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Artículos de revistas sobre el tema "Minorities in art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de julio de 2024

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1

Padilla, Geraldine V., and Evelyn Perez. "Minorities and arthritis." Arthritis Care & Research 8, no. 4 (December 1995): 251–56. http://dx.doi.org/10.1002/art.1790080408.

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2

ARAKI, Natsumi. "The Potential of Minorities in Contemporary Art Expression." TRENDS IN THE SCIENCES 22, no. 11 (2017): 11_47–11_51. http://dx.doi.org/10.5363/tits.22.11_47.

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3

Chatman, Larry. "A Bright Future Awaits Minorities in Art Education." Art Education 46, no. 4 (July 1993): 21. http://dx.doi.org/10.2307/3193428.

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4

Dung, Nguyen Thi. "Some survey results about the change of gods in myths to gods in the fairy tales of Vietnamese ethnic minorities." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 4 (December 6, 2020): First. http://dx.doi.org/10.32508/stdjssh.v4i4.601.

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Gods appear in a wide variety of myths and fairy tales around nations in the world. This is one of the central images, showing a multidimensional awareness of the ancients on the nature and society. Understanding the transformation of the system of god characters in a process of sequences, the system from the myths to the fairy tales of ethnic minorities in Vietnam, we will see the development of awareness levels in thinking, in the spiritual life of the society and of Vietnamese people. From there, we see the development in the thought process and artistic performances of the ancients which w

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5

Zhang, Jingtong, and Yanchen Liu. "Research on Western Minorities Costume Culture and Innovative Development--Analysis Based on a Sample Questionnaire on Western Minorities National Costume." Journal of Social Science Humanities and Literature 6, no. 6 (December 29, 2023): 5–12. http://dx.doi.org/10.53469/jsshl.2023.06(06).02.

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Based on analyzing the questionnaire sample on Western Minorities national costumes, this paper comprehensively explores the development trend and innovative direction of Western Minorities costume culture. The study results show that in the context of globalization, traditional Western Minorities costumes are gradually welcomed by the younger generation as a fashion representative. At the same time, traditional Western Minorities costumes have been innovatively applied in modern costume design. In the questionnaire, we learned that more and more consumer groups are interested in Western Minor

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6

Zongting, Bi. "The Excavation and Practical Significance of Folk Art Education Resources of Ethnic Minorities in Guangxi." Journal of Educational Theory and Management 1, no. 1 (October 16, 2017): 85. http://dx.doi.org/10.26549/jetm.v1i1.297.

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Guangxi minority folk art education resources is a valuable treasure trove of art, realistic signifcance to mining and utilization of Guangxi minority folk art education resources. The practice proves that Guangxi minority folk art education resource is a typical folk art "Encyclopedia", is a folk song "epic" glorious and resplendent that is a piece of precious folk art "living fossil". Guangxi minority folk art education resources mining and utilization, enrich the arts and culture in Guangxi, China the students' national consciousness, and show the rich geographical and cultural characterist

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7

Hong, Ming. "National Characteristics and Art Composition Characteristics of Tujia Brocade Art." Journal of Educational Theory and Management 2, no. 1 (April 28, 2018): 17. http://dx.doi.org/10.26549/jetm.v2i1.688.

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As one of China's national minorities, Tujia nationality has exerted an important role in the development course of modern national culture. In the development course of national culture of Tujia nationality, its brocade art inherited generation by generation has been extensively applied in art inheritance in modern society. It has also been applied in practical teaching to manifest the unique style and special artistic expression of Tujia brocade art. Under such a context, it is necessary to strengthen analysis on itsnational characteristics in the art development course and art composition c

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8

Wang, Chong Lan, Wei Ping Hu, and Xiao Ping Yang. "Analysis of the Textile Materials and Art Forms of Minorities in Yunnan." Advanced Materials Research 739 (August 2013): 777–80. http://dx.doi.org/10.4028/www.scientific.net/amr.739.777.

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The minorities in Yunnan are quite skilled at weaving and embroidering techniques, and they boast the unique materials and special textile art form. With the plant material resources in Yunnan, they are able to create numerous kinds of patterns and drawings on the textile fabric, surrounded by the local rural flavor and intense ethnic characteristics. However, with the social and economic development, together with the opening to the outside world, this ethnic textile activity which reserves much of the primitive style and national characteristics has shrunk and stalled at this moment, turning

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9

ZHANG, XIAOLI, and Anna Viktorovna Chernova. "Problems of studying the birch bark art of the Orochon people in China from the 1980s to the present." Культура и искусство, no. 5 (May 2024): 122–38. http://dx.doi.org/10.7256/2454-0625.2024.5.69556.

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The subject of this research is decorative and applied art of the Orochon people living in the Northeast of China and the issues of its study in Chinese academic studies. Currently, the humanities in China are moving to a fundamentally new level in the study of ethnic traditions and cultures, which is associated not only with a relatively new policy of "reform and openness", but also with a deep understanding of the humanities and social studies about the value of local cultures. The birch bark art of the Orochon national minority in China is an important part of creativity, broadcasting the t

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10

Frederick, Jayde. "No Limits: Using Art to Inspire and Encourage Minorities to Pursue Careers in STEAM (STEM + Art)." ACS Bio & Med Chem Au 2, no. 3 (June 15, 2022): 171–72. http://dx.doi.org/10.1021/acsbiomedchemau.2c00028.

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11

Zhou, Liqing. "Research on The Fusion of Ethnic Music and Culture in Northern China." International Journal of Education and Humanities 5, no. 1 (October 11, 2022): 46–49. http://dx.doi.org/10.54097/ijeh.v5i1.1935.

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This article believes that only the national art culture is a kind of art universally accepted by the world. If there is no nationality, it is like a tree without roots and a river without a source. Music culture is the same development law. This paper aims to study the fusion of ethnic minority music cultures in northern China to study the history and future of the inclusive culture of Chinese Han residents and various ethnic minorities in northern China. In the history of China for five thousand years, the origin of the music culture of ethnic minorities in the vast land area of northern Chi

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12

Hong, Ming. "Aesthetic Characteristics Thinking of Minority Folk Art in Guizhou." Journal of Educational Theory and Management 2, no. 2 (April 16, 2018): 43. http://dx.doi.org/10.26549/jetm.v2i2.736.

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Guizhou, with a cluster of multiple ethnic groups, is located in the southwest of China. In the province, there is up to 49 ethnic minorities whose population occupies around 1/3 of the total. Thanks to this, the multi-ethnic region is endowed with various folk art and culture of distinctive minority styles. This paper briefly discusses the outline of minority folk art in Guizhou, including its development and features, analyzes the aesthetic expression ways and characteristics of the art, and finally, puts forward some further thoughts from fine art, dancing art and batik art. This paper aims

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13

Roussou, Angeliki. "Social Justice and Work in Art Institutions." Journal of Curatorial Studies 10, no. 2 (October 1, 2021): 178–200. http://dx.doi.org/10.1386/jcs_00042_1.

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Even though social justice struggles are often thematized in curatorial practice and discourse, their demands are rarely implemented in art-institutional policies and infrastructure. In investigating the anatomy of this conundrum, politically incisive redefinitions of institutional usership and participation, and analysis of their close relation to (issues of) work, would benefit strategies around diversity in the context of art-institutional participation. The theory of ‘instituent praxis’ and its insistence on inventive and cooperative rule-making can contribute to addressing curatorially ab

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14

Lowrie, Patricia M. "Tying Art and Science to Reality for Recruiting Minorities to Veterinary Medicine." Journal of Veterinary Medical Education 36, no. 4 (December 2009): 382–87. http://dx.doi.org/10.3138/jvme.36.4.382.

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15

McIlvane, Jessica M., Tamara A. Baker, Chivon A. Mingo, and William E. Haley. "Are behavioral interventions for arthritis effective with minorities? Addressing racial and ethnic diversity in disability and rehabilitation." Arthritis & Rheumatism 59, no. 10 (October 15, 2008): 1512–18. http://dx.doi.org/10.1002/art.24117.

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16

Jim, Alice Ming Wai. "Mise en perspective chiasmique des histoires de l’art global au Canada." Article cinq 9, no. 1 (October 17, 2018): 97–111. http://dx.doi.org/10.7202/1052630ar.

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This article offers a critical perspective on the pedagogical direction of what I call “global art histories” in Canada by addressing the apparent impasse posed by the notion of what is euphemistically called “ethnocultural art” in this country. It examines different interpretations of the latter chiefly through a survey of course titles from art history programs in Canada and a course on the subject that I teach at Concordia University in Montreal. Generally speaking, the term “ethnocultural art” refers to what is more commonly understood as “ethnic minority arts” in the ostensibly more deris

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17

DIVAKARAN, R. V. M. "CULTURAL MINORITIES AND THE PANOPTIC GAZE: A STUDY OF THE (MIS)REPRESENTATION OF ETHNIC MINORITIES IN MALAYALAM FILMS." Journal of Education Culture and Society 8, no. 2 (September 25, 2017): 240–48. http://dx.doi.org/10.15503/jecs20172.240.248.

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This paper explores the patterns of the representation of Adivasis or aboriginals – known as ‘tribals’ in common parlance – in Malayalam language films. Film as a medium of representation is continuously engaged in constructing images and thus the process becomes an ideological enterprise contributing to the relentless practice of defining and redefining the society and its various components in terms of several binaries. The film industry of Kerala, a southern state of India, is affluent and more influential than other art forms and production. Though the tribal population of Kerala is around

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18

Franco, Bibiana Edivey Castro, and Jaime Alberto Carmona Parra. "Masculinity in Universities: State of the Art." Masculinities & Social Change 10, no. 1 (February 21, 2021): 77. http://dx.doi.org/10.17583/mcs.2021.5487.

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This article provides the result of a review of existing masculinity research within the university context. The objective of the present study was to determine the topics of analysis, characteristics, and tendencies of recent studies in this field. A search was performed in Scopus and Ebsco, using the search terms: masculinity and university students, which yielded 72 studies for analysis. The most commonly-explored topics among the investigations reviewed were as follows: the construction of masculinity, masculine social norms and gender stereotypes, romantic relationships, masculinity and h

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19

Grażyna Kędzierska and Zbigniew Siemak. "Political crime in lubelskie voivodship in interwar Poland." Archives of Criminology, no. XXXIV (January 1, 2012): 603–27. http://dx.doi.org/10.7420/ak2012o.

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In the system of security organs of the Second Polish Republic fight with crime described as political belonged to the duties of National Police. The department of political Police was a secret specialized internal service of the National Police designed most of all to invigilate almost the whole of the political and social life of the country as well as to persecute perpetrators of crimes against the state, with particular focus on persons suspected of acts of subversion. Between the wars the political police underwent a complex reorganization four times each time under a different name: Defe

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20

Noah, Barbara A. "The Participation of Underrepresented Minorities in Clinical Research." American Journal of Law & Medicine 29, no. 2-3 (2003): 221–45. http://dx.doi.org/10.1017/s0098858800002823.

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The past decade witnessed unprecedented growth in medical research involving human subjects, promising the development of new treatments that extend and improve the quality of life, as well as prevent disease. Recent biomedical breakthroughs such as the mapping of the human genome, improved understanding of pharmacokinetics and molecular biology, and novel theories about the mechanisms of diseases such as cancer have led to a proliferation of clinical trials. Such research provides the necessary bridge from scientific theory to practical medical application, and it is essential that these effo

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21

Suominen, Anniina, Tiina Pusa, Aapo Raudaskoski, and Larissa Haggrén. "Centralizing queer in Finnish art education." Policy Futures in Education 18, no. 3 (May 16, 2019): 358–74. http://dx.doi.org/10.1177/1478210319837836.

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The article examines if and how gender diversity and queer are present in the policies guiding Finnish art education and how these documents might influence praxis. The authors explore relations between policy and practice through a close study and analysis of the Finnish national core curriculum for basic education as it relates to the broader Finnish culture of power and politics. The authors approach the topic using epistemic injustice as the framework, and suggest that current international and national policy and guidelines that define human rights, gender equality, the rights of gender a

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22

Cloonan, William. "Une affaire politique: The Novel in 2022." French Review 97, no. 1 (October 2023): 17–29. http://dx.doi.org/10.1353/tfr.2023.a911319.

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Abstract: This essay approaches the novel through the optic of contemporary social controversies, be they the war in Ukraine, climate change, international and national terrorism, or abuse of ethnic or sexual minorities. It makes clear that even though novelists’ attitudes toward art and politics are constantly evolving, the issues themselves remain of constant concern.

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23

Leng, Xuebing, Shujia Liang, Yanling Ma, Yonghui Dong, Wei Kan, Daniel Goan, Jenny H. Hsi, et al. "HIV virological failure and drug resistance among injecting drug users receiving first-line ART in China." BMJ Open 4, no. 10 (October 2014): e005886. http://dx.doi.org/10.1136/bmjopen-2014-005886.

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ObjectiveTo explore HIV virological failure and drug resistance among injecting drug users (IDUs) receiving first-line antiretroviral treatment (ART) in China.DesignA series of cross-sectional surveys from 2003 to 2012 from the Chinese National HIV Drug Resistance (HIVDR) Surveillance and Monitoring Network.SettingChina.ParticipantsData were analysed by the Chinese National (HIVDR) Surveillance and Monitoring Network from 2003 to 2012. Demographic, ART and laboratory data (CD4+ cell count, viral load and drug resistance) were included. Factors associated with virological failure were identifie

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24

RUPASOV, Alexander. "THE PROTECTION OF NATIONAL MINORITIES IN THE BALTIC STATES IN SOVIET FOREIGN POLICY IN THE 1930s." Nordic and Baltic Studies Review, no. 5 (December 2020): 115–24. http://dx.doi.org/10.15393/j103.art.2020.1654.

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25

Long, TiMar. "Character Creation Diversity in Gaming Art." International Journal of Role-Playing, no. 7 (December 2, 2016): 23–29. http://dx.doi.org/10.33063/ijrp.vi7.254.

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The artwork for a role-playing game can be one of the most important aspects of the gaming experience. Artwork helps to give role-players an idea of what the world looks like in that game. It helps to inspire the kinds of characters players might want to create. Finally, art can serve as a method for determining what is and is not normal for a setting. Dungeons & Dragons was the first tabletop roleplaying game (RPG) created and as such serves as the foundation of the gaming hobby (Fine 1983; Tresca 2011; Peterson 2012). Is the artwork in Dungeons & Dragons racially imbalanced? How has

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Furu, Adél. "Representations of suppressed indigenous cultural memories: the communities of Sami of Finland and Kurdish of Turkey." Romanian Journal for Baltic and Nordic Studies 7, no. 2 (December 15, 2015): 167–75. http://dx.doi.org/10.53604/rjbns.v7i2_12.

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In my paper I intend to examine how the historical marginalization of Sami and Kurdish history and culture affects the cultural identity of these ethnic groups. I discuss how recent political discourses and state interventions have influenced the images of the past and identity politics in the Sami communities living in Finland and in the Kurdish society living in Turkey. Furthermore, I describe how these assimilated minorities have alienated from their own identity due to a damage of their collective memory caused by devastating historical events. The paper also focuses on the ways these two

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27

Ostajewska, Marta. "„Nie ma już tam tam” – Urban Indians i współczesna sztuka rdzenna, wokół tożsamości i autentyczności w amerykańskiej popkulturze." Literaturoznawstwo 1, no. 13 (April 30, 2020): 19–31. http://dx.doi.org/10.25312/2451-1595.13/2019__02mo.

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“There is no there there” – Urban Indians and The New Contemporary in Indigenous American Art – around Identity and Authenticity in American Pop Culture Native American artists and writers are constantly reimagining their narratives, and addressing context, community, and intersection with others. Based on few examples: Tommy Orange (Cheyenne / Arapaho), James Luna (Payómkawichum / Ipi), Wendy Red Star (Apsáalooke (Crow)) and Steven Paul Judd (Choctaw / Kiowa) author of article examines how their art undermines the conventional view on a stereotypical image of Native Arts and how their strateg

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Aziz, Muhammad Abdul. "The Art of Moderation in Islamic Semantic Legal Theory: The Case of Yūsuf al-Qaraḍāwī’s Fiqh al-Aqalliyyāt". International Journal Ihya' 'Ulum al-Din 26, № 1 (20 червня 2024): 156–72. http://dx.doi.org/10.21580/ihya.26.1.20396.

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Abundant studies on Islamic art have been written, ranging from those based on the dimensions of universality, philosophy, and legal aspects. Yet, how it represents a sense of moderation, which can be found in Islamic semantic legal theory is something underdeveloped. The present research hence aims to reveal this aesthetic dimension examined in the context of Yūsuf al-Qaraḍāwī's jurisprudence for Muslim minorities (fiqh al-aqalliyyāt). Apart from the descriptive analysis, this qualitative research will employ a content analysis method to figure out al-Qaraḍāwī's paradigm in Islamic art, moder

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29

Iacobuţe, Petronela-Ramona. "Independent Theatre as a Manifestation of Identity. Study Case: Minorities’ Theatre." Theatrical Colloquia 9, no. 1 (June 1, 2019): 221–34. http://dx.doi.org/10.2478/tco-2019-0008.

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Abstract Theatre as an institution and form of contemporary art encourages freedom and creativity, attracts free spirits and visions and it should be a physical and spiritual space in which you can find and express your identity at the same time. If in the state system decisions on the budget are taken at a political level and those on the repertoire have to take into account a whole organizational scheme and a large audience, in the independent space, tolerance, acceptance of differences, encouragement of minorities of any kind to express themselves through art, as long as there are talent an

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Kumar, Danila Zuljan. "Identity Changes in the Slovenian and Friulian Linguistic Communities in the Province of Udine, Friuli-Venezia Giulia, Italy." European Countryside 10, no. 1 (March 1, 2018): 141–57. http://dx.doi.org/10.2478/euco-2018-0009.

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AbstractThe paper discusses the intertwined relationship between identity construction, language practices and language ideologies of Slovenes and Friulians in the Province of Udine, Friuli Venezia Giulia, Italy. We are dealing with two indigenous linguistic minorities whose native language was historically restricted to the private sphere of life. However, due to altered social conditions of decentralization and globalization, the ever-increasing use of these languages outside private sphere has been noticed. The phenomenon will be illuminated by the statements of the members of both linguist

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31

Uno, Kei. "Consuming the Tower of Babel and Japanese Public Art Museums—The Exhibition of Bruegel’s “The Tower of Babel” and the Babel-mori Project." Religions 10, no. 3 (March 5, 2019): 158. http://dx.doi.org/10.3390/rel10030158.

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Two Japanese public art museums, the Tokyo Metropolitan Art Gallery and the National Art Museum of Osaka, hosted Project Babel, which included the Babel-mori (Heaping plate of food items imitating the Tower of Babel) project. This was part of an advertising campaign for the traveling exhibition “BABEL Collection of Museum Boijmans Van Beuningen: Bruegel’s ‘The Tower of Babel’ and Great 16th Century Masters” in 2017. However, Babel-mori completely misconstrued the meaning of the Tower of Babel in Genesis 11:1–9. I explore the opinions of the curators at the art museums who hosted it and the uni

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32

Hwang, A.-Ram. "An Analysis of Trends in Korean Theatre from the Perspective of Cultural Diversity Policies." Korean Society of Culture and Convergence 45, no. 2 (February 28, 2023): 545–56. http://dx.doi.org/10.33645/cnc.2023.02.45.02.545.

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This study aimed to figure out the trends of Korean theatre from the perspective of cultural diversity policies. The cultural diversity policies have mainly focused on the social minorities' culture and art activities and participation in Korea, which means that there is a relative shortage of discussion about the diversity of art. The study analyzed the achievements and limitations of cultural diversity policies in South Korea, and distinguished the diversity of art according to intrinsic and extrinsic criteria. Also analyzed in the study were reviews published in Critiques of Theatre for the

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33

Purlyte, Gabija. "Representations of the Soviet Period and Its Traces in the Works of Contemporary Artists from the Baltic States." History of Communism in Europe 10 (2019): 145–67. http://dx.doi.org/10.5840/hce2019107.

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This paper examines how Soviet and post‑Soviet history is presented and reflected upon in select works of contemporary artists from Estonia, Latvia and Lithuania. As the contemporary art scenes of these newly independent states developed and joined the global contemporary art circuit, a number of Baltic artists have participated in the recent “historiographic turn” in art. Through the analysis of examples, we look at four approaches employed by these artists when tackling the subject of history seen through personal narratives; history told from the point of view of ethnic/linguistic minoritie

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Guadalupi, Francesca. "Progetto Aumentiamo la realtà con il QR-code." Media Education 12, no. 2 (November 29, 2021): 93–97. http://dx.doi.org/10.36253/me-10495.

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With reference to art. 9 of our Constitution “The Republic promotes development and scientific and technical research. Protects the landscape and the historical and artistic heritage of the nation “and art. 6 “The Republic protects linguistic minorities with special rules”, the project “Let’s increase reality with the qr-code” wanted to enhance the school as a community open to the territory in which it operates and develop skills in the field of active and democratic citizenship. Two paths have been taken: researching historical sources to learn about the country’s past and experimenting with

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35

Ward, Michael M. "Education level and mortality in systemic lupus erythematosus (SLE): Evidence of underascertainment of deaths due to SLE in ethnic minorities with low education levels." Arthritis Care & Research 51, no. 4 (August 5, 2004): 616–24. http://dx.doi.org/10.1002/art.20526.

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Fürst, Rudolf. "Cultivating the Art of Anxiety: Securitising Culture in China." China Report 57, no. 4 (October 19, 2021): 433–50. http://dx.doi.org/10.1177/00094455211047079.

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Deepening globalisation and worldwide availability of free information and ideas raise concerns of the communist China’s political leadership about the stability of the regime and the sustainability of the state ideological orthodoxy. Therefore, the state’s tightening control of the public communication to curtail the domestic criticism and occasional public discontent is becoming framed and legitimised in terms of cultural security as a non-traditional security concern. This study argues that the restrictive impacts of the politicisation of culture in the centralised agenda of President Xi Ji

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Todak, Natalie, and Katharine Brown. "Policewomen of color: a state-of-the-art review." Policing: An International Journal 42, no. 6 (November 21, 2019): 1052–62. http://dx.doi.org/10.1108/pijpsm-07-2019-0111.

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Purpose The purpose of this paper is to offer a state-of-the-art review of the research on women of color in American policing. Directions for future research are also highlighted. Design/methodology/approach Using several online databases, a literature search was performed to collect all relevant empirical studies on the topic. The review includes only studies that examined research questions about minority women officers in their own right. Findings The review identified 12 studies focused on recruitment, hiring, retention and the on-the-job experiences of this population. Most studies focus

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38

Li, Peter S. "A world apart: The multicultural world of visible minorities and the art world of Canada." Canadian Review of Sociology/Revue canadienne de sociologie 31, no. 4 (July 14, 2008): 365–91. http://dx.doi.org/10.1111/j.1755-618x.1994.tb00827.x.

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39

ZHANG, XIAOLI. "Study of birch bark handicrafts of the Oroqen people in China." Культура и искусство, no. 9 (September 2023): 69–76. http://dx.doi.org/10.7256/2454-0625.2023.9.40957.

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The aim of this paper is to characterise the characteristics of birch bark crafts of one of the ethnic minority groups, the Oroqen people who live in north-eastern China. The following research methods were used: description, synthesis and classification. The paper examines the characteristics of the handicrafts of the Oroqen people, namely forms, patterns and cultural connotations of ethnic birch bark art. including the cultural component, historical evolution of art and its distribution.Research objectives: to study the characteristic features of traditional fine arts of ethnic minority Oroq

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40

Bradley, Mónica. "Illustrations and (l) imitations in Western art and Science: A critical biography of intersections in the co-creation of liberal humanism." Káñina 45, no. 2 (August 23, 2021): 213–47. http://dx.doi.org/10.15517/rk.v45i2.48184.

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This paper offers a critical biography revealing certain historical intersections and divisions between Western art and science and points to specific moments where they have worked together through an exclusionary version of liberal humanism. This version of liberal humanism was often constructed through the dehumanization of women, people of color, people with disabilities and sexual minorities who were relegated to the non-human, the almost human, the animal or the monstrous. As part of the methods, it offers a critical genealogy, sifting through the cultural vestiges of art, science, philo

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Zhu, Jia, and Zhonghua Pan. "A Brief Discussion on the Art Education of the Qing Imperial Family." Communications in Humanities Research 16, no. 1 (November 28, 2023): 46–53. http://dx.doi.org/10.54254/2753-7064/16/20230083.

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Throughout the history of the Qing Dynasty, its rulers showed great enthusiasm for literary and artistic pursuits, leading to the emergence of numerous imperial family members with talent in painting and calligraphy. This phenomenon holds significant importance for dynasties governed by ethnic minorities, making it a subject worthy of study. In this paper, the author explores the educational institution for imperial princesthe "Shangshufang" (the Imperial Study) to understand the curriculum they studied. Furthermore, the focus shifts to the art education, as not all imperial princes were requi

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Fan, Siyu. "One Way to Subjectivity: Bell hooks on Postmodernism Blackness." SHS Web of Conferences 174 (2023): 02017. http://dx.doi.org/10.1051/shsconf/202317402017.

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Postmodernism is a new style that emerged in American culture after World War II, characterized by formalization, decentralization and commercialization. Bell hooks’ Postmodernism Blackness argues that there is an antagonistic relationship between whites and minorities. In turn, postmodern art is an important way for minorities to challenge white hegemony and build subjectivity. The author takes Captivity by Sherman Alexie, a postmodernist writing on the Other as an example to explore the validity of this theory. On the acknowledgement of the Anglo world’s long-standing oppression of Indian et

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Godley, Bria Adimora, Diana Dayal, Elizabeth Manekin, and Sue E. Estroff. "Toward an Anti-Racist Curriculum: Incorporating Art into Medical Education to Improve Empathy and Structural Competency." Journal of Medical Education and Curricular Development 7 (January 2020): 238212052096524. http://dx.doi.org/10.1177/2382120520965246.

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Background: There is an urgent need for medical school curricula that address the effects of structural influences, particularly racism, on health, healthcare access, and the quality of care for people of color. Underrepresented racial minorities in the United States receive worse health care relative to their White counterparts. Structural competency, a framework for recognizing and understanding social influences on health, provides a means for understanding the structural violence that results from and perpetuates racism in classroom and clinical education. Some medical schools have incorpo

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Dan, Lv, Fu Hongtao, and Wu Hao. "STUDY OF THE COMMUNICATION STRATEGY OF THE INTANGIBLE CULTURAL HERITAGE OF ETHNIC MINORITIES IN THE ERA OF NEW MEDIA." Russian Studies in Culture and Society 7, no. 1 (March 31, 2023): 144–56. http://dx.doi.org/10.12731/2576-9782-2023-1-144-156.

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Project description. This article is the result of the research project in the field of art of Heilongjiang Province "Research on the spread of non-material culture of Heilongjiang Province, bordering Russia, within the framework of the One Belt, One Road Initiative" (No. 20180028). With the rapid development of the economy, the preservation of national and local cultural heritage acquires new features. The era of new media provides new opportunities for the dissemination of the intangible cultural heritage of ethnic minorities. This article explores the strategy for disseminating

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Fairfield, Joy Brooke, Krista Knight, and Barry Brinegar. "The future of musical theatre: An animation of a video call between collaborators, 30 September 2020." Studies in Musical Theatre 15, no. 1 (April 1, 2021): 25–40. http://dx.doi.org/10.1386/smt_00053_1.

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In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.

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Crowe, Edith L. "Research outside the mainstream." Art Libraries Journal 13, no. 3 (1988): 5–9. http://dx.doi.org/10.1017/s0307472200005745.

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Needlework with a political theme is an example of the kind of art ‘outside the mainstream’ which tends to be documented inadequately or not at all. Information is likely to be unpublished, ephemeral, or not indexed. In supposedly free societies, this can be the result of a cultural conspiracy which allows, while ‘ignoring, condemning, or belittling’, the creative activities of women and of racial, ethnic, or class minorities. Librarians should ensure that library collections do not merely reflect the ‘mainstream’, in spite of the problems of collecting non-mainstream material and of making it

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Maciejewski, Marek. "Prawne aspekty położenia mniejszości narodowych na Górnym Śląsku w latach 1918-1939." Czasopismo Prawno-Historyczne 65, no. 1 (November 2, 2018): 249–69. http://dx.doi.org/10.14746/cph.2013.65.1.10.

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This paper discusses the legal situation of German and Polish ethnic minorities in Upper Silesia, which was divided between Germany and Poland in the wake of uprisings (1919-1921) and the plebiscite of March 1921. The discussion concentrates on the provisions of the Upper Silesia Convention (known also as the Geneva Convention) concluded by the German Reich and the Republic of Poland for fi fteen years under the auspices of the League of Nations in May 1922. Emphasis is laid on the main provisions, including the so-called fundamental rights of minorities (Art. 64-68), which were meant to ensur

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Mahabamunuge, Jasmin, and David B. Seifer. "Moving toward Narrowing the United States Gap in Assisted Reproductive Technology (ART) Racial and Ethnic Disparities in the Next Decade." Journal of Clinical Medicine 13, no. 8 (April 11, 2024): 2224. http://dx.doi.org/10.3390/jcm13082224.

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The Disparities in Assisted Reproductive Technology (DART) hypothesis, initially described in 2013 and further modified in 2022, is a conceptual framework to examine the scope and depth of underlying contributing factors to the differences in access and treatment outcomes for racial and ethnic minorities undergoing ART in the United States. In 2009, the World Health Organization defined infertility as a disease of the reproductive system, thus recognizing it as a medical problem warranting treatment. Now, infertility care is largely recognized as a human right. However, disparities in Reproduc

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Labeija, Kia. "Rebirth." TDR/The Drama Review 60, no. 4 (December 2016): 2–3. http://dx.doi.org/10.1162/dram_a_00589.

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Kia Labeija was born and raised in the heart of New York City’s theatre district, Hellz Kitchen. Her multidisciplinary practice explores the intersections of community, politics, fine arts, and activism. Her digital portraits offer theatrical and cinematic re-imaginings of nonfictional events. As a member of the iconic House of Labeija and an active member of NYC’s ballroom scene, she offers the art of Voguing as both a performance and community-based practice. Labeija speaks publicly on the subject of HIV/AIDS as an advocate for the underrepresented living with HIV, including long-term surviv

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Kan, Wei, Tao Teng, Shujia Liang, Yanling Ma, Heng Tang, Tuerdi Zuohela, Guoqing Sun, et al. "Predictors of HIV virological failure and drug resistance in Chinese patients after 48 months of antiretroviral treatment, 2008–2012: a prospective cohort study." BMJ Open 7, no. 9 (September 2017): e016012. http://dx.doi.org/10.1136/bmjopen-2017-016012.

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ObjectiveTo explore factors associated with HIV virological failure (VF) and HIV drug resistance (HIVDR) among HIV-positive Chinese individuals 4 years after initiating first-line lamivudine-based antiretroviral treatment (ART) in 2008 at five sentinel sites.DesignFirst-line ART initiators who were previously treatment naïve were selected using consecutive ID numbers from the 2008 National Surveillance Database into a prospective cohort study. Questionnaires and blood samples were collected in 2011 and 2012 to assess the outcomes of interest: VF (defined as viral load ≥1000 copies/mL) and HIVD

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