoir, Jeannette, and Patrick West. "Editorial." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2618.

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 As Earth heats up and water vapourises, “Adapt” is a word that is frequently invoked right now, in a world seething with change and challenge. Its Oxford English Dictionary definitions—“to fit, to make suitable; to alter so as to fit for a new use”—give little hint of the strangely divergent moral values associated with its use. There is, of course, the word’s unavoidable Darwinian connotations which, in spite of creationist controversy, communicate a cluster of positive values linked with progress. By contrast, the literary use of adapt is frequently linked with negative
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8

Brown, Adam, and Leonie Rutherford. "Postcolonial Play: Constructions of Multicultural Identities in ABC Children's Projects." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.353.

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In 1988, historian Nadia Wheatley and indigenous artist Donna Rawlins published their award-winning picture book, My Place, a reinterpretation of Australian national identity and sovereignty prompted by the bicentennial of white settlement. Twenty years later, the Australian Broadcasting Corporation (ABC) commissioned Penny Chapman’s multi-platform project based on this book. The 13 episodes of the television series begin in 2008, each telling the story of a child at a different point in history, and are accompanied by substantial interactive online content. Issues as diverse as religious diff
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9

O'Boyle, Neil. "Plucky Little People on Tour: Depictions of Irish Football Fans at Euro 2016." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1246.

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I called your producer on the way here in the car because I was very excited. I found out … I did one of those genetic testing things and I found out that I'm 63 percent Irish … I had no idea. I had no idea! I thought I was Scottish and Welsh. It turns out my parents are just full of shit, I guess. But now I’m Irish and it just makes so much sense! I'm a really good drinker. I love St. Patrick's Day. Potatoes are delicious. I'm looking forward to meeting all my cousins … [to Conan O’Brien] You and I are probably related! … Now I get to say things like, “It’s in me genes! I love that Conan O’Br
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10

Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle
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Tesis sobre el tema "Metaphor in literature. National characteristics, English, in literature. English drama"

1

Pettegree, Jane K. "Foreign and native on the English stage, 1588-1611 : metaphor and national identity." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/786.

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Brown, Ian. "History as theatrical metaphor : history, myth and national identities in modern Scottish drama." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30714/.

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The completion of History as Theatrical Metaphor, now submitted for consideration for the award of the degree of Doctor of Letters, represents an integration and culmination of a number of related strands arising from both my practice as a playwright over the last five decades and my relevant academic research. Susanne Kries has summarised a key approach underlying my writing of history plays as ‘deconstructing the ideological intent behind the very endeavour of writing history and of revealing the ways by which mythologies are formed’. Much of my related academic research shares this interest
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Libros sobre el tema "Metaphor in literature. National characteristics, English, in literature. English drama"

1

Foreign and native on the English stage, 1588-1611: Metaphor and national identity. Palgrave Macmillan, 2011.

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2

National biases in French and English drama. Garland Pub., 1990.

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3

1952-, Womack Peter, ed. English drama: A cultural history. Blackwell Publishers, 1996.

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4

Aliens and Englishness in Elizabethan drama. Cambridge University Press, 2009.

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5

Images of Englishmen and foreigners in the drama of Shakespeare and his contemporaries: A study of stage characters and national identity in English Renaissance drama, 1558-1642. Fairleigh Dickinson University Press, 1992.

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6

Bauch, Marc. Canadian self-perception and self-representation in English-Canadian drama after 1967. WiKu, 2012.

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7

Theater enough: American culture and the metaphor of the world stage, 1607-1789. Duke University Press, 1991.

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8

Ojrzyñska, Katarzyna. 'Dancing as if language no longer existed': Dance in contemporary Irish drama. Peter Lang, 2015.

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9

English Renaissance drama and the specter of Spain: Ethnopoetics and empire. University of Pennsylvania Press, 2009.

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10

Buffoonery in Irish drama: Staging twentieth-century post-colonial stereotypes. Peter Lang, 2009.

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