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Tesis sobre el tema "Mimesis"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Vavříková, Eliška. "Mimesis a Poiesis." Doctoral thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78216.

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2

Wilkie, Kate. "Mimesis index symbiosis." Thesis, The University of Sydney, 2011. https://hdl.handle.net/2123/29281.

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This investigation will pose the question: What are the functions of the shadows in key moments in the history of pictorialism? And how these moments, cited, are drawn together to provide an historical and theoretical context, which informs my practice.

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3

Vana, Gerhard. "Metropolis : Modell und Mimesis /." Berlin : Mann, 2001. http://www.gbv.de/dms/bs/toc/33178727x.pdf.

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4

Pedroza, Edgar. "Through mimesis and methodology." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/44284.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.<br>Leaf 58 blank.<br>Includes bibliographical references (leaves 54-55).<br>The goal of this document is to outline the trajectory in which I have been working the past several years. I would like to comment and detail the production of several projects, including Site Nine: Indefensible Structures, Text 11: Site Translations, Study For Casablanca: Maps For Access And Improvised Housing, and Lavon, Texas - Levittown, New York. The reach of the projects, and it is perpetually adaptive to new concerns, is not to a

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5

Tedeschi, Francesca <1997&gt. "Mimesis and Surveillance Art." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21291.

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Partendo dalle nozioni fondamentali sul tema del mascheramento e del volto espresse da diversi critici e studiosi come Belting, Bettini, Frontisi-Ducroux, Vernant. A seguire, vi sarà sviluppata un'approfondita elaborazione sul concetto di mimesis. Il lavoro prevede l'analisi di tre case studies nell'ambito dell'arte contemporanea. Gli artisti individuati fanno parte di quella che viene definita corrente della "Surveillance Art", una critica politica ai metodi di sorveglianza sempre più presenti nelle nostre società contemporanee.

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6

Örnlind, Henrik. "Rekonstruktion av mimesis : Ett försök att tänka begreppet mimesis utifrån Paul Ricoeur och inifrån Martin Heidegger." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-9943.

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This essay tries to investigate the possibility to reconstruct the concept of mimesis in Martin Heidegger’s hermeneutical phenomenology in Sein und Zeit. Paul Ricoeur’s interpretation of the concept of mimesis in Aristotle’s Poetics, develops a new temporal understanding of the mimetic activity, which Ricoeur in his work Time and Narrative, claims to have the possibility to overcome the aporias in the phenomenology of time. With this criticism as the background context for the present study, seeks this essay to pick up Ricoeur’s new conception of mimesis, and use that in a comparative philosop

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7

Lyons, Patricia. "Mimesis in practice : an investigation into the employment of the mimetic faculty in fine art practice." Thesis, Open University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287022.

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8

Ganani-Tomares, Dafna. "Mimesis : Judith Butler, visual practice, tragic art." Thesis, Goldsmiths College (University of London), 2007. http://research.gold.ac.uk/178/.

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The project grounds the use of mimesis in my video art practice. In the written element I query equivalence between mimesis and performativity in Judith Butler's conception; I consider the tragic and hyperbolic faculties of these, as ways of promoting expansion of context in received convention. My video clips have performance in them and mime destructive regimes in mainstream conventions of visual culture, of sexual identity and of political position, to challange these. They mobilize convention and deviation from it, through ineptitude of performance or my ambiguous relation to the conventio

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9

SILVA, CHRISTIANI MARGARETH DE MENEZES E. "MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A presente dissertação de mestrado tem o objetivo de mostrar os vínculos entre a noção de mimesis, prazer e conhecimento na Poética de Aristóteles. No texto da Poética, dois momentos são importantes para analisar o prazer que o homem experimenta ao estar diante de um mimema: quando o exemplo é uma pintura, e quando o exemplo é uma tragédia. No caso do exemplo pictórico, o prazer é claramente cognitivo: há prazer em reconhecer do que o mimema (a pintura) é mimema. No caso da tragédia a questão é mais complexa, pois ela surte

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10

Valakas, Konstantinos. "Homeric mimesis and the Ajax of Sophocles." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283656.

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11

Gülgönen, Séline. "La mimesis musicale dans l'oeuvre de Platon." Paris 10, 2008. http://www.theses.fr/2008PA100039.

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Ce travail se propose de déterminer la nature, le fonctionnement et les enjeux de la mimesis musicale dans les Dialogues de Platon. Il souhaite donc contribuer aux études de la pensée platonicienne de la musique en prenant pour point d'appui le concept de mimesis, qui se trouve par là même éclairé d'un jour nouveau. Pour Platon en effet, la musique ne se définit pas, ou pas essentiellement, comme “art des sons” mais elle est avant tout une imitation sensible des mouvements de l'âme, et elle a pour charge d'en transmettre certains aux autres âmes. Car la pensée platonicienne ne sépare jamais ce

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12

Panteli, Maria. "Mimesis and construction : rethinking sociology of art." Thesis, Goldsmiths College (University of London), 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.539861.

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13

Adams, David Alexander. "Mimesis and Modernism: Jacques Maritain's Early Aesthetics." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20849.

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Jacques Maritain’s early secular aesthetic theories have been interpreted too hastily. The goal of this study is to offer a more accurate reading of them than has been formulated previously. It is also to appraise them, as regards their merits as explanations of concrete phenomena—this has not been done before. In order to achieve these aims, Maritain’s principal early work on aesthetics Art et scolastique will be analysed at length, herein. The problematic methods by means of which the scholarly tradition has interpreted this book will be examined, and their influence on its reception will be

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14

Richard, Christophe. "La théorie aristotélicienne de la mimesis poétique." Paris 1, 1992. http://www.theses.fr/1992PA010562.

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Étude la poétique d’Aristote visant à faire apparaitre l'originalité de la conception aristotélicienne de la "mimesis"poétique et ce en comparaison avec l'approche platonicienne de la question. Seront analysés dans ce but : l'origine (nature), les différents lieux d'intervention (éducation, expression poétique, peinture, musique) ainsi que les effets principaux (plaisir, purification) propres à la "mimesis" telle qu'Aristote l’a déterminé<br>Study of Aristotle's poetics aiming at showing the original feature of the Aristotelian conception of the poetical "mimesis" and this, in comparison with

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15

Stork, Peter Robert. "Girard's mimetic theory and the image of God in man: A preliminary theological perspecitve of human mimesis." Thesis, Australian Catholic University, 2002. https://acuresearchbank.acu.edu.au/download/fb2c8cf57f73eabd2f8e67a9d266c1c4fdc70bf22bd1ed7812c90b39a1b792bc/5150276/Stork_2002_Girards_mimetic_theory_and_the_image.pdf.

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This study seeks to establish a link between Girard's mimetic anthropology and the Biblical notion that man is created in the image and likeness of God. While Girard developed deliberately an anthropology without reference to theology, this study - in an attempt to show that human mimesis makes also sense theologically - has taken creation theology as its starting point. By reviewing three Girardian authors, Alison, Bailie and Schwager, the thesis that mimesis belongs to man as a creature before God and is therefore inseparable from his response to God and from man's representational role in c

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16

Grahn, Mikael, and Niklas Karlsson. "A World of Our Own : Mimesis as Relatability." Thesis, Blekinge Tekniska Högskola, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14642.

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17

Pellis, Vivien C., and mikewood@deakin edu au. "Inspiration and Mimesis in Plato's criticism of poetry." Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.

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Plato criticizes poetry in several of his dialogues, beginning with Apology, his first work, and ending with Laws, his last. In these dialogues, his criticism of poetry can be divided into two streams: poetry is criticized for either being divinely inspired, or because it is mimetic or imitative of reality. However, of the dialogues which criticize poetry in these ways, it is not until Laws that Plato mentions both inspiration and mimesis together, and then it is only in a few sentences. Furthermore, nowhere in the dialogues does Plato discuss their relationship. This situation has a parallel

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18

McCombie, Duncan. "Classical mimesis : literary problems in fiction and reality." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399438.

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19

Truscott, John Robertson. "Studies in mimesis in Greek literature before Aristotle." Thesis, University of Southampton, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236402.

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20

Guerra, Leonor Martinez de Castro. "Mimesis e Alteridade na obra de Jean Painlevé." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2013. http://hdl.handle.net/10362/11637.

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Dissertação de mestrado para obtenção do grau de mestre em Ciências da Comunicação, Arte e Comunicação.<br>Parte-se da obra de Jean Painlevé, mais especificamente do objecto (DVD) Science is Fiction: 23 Films of Jean Painlevé, na tentativa de distinguir o trabalho criativo da arte, da ciência e da filosofia; as disciplinas lutam entre si contra a Urdoxa de cada uma. Que o discurso científico possa interessar à arte não é surpreendente, trata-se de satisfazer a sede daqueles que procuram, para além do que é corrente, o que é vital. Não é com as mesmas ferramentas que arte e ciência procedem

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21

McVittie, Marina P. de. "Eris the impulse at the root of mimesis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8308.

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22

Sousa, Jose Renato de Araujo. "Mimesis e educação nas Leis de Platão : formação moral da psykhe." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251691.

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Orientador : Lidia Maria Rodrigo<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-13T20:13:25Z (GMT). No. of bitstreams: 1 Sousa_JoseRenatodeAraujo_D.pdf: 999757 bytes, checksum: ecc4a90849f730bb05b99d0874a7dc81 (MD5) Previous issue date: 2009<br>Resumo: A teoria da mímesis na filosofia de Platão, quase sempre vista no âmbito estético, foi na maioria das vezes interpretada na tradição filosófica e literária como uma teoria negativa. Acreditamos que isso decorre de uma leitura e interpretação um tanto apressada dos diálogos,

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23

Stala, Krzysztof. "On the margins of reality : the paradoxes of representation in Bruno Schulz's fiction." Doctoral thesis, Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb37667617p.

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24

Japaridze, Tamar. "The Kantian subject, sensus communis, mimesis, work of mourning." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ27788.pdf.

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25

Richter, Olaf. "Anamnesis - Mimesis - Epiklesis : der Gottesdienst als Ort religiöser Bildung /." Leipzig : Evang. Verl.-Anstalt, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2645513&prov=M&dok_var=1&dok_ext=htm.

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26

Bunce, Guy. "Mimesis, memory, and borrowed materials : a portfolio of compositions." Thesis, Royal Holloway, University of London, 2013. http://repository.royalholloway.ac.uk/items/42704772-0cd6-4edc-8bf7-a6c34d1dbe8b/1/.

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This thesis consists of a portfolio of nine musical compositions with accompanying recordings and commentary. The works included range from solo chamber music to large ensemble and explore the notions of mimesis, memory, and borrowed materials in musical composition. The commentary begins by providing a framework and historical context to the portfolio and in particular explores mimesis as an æsthetic device across the centuries and art forms. Music for amateurs and multiple tempi are then presented as two sub facets within the main research before a detailed exploration of the various source

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27

Somerville, James Alexander. "The concept of mimesis in sixteenth century literary theory." Thesis, Queen's University Belfast, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239223.

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28

Heled, Mali. "The cracked lookingglass : James Joyce, Virginia Woolf and 'mimesis'." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407017.

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29

Branco, Ana Lucia. "Tutaméia: do chiste à mimesis. A respeito da família." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-01122009-123414/.

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Pensando a literatura como um fenômeno de linguagem que não dispensa a experiência sociocultural em sua feitura, o presente trabalho se volta à última obra não-póstuma de Guimarães Rosa, que desponta por certas singularidades intrínsecas, Tutaméia, com o fim de apreender como a arcaica e tradicional sociedade patriarcal se configura no âmbito privado, a Família. Tomando o chiste enquanto procedimento formal dialético, de revelar e esconder, de desconcertar e esclarecer, de tapar e descobrir, percebe-se que a conjectura subjaz à manutenção do modelo familiar, pelo masculino, enquanto, pelo femi

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30

Choi, Seong-Man. "Mimesis und historische Erfahrung : Untersuchungen zur Mimesistheorie Walter Benjamins /." Frankfurt am Main : P. Lang, 1997. http://catalogue.bnf.fr/ark:/12148/cb37539679x.

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31

Palmer, F. "Style and mimesis in the name of Walter Benjamin." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/9w184/style-and-mimesis-in-the-name-of-walter-benjamin.

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This study locates the consistency of Benjamin’s philosophy in its deployment of style. Since the style of his philosophy corresponds to its object, it always manifests differently. But the principle of its presentation remains the same: it is deployed to induce in the reader an act of mimetic assimilation to the constructive principle of the text. The purpose is to bypass theory by effectuating praxis directly in an act of what is here called “staging.” Such direct effectuation of praxis by prose is the only way of avoiding contradiction in a philosophy committed to the linguistic nature of r

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32

Biddle, Ian Duncan. "Autonomy, ontology and the ideal : music theory and philosophical aesthetics in early Nineteenth Century German thought." Thesis, University of Newcastle Upon Tyne, 1995. http://hdl.handle.net/10443/371.

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This thesis falls into two distinct parts. The first gives an account of the economic and social factors which contributed to the emergence of the new post- Cartesian world order in early nineteenth-century Germany and attempts to ground the German response to the French theories of mimesis in this broader context. The second, larger, part engages in an analysis of the philosophical aesthetics of the critic and writer Wilhelm Heinrich Wackenroder, and the Idealists Friedrich Wilhelm Joseph Schelling and Georg Wilhelm Friedrich Hegel, paying particular attention to the notions of musical closur

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33

Wright, Judd Seth. "The foundations of productive history in mimesis and narrative identity /." Click here for download, 2006. http://wwwlib.umi.com/cr/villanova/fullcit?p3206989.

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34

Lamarre, Paul Anthony. "Mimesis and generality in the late eighteenth-century English novel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ45699.pdf.

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35

Georganta, Konstantina. "Modern mimesis : encounters between British and Greek poetry, 1922-1952." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1196/.

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This thesis considers the crisis in the portrayal of national spaces and national identities, insecure in the multiplicity of their cultural roots and thus diasporic and hybrid, from 1922, a year marked for its importance in the disintegration of imperial Britain and in the positioning of Greece on the threshold of its European literary Modernist inheritance, until 1952, the year of Louis MacNeice’s observations of Greece in his poetry collection Ten Burnt Offerings. The boundaries of cultures, states, religious beliefs and genders are considered in the figures of T.S. Eliot’s Mr. Eugenides, C

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36

Hubble, Rebecca Louise. "Structures of representation : metaphor and mimesis in Jacques Derrida's Glas." Thesis, Queen Mary, University of London, 2003. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1836.

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This thesis is an explication of Glas, a text which reflects Derrida's profound respect for the Hegelian dialectic, a structure in which each part has and knows its place. But Glas also works to expose a fundamental contamination between Hegelian conceptuality and those elements of textuality which the dialectic seeks to subordinate to, or expel from, itself. One such area of contamination is that of representation. For while Hegel determines representation as (the) outside of truth, Derrida demonstrates that this very determination is in fact structured and instituted by those `outsides. ' On

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37

Gomes, Guilherme Fóscolo de Moura. "A fúria do comentário: hipertrofia hermenêutica na era da mimesis." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8978.

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Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro<br>Esta tese pretende discutir a história da modernidade como a história do abandono do corpo. A era moderna é a era da mimesis e, como tal, faz da interpretação um componente necessário do horizonte histórico imposto por ela mesma. A interpretação veio para ficar: mas as sucessivas tentativas de apropriação do mundo pelos conceitos anestesiaram os sentidos do homem moderno. Os excessos hermenêuticos contribuíram para um empobrecimento da experiência da arte. A pós-modernidade se abre, para nós, como um novo horizonte histórico, e ofert

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38

Ludwig, Carlos Roberto. "Mimesis of inwardeness in Shakespeare's drama : The Merchant of Venice." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/71936.

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Esta Tese de Doutorado tem por objetivo discutir a questão da mimesis da interioridade no Mercador de Veneza, de William Shakespeare. A pesquisa está embasada na obra Inwardness and Theater in the English Renaissance, de Maus (1995), e na obra Shakespeare Philosophy, de McGinn (2007), na crítica literária da peça. Maus apresenta a interioridade como um constructo social e cultural da Renascença Inglesa. Ela analisa a interioridade tomando como base a oposição entre aparências, consideradas falsas e enganosas na época, e interioridade, que era tida como manifestações sinceras e verdadeiras das

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39

Böhn, Andreas. "Vollendende Mimesis : Wirklichkeitsdarstellung und Selbstbezüglichkeit in Theorie und literarischer Praxis /." Berlin ; New York : W. de Gruyter, 1992. http://catalogue.bnf.fr/ark:/12148/cb370622687.

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40

Rosen, Valeska von. "Mimesis und Selbstbezüglichkeit in Werken Tizians : Studien zum venezianischen Malereidiskurs." Berlin : Imorde, 2001. http://catalogue.bnf.fr/ark:/12148/cb388316053.

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41

Hooker, Richard. "The structures and significance of mimesis in Adorno's 'Aesthetic Theory'." Thesis, University of St Andrews, 1997. http://hdl.handle.net/10023/14778.

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This thesis starts from the point of departure of asking why Aesthetic Theory is difficult to read. In answering this question it is argued that the difficulty of the work is a function of the unusual claims Adorno makes about the relation between art and philosophy, and that the presentation of these arguments exemplifies these claims. This complimentary relation between form and content has implications for the way Adorno can be understood as engaging the idea of mimesis. Aesthetic Theory should be understood as a theory of mimesis in modern art and as a mimetic work itself. Given this idea,

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42

Ceuppens, Godelieve Bambi. "Mimesis, mirror and mask : modern imaginaries of self and other." Thesis, University of St Andrews, 1997. http://hdl.handle.net/10023/15388.

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This dissertation set out to investigate the thesis that the Modern Western Self has "created" Self as a self-creating, creative category, and in denying all possibilities of originality to the Other, has "created" the Other as an essentially imitative creature, a mirror-image of Self. I have in particular compared the conceptualisations of "woman", "child" and "primitive" as Other with specific reference to the British colonial experience in Ireland and the overseas territories. I argue that these ideas go back to a conceptualisation of the human self as dual, consisting of self and mask, and

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43

Lyle, Messina. "Reviving the Subject: A Feminist Argument for Mimesis in Literature." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2204.

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For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make

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44

Soares, Ãngela Vieira. "As estÃtuas vivas de Fortaleza-Ce: performance, mimese e gesto." Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18711.

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CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior<br>Esta pesquisa aborda as estÃtuas vivas de Fortaleza-Ce em dois espaÃos de atuaÃÃo: a PraÃa do Ferreira e a Avenida Beira-Mar. Durante o ano de 2013 e 2014 os performers foram observados, escolhidos e entrevistados tomando como base das entrevistas as narrativas de suas vidas/trajetÃrias. Esse recurso foi utilizado para a compreensÃo dos sujeitos e de suas opiniÃes sobre o trabalho que fazem e como norteador/inspirador do caminho teÃrico e analÃtico a seguir. Partindo das observaÃÃes e entrevistas a anÃlise teÃrica se alicerÃa na mim

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Rocha, Jéssica Aracelli. "Borges e o realismo: o outro da literatura borgeana." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-18032009-103159/.

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Busca compreender o conto El Otro, de Jorge Luis Borges. Para tanto, efetua sua análise formal; acrescida pelo exame de um corpus secundário. Uma vez que a narrativa apresenta dois personagens autobiográficos, sendo o jovem similar e estranho à produção deste autor, é necessário comparar tal personagem à obra borgeana de juventude, no tocante ao realismo, engajamento, biografismo e ultraísmo. Verifica que o Borges de 1918 a 1920 não exibe tais concepções literárias, exceto pelo ultraísmo. Na segunda etapa juvenil, entre 1921-1928, encontra ultraísmo, biografismo e alguns pontos de contato, com

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Miller, Gregg Daniel. "Mimesis in communicative action : Habermas and the affective bond of understanding /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10773.

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Giugliano, Marcello. "Translating mimesis of orality: Robert Frost’s poetry in catalan and italian." Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/127352.

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This doctoral thesis studies the recreation of spoken language in Robert Frost’s poetry and the translation of Frost’s poetry that has been carried out by Agustí Bartra and Miquel Declot into Catalan, and by Giovanni Giudici into Italian. The study starts by describing the meaning of the term mimesis of orality and its main features. It stresses the complexity of the phenomenon, which can be explained better only if a more eclectic theoretical and methodological approach is adopted that focuses on both the linguistic features of mimesis of orality and their potential effect on readers. Frost’s

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Dovey, Lindiwe. "African film adaptation of literature : mimesis and the critique of violence." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423936.

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Cojocaru, Daniel. "Violence and dystopia : mimesis and sacrifice in contemporary Western dystopian narratives." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:f3f2848d-d349-4dcd-8bff-810010a2e8e3.

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Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-

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Cruz, Victor Manuel. "Metaphysics in the dark : music, mimesis and the making of utopia." Thesis, King's College London (University of London), 2017. https://kclpure.kcl.ac.uk/portal/en/theses/metaphysics-in-the-dark(daa15f5b-520f-41f6-883a-e723e28c17c7).html.

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This thesis looks at 20th century African-American music and literature through the prism of historical materialism and the aesthetics of mimesis. This approach pays equal attention to class and ‘race’ when reading literary works and interpreting and contextualizing black1 music cultures. The material conditions in which works of literature and music are produced are as important as the themes with which they deal. Periodization is also important, and throughout I note how structural changes in the general mode of production of US capitalism, and the particular dynamics of the culture industry

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