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Tesis sobre el tema "Modern dance Women dancers"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de febrero de 2022

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1

Snyder, Marie Carmen Alonzo. "Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance /." Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1995.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).

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2

Zitzelsberger, Louise. "The self dancing, four stories of professional women dancers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0009/NQ38803.pdf.

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3

Farrar, Alexandria M. "Exploring Motivations Behind Food Choices of Collegiate Female Modern Dancers." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1491213244018103.

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4

Long, Julie-Anne, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Contemporary Arts. "The leisure mistress dances : an investigation of a practice where fact and fiction collide." THESIS_FPFAD_CAR_Long_J.xml, 1999. http://handle.uws.edu.au:8081/1959.7/541.

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The leisure mistress project is a perverse contemporary burlesque about leisure and inactivity investigated through a low-key style of dance performance, in an age where leisure pursuits are exhausting business. Julie-Anne questions her notions of dance, its place in her life and her work and challenges other ideas about what dance is. The concerns of the work include social, political, cultural and aesthetic issues. The core theme of leisure facilitates cultural investigation via performance with social critique being implicit. The process and the product are private, personal, idiosyncratic

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5

Hooper, Colleen. "Public Movement: Dancers and the Comprehensive Employment Training Act (CETA) 1974-1982." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/372703.

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Dance<br>Ph.D.<br>For eight years, dancers in the United States performed and taught as employees of the federal government. They were eligible for the Comprehensive Employment and Training Act (CETA), a Department of Labor program that assisted the unemployed during the recession of the late 1970s. Dance primarily occurred in artistic or leisure contexts, and employing dancers as federal government workers shifted dance to a labor context. CETA dancers performed “public service” in senior centers, hospitals, prisons, public parks, and community centers. Through a combination of archival resea

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6

Wilson, Ella. "Flow and Performance Competency in Modern and Ballet Dancers." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/725.

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A qualitative investigation is proposed to examine flow experiences in professional ballet modern dancers in order understand the nature of this psychological experience. It is not well understood where and when professional dancers experience flow, and whether or not their subjective experience is correlated to what an audience evaluates in a dancer’s performance. The study of performance quality and subjective experience of the dancer has not been studied within the dance movement analysis literature. This is an important topic to research to further understand what factors facilitate or deb

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7

Daon, Yardena. "THE COGNITIVE SEMIOTICS OF POETRY AND DANCE: EMOTIVE EMBODIMENT OF ECSTATIC SENSORIAL COGNITION IN MODERN REPRESENTATIONS." Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1269981658.

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8

Bock, Sheila Marie. "From harem fantasy to female empowerment : rhetorical strategies and dynamics of style in American belly dance /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144685165.

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9

Baird, Emily Lynne. "A Qualitative Investigation of What "Body Awareness" Means to Dancers at a Public Midwestern University." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1587991748223295.

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10

Oehlers, Adrienne M. "Spectacular Women: The Radio City Rockettes from 1925 to 1971." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266.

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11

Truter, Orlando Vincent. "The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004454.

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From Introduction: Ankoku Butoh is a performing art devised in Japan in the wake of the Second World War by the dancer and choreographer Tatsumi Hijikata (born Akita, 1928; died Tokyo, 1986). A highly aesthetic and subversive performing art, Butoh often evokes "images of decay, of fear and desperation, images of eroticism, ecstasy and stillness." Typically performed with a white layer of paint covering the entire body of the dancer, Butoh is visually characterized by continual transformations between postures, distorted physical and facial expressions, and an emphasis on condensed and visually

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12

Hooi, Mavis. "Oriental Fantasy : A postcolonial discourse analysis of Western belly dancers’ imaginations of Egypt and dance festivals in Egypt." Thesis, Linköpings universitet, Avdelningen för historie-, turism- och medievetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-125565.

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Belly dance is popularly practised in the West, and every year, thousands of enthusiasts and professionals from around the world travel to attend belly dance festivals in Egypt, which is considered the cultural centre of the dance. This bachelor’s thesis examines the discourses produced by Western or ʽwhiteʼ belly dancers from Sweden and Finland, on the topics of tourism in Egypt and belly dance festivals in Egypt. The texts are analysed using James Paul Gee's discourse analytical framework, combined with postcolonial theory, complemented with an intersectional approach. From the postcolonial

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13

Krogman, Jennifer Tena. "Handbook on eating disorders for dance teachers: A guide to understanding anorexia nervosa, bulimia nervosa and promoting proper nutrition in young female dancers." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2244.

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This project discusses the problem of eating disorders in dancers. The development of eating disorders can be attributed to sociocultural development, and psychological factors. Dance places an emphasis on thinness, and the pressure to obtain ideal standards of thinness appear to be particularly salient in the development of eating disorders in dancers.

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14

Gibson, Alanna Marie. "Salome: Reviving the Dark Lady." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398693802.

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15

Long, Julie-Anne. "The leisure mistress dances : an investigation of a practice where fact and fiction collide /." View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.135752/index.html.

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16

Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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17

Hurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.

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This thesis examines the representation of the lives and performances of tawa'if and rudali in South Asian cinema to understand their marginalization as performers, and their significance in the collective consciousness of the producers and consumers of Indian cultural artifacts. The critical textual analysis of six South Asian films reveals these women as caste-amorphous within the system of social stratification in India, and therefore captivating in the potential they present to achieve a complex and multi-faceted definition of culture. Qualitative interviews with 4 Indian classical dance i

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18

Ganoe, Kristy L. "Mindful Movement as a Cure for Colonialism." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367936488.

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19

Davenport, Jeremiah Ryan PhD. "From the Love Ball to RuPaul: The Mainstreaming of Drag in the 1990s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1499363704491381.

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20

North, Naomi. "Fall Like a Man." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460115929.

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21

Boye, Seika. "The women of modern dance in Toronto 1965-1975 /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR19638.

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Thesis (M.A.)--York University, 2006. Graduate Programme in Dance.<br>Typescript. Includes bibliographical references (leaves 99-104). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR19638

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22

Wade, Trevor Montague. "Choreography as feminist strategy : three approaches to Hindu feminism in the dance of Chandralekha, Manjusri Chaki-Sircar, and Dahsha Sheth /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3006564.

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23

Coon, Courtney E. "Dance and meaning analysis of modern-day belly dancers through the context of ancient Egyptian dance /." 2005. http://www.oregonpdf.org.

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Thesis (M.A.)--Northern Arizona University, 2005.<br>Includes bibliographical references (leaves 142-147). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.

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24

Foulkes, Julia Lawrence. "Dancing America: Modern dance and cultural nationalism, 1925-1950." 1997. https://scholarworks.umass.edu/dissertations/AAI9721448.

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In 1930, the dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in shaping a new art form: modern dance. Confrontational and experimental, modern dancers questioned their own roles in society, the role of art in America, and the place of America in the world. This dissertation is about how modern dance developed in the midst of debates about national identity. In the wave of cultural nationalism of the 1930s, modern dancers attacked ballet because of its elitist roo

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25

Středová, Lucie. "Orientální tanec v kontextu západní a arabské islámské společnosti." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313295.

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Belly Dance in the Context of the Western and Arab Islamic Societies The present work deals with the development and social status of the belly dance and professional belly dancers in the Arab Islamic society and examines to which extent that status was influenced by the West and how the belly dance made its way to the Western culture. The work concentrates on the 19 th and 20 th centuries with a special focus on Egypt as a centre of the belly dancing. This work is supplemented with a questionnaire, the results of which depict the development of the social status of the belly dance and dancers

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