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Artículos de revistas sobre el tema "Moon – Exploration – Juvenile fiction"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Zalomkina, Galina. "The Moon as an Object of Exploration in the Perception of Russian Science Fiction." Semiotic studies 1, no. 2 (2021): 47–54. http://dx.doi.org/10.18287/2782-2966-2021-1-2-47-54.

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Purpose: to trace how the representative Russian science fiction texts reflect the process of the exploration of the Earths satellite, both in scientific/technical and socio-philosophical aspects. Methods: comparative-historical, mythopoetic, socio-historical, hermeneutical, structural analysis. Results: Konstantin Tsiolkovsky, the outstanding rocket scientist and pioneer of the astronautic theory, in his story On the Moon conjectured in detail the impression of an observer on its surface. The Soviet science fiction writer Alexander Belyaev developed Tsiolkovskys hypotheses in the

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2

McGettigan, Timothy. "Aspire or Expire: Super-Adaptable Agents and Problematic Innovation." International and Multidisciplinary Journal of Social Sciences 2, no. 1 (2013): 1–26. http://dx.doi.org/10.4471/rimcis.2013.11.

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Humans are unique as a species because, with the help of well-defined problematics, humans alone are capable of redefining reality. A problematic can be understood as an exceptionally-challenging intellectual objective (e.g., heavier-than-air flight, building the first atomic bomb, curing disease, landing humans on the moon, developing artificially-intelligent computers, constructing faster-than-light speed spacecraft, etc.) that requires knowledge-seekers to invent new facts and redefine reality in order to achieve the hoped-for objective. Although scientists prefer to think that scientific i

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3

Spall, Nick. "The Past, Present and Future of UK Human Spaceflight." Journal of the British Interplanetary Society 76, no. 6 (2023): 190. http://dx.doi.org/10.59332/jbis-076-06-0190.

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This paper provides a broad review of the UK’s interest in human spaceflight (HSF), covering its past, present and possible future. It looks at the origins of the national interest, starting with the British science fiction “visionaries” HG Wells and AC Clarke from the early 1900s. Considering what might have been if governments had more fully invested in UK HSF activity during the 1960-80s, it notes that despite a positive cultural enthusiasm the UK appears to have been held back by institutional scepticism and a lack of government financial commitment - this attitude strongly contrasted with

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4

Kim, David W. "Psycho-Religious Experiences in Deep Space History: Astronaut’s Latent Countermeasures for Human Risk Management." Aerospace 10, no. 7 (2023): 626. http://dx.doi.org/10.3390/aerospace10070626.

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Current scientific developments have reached the stage where human aspirations of space exploration are not science fiction but a reality involving travelling to the Earth’s orbit, the Moon and Mars. In the second half of the twentieth century, international space agencies (like NASA, European Space Agency, and Russia) witnessed the professional experiments of official and commercial space projects, gradually unveiling the universe’s secrets. Astronautical research has predominantly been developed within the context of advanced materialism. The astronauts’ physical health has been protected by

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5

Aherne, Beth. "“Far From Their Original Homeland”." Aigne Journal 10 (November 15, 2024): 47–66. https://doi.org/10.33178/aigne.vol10.3.

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Cherie Dimaline’s The Marrow Thieves (2017) and Waubgeshig Rice’s Moon of the Crusted Snow (2018) have been studied as Indigenous critiques of the climate crisis, Western knowledge systems, and Canadian concepts of reconciliation. Scholars argue that both Indigenous futurist novels criticise the systemic marginalisation of First Nations people in Canada. According to Mark Rifkin, central to settler-state encounters with Indigenous people in North America are the imposition of European constructions of the family and the erasure of Native kinship systems. However, the subversive depictions of t

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6

Heath, Malcolm. "Greek Literature." Greece and Rome 63, no. 1 (2016): 116–21. http://dx.doi.org/10.1017/s0017383515000285.

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As Aeschines famously said, phēmē (‘fame’) can't be trusted: that's why ‘famously’ so often prefaces a mistaken report. Karen ní Mheallaigh knows that in Gorgias B23 it is the sophisticated audience which is deceived, and she understands the ‘contractual’ relationship that Gorgias posits between audience and author (e.g. 30, 32, 78). But, making the fatal mistake of calling it ‘Gorgias’ famous dictum’, she hallucinates a reference to madness and says that ‘what is at stake…is the confusion between reality and representation, which is a measure either of the audience's lack of sophistication, o

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7

Vasylenko, Vadym. "Overcoming alienation. Humanistic existentialism and expressionist technique in Ihor Kostetskyi’s prose Part one." Synopsis: Text Context Media 30, no. 3 (2024): 167–76. http://dx.doi.org/10.28925/2311-259x.2024.3.4.

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The paper deals with the existentially significant problem of alienation in Ukrainian emigration literature and the ways of its artistic realisation in the prose of Ihor Kostetskyi of the second half of the 1940s (in particular, in such ‘extroverted’ experimental works such as The Train Stopped Every Now and Then, A Novella for You, We and Nedzh, The Poet and His Women, The Divine Lie, Six Lanterns and the Seventh Moon, The Story of the Last Match, each of which is based on a person in the system of his or her connections with the world and with oneself). This problem is considered in the cont

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8

Vasylenko, Vadym. "Overcoming alienation. Humanistic existentialism and expressionist technique in Ihor Kostetskyi’s prose Part two." Synopsis: Text Context Media 30, no. 4 (2024): 239–51. https://doi.org/10.28925/2311-259x.2024.4.2.

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The paper deals with the existentially significant problem of alienation in Ukrainian emigration literature and the ways of its artistic realisation in the prose of Ihor Kostetskyi of the second half of the 1940s (in particular, in such ‘extroverted’ experimental works such as The Train Stopped Every Now and Then, Before the Day to Come, The Whole World Belongs to You, Fight for the Flag, A Story for You, We with Nedzh, The Poet and His Women, Divine Lies, Six Lanterns and the Seventh Moon, The Price of a Human Name, and The Tale of the Last Match, each of which is based on a person in the sys

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9

Farhan, Mohiodin, Shazmeen Nawaz, and Maria Najam. "Repression and Resistance in Fatima Bhutto’s The Shadow of the Crescent Moon." Pakistan Journal of Humanities and Social Sciences 11, no. 2 (2023). http://dx.doi.org/10.52131/pjhss.2023.1102.0434.

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This paper aims at discovering factors that play vital role in the alienation and marginalization of masses by ‘State Apparatuses’ that not only compel them to show unwavering obedience to state but also force them to sacrifice their right to freedom and will. It will spotlight some modes in which suppressed people resist against state apparatuses in order to secure their freedom. The aim of this research is to provide a platform to those silent voices or lost groups which have never been represented in the state narratives. Discussing the socio-political scenario of Federally Administrated Tr

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10

Dr., Suneet Kashyap &. Krishna Mohan Arya. "INTERNATIONAL LEGAL FRAMEWORK ON EXPLOITATION AND UTILIZATION OF SPACE RESOURCES." February 27, 2021. https://doi.org/10.5281/zenodo.7236084.

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One of the earliest works regarding Space Technology advancement achieved by sovereign is exploration the idea of ‘asteroid mining’ was the opera “Edison’s Conquest of Mars (1898)”, by Garrett P. Servis, in which the hero follows a fleet of spaceships running into ‘Martians’ mining asteroids for gold. In recent years, technological developments have led to the conviction that this science fiction stuff might turn into reality. Countries like the USA, Luxembourg and UAE have enacted domestic laws to regulate or rather facilitate space resources exploita

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11

Sabhadiya, Poras. "Commercializing Space (Lunar landings for commercial payloads Private space stations and tourism)." International Journal For Multidisciplinary Research 7, no. 2 (2025). https://doi.org/10.36948/ijfmr.2025.v07i02.42619.

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The commercialization of space has emerged as a transformative force in the 21st-century worldwide financial system, moving the dynamics of area exploration from country-sponsored missions to marketplace-driven projects. This paper explores the evolving panorama of business area sports, that specialize in 3 fundamental developments: lunar landings for industrial payloads, the emergence of personal area stations, and the fast upward thrust of space tourism. Private companies along with SpaceX, Blue Origin, and Axiom Space are playing pivotal roles in redefining space get admission to and utiliz

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12

Lampkin, Jack Adam, and Bill W. McClanahan. "Astronomical withdrawals: a green criminological examination of extreme energy mining on extraterrestrial objects." Crime, Law and Social Change, October 26, 2023. http://dx.doi.org/10.1007/s10611-023-10123-9.

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AbstractMining for natural resources on-Earth is commonplace and dates back over a hundred years at an industrial scale. Technological advances in outer space exploration are enabling the mining of extraterrestrial resources to transition from mere science fiction, to a serious possibility. In recent decades, several new start-up companies have arisen with the sole intention of exploiting resources that exist in outer space, such as on Earth’s moon, asteroids, meteorites, planets, and various planetary satellites, such as the moons of Mars - Phobos and Diemos. However, despite the increased in

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13

Campbell, Sandy. "The Sea Wolves by I. McAllister." Deakin Review of Children's Literature 1, no. 3 (2012). http://dx.doi.org/10.20361/g2hs3c.

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McAllister, Ian, and Nicholas Read. The Sea Wolves: Living Wild in the Great Bear Rainforest. Vancouver: Orca, 2010. Print At first glance, The Sea Wolves is a small coffee table book. It is not, however, just a pretty photographic exploration of the wolves that inhabit The Great Bear Rainforest. It is a very long opinion piece written expressly to convince readers that wolves are not “the big bad wolf” of stories; rather, we should all love and respect them. Authors Ian McAllister, a founding director of both the Raincoast Conservation Society and Pacific Wild, and Nicholas Read, a journalist

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14

Caldwell, Nick. "Rocketships, Rayguns and UFOs." M/C Journal 1, no. 2 (1998). http://dx.doi.org/10.5204/mcj.1707.

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A curious sense of the past, the present, and the future is evoked when I consider the sweeping curves and gleaming surfaces of the rocketships, rayguns and UFOs beloved of 1950s SF illustrators and filmmakers. A sense of the past, of course, because they are things of history, designed and conceived at the pre-dawn of the space age, and representing an old aesthetic and innocent notions of infinite progress and glistening technology. Modernity, pure and distilled. A sense of the present, because these designs and aesthetics are constantly being reworked, re-modelled, re-contextualised and re-

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15

Beare, Alexander Hudson, and Amy Brierley-Beare. "“You Know There’s No ‘It’ Right? ‘It’ Was Just Us”." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3002.

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In Showtime’s Yellowjackets (2021-present), ‘magic’ (referred to by the characters as “It”) has an overwhelming presence. Supernatural visions, clairvoyance, and occult iconography are laden throughout each episode. However, the audience is often left uncertain if magic is, in fact, ‘real’ or conjured in the imagination of the show’s characters. Yellowjackets follows a women’s high-school soccer team (named the Yellowjackets) who survive a plane crash deep in the North American wilderness. The show explores the team’s struggle for survival and the present adult lives of those who survived. In

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16

Phillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.606.

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IntroductionClowns can be seen as enacting catastrophe with a small “c.” They are experts in “failing better” who perhaps live on the cusp of turning catastrophe into a metaphorical whirlwind while ameliorating the devastation that lies therein. They also have the propensity to succumb to the devastation, masking their own sense of the void with the gestures of play. In this paper, knowledge about clowns emerges from my experience, working with circus clowns in Circus Knie (Switzerland) and Circo Tihany (South America), observing performances and films about clowns, and reading, primarily in E

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17

Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl

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18

Gerrand, Vivian, Kim Lam, Liam Magee, Pam Nilan, Hiruni Walimunige, and David Cao. "What Got You through Lockdown?" M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2991.

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Introduction While individuals from marginalised and vulnerable communities have long been confronted with the task of developing coping strategies, COVID-19 lockdowns intensified the conditions under which resilience and wellbeing were/are negotiated, not only for marginalised communities but for people from all walks of life. In particular, the pandemic has highlighted in simple terms the stark divide between the “haves” and “have nots”, and how pre-existing physical conditions and material resources (or lack thereof), including adequate income, living circumstances, and access to digital an

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