Bibliografías temáticas / Molly (fictional character)

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Literatura académica sobre el tema "Molly (fictional character)"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Molly (fictional character)"

1

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based
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2

Patron, Sylvie. "Narratives of excision: master- and counter-narrative in Ahmadou Kourouma’s The Suns of Independence." Frontiers of Narrative Studies 11, no. 1 (2025): 122–42. https://doi.org/10.1515/fns-2025-2015.

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Abstract This article examines the forms taken by master- and counter-narratives in fiction through a case study of Ahmadou Kourouma’s first novel, Les soleils des indépendances (1968), published in English as The Suns of Independence in 1981. It focuses specifically on the third chapter, which contains the narrative of the genital excision and rape of Salimata, the main protagonist’s wife and second protagonist of the novel. As Michael Bamberg and Molly Andrews remind us, “[c]ounter-narratives only make sense in relation to something else, that which they are countering” (2004: x). First, I s
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CARVALHO, Isaar Soares de. "O CARÁTER SOCIAL E POLÍTICO DAS OBRAS DE JORGE AMADO, DA DÉCADA DE 1930." Revista AKEDIA - Versões, Negligências e Outros Mundos 16 (2024): 106–25. http://dx.doi.org/10.33726/akd2447-7656v16a10year2024p106a125.

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In this article, we will once again look at the way in which the writer Jorge Amado (1912-2001) describes the existential particularity of homo brasiliensis in some of his works, especially in those discussed here. By means of a literature review, this examination highlights the fact that Amado's narrative bias reveals to his countless readers, from various generations, aspects of a Brazilian society that lives tirelessly undecided between political, social and economic trajectories of success and failure. In this sense, the immediate result of this examination is that we see in this research
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Forman, Valerie. "Marked Angels: Counterfeits, Commodities, and The Roaring Girl*." Renaissance Quarterly 54, no. 4-Part2 (2001): 1531–60. http://dx.doi.org/10.2307/1262161.

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This article traces the connections between the circulation of commodities and counterfeit coins in The Roaring Girl. Contextualizing the play's representation of counterfeits within a discussion of the relationship between real and counterfeit money in the early modern period, I argue that the play registers and addresses economic pressures, in part through its commentary on, and revision of, the conventions of stage comedy. In particular, the play offers enhanced forms of realism and the fiction of the “individual” in the title character, Moll, to compensate for the absence of legible materi
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5

Deepak, T. R. "The Inner Quandary of Woman in Daniel Defoe’s Moll Flanders." Shanlax International Journal of English 9, no. 3 (2021): 46–49. http://dx.doi.org/10.34293/english.v9i3.3793.

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Daniel Defoe is an enchanted incinerator of English literature sprung during the initial years of eighteenth century. His applauded Moll Flanders (1722) is professed as picaresque in literary vegetation. He has emotionally painted the commotion of a solitary, imprudent and prevalent female distinct against an inimical and droopy humanity. As a matter of datum, the female chief strolls into the alleyway of assorted catastrophes. She has borne the humanity either in an orthodox or warped mundane. All these archetypes of women have shed light in the fiction even before the initiation of feminist
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Stevens, Cristina. "Aracnologias - As tecituras de Penélope." Aletria: Revista de Estudos de Literatura, December 31, 2009, 97–108. http://dx.doi.org/10.17851/2317-2096...97-108.

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Resumo: Análise da personagem Penélope, de Homero, e a transformação ousada de Joyce dessa representação clássica da fidelidade feminina em Molly Bloom, a esposa infiel, sexualizada, trivial, lírica. Essas duas personagens são comparadas com sua mais recente recriação em The Penelopiad (2005), da escritora canadense Margaret Atwood. Uma importante categoria analítica dos estudos feministas e de gênero, a questão da voz é enfatizada na presente análise; essa personagem feminina é objeto da narrativa masculina (A Odisseia e Ulisses), mas no romance de Atwood essa personagem é sujeito de sua narr
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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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9

Altiok, Revna. "Unveiling Ken." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3067.

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Introduction "Barbie has a great day every day, but Ken only has a great day if Barbie looks at him", states the narrator in Barbie (2023). Directed by Greta Gerwig, the film not only claimed the title of the highest-grossing film of the year but also prompted its audience to reconsider a character they had previously mostly overlooked; another one of Barbie’s many accessories: Ken. Ken's identity as Barbie's companion is fundamentally dependent upon the presence and recognition of his more prominent female counterpart. This highlights Ken's secondary role, where he serves as a supporting figu
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Dewsbury, John-David. "Still: 'No Man's Land' or Never Suspend the Question." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.134.

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“Say a body. Where none. No mind. Where none. That at least. A place. Where none. For the body. To be in. Move in. Out of. Back into. No out. No back. Only in. Stay in. On in. Still” (Beckett, Short Fiction 471). 1. Introduction – Wherefore to ‘still’?HIRST: As it is?SPOONER: As it is, yes please, absolutely as it is (Pinter, 1971-1981 77). These first lines of Harold Pinter’s play No Man’s Land are indeed the first lines: they were the first lines that came to Pinter, existing as the spark that drove the play into being. Pinter overhead the words ‘As it is’ whilst in a taxi cab and was struck
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Libros sobre el tema "Molly (fictional character)"

1

Byng, Georgia. Molly Moon's incredible book of hypnotism. Macmillan Children's, 2002.

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Byng, Georgia. Molly Moon y el increíble libro del hipnotismo. Ediciones SM, 2002.

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Byng, Georgia. Molly Moon y el increíble libro del hipnotismo. SM, 2002.

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4

W, Awdry. Molly. Egmont, 2006.

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Sateren, Shelley Swanson. Mudball Molly. Raintree, 2015.

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6

Pittar, Gill. Milly, Molly and Beefy. Milly Molly Books, 2003.

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7

James, Joyce. Ulysses. Secker & Warburg, 1994.

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8

James, Joyce. Ulysses. Modern Library, 1992.

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9

James, Joyce. Ulises. 3rd ed. Lumen, 1991.

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10

James, Joyce. Ulysses. Penguin, 2000.

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Capítulos de libros sobre el tema "Molly (fictional character)"

1

Bodenheimer, Rosemarie. "First-Person Singular." In Samuel Beckett. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858733.003.0004.

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Abstract Chapter 3 offers a detailed appreciation of Beckett’s great postwar novel trilogy, Molloy, Malone Dies, and The Unnamable, in the context of Beckett’s experiences during the German occupation of France, and his mother’s gradual decline from Parkinson’s disease. His turn to writing in French first-person narration coincided with the birth of the Beckettian character, who wanders or waits for death in states of physical deterioration and mental inventiveness. The mixture of comedy and pathos in these novels comes from the characters’ humanly adaptive responses to the bizarre circumstanc
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2

Reynolds, Paige. "Daydreaming." In Modernism in Irish Women’s Contemporary Writing. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780191990540.003.0004.

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Abstract Modernist technique, most obviously stream of consciousness, has frequently been employed to make visible and public the reveries of women. Irish women’s contemporary fiction uses such tactics to underscore the ways in which real life intrudes on and reshapes this imaginative practice. In Night (1972), which riffs off the narrative techniques depicting Molly Bloom’s ruminations in Ulysses, Edna O’Brien demonstrates the limits of feminism and the sexual revolution in revamping individual psychology as well as in reworking modernist form. At the cusp of the twenty-first century, Ireland
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3

Walsh, Andrew, and Victoria Taylor. "Mental health nursing in the community." In Fundamentals of Mental Health Nursing. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780199547746.003.0014.

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In this chapter you are introduced to two fictional characters, Paul and Molly, who need help with very different problems and who are intended to represent the wide range of emotional difficulties encountered by people referred to community mental health teams. Paul is a young man of Afro- Caribbean descent who has become isolated and withdrawn over a period of time. Paul’s family are concerned and upset about his deterioration and he has been referred to community mental health services by his family doctor. Molly is a young woman who has been leading quite a stressful life; although success
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4

Kitcher, Philip. "Introduction." In Joyce's Ulysses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190842260.003.0001.

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The Introduction explores the philosophical significance of Ulysses. Despite the relative neglect of the novel by Anglophone philosophers who have discussed literary modernism, it argues that Joyce’s fiction takes up the oldest questions of philosophy, those revolving around the qualities of the good life. In particular, Ulysses focuses on the middle years, when the “straight way” has been lost. Through its explorations of the thoughts and feelings of the central characters – Bloom, Stephen, and Molly – Joyce brings about a revaluation of everyday values, and an elevation of the commonplace. H
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