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Artículos de revistas sobre el tema "Motion pictures France"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de julio de 2024

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1

Heinemann, Julia. "Motion Pictures of the Royal Family." French Historical Studies 44, no. 2 (April 1, 2021): 191–216. http://dx.doi.org/10.1215/00161071-8806426.

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Abstract This article explores the role of letter writing in the political practice of the French royal family. By focusing on the use of letters exchanged by Henri III, François d'Anjou, and Catherine de’ Medici between 1574 and 1584, it analyzes how both kinship relations and notions of royal authority were negotiated and intertwined by letter. In a dynamic communication process, the correspondents discussed and framed familial relationships and political concepts. The letters were read, seen, and heard by a broader audience at court, thus transcending modern categories such as public and pr

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2

Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (July 1, 2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i

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3

Herowati, Herowati, Agung Pambudi, and Nurbayti Nurbayti. "Metode Pembelajaran Sistem Pakar Diagnosa Penyakit Ikan Hias Air Tawar Pada SMK Negeri 2 Tangerang." CICES 3, no. 1 (February 28, 2017): 48–60. http://dx.doi.org/10.33050/cices.v3i1.422.

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The year 1830, munculah called zoetrope, cylindrical object with empty spaces with pictures drawn by hand on the surface of it. While playing, the same motion effect. The year 1870, an inventor from France, Emile Reynaud added a mirror in the middle of the cylinder space. A few years later, he discovered the version of Windows will arise. By adding light reflector and lenses to magnify images on the screen. The year 1892, he did a demonstration in Paris's Theatre Optique, with hundreds of images using the hands to cause the effect of motion pictures for 15 minutes. Rouben Mamoulian, an America

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4

Bakker, Gerben. "Stars and Stories: How Films Became Branded Products." Enterprise & Society 2, no. 3 (September 2001): 461–502. http://dx.doi.org/10.1093/es/2.3.461.

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Between 1890 and 1940, motion pictures changed from technological novelties into heavily branded consumer products. The high sunk costs and short “shelf-life” of movies led film producers to borrow branding techniques from other consumer goods industries. They tried to build audience loyalty around a number of characteristics, but eventually learned that stars and stories were the most effective “promotion machines,” able swiftly to generate massive brand-awareness and to persuade consumers to see a new film. Data from the United States, Britain, and France showing the disproportionate distrib

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5

Guerin, Antoine, Antonio Abellán, Battista Matasci, Michel Jaboyedoff, Marc-Henri Derron, and Ludovic Ravanel. "Brief communication: 3-D reconstruction of a collapsed rock pillar from Web-retrieved images and terrestrial lidar data – the 2005 event of the west face of the Drus (Mont Blanc massif)." Natural Hazards and Earth System Sciences 17, no. 7 (July 18, 2017): 1207–20. http://dx.doi.org/10.5194/nhess-17-1207-2017.

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Abstract. In June 2005, a series of major rockfall events completely wiped out the Bonatti Pillar located in the legendary Drus west face (Mont Blanc massif, France). Terrestrial lidar scans of the west face were acquired after this event, but no pre-event point cloud is available. Thus, in order to reconstruct the volume and the shape of the collapsed blocks, a 3-D model has been built using photogrammetry (structure-from-motion (SfM) algorithms) based on 30 pictures collected on the Web. All these pictures were taken between September 2003 and May 2005. We then reconstructed the shape and vo

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6

Froideval, L., C. Conessa, X. Pellerin Le Bas, L. Benoit, and D. Mouazé. "EFFICIENT DIKE MONITORING USING TERRESTRIAL SFM PHOTOGRAMMETRY." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences V-2-2022 (May 17, 2022): 359–66. http://dx.doi.org/10.5194/isprs-annals-v-2-2022-359-2022.

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Abstract. Nature based solutions are growing rapidly in order to mitigate in the near future the effects of climate change and rise of sea level on most anthropogenic coasts. In that frame, the CHERbourg bLOC (CHERLOC) project aims to study new coastal engineering solutions (overtopping, sediment transport) thanks to two new artificial units in two test sites (Normandy, France) considering biodiversity preservation but also societal acceptability. This study details an efficient method to monitor such coastal infrastructure using terrestrial Structure from Motion (SfM). In 2021, surveys were c

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7

Paksiutov, G. "“Soft Power” and “Cultural Capital” of Nations: the Case of Film Industry." World Economy and International Relations 64, no. 11 (2020): 106–13. http://dx.doi.org/10.20542/0131-2227-2020-64-11-106-113.

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The article showcases the similarities between Joseph Nye’s concept of soft power and Pierre Bourdieu’s theory of capital, and attempts to draw upon the latter to deepen the understanding of the role of culture as a source of soft power. This approach is applied to study the role of a national film industry as a soft power tool. First, based on the existing academic literature, some key concepts relevant to the film industry are conceptualized in terms of Bourdieu’s theory of capital. After that, Bourdieu’s research frameworks – particularly, the concept of cultural capital – are used to descr

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8

Fauser, Annegret. "Sounding the Tricolore: France and the United States during World War ii." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (April 25, 2017): 9–21. http://dx.doi.org/10.7202/1039609ar.

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During World War ii, French music found itself in a unique position in the United States. As the sonic embodiment of an Allied nation, it was nonetheless subjected to musical identity politics that drew on stereotypes of France as an elegant, cosmopolitan, and even effeminate culture whose products needed the transformation of US reception to toughen themselves up for the global war, fought both on the battlefield and through propaganda. I focus on three aspects of this complex story of cultural mediation: the reception and adaptation of Claude Debussy’s music, especially Pelléas et Mélisande;

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9

Craig, Stephanie M., Fabian S. Menges, Chinh H. Duong, Joanna K. Denton, Lindsey R. Madison, Anne B. McCoy, and Mark A. Johnson. "Hidden role of intermolecular proton transfer in the anomalously diffuse vibrational spectrum of a trapped hydronium ion." Proceedings of the National Academy of Sciences 114, no. 24 (May 31, 2017): E4706—E4713. http://dx.doi.org/10.1073/pnas.1705089114.

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We report the vibrational spectra of the hydronium and methyl-ammonium ions captured in the C3v binding pocket of the 18-crown-6 ether ionophore. Although the NH stretching bands of the CH3NH3+ ion are consistent with harmonic expectations, the OH stretching bands of H3O+ are surprisingly broad, appearing as a diffuse background absorption with little intensity modulation over 800 cm−1 with an onset ∼400 cm−1 below the harmonic prediction. This structure persists even when only a single OH group is present in the HD2O+ isotopologue, while the OD stretching region displays a regular progression

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10

Ulff-Møller, Jens. "Film trade diplomacy between France and the United States: American and European policies toward the motion picture industry 1945–1971." Innovation: The European Journal of Social Science Research 33, no. 4 (October 1, 2020): 406–22. http://dx.doi.org/10.1080/13511610.2020.1838263.

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11

Mangolte, Pierre-André. "Naissance de l’industrie cinématographique: Les brevets aux États-Unis et en Europe (1895-1908)." Annales. Histoire, Sciences Sociales 61, no. 5 (October 2006): 1121–45. http://dx.doi.org/10.1017/s0395264900039950.

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RésuméCet article porte sur l’émergence historique de l’industrie cinématographique aux États-Unis et en Europe entre 1895 et 1908, et sur le rôle de l’institution des patents (ou « brevets d’invention ») dans l’essor et la définition des nouvelles activités économiques. Il porte aussi sur les théories et justifications économiques de l’institution. Cette période est dominée par les revendications de l’inventeur Thomas Edison, ce qui conduisit à une guerre des patents prolongée aux États-Unis qui handicapa fortement la production et donna finalement naissance à un monopole (la Motion Picture P

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12

Mazzotti, Stéphane, Hervé Jomard, and Frédéric Masson. "Processes and deformation rates generating seismicity in metropolitan France and conterminous Western Europe." BSGF - Earth Sciences Bulletin 191 (2020): 19. http://dx.doi.org/10.1051/bsgf/2020019.

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Most of metropolitan France and conterminous Western Europe is currently located within the Eurasia intraplate domain, far from major plate boundaries (the Atlantic ridge and Nubia – Eurasia convergence zone). As in other intraplate regions, present-day deformation and seismicity rates are very slow, resulting in limited data and strong uncertainties on the ongoing seismotectonics and seismic hazards. In the last two decades, new geological, seismological and geodetic data and research have brought to light unexpected deformation patterns in metropolitan France, such as orogen-normal extension

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13

Ito, Eri, Cécile Cornou, Fumiaki Nagashima, and Hiroshi Kawase. "Estimation of Velocity Structures in the Grenoble Basin, France, Using Pseudo Earthquake Horizontal-to-Vertical Spectral Ratio from Microtremors." Bulletin of the Seismological Society of America 111, no. 2 (February 2, 2021): 627–53. http://dx.doi.org/10.1785/0120200211.

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ABSTRACT Based on the diffuse field concept for a horizontal-to-vertical spectral ratio of earthquakes (eHVSR), the effectiveness of eHVSRs to invert P- and S-wave velocity structures down to the seismological bedrock (with the S-wave velocity of 3 km/s or higher) has been shown in several published works. An empirical method to correct the difference between eHVSR and a horizontal-to-vertical ratio of microtremors (mHVSR), which is called earthquake-to-microtremor ratio (EMR), has also been proposed for strong-motion sites in Japan. However, the applicability of EMR outside of Japan may not b

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14

Pennino, Anthony, and Francesca Musiani. "Reviews [review of "Prometheus (motion picture", Scott, R., Director; 2012) and "The Networked France, Vol. 1: The Meeting of Telecommunications and Computing" (Schafer, V.; 2012)]." IEEE Annals of the History of Computing 34, no. 4 (October 2012): 4–6. http://dx.doi.org/10.1109/mahc.2012.67.

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15

Hoyler, Michael, and Allan Watson. "Framing city networks through temporary projects: (Trans)national film production beyond ‘Global Hollywood’." Urban Studies 56, no. 5 (October 3, 2018): 943–59. http://dx.doi.org/10.1177/0042098018790735.

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This article advances research on external urban relations by drawing attention to the role of temporary project-based economic organisation in the formation of inter-firm links between cities. Through a novel empirical examination of (trans)national co-production in the motion picture industry, we reveal how such projects transcend the boundaries of individual production clusters and link urban centres within specific network configurations. Stripping away the ‘top layer’ of Hollywood’s commercially successful feature films, we undertake a social network analysis of film productions in four m

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16

Zhabskiy, M., and K. Tarasov. "Globalization of Cinematographic Communication." International Trends / Mezhdunarodnye protsessy 20, no. 3 (June 5, 2023): 28–44. http://dx.doi.org/10.17994/it.2022.20.3.70.4.

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The article examines the globalization – in its Americanization format – of the international cinematic communication within the perspective of the cultural diversity issue. The globalization process is comprehended as a result of the historical succession of market formations: from free competition in American cinema to an oligopoly and on to a national and an international monopoly. During the period of polipoly, the trail for globalization was blazed by the grande dame of the cinématographe: France. The United States, where in 1908 the market share of French films equaled 70%, mounted a res

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17

Briuchowecka, Łarysa. "Nie zmieniając poglądów. Przedstawianie okrucieństwa i zła w filmach Andrzeja Wajdy." Studia Filmoznawcze 39 (July 17, 2018): 79–91. http://dx.doi.org/10.19195/0860-116x.39.6.

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NOT CHANGING LOOKS. PRESENTATION OF CRUELTY AND EVIL IN THE FILMS OF ANDRZEJ WAJDAAmong Andrzej Wajda’s legacy, the image of the totalitarian regime and its repercussions for people, countries, and humanity holds a significant place. Films of Andrzej Wajda, who was a liaison officer in the anti-Hitler Polish underground, are a kind of chronicle of the survivors of twentieth century. The article is dedicated to study the various forms of evil and its effects on real people. The study is applicable for our time because the world again deals with the recidivism of evil which the Soviet government

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18

Gonzalez, Mike. "Maestra vida. Rubén Blades. Fania JM 576, (1980) - El que la hace la paga. Rubén Blades. Fania JM 624; Sono Disc (France) SD 15, (1983) - Mucho mejor. Rubén Blades. Fania JM 630; Sono Disc (France) SD 16. - Buscando America. Rubén Blades y Seis del Solar. Elektra 1–60352 (US), 690.352 (UK), (1985) - Escenas. Rubén Blades y Seis del Solar. Elektra LC 0192 (US), EKT 29 (UK), (1985) - Crossover Dreams: Original Motion Picture Soundtrack. Elektra EKT 36 (36), (1986)." Popular Music 6, no. 2 (May 1987): 252–55. http://dx.doi.org/10.1017/s0261143000006097.

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19

Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 12, no. 2 (December 16, 2022): 194–96. http://dx.doi.org/10.32703/2415-7422-2022-12-2-194-196.

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The issue of the journal begins with an article on French sinology. French sinology takes a special place in the history of the sinological studies development. It was France that became the first country where the transformation of missionary sinology, which was common among a limited circle of researchers (mainly in a religious sphere), into the academic scientific discipline, which had already been taught and studied at a professional level in academic institutions, occurred. The Parisian type of sinology used to dominate the entire world for a long time, including such powerful centers of

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20

Helmholz, P., S. Zlatanova, J. Barton, and M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (Gi4DM2020): PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-3/W1-2020 (November 18, 2020): 1–3. http://dx.doi.org/10.5194/isprs-archives-xliv-3-w1-2020-1-2020.

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Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-

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21

Helmholz, P., S. Zlatanova, J. Barton, and M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (GI4DM2020): PREFACE." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences VI-3/W1-2020 (November 17, 2020): 1–2. http://dx.doi.org/10.5194/isprs-annals-vi-3-w1-2020-1-2020.

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Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-

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22

Kolstad, Charles D. "Cedric Klapisch (Director): Back to Burgundy (Ce qui nous lie) Written by Cedric Klapisch, Santiago Amigorena, and Jean-Marc Roulot. Produced by Ce Qui Me Meut Motion Pictures, StudioCanal, and France 2 Cinéma. Distributed by Music Box Pictures and StudioCanal International, 2017. 1 h 53 min." Journal of Wine Economics, May 26, 2023, 1–3. http://dx.doi.org/10.1017/jwe.2022.45.

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23

Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (June 1, 2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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24

"Language learning." Language Teaching 39, no. 2 (April 2006): 108–17. http://dx.doi.org/10.1017/s026144480622370x.

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06–235Akinjobi, Adenike (U Ibadan, Nigeria), Vowel reduction and suffixation in Nigeria. English Today (Cambridge University Press) 22.1 (2006), 10–17.06–236Bernat, Eva (Macquarie U, Australia; Eva.Bernat@nceltr.mq.edu.au) & Inna Gvozdenko, Beliefs about language learning: Current knowledge, pedagogical implications, and new research directions. TESL-EJ (www.tesl-ej.org) 9.1 (2005), 21 pp.06–237Cheater, Angela P. (Macau Polytechnic Institute, China), Beyond meatspace – or, geeking out in e-English. English Today (Cambridge University Press) 22.1 (2006), 18–28.06–238Chen, Liang (Lehigh U, P

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25

Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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26

Avram, Horea. "The Convergence Effect: Real and Virtual Encounters in Augmented Reality Art." M/C Journal 16, no. 6 (November 7, 2013). http://dx.doi.org/10.5204/mcj.735.

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Augmented Reality—The Liminal Zone Within the larger context of the post-desktop technological philosophy and practice, an increasing number of efforts are directed towards finding solutions for integrating as close as possible virtual information into specific real environments; a short list of such endeavors include Wi-Fi connectivity, GPS-driven navigation, mobile phones, GIS (Geographic Information System), and various technological systems associated with what is loosely called locative, ubiquitous and pervasive computing. Augmented Reality (AR) is directly related to these technologies,

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27

Goodall, Jane. "Looking Glass Worlds: The Queen and the Mirror." M/C Journal 19, no. 4 (August 31, 2016). http://dx.doi.org/10.5204/mcj.1141.

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As Lewis Carroll’s Alice comes to the end of her journey through the looking glass world, she has also come to the end of her patience with its strange power games and arbitrations. At every stage of the adventure, she has encountered someone who wants to dictate rules and protocols, and a lesson on table manners from the Red Queen finally triggers rebellion. “I can’t stand this any more,” Alice cries, as she seizes the tablecloth and hurls the entire setting into chaos (279). Then, catching hold of the Red Queen, she gives her a good shaking, until the rigid contours of the imperious figure b

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28

Piatti-Farnell, Lorna. "Words from the Culinary Crypt: Reading the Cookbook as a Haunted/Haunting Text." M/C Journal 16, no. 3 (June 23, 2013). http://dx.doi.org/10.5204/mcj.640.

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Cookbooks can be interpreted as sites of exchange and transformation. This is not only due to their practical use as written instructions that assist in turning ingredients into dishes, but also to their significance as interconnecting mediums between teacher and student, perceiver and perceived, past and present. Hinging on inescapable notions of apprenticeship, occasion, and the passing of time—and being at once familiar and unfamiliar to both the reader and the writer—the recipe “as text” renders a specific brand of culinary uncanny. In outlining the function of cookbooks as chronicles of t

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