Bibliografías temáticas / Moral ugliness

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Literatura académica sobre el tema "Moral ugliness"

Autor: Grafiati
Publicado: 7 de junio de 2025
Última modificación: 2 de agosto de 2025

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Artículos de revistas sobre el tema "Moral ugliness"

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Inoyatova, Dilnoza Ilkhomovna. "The analysis of the concept of ugliness in lexical semantics." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 243–45. https://doi.org/10.5281/zenodo.15375794.

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The concept of ugliness, often perceived as a subjective judgment, plays a significant role in lexical semantics, shaping how language conveys perceptions of physical, moral, and aesthetic dissonance. This analysis explores the semantic structures and connotations of "ugliness" within various lexical fields, examining its representation in dictionaries, everyday language, and literary texts. By drawing on insights from cognitive linguistics, sociolinguistics, and cultural studies, the paper investigates how linguistic markers of ugliness go beyond mere physical appearances to include aspects o
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Minaya Gómez, Francisco Javier. "The Lexical Domains of Ugliness and Aesthetic Horror in the Old English Formulaic Style." Atlantis. Journal of the Spanish Association for Anglo-American Studies 45, no. 1 (2023): 147–67. http://dx.doi.org/10.28914/atlantis-2023-45.1.09.

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Even though as of late there has been a renewed interest in the aesthetic ideals in early Medieval England, the conceptualisation and experience of ugliness in Old English sources has been largely neglected. Drawing on the recent research carried out on aesthetic emotions and folk aesthetics, and despite the lack of academic materials on artistic and literary canons of ugliness, the purpose of this paper is to look into the terms that rendered the experience of ugliness and its closest emotional response, aesthetic horror, in order to examine how these are employed in poetic texts. The finding
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Cielontko, Dávid, and Jan Zámečník. "When You Do Not Fit In: Ugliness as a Theological Problem." AUC THEOLOGICA 12, no. 2 (2023): 9–26. http://dx.doi.org/10.14712/23363398.2023.2.

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The article draws attention to the ethical and pastoral dangers associated with the theological subordination of ugliness to other purposes, such as universal harmony and order, the search for the immutable, or divination. It also traces the tendency to conflate moral and aesthetic ugliness, which has led to the marginalisation or even persecution of others on the basis of their outward appearance. As a counterpoint to these tendencies, the article emphasises the idea of the ugly suffering servant Christ, which contains pastoral and countercultural potential.
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Buckman, Christopher. "Political Ramifications of Formal Ugliness in Kant’s Aesthetics." Idealistic Studies 48, no. 3 (2018): 195–209. http://dx.doi.org/10.5840/idstudies201952393.

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Kant’s theory of taste supports his political theory by providing the judgment of beauty as a symbol of the good and example of teleological experience, allowing us to imagine the otherwise obscure movement of nature and history toward the ideal human community. If interpreters are correct in believing that Kant should make room for pure judgments of ugliness in his theory of taste, we will have to consider the implications of such judgments for Kant’s political theory. It is here proposed that pure, formal ugliness symbolizes regressive, counter-teleological trends in nature and history. Kant
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Kovcunyak, S. I. "Religious moral and ethical guidelines in the ancient Russian collection of apiaries "Bee"." Ukrainian Religious Studies, no. 33 (February 22, 2005): 24–34. http://dx.doi.org/10.32420/2005.33.1561.

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Throughout its existence, the Ukrainian people have created a treasure trove of knowledge that has, through different historical periods, brought up growing generations in a spirit of love for man, the environment, a willingness to overcome evil and the ugliness of life. Oral and poetic folklore among the various segments of the population of Ukraine contained tips for children and adults.
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Czykwin, Elżbieta. "Stigmatisation. The Dimension of Aesthetics: Ugliness And Beauty." Studia z Teorii Wychowania XVI, no. 2(51) (2025): 9–23. https://doi.org/10.5604/01.3001.0055.1650.

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The huge number of scientific reports on stigmatization allow us to assume that at the time of receipt there was a coherent theory of stigmatization. In application, its component will be seven dimensions that will be developed based on the research results. They are: transparency, course, destructiveness, aesthetics, origin and danger. Nowadays, the role and meaning aesthetics issue are important. In this context, people classified as ugly are objects of increasing stigmatization. At the same time, a privileged category of people considered beautiful is being created. Physical beauty, althoug
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Muhammad, Giantomi, Nurwadjah Ahmad Eq, and Andewi Suhartini. "THE MORAL CONCEPT OF TASAWUF IN THE PROCESS OF ISLAMIC EDUCATION." Ta dib : Jurnal Pendidikan Islam 10, no. 2 (2021): 228–36. http://dx.doi.org/10.29313/tjpi.v10i2.7891.

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Sufism teachings are increasingly needed in the current era of globalization as an effort to minimize the ugliness as well as the gap in human attitudes towards oneself, fellow humans, and also Allah SWT. The practice of Sufism which is exemplified by the Sufis in general provides a side of religious values that results in a noble moral behavior. Noble morals give hope for the formation of an advanced civilization and do not ignore the divine values that always exist in human life. The purpose of this research is the formation of a scientific concept regarding the character of Sufism that is s
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Hanif, Mohsen, and Ayda Shoja. "«The Undeniable Inner Compass»: Fyodor Dostoevsky’s «Crime and Punishment» in Light of Mohammad Taghi Jafari’s Concept of Conscience." Pensamiento. Revista de Investigación e Información Filosófica 76, no. 292 (2021): 1569–81. http://dx.doi.org/10.14422/pen.v76.i292.y2020.011.

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Though originated from a different historio-geographical background, Mohammad Taghi Jafari’s definition of moral conscience in his book The Conscience helps to further explore Fyodor Dostoevsky’s thematic concern with the same notion in Crime and Punishment. The following study probes into the concepts of self-evaluation and repentance as reflected in the novel. It then explores the manifestation of a phenomenon called the «ugliness of conscience» and all its implications ranging from hallucinations and self-hatred to paranoia and nightmares in this classic work of fiction. Moreover, this pape
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Ma, Margaret. "The Dual Nature of Diana Arbus's Photographic Art." Journal of Higher Education Research 4, no. 4 (2024): 135. http://dx.doi.org/10.32629/jher.v4i4.1479.

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Diana Arbus is a photographer to be criticized for unethical practices, yet her unique photographic style has left a lasting imprint on civilization. She's good at capturing marginalized societal groups, confronting the harsh realities and ugliness. Her work influenced people's contemplation of photographic art, while simultaneously subjecting her to significant ethical controversies. Arbus's photographs evoke feelings of terror and discomfort, but at the same time, she shed light on the people and experiences hidden in the shadows, revealing the greatness and sacredness of suffering and its e
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Faizin, Mohammad. "Akhlak dan Etika." SAMAWA : Jurnal Hukum Keluarga Islam 1, no. 2 (2021): 97–103. http://dx.doi.org/10.53948/samawa.v1i2.21.

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As a scientific discipline, morality with ethics orients its study on human behavior in the perspective of how it should not be. So not a few among Muslims who translate morals with ethics. In fact, the two depart from a different study and from a different source. Morals are developed from standard Islamic sources, namely the Qur'an and Sunnah. While ethics is developed from the thinking of the human brain, namely philosophy, so that one is sacred and the other is profane, one is from heaven and the other is from earth, one is kholiq, while the other is from creatures. This thought feels unfa
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Libros sobre el tema "Moral ugliness"

1

Kristjánsson, Kristján. Shame. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809678.003.0005.

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Rather than focusing exclusively on Aristotle’s own account of shame and its possible shortcomings, this chapter offers a philosophical meditation on contrasting interpretations of the emotion of shame within four academic discourses: social psychology, psychological anthropology, educational psychology, and Aristotelian scholarship. It turns out that within each of these discourses there is a mainstream interpretation which emphasizes shame’s expendability or moral ugliness, but also a heterodox interpretation which seeks to retrieve and defend shame. The provenance of the mainstream interpre
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Lazenby, Mark. Beauty. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199364541.003.0004.

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Being alive is beautiful. The habit of beauty is seeing patients’ aliveness and seeking to restore or promote it, even as patients are dying. Injury, not ugliness, is the opposite of beauty, as Elaine Scarry points out. An injury is an injustice, or something that is not right about a person’s life. It is in this sense that an injury—that which threatens aliveness—is a moral wrong. Nurses seek to redress injustices by seeking to restore or promote patients’ aliveness, even as they are dying. That is, by seeking to promote or restore aliveness, nurses restore and distribute justice to patients’
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3

McRae, Emily. Equanimity in Relationship. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190499778.003.0018.

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In Buddhist ethical traditions, equanimity along with love, compassion, and sympathetic joy form what are called the four boundless qualities, which are affective states one cultivates for moral and spiritual development. But there is a sense in which equanimity seems very unlike the three others: love, compassion, and sympathetic joy all imply an emotional investment in others, whereas equanimity seems to imply an absence of such investment. This observation has provoked debate as to how to properly understand the relationship between equanimity and the other three boundless qualities. This e
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Capítulos de libros sobre el tema "Moral ugliness"

1

"Moral aesthetics: what is the Ugly?" In The Ugliness of Moses Mendelssohn. Routledge, 2014. http://dx.doi.org/10.4324/9781315769615-9.

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"Comeliness, glamour, ugliness: physical descriptions and moral implications." In The Ugliness of Moses Mendelssohn. Routledge, 2014. http://dx.doi.org/10.4324/9781315769615-10.

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Ugurchieva, Rukiyat Kh. "The Image of Ethnic World in Sh. Akhushkov’s Prose: Grotesque or Reality?" In Literature of the Peoples of the Russian Federation and CIS: Spiritual Bases and Challenges of the Time. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0736-6-438-465.

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The subject of research in this article is the image of ethnic world in the novelettes of Shamil Akhushkov, who is an Ingush writer, publicist and film critic of the 1920s–1930s. Personal touch of the Sh. Akhushkov’s style is that how he sees the ethnic world — through the lens of the grotesque, deliberate othering, grotesque distortion of reality, hyperbolization, protruding of ignorance, savagery and moral ugliness. World in Akhushkov’s prose is a grotesque world, an absurd world, with its own reality, its own laws of being, its own heroes. It’s the world that almost without exceptions does
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4

Schlesinger, George N. "Is God Obliged To Make Us Happy?" In Questions About God. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195150377.003.0004.

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Abstract The world is full of suffering. God is either helpless to prevent it, in which case He is not all-powerful, or does not choose to prevent it, in which case He is not all-good. For generations this has been regarded as the most effective argument against the belief that an omnipotent and omnibenevolent being exists. Naturally, theists have tried their hardest to come up with an adequate reply. Among the numerous suggestions as to how to meet the atheistic challenge we find some that contain important religious ideas yet, unfortunately, do not mitigate the problem. Many of us have heard
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5

Riches, John. "11. Conclusion." In The Bible: A Very Short Introduction. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198863335.003.0011.

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The Bible has been the source of great truth, goodness, and beauty at the same time as it has inspired lies, wickedness, and ugliness. What it has not produced is a uniform manner of its reading and interpretation. The very process of canonization is nevertheless part of an attempt to limit diversity and deviance of belief within religious communities. Ultimately, however, there is no controlling the way it is read. It is important therefore to be critically aware of the different kinds of uses to which the Bible may be put and to learn to discriminate among them. Readers need to exercise thei
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Mutter, Matthew. "“Tangled in a Golden Mesh”: Virginia Woolf and the “Deceptiveness” of Beauty." In Restless Secularism. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300221732.003.0003.

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There has been a small movement among recent critics and philosophers to rehabilitate the reputation of beauty, which suffered under the modernist fascination with ugliness, Romantic and postmodern prejudice in favor of the sublime, and political criticism of beauty as elitist, inefficacious, and complicit with injustice. This chapter seeks to reframe these debates by examining the link between beauty and religious ontologies. Weber, following Nietzsche, insisted that secular modernity had broken sympathetic relations between beauty and goodness, but in Woolf’s novels the beautiful cannot shed
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