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Tesis sobre el tema "Mimesis in literature"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de agosto de 2024

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1

Truscott, John Robertson. "Studies in mimesis in Greek literature before Aristotle." Thesis, University of Southampton, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236402.

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2

Valakas, Konstantinos. "Homeric mimesis and the Ajax of Sophocles." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283656.

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3

McVittie, Marina P. de. "Eris the impulse at the root of mimesis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8308.

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4

Lyle, Messina. "Reviving the Subject: A Feminist Argument for Mimesis in Literature." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2204.

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For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make
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5

Dovey, Lindiwe. "African film adaptation of literature : mimesis and the critique of violence." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423936.

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6

Pellis, Vivien C., and mikewood@deakin edu au. "Inspiration and Mimesis in Plato's criticism of poetry." Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.

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Plato criticizes poetry in several of his dialogues, beginning with Apology, his first work, and ending with Laws, his last. In these dialogues, his criticism of poetry can be divided into two streams: poetry is criticized for either being divinely inspired, or because it is mimetic or imitative of reality. However, of the dialogues which criticize poetry in these ways, it is not until Laws that Plato mentions both inspiration and mimesis together, and then it is only in a few sentences. Furthermore, nowhere in the dialogues does Plato discuss their relationship. This situation has a parallel
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7

Georganta, Konstantina. "Modern mimesis : encounters between British and Greek poetry, 1922-1952." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1196/.

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This thesis considers the crisis in the portrayal of national spaces and national identities, insecure in the multiplicity of their cultural roots and thus diasporic and hybrid, from 1922, a year marked for its importance in the disintegration of imperial Britain and in the positioning of Greece on the threshold of its European literary Modernist inheritance, until 1952, the year of Louis MacNeice’s observations of Greece in his poetry collection Ten Burnt Offerings. The boundaries of cultures, states, religious beliefs and genders are considered in the figures of T.S. Eliot’s Mr. Eugenides, C
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8

Stala, Krzysztof. "On the margins of reality : the paradoxes of representation in Bruno Schulz's fiction." Doctoral thesis, Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb37667617p.

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9

Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-
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10

Boulanger, Ghislaine. "Feintes, essences et mimesis chez Nicole Brossard, Patrick Imbert et Marie-Claire Blais." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/29080.

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En effet, la venue de Nicole Brossard à l'écriture féminine et/ou lesbienne s'est effectuée sous le signe d'un essentialisme stratégique longtemps avant que Stephen Heath et Gayatri Spivak ne popularisent cette expression. Aussi ne peut-on s'intéresser aux points d'intersection entre essence et feintise, dans l'oeuvre brossardienne, sans par la même occasion revenir à cette époque trouble où des sujets feinteurs se disputaient l'arène du féminin, où l'écrivaine refoulait aux limites de l'écriture-femme des sujets hybrides susceptibles de mettre en abyme ses propres im/postures. Aux frontières
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11

Schmitt, Marco. "Mimesis, Widerstand, Subversion : Bettina von Arnims Briefroman Die Günderode als Ansatz diskursiver Entgrenzung." Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/22094.

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Bibliography: pages 166-171.<br>Bettina von Arnims novel Die Günderode was written during the period of early German romanticism. The novel consists of an exchange of letters between the literary figure Bettine and an opposite, Gunderode. This exchange takes place in the light of the philosophical discourse of German idealism, mainly represented by Johann Gottlieb Fichte, which excludes women as independent subjects. The novel reveals Bettine's dissatisfaction about her exclusion as a woman within the discourse of idealism. As Bettine realizes her non-representation in the existing discourse o
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12

Bowen, Deborah. "Mimesis, magic, manipulation: A study of the photograph in contemporary British and Canadian novels." Thesis, University of Ottawa (Canada), 1990. http://hdl.handle.net/10393/6007.

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The photograph is of interest to the writer because it is uniquely a product both of the realm of objective, physical reality and of the realm of artifice. Its ambiguous status as the physical emanation of a past referent endows it with an uneasy authority. It appears to offer assurances of identity and clarity; at the same time, it undermines the attempt to control experience by demonstrating that to freeze time and space is to render them obsolete. Thus the photograph can be seen as a metaphor for the life-giving and death-dealing enterprise of writing fictions. Moreover, because the photogr
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13

McWilliams, Sara E. "Disturbances: Figures of hybridity and the politics of representation /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/9411.

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14

Reza, Matthew. "A different mimesis : the fantastic in Italy from the Scapigliati to the postmodern." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:912367bc-0bab-401e-b463-b99c6baef661.

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This thesis investigates the literary fantastic in Italy from the late nineteenth century to the second half of the twentieth century. The purpose is to analyse the way in which the fantastic functions in a story—its ʻmechanicsʼ—and to see how the fantastic evolved structurally over the first century of its existence in Italy. This investigation is carried out by the development of a new theoretical methodology together with the close reading of a selection of texts from four key Italian authors of fantastic literature. The thesis is divided into six chapters. The first chapter is a historical
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15

Bartch, Michael Christopher. "Reinvention in the Line of Death: A Reconsideration of Geoffrey Hill's Commemorative Verse." The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-05292009-093331/.

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This paper considers the embodied ethics of Geoffrey Hills poetic practice. Hill stages his engagement with poetry through the idioms, images, tropes, and diction of the literary tradition. Through this pragmatic rehearsal of the language of the dead, Hills poetry projects the tradition into the present. Hill resists the ethical entrapments of appropriative poetry through his insistence upon the brute physicality of atrocity and through a rigorous (for both poet and reader) formal difficulty. Hills practice refuses to console after the models of Peter Sacks, Jahan Ramazani, or John Vickery. In
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16

Newman, Sigrid Julia. "Visual representation in the work of Joseph Roth, 1923-1932 /." St Andrews, 2007. http://hdl.handle.net/10023/317.

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17

Underriner, Chaz 1987. "The Sound-Poetry of the Instability of Reality: Mimesis and the Reality Effect in Music, Literature, and Visual Art." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849623/.

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This paper uses the concept of mimesis to clarify the debate concerning the representation of reality in music. Specifically, this study defines the audio reality effect and the three main practices of realism as a way of understanding mimetic practices in multiple artistic media, in particular regarding the multimedia works of the "Landscape series." After addressing the historical debates concerning mimesis, this study develops a framework for the understanding of mimesis in sound by addressing the writings of Weiss, Baudrillard, Barthes, Deleuze, and Prendergast and by examining mimetic pra
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18

Soneji, Davesh. "Performing Satyabhāmā : text, context, memory and mimesis in Telugu-speaking South India." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85029.

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Hindu religious culture has a rich and long-standing performance tradition containing many genres and regional types that contribute significantly to an understanding of the living vitality of the religion. Because the field of religious studies has focused on texts, the assumption exists that these are primary, and performances based on them are mere enactments and therefore derivative. This thesis will challenge this common assumption by arguing that performances themselves can be constitutive events in which religious worldviews, social histories, and group and personal identities ar
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19

Reilly, Kara. "Automata : a spectacular history of the mimetic faculty /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/10235.

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20

Lim-Midyett, Maria Eleanor S. "Mimeses of human desire a genealogical study of sexual desire and romantic passion as represented in twentieth century works of Chinese fiction /." online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9954334.

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21

Roux, Marié. "Koloniale en postkoloniale ontmoetings : representasie en identiteit in die romans Eilande (Dan Sleigh) en Pelican Bay (Nelleke Noordervliet) /." Link to the online version, 2007. http://hdl.handle.net/10019/1354.

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22

Giugliano, Marcello. "Translating mimesis of orality: Robert Frost’s poetry in catalan and italian." Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/127352.

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This doctoral thesis studies the recreation of spoken language in Robert Frost’s poetry and the translation of Frost’s poetry that has been carried out by Agustí Bartra and Miquel Declot into Catalan, and by Giovanni Giudici into Italian. The study starts by describing the meaning of the term mimesis of orality and its main features. It stresses the complexity of the phenomenon, which can be explained better only if a more eclectic theoretical and methodological approach is adopted that focuses on both the linguistic features of mimesis of orality and their potential effect on readers. Frost’s
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23

Hofmann, Anne. "Parnassische Theoriebildung und romantische Tradition : Mimesis im Fokus der ästhetischen Diskussion und die "Konkurrenz" der Paradigmen in der zweiten Hälfte des 19. Jahrhunderts : ein Beitrag zur Bestimmung des Parnasse-Begriffs aus dem Selbstverständnis der Epoche /." Stuttgart : F.Steiner Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38809002q.

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24

Tegman, Mira. ""Min ros du är som en älskling, dina fåglar äro händer" : Språk och verklighet i Stina Aronsons Feberboken och Martina Lowdens Allt." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-4850.

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Who tells the true story of the world? The western civilisation is highly influenced by the written word. The writings of ancient philosophers, poets and religious authorities still have a strong cultural impact. Myths and religion as well as philosophical and political systems effects our self-concept. These models are all unified by there ambition to explain mankind and tell the story of reality. This essay examines two published diaries in order to discuss their relation to the common story of the world. The objects of the study are Feberboken, by Stina Aronson (written in 1934) and Allt, b
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25

Hollingsworth, Lauren Colleen. "Reading the (in)visible race African-American subject representation and formation in American literature /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019837021&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274464483&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2010.<br>Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.
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26

Windsor, Robert. "Uses of Aboriginality : popular representations of Australian Aboriginality /." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw766.pdf.

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27

Englander, Jenny. "Dikten och tillvaron : att finna uttryck för en verklighet i Hanne Ørstaviks Kjærlighet." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-4020.

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Syftet med uppsatsen har varit att synligöra verklighetsåtergivningen i Ørstaviks Kjærlighet i ett försök att närma sig och förstå den kvinnliga protagonistens tillvaro. Analysen har främst utgått från Erich Auerbachs (Mimesis) och Birgitta Holms (Tusen år av ögonblick) systematiska arbetssätt, där Auerbachs metod har styrt angreppssättet och där Holms perspektiv på den kvinnliga tillvaron lagts till. Två specifika textavsnitt valdes ut för att utifrån ett mikroperspektiv lyfta den kvinnliga tillvaron till ett makroperspektiv. Huvudargumentet har varit att visa att en verklighetsframställning
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28

Robin, Jean Luc. "Expérience et modèle dans les textes littéraires et scientifiques classiques /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055708.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 273-292). Also available for download via the World Wide Web; free to University of Oregon users.
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29

Avery, Vanessa Jane. "Jewish vaccines against mimetic desire : Rene Girard and Jewish ritual." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14604.

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In 1972, with the publication of Violence and the Sacred, René Girard makes the stunning assertion that violence is the foundation of culture. Humanity’s innate urges for competition and rivalry entrap us in cycles of violence, which left alone would find no resolution. Girard calls the cause of this rivalry “mimetic desire”, and the only way out of this deeply embedded vengeance is to create a scapegoat to take the blame, reconciling the conflicting parties. Girard asserts that the biblical texts uniquely reveal the mechanisms of mimetic rivalry and scapegoating, and even demystify sacrificia
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30

Dickson, Polly Letitia. "The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269768.

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My project offers a set of comparative close readings of texts by E.T.A. Hoffmann and Honoré de Balzac. Balzac’s early fiction, I contend, grapples with questions relating to the representational practice of mimesis through an explicit engagement with Hoffmann’s work. Hoffmann’s fiction, in turn, proves itself repeatedly to contain the traces of a proto-realist tendency, through its playful interventions into the staging of narrative creation. The contribution of my project to scholarship is twofold. First, it offers comparative readings of texts that have not yet been drawn together, hoping
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31

Somers, Kathleen Emerald. "Pierced Through the Ear: Poetic Villainy in Othello." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2436.

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The paper examines Othello as metapoetry. Throughout the play, key points of comparison between Iago and Shakespeare's methodologies for employing allegory, symbolism, and mimetic plot and character construction shed light upon Shakespeare's self-reflexive use of poetry as an art of imitation. More specifically, the contrast between Shakespeare and Iago's poetry delineates between dynamic and reductive uses of allegory, emphasizes an Aristotelian model of mimesis that makes reason integral to plot and character formation, and underscores an ethical function to poetry generally. In consequence
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32

Andrade, Nayara Cristina Rodrigues de. "“A casa tornou-se minha mente": a representação da realidade em The House of Hunger, de Dambudzo Marechera." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6542.

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Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2016-11-23T18:26:44Z No. of bitstreams: 2 Dissertação - Nayara Cristina Rodrigues de Andrade - 2016.pdf: 1839680 bytes, checksum: 845d47c8f4cb849d7e0c7aa9c84459fd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2016-11-30T15:41:00Z (GMT) No. of bitstreams: 2 Dissertação - Nayara Cristina Rodrigues de Andrade - 2016.pdf: 1839680 bytes, checksum: 845d47c8f4cb849d7e0c7aa9c84459fd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e
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33

Ticha, Ignatius Khan. "Evocations of poverty in selected novels of Meja Mwangi and Roddy Doyle : a study of literary representation." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85650.

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Thesis (PhD)-- Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: The study explores fictional representations of poverty in selected novels of Meja Mwangi and Roddy Doyle, respectively Kenyan and Irish – examining techniques of literary representation and how the two authors make imaginative use of various stylistic techniques and verbal skills in a selection of their texts to achieve compelling representations of poverty. The study recognizes that poverty is one of the most recurrent subjects of discussion in the world, that it is a complex and multifaceted concept and condition and that it
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34

Faasen, Petro. "Die representasie van Kwasi/Aquasi : 'n ondersoek na die voortsetting al dan nie van die koloniale diskoers in De zwarte met het witte hart deur Arthur Japin." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53385.

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Thesis (MA)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: The term 'representation' is often used to refer to the possibility of a link between literature and reality. The word also suggests the reiteration of an event and is used in literary studies to indicate that a representation should be read as the author's interpretation of events and thus as a mediated rendition thereof. This study focuses on the representation of a black character who lived in the 19th Century by a white author from the zo" Century, Arthur Japin, in his novel, De zwarte met het witte hart (1997). This n
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35

Mårsell, Maria. ""I go to Elland Road sometimes. Would you bomb me?" : en genealogisk närläsning av villkoren för överlevnad och subjektivitet i Sarah Kanes Blasted." Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1761.

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<p>Sarah Kane’s first play Blasted (1995) has often been read in a normative and biographical way by critics, authors and previous researchers. This essay makes a supplementary close reading of Blasted from gender and genealogical perspectives and utilizes theoretical works by Judith Butler, Luce Irigaray and Michel Foucault. My study makes clear that the characters different positions in language and talk create and maintain a power imbalance between them. Efforts to change and develop one’s individual position in language and talk are being made throughout the play since it is the only way t
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36

Carlshamre, Katarina. "Pulsion et résistance : Émancipation, liberté et tendances conservatrices dans trois romans d'Anne Hébert." Doctoral thesis, Stockholms universitet, Institutionen för franska, italienska och klassiska språk, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-31146.

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This thesis investigates some motifs in the fiction of Québec writer Anne Hébert (1916-2000), largely by exploring interesting affinities with notions in the philosophy of Luce Irigaray (1930-). The main focus is on the young female characters and their way to adulthood in three of Hébert’s books: her first novel, Les chambres de bois (LCB, 1958) and two of her later works, Aurélien, Clara, Mademoiselle et le Lieutenant anglais (AC, 1995) and Est-ce que je te derange ? (ECD, 1998). The study also addresses the situation of the male characters and the difficulties which confront them within a p
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37

Fuller, Deborah. "Ionesco's Absurd Anthropology." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd922.pdf.

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38

Newman, Sigrid J. "Visual representation in the work of Joseph Roth, 1923-1932." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/317.

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Through an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual represent
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39

Roux, Marie. "Koloniale en postkoloniale ontmoetings : representasie en identiteit in die romans Eilande (Dan Sleigh) en Pelican Bay (Nelleke Noordervliet)." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2897.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2007.<br>This study investigates the way in which the representation of history and of the "other" coheres with the construction of the identity of the characters in Eilande (2002) by Dan Sleigh and Pelican Bay (2002) by Nelleke Noordervliet. Initially the research contextualises the authors and their novels by means of a short biographical introduction on the two authors and their different oeuvre’s, as well as an outline of the reception history of the two chosen postcolonial novels. The theoretical background which follows,
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40

Orr, Sara Ceilidh. "The Scrivener De-Scribed: Logos and Originals in Nineteenth-Century Copyist Fiction." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406254390.

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41

Bastick, Jérôme. "Étude comparative de la construction littéraire du personnage dans le roman grec de l'Antiquité et le roman byzantin du XIIe siècle." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN026.

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La première naissance du roman de langue grecque a coïncidé avec l’avènement de l’Empire romain, dans un contexte de bouleversement des structures sociales où l’individu tendait à remplacer les valeurs collectives jusqu’alors incarnées par les grands héros épiques ou tragiques : les nombreux personnages de ce nouveau genre littéraire, soumis aux aléas de la Fortune et aux traits de l’Amour dans un monde qui les dépasse, en constituent un marqueur fort. Le récit s’organise désormais autour d’un couple de héros qui s’aiment, d’opposants qui veulent les séparer et d’adjuvants qui essaient de conj
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42

Siwers, Carl-Wilhelm. "Upprepning, kombination, yta : Per Olov Enquists mogna författarskap i relation till det svenska 1960-talet." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194046.

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By conceptualizing repetition with the Swedish avantgarde aesthetics of the 1960s as a point of departure, this thesis argues that the repetition phenomena in the mature works of Per Olov Enquist (1934–2020) are indebted to the period. Hereby it brings together two major trends in the Enquist research that previously have been separate. In accordance with the main tendency of the period, the Enquistian repetitions reuse concrete constituents and are of technical and combinatory nature. According to the taxonomy introduced in the thesis, they are mainly internarrative, i.e., they transcend the
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43

Eyrolles, Stéphanie. "Explorer la faille : Identité et narration dans l'œuvre de William Faulkner." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV079/document.

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Ce travail présente la manière dont William Faulkner réfléchit la fonction identitaire de la narration dans plusieurs de ses romans : The Sound and the Fury, As I lay Dying, Light in August, Absalom, Absalom! et Requiem for a Nun. L’appartenance des personnages du corpus au Sud des États-Unis exacerbe leur faille constitutive, qu’ils cherchent alors à compenser par la médiation du récit. Cette thèse étudie, à travers le prisme de la théorie de la mimèsis de Paul Ricœur, comment ces personnages configurent leur temps vécu et se projettent mimétiquement dans leur récit afin de procéder à une her
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Fleitz, Elizabeth J. "Troubling Gender: Bodies, Subervision, and the Mediation of Discourse in Atwood's the Edible Woman." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112551802.

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45

Costa, César Vergara de Almeida Martins. "Direito e literatura: a compreensão do direito como escritura a partir da tragédia grega." Universidade do Vale do Rio do Sinos, 2008. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2434.

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Made available in DSpace on 2015-03-05T17:20:08Z (GMT). No. of bitstreams: 0 Previous issue date: 29<br>Nenhuma<br>A presente dissertação tem por objetivo a afirmação do Direito como “escritura”, que é ao mesmo tempo transgressora e conservadora da tradição jurídica. Para tanto, parte-se da aproximação do direito à literatura, investigando-se, mais precisamente, as relações que se estabelecem entre a tragédia grega e o direito. Nessa senda, investiga-se o panorama geral em que se inserem os estudos que aproximam o direito da literatura e vice-versa, e visita-se a poética aristotélica para,
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46

Rocha, Jéssica Aracelli. "Borges e o realismo: o outro da literatura borgeana." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-18032009-103159/.

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Busca compreender o conto El Otro, de Jorge Luis Borges. Para tanto, efetua sua análise formal; acrescida pelo exame de um corpus secundário. Uma vez que a narrativa apresenta dois personagens autobiográficos, sendo o jovem similar e estranho à produção deste autor, é necessário comparar tal personagem à obra borgeana de juventude, no tocante ao realismo, engajamento, biografismo e ultraísmo. Verifica que o Borges de 1918 a 1920 não exibe tais concepções literárias, exceto pelo ultraísmo. Na segunda etapa juvenil, entre 1921-1928, encontra ultraísmo, biografismo e alguns pontos de contato, com
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47

Fouto, Catarina I. B. C. "Edition and study of Teive's Epithalamium : the Epodon libri tres (1565) and Neo-Latin literature in Counter-Reformation Portugal." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0b820530-7df0-4f36-9af6-b83add38c798.

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This dissertation comprises the first study of the poetry of the Portuguese humanist Diogo de Teive (1513-14 – c. 1569). It examines and presents a scholarly edition of the Epithalamium which Teive composed on the occasion of the marriage of Princess Maria of Portugal to Alessandro Farnese in 1565. It also critically explores the work in which the poem was published, the Epodon libri tres (Lisbon, 1565). Because both this and the Epithalamium bring together different strands of Teive’s literary work, Chapter One analyses the development of his literary career, linking it to the ideological and
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Guimiot, Vincent Bernard. "Plagiat, emprunts, cliché : mise en question de l'originalité artistique et disparition de l'auteur dans La Carte et le Territoire de Michel Houellebecq." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1313764886.

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49

Rodrigues, Luciana Varga. "A literatura do fato." Universidade Federal de Juiz de Fora (UFJF), 2006. https://repositorio.ufjf.br/jspui/handle/ufjf/3296.

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Submitted by isabela.moljf@hotmail.com (isabela.moljf@hotmail.com) on 2017-02-13T12:42:22Z No. of bitstreams: 1 lucianavargasrodrigues.pdf: 641645 bytes, checksum: ac9f4f78272acd9f1945cbb6e00279e9 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-13T16:48:53Z (GMT) No. of bitstreams: 1 lucianavargasrodrigues.pdf: 641645 bytes, checksum: ac9f4f78272acd9f1945cbb6e00279e9 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-13T16:49:06Z (GMT) No. of bitstreams: 1 lucianavargasrodrigues.pdf: 6416
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Valentová, Kateřina. "Los elementos no verbales en “L’Assommoir” de Émile Zola y “La desheredada” de Benito Pérez Galdós: descripción, análisis y justificación." Doctoral thesis, Universitat de Lleida, 2018. http://hdl.handle.net/10803/462195.

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El propòsit d'aquesta tesi és enjudiciar el paper de la no verbalitat en un context literari especial, partint de l'aparent paradoxa que el text l'integren paraules, que no obstant això han de donar compte de fets d'índole no verbal la significació dels quals es transfon en tota classe d'experiències sensorials. S'examina la participació dels elements no verbals en la construcció d'un relat que aspira a un grau màxim de mimesi, la major aproximació possible al fenomen material, reproduint amb versemblança tant les interaccions comunicatives entre els personatges com els seus contextos, i qu
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