Bibliografías temáticas / Motion pictures – Argentina

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Literatura académica sobre el tema "Motion pictures – Argentina"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Motion pictures – Argentina"

1

Galak, Eduardo. "Argentina y España: representaciones de la juventud y la cultura física argentinas en imágenes del NO-DO español." Historia y Memoria de la Educación, no. 13 (December 14, 2020): 579. http://dx.doi.org/10.5944/hme.13.2021.27839.

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The aim of this article is to analyze the uses of documentary informative cinema as a cultural artifact which was employed as a pedagogical device. To do so, we studied motion pictures filmed in Argentina and shown in Spain in the second quarter of the 20th century, in an attempt to understand how a symmetrical aesthetic is shaped to narrate the bodily practices of youth. Informative documentary cinema, especially newsreels, constituted a resource for mass communications. A familiarity can be observed between the Argentinean images analyzed between 1938-1955 in Sucesos Argentinos, with others
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Lavoie, Sophie M. "Film Review: Huicholes: The last peyote guardians.Huicholes: The last peyote guardians. [Motion picture]. StefaniP. (Producer), & VilchezH. (Director). (2014). 128mins. Argentina-México: Kabopro Films." AlterNative: An International Journal of Indigenous Peoples 11, no. 2 (2015): 205–7. http://dx.doi.org/10.1177/117718011501100212.

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Lerner, Miriam Nathan. "Narrative Function of Deafness and Deaf Characters in Film." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.260.

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Introduction Films with deaf characters often do not focus on the condition of deafness at all. Rather, the characters seem to satisfy a role in the story that either furthers the plot or the audience’s understanding of other hearing characters. The deaf characters can be symbolic, for example as a metaphor for isolation representative of ‘those without a voice’ in a society. The deaf characters’ misunderstanding of auditory cues can lead to comic circumstances, and their knowledge can save them in the case of perilous ones. Sign language, because of its unique linguistic properties and its la
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Tesis sobre el tema "Motion pictures – Argentina"

1

Falicov, Tamara Leah. "The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.

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Giordano, Maria Graciela. "Más allá del trauma colectivo : represión y exilio en la narrativa de mujeres y el cine argentino." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100610.

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Argentine literature at the close of the twentieth century is characterized by a marked interest in the themes of dictatorship, marginality, and exile. Given the shifting of public and private spaces in the country's recent history, a "sinister" space has appeared in the collective subconscious, where all that was negated, prohibited and repressed is now (re)surfacing with tremendous energy in a constant probing into the collective memory effectuated from still present traumas without closure.<br>The purpose of this dissertation is to analyse the "social tics" which flourish in various art for
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Juz, Breno de Souza. "Representações cinematográficas da Argentina em crise (1999-2004)." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278677.

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Orientador: José Alves de Freitas Neto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T03:34:33Z (GMT). No. of bitstreams: 1 Juz_BrenodeSouza_M.pdf: 1163692 bytes, checksum: 6c0b8fbf38ea1c317a16fc9a53be04d2 (MD5) Previous issue date: 2010<br>Resumo: No final dos anos 1990 e início do século XXI, o cinema argentino viveu uma vigorosa retomada na produção nacional com o surgimento de novos realizadores, conquistando diversos prêmios em festivais e ampla repercussão internacional. Este cinema atra
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HALL, KENNETH ESTES. "THE FUNCTION OF CINEMA IN THE WORKS OF GUILLERMO CABRERA INFANTE AND MANUEL PUIG (CUBA, ARGENTINA)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/188187.

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This dissertation studies the influence of film on the works and careers of Guillermo Cabrera Infante (Cuba, 1929- ) and Manuel Puig (Argentina, 1932- ). Emphasis is put on their critical views, fiction, and filmscripts. Generic, thematic, and technical questions concerning film and their works are discussed, without, however, an attempt at exhaustiveness. After an introduction in Chapter 1, the next chapter addresses the relationship of Cabrera to the film, a topic developed more fully in Chapter 3. As the critic of Un oficio del Siglo 20 (1973) and Arcadia todas las noches (1978), he i
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Chamorro, Alberto P. "Argentina: El Espacio Urbano y la Narrativa Fi­lmica de los Ultimos Anos." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/195438.

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"Argentina: El espacio urbano y la narrativa fi­lmica de los ultimos anos" fills a void in the extant body of criticism on New Argentine Cinema of the 1980s and 1990s. While much as been done on the thematics and aesthetics of this body of work little has been produced in the way of studying the relationship between film form and urban process in the way Laura Podalsky does in her ground breaking study of a previous period in Specular City: Transforming Culture, Consumption and Space in Buenos Aires. More than just beginning where Podalsky ends, this work aims to provide with a more thorough o
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Nogueira, Julia C. "Film and Video Festivals in South America:A Contemporary Analysis of Flourishing Cultural Phenomena." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1230612139.

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Oyarzabal, Santiago. "Representations of social crisis in recent Argentine cinema." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/57028/.

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This thesis engages with representations of social crisis in Argentine fictional cinema during 1998-2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. My emphasis is upon the ways in which cinema interpreted both present and long-established dialogues with national and social discourse, while re-assessing notions of national identity, culture and social class. The study contributes to a growing body of scholarship on Argentine film which has no precedent in history. In particular, works published i
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Triquell, Ximena. "Projecting history : a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy." Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/11710/.

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This thesis analyzes a series of films that, in different ways, seek to represent the last Argentine dictatorship. The possibility of interpreting the thematic and formal recurrences of the films as a defining characteristic of a specific genre is posed as a first hypothesis. The second hypothesis postulates the possibility of relating certain aesthetic and rhetorical changes of the series to certain socio-political processes. After presenting a general overview of some of the various forms in which the relationship between cinema and society has been theorized before, the work proposes the in
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Older, Aguilar Sarah Michelle. "Witnessing media the reproduction and transmission of history in Southern Cone post-dictatorship fiction /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1872211281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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McIntosh, David. "Globalization, networks and audiovisual spaces : shifting representational relations in Canada, Mexico and Argentina /." 2005. http://wwwlib.umi.com/cr/yorku/fullcit?pNR11601.

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Thesis (Ph.D.)--York University, 2005. Graduate Programme in Communications and Culture.<br>Typescript. Includes bibliographical references (leaves 438-465). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11601
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Libros sobre el tema "Motion pictures – Argentina"

1

El cine argentino en la historia Argentina, 1958-1998. Ediciones del Arca Editorial, 1999.

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2

Curubeto, Diego. Babilonia gaucha: Hollywood en la Argentina, la Argentina en Hollywood. Planeta, 1993.

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3

The film industry in Argentina: An illustrated cultural history. McFarland, 2004.

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4

Cine y dependencia: El cine en la Argentina. Puntosur Editores, 1990.

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5

Picturing Argentina: Myths, movies, and the Peronist vision. Cambria Press, 2014.

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6

Rangil, Viviana. Otro punto de vista: Mujer y cine en Argentina. Beatriz Viterbo, 2005.

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7

Marcela, López, ed. Un país de película: La historia argentina que el cine nos contó. Del Nuevo Extremo, 2009.

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8

Rodríguez, Alejandra. Un país de película: La historia argentina que el cine nos contó. Del Nuevo Extremo, 2009.

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9

Elner, David A. Bibliografía sobre cine y teatro en Argentina. Ediciones S.J.L., 1987.

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10

Elner, David A. Bibliografía sobre cine y teatro en Argentina. Ediciones S.J.L., 1987.

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