Bibliografías temáticas / Mormons – Drama

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Literatura académica sobre el tema "Mormons – Drama"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Mormons – Drama"

1

Decoo, Wilfried, and Ellen Decoo. "De visie op homoseksualiteit bij mormonen:." Religie & Samenleving 14, no. 3 (2019): 245–71. http://dx.doi.org/10.54195/rs.11564.

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The Church of Jesus Christ of Latter-day Saints, commonly known as LDS Church or Mormon Church, typifies a conservative Christian branch that has been moving through phases in its views on homosexuality. We apply a historical-sociological framework, valid for most of Christianity, to identify how Mormon church leaders shifted from ambiguous tolerance to condemnation of homosexuality. A moral-theological rationale grew only afterwards. Individual church leaders determined the tone which morphed from homophobic to empathetic rhetoric with the nurture-nature debate, the fight against same-sex mar
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Jones, Megan Sanborn, and Callie Oppedisano. "Contemporary Mormon Drama." Ecumenica 8, no. 2 (2015): 45–48. http://dx.doi.org/10.5325/ecumenica.8.2.0045.

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Perkins. "Queering Zion: Liberalism and Coalitional Care in Mormon Drama." Ecumenica 13, no. 1 (2020): 1. http://dx.doi.org/10.5325/ecumenica.13.1.0001.

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Tesis sobre el tema "Mormons – Drama"

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Smith, Nola Diane. "Saturday's Women: Female Characters as Angels and Monsters in Saturday's Warrior and Reunion." Diss., CLICK HERE for online access, 1992. http://patriot.lib.byu.edu/u?/MTNZ,22819.

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Lewis, Anna Christina Kohler. "WWJD /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2433.pdf.

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Stock, Marel Angela. "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2944.pdf.

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Libros sobre el tema "Mormons – Drama"

1

Walter Kerr Theatre (Organization : New York, N.Y.), ed. Angels in America: Perestroika. Playbill Incorporated, 1994.

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Neil Simon Theatre (New York, N.Y.), ed. Angels in America: A gay fantasia on national themes : part 1: Millennium approaches ; part 2: Perestroika. Playbill Incorporated, 2018.

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Walter Kerr Theatre (Organization : New York, N.Y.), ed. Angels in America: Millennium approaches. Playbill Incorporated, 1993.

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Signature Theatre Company (New York, N.Y.), ed. Angels in America: A gay fantasia on national themes : part 1: Millennium approaches ; part 2: Perestroika. Playbill Incorporated, 2010.

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5

Kushner, Tony. Perestroika. Theatre Communications Group, 1994.

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6

Conan, Doyle A. Angels of darkness: A drama in three acts : a facsimile of a portion of the original manuscript. Baker Street Irregulars in cooperation with the Toronto Public Library, 2001.

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Kushner, Tony. Angels in America: Fantaisie gay sur des thèmes nationaux : première partie, Le millénaire approche. L'Avant Scène], 1994.

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Kushner, Tony. Angels in America: A gay fantasia on national themes. Theatre Communications Group, 1996.

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9

Kushner, Tony. Angels in America: A gay fantasia on national themes. Theatre Communications Group, 1993.

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10

Washburn, Jo An. A light in the wilderness: A Book of Mormon musical. Washburn's, 1990.

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Capítulos de libros sobre el tema "Mormons – Drama"

1

Johnson, Jake. "“I’ve Heard That Voice Before”." In Mormons, Musical Theater, and Belonging in America. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042515.003.0006.

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This chapter examines the cultural shift in Mormonism beginning in 1960, a shift prompted when Mormon leaders adopted a principle called “Correlation” that was intended to streamline Mormon theology and make it easier to explain in other parts of the world. In doing so, Mormonism placed a new premium on standardization--in clothes, practice, and even voice. Problematic ideas or beliefs from early Mormonism (such as the history of polygamy or racist policies) were abandoned and institutional focus turned to a much narrower set of religious principles that branded Mormonism as a promoter of an a
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2

Wecker, Menachem. "“Draw All Men unto Him”." In Latter-day Saint Art. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197632505.003.0016.

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Abstract This chapter narrates the development of the Art and Belief movement in the second half of the twentieth century. Led by Gary Smith, Dennis Smith, Dale Fletcher, and Trevor Southey, this movement highlights the tensions of believing creators and constraining aesthetic norms within Utah Mormon culture. Although the movement was groundbreaking and exciting, its potential ripple effect was muted and soon washed out. The Art and Belief movement was too religious for the secular art world to appreciate and too edgy for the Mormon culture or the Latter-day Saint Church to appreciate. Revisi
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3

Austin, Michael. "A Bibliographic Essay." In Vardis Fisher. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252044090.003.0005.

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The Bibliographical Essay outlines and briefly summarizes all of Fisher’s primary works and significant secondary works. Fisher’s 37 books are divided into regional fiction, Western Americana, Testament of Man series, and other fiction and nonfiction that does not fit one of the three categories. The essay also catalogs Fisher’s short fiction, poetry, occasional writings, drama, and newspaper columns, and it points to major archives of Fisher’s letters and unpublished works. Secondary works considered include three comprehensive bibliographies, all known books of which Fisher is the subject, a
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4

Ross, Andrew. "Viva Los Suns." In Bird on Fire. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199828265.003.0012.

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In other Southwestern cities, like Tucson, El Paso, and Albuquerque, with Mexican urban cores that preexisted Anglo settlement, a cultural, if not political, condominium of power sharing had evolved over time. Phoenix was a more straightforward product of Anglo America. Notwithstanding that Trinidad Mejia Escalante, the wife of the founding father, Jack Swilling, was Mexican, the city’s origin myth was one of Anglos re-creating a city on top of Hohokam remnants, and it was reinforced by a strong presence of Mormon settlers in the East Valley, with their own version of white pioneerism. Anglo d
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