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Artículos de revistas sobre el tema "Montenegrin Folklore"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Zenović, Nikolina. "Sviće “Smurf”: Intertextual Linkages in Protests Against Montenegro’s 2019 Freedom of Religion Law." FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association 25, no. 1 (2022): 36–57. http://dx.doi.org/10.17161/folklorica.v25i1.18333.

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Elements of traditional folklore and popular culture were invoked in protests opposing the 2019 Zakon o slobodi vjeroispovijesti ili uvjerenja i pravnom položaju vjerskih zajednica [Montenegrin Law on Freedom of Religion or Belief and the Legal Status of Religious Communities], hereafter referred to as the 2019 Freedom of Religion law. The 2019 Freedom of Religion law replaced an older law on religion and caused controversy for its various articles that would thereafter require evidence of church property ownership, without which such properties would transfer into state property. Many people
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2

Kunej, Drago, and Rebeka Kunej. "Dancing For Ethnic Roots:." Musicological Annual 55, no. 2 (2019): 111–31. http://dx.doi.org/10.4312/mz.55.2.111-131.

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Folk dance ensembles within minority ethnic communities (Albanian, Bosniak, Montenegrin, Croatian, Macedonian and Serbian) in Slovenia were formed in the 1990s, after the breakup of Yugoslavia. The authors present the key reasons for the folklore activities that contributed to the emergence of the so-called minority folk dance ensembles, describe their beginnings and how they eventually became organized, institutionalized, and integrated into the amateur culture system in Slovenia. The goal of minority folk dance ensembles is to dance for ethnic roots, but at the same time, the desire to enric
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3

BLAŽEVIĆ, Vera. "CROATIAN AND MONTENEGRIN FOLKLORE HERITAGE AND LITERATURE IN CONTACT ~ Folk tales, legends and short stories about vampires ~." Lingua Montenegrina 8, no. 2 (2011): 201–30. https://doi.org/10.46584/lm.v8i2.244.

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The paper aims to show the basic characteristics of horror stories created by regional authors in the last decade of contemporary literature. Since the interpretation part of the work includes collections of short stories (Aleksandar Bečanović, Obsession, 2009, Davor Špišić, Ham Hooks, 2001) and short novels (Boris Perić, Vampire, 2006, Marko Mihalinec and Velimir Grgić, Crisis - Croatian horror, 2010), a theoretical approach to terminological and generic definition of short stories and its literary development in Croatia in the eighties is required, especially with regard to project Quorum ma
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4

Mosusova, Nadezda. "Prince of zeta by Petar Konjovic: Opera in five/four acts on the 125th anniversary of the composer's birth." Muzikologija, no. 8 (2008): 151–63. http://dx.doi.org/10.2298/muz0808151m.

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Petar Konjovic (Curug, May 5, 1883 - Belgrade, October 1, 1970) stands out among Serbian composers as an author of instrumental and vocal compositions. Studies at the Prague Conservatory (1904-1906) acquainted Konjovic with Czech music, Wagner's opus, and the Russian national-romantic school, which contributed to the evolution of his talent for both music and stage, enabling him to express his ideas more explicitly in operatic works. It was in the Prague that the second opera - Prince of Zeta - was conceived, with new musical vividness and dramatic appeal (first version composed 1906-1926, the
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5

Hu, Liu. "Images of ‘Bad Weather’ in the Folk Mythology of Asia and Europe (Based on Chinese and Serbian Traditions)." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 52–62. http://dx.doi.org/10.17072/2073-6681-2021-4-52-62.

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The article deals with mythological characters that represent ‘bad weather’ phenomena such as drought, hail, whirlwind, thunder, and lightning. Folk ‘lower’ mythology pays much attention to the manifestations of bad weather, which reflects the understanding of nature by man. Many ancient Chinese myths and legends originated in Shandong province, where numerous meteorological mythological motives were created. At that time, human life depended on weather, therefore a lot of folklore rich in meteorological mythological motives and imagery was created. The representations of bad weather in Shando
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6

Planjanin-Simic, Kristina, and Mihaela Lazovic. "CHILDREN'S FOLK ART AND MOVEMENT RHYTHMIC GAMES AS A REGIONAL FEATURE FOR THE DEVELOPMENT OF TOURISM POTENTIAL." KNOWLEDGE INTERNATIONAL JOURNAL 31, no. 6 (2019): 1797–802. http://dx.doi.org/10.35120/kij31061797p.

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Children's traditional creativity as an inexhaustible inspiration, but also an alternative form of musical education, represents the biological human need. It is also an "extraordinary means of stimulating intelligence and a way of connecting and bonding people of the world" (Habermeyer, 2001). Our region features a large number of songs for pre-school children, as well as a large number of rhythmic games, which also belong to the field of physical and musical education, as well as domains of learning traditional games. More and more research suggests that children "possess the least knowledge
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7

Mikovic, Lazar. "Mrs. Talfj's salon and her methods of mediating Serbian culture in Germany." Językoznawstwo, no. 2/19 (December 18, 2023): 269–77. http://dx.doi.org/10.25312/j.6960.

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Creation of cultural and poetic conditions in German cultural and political centers suitable for the reception of folk poetry in general, and thus also of a Serbian poetry; conceptualization and textualization of the image of Serbs, especially on the basis of Talfja's translations of Serbian folk poetry in German literature and nonfiction in the 20s and 30s of 19th century. Formation of literature circles in Berlin led by Goethe, Brothers Grimm, Kopitar, Stieglitz and Varnhagen. Description of the trip in the book Visit to Montenegro, with Stieglitz's special interest in folklore, legends and
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8

Bjeljac, Zeljko, Jovana Brankov, and Ivan Popovic. "Tourist valorization of haymaking competitions in Serbia and surroundings." Glasnik Srpskog geografskog drustva 89, no. 2 (2009): 149–63. http://dx.doi.org/10.2298/gsgd0902149b.

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Haymaking has always been the most important period for the existence of the population settled in the mountainous regions. There are numerous of competitions in haymaking organized at the meadows which present folklore, religion, customs and whole tradition of mountain regions of Serbia, Montenegro and Bosnia and Herzegovina. Specific ness of this events, completed with artistic and entertaining programs and connected with other social and geographical characteristics of the area of maintenance, present important part of total tourist offer. The work, according the economic and geographic cri
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9

Savchenko, Alexandr, and Mikhail Khmelevskiy. "Obrazy natsional'nykh kharakterovi yumoristicheskiye personazhi balkanskikhnarodov Yuzhnoy Slavii skvoz'prizmu ikh stereotipnogo otobrazheniya v sovremennykh anekdotakh." Językoznawstwo 15, no. 1 (2021): 241–57. http://dx.doi.org/10.25312/2391-5137.15/2021_15asmkh.

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Images of national characters and humorous characters of the Balkan peoples of South Slavia through the prism of their stereotypical reflection in modern anecdotes. This article reviews one of the small forms of folklore – anecdote and, more specifically, ethno-anecdote (ethnic joke) as a way of reflecting national specifics, national colour, a form of expression of the most characteristic features of the mentality and way of life of a certain people, nation, social group. Based on texts of anecdotes that are most typical and widespread in the area of the Slavic Balkans, the characteristics of
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10

Plotnikova, Anna. "On One Name for a Wolf in Serbia: Archaics or Innovation?" Slavic World in the Third Millennium 18, no. 3-4 (2023): 115–24. http://dx.doi.org/10.31168/2412-6446.2023.18.3-4.08.

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The article considers two hypotheses of the origin of the word kurjak ‘wolf’ in the Serbian language. This word has a limited existence in the Serbo-Croatian dialect space (spreading to the dialects of Eastern Bosnia and Montenegro). However, it is included in the vocabulary of the Serbian literary language. The compact area of usage in the center of Southern Slavia may denote the Slavic archaic origin of the word (as the writ-ten onomastic fixations have been known since the beginning of the 14th century, based on the work of A. Loma). The more common hypothesis of Turkish borrowing also has
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11

Vuletic, Dean. "Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s." Nationalities Papers 36, no. 5 (2008): 861–79. http://dx.doi.org/10.1080/00905990802373579.

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Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals, radio programs and a recording industry, at a time when popular music was also referred to as “dance,” “entertainment” or “light” music, and when ja
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12

Radinovic, Sanja. "Vasiljevic’s collections of folk melodies: A Serbian musical treasure." Muzikologija, no. 20 (2016): 171–98. http://dx.doi.org/10.2298/muz1620171r.

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Miodrag A. Vasiljevic (1903-1963) was given a unique opportunity to span two great developmental stages in the history of Serbian ethnomusicology, occurring in the middle of the 20th century. The first of them was between the two World Wars, the stage in which Serbian musical folklore became Vasiljevic?s life passion and in which he accomplished his early professional achievements. In the next stage, which started after World War II, he reached the zenith of his creation in slightly less than twenty years, setting new standards of the discipline, and providing fundamental directions for his su
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13

Kulavkova, Katica. "The Dead Brother’s Ballad as a Balkan Shared Place of Memory." European Scientific Journal ESJ 17, no. 39 (2021). http://dx.doi.org/10.19044/esj.2021.v17n39p1.

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There is a ballad saved in the folklore and oral literary tradition of several Balkan peoples and their collective memory under different names, but with the same proto narrative: “The Dead Brother’s Song” (Greek), “The Return of the Dead Brother” (Macedonian), “Brother and Sister” (Serbian, Montenegrin, Bosnian), “Lazar and Petkana” (Bulgarian), “Constantin and Doruntinë” (Albanian), and “Voika” (Romanian). Appearing in several linguistic and stylistic variants, this ballad can be considered as an illustrative shared place of collective Balkan memory. Saved both as a local (national), and reg
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14

"THE CRIME OF ADULTERY UNDER THE CUSTOMARY LAW OF THE BALKAN PEOPLES." AUREA IURIS ROMANI, no. 4 (June 15, 2022): 59–71. http://dx.doi.org/10.37075/air.2022.4.04.

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The customary law of the Balkan peoples has its antecedent in the centuries-old patriarchal tradition that dominates the Balkans. It is characterized by its conservatism. Thanks to which many legal concepts and institutions have been preserved. Customary law is a set of customs established among the population, which are not codified by state authorities, but have the character of informal law. One of the criminal acts against morals, which is sanctioned by the customary law code of the Balkan nations, is adultery. The presence of so much information in the folk folklore of Bulgarians, Serbs,
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15

ALBAYRAK, Hakan. "A STUDY OF OZANTÜRK'S EPIC OF "TURNALAR" IN TERMS OF NATIONALISM THEORIES." Karadeniz Uluslararası Bilimsel Dergi, December 15, 2022. http://dx.doi.org/10.17498/kdeniz.1190167.

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Various theories have emerged as a result of evaluations and studies on nationalism. Among these theories, "primordial theory", "modernist theory" and "ethno-symbolist theory" came to the fore. Primordial theory argues that nations come from the same lineage and share a common religion, language, culture and history. In this theory, there are “naturalistic”, “biological” and “cultural” perspectives. According to modernist theory, nationalism is a social necessity of that period. In this theory, nationalism is evaluated together with the modernization process, which affects social, political an
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