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Libros sobre el tema "Moving between cultures"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat
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2

Siewert, Senta. Performing Moving Images. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre
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3

Hellemans, Babette. Understanding Culture. Translated by Gioia Marini. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649911.

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This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of
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4

Magnaghi, Alberto, and Sara Giacomozzi, eds. Un fiume per il territorio. Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-6453-033-8.

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This book illustrates the study carried out to define the project guidelines for the river park of the Arno and its tributaries the Pesa and the Elsa in the Empoli area, and has been produced by liaison between the territorial Planning Department and the Municipalities of the Empoli district. The integrated analysis of local resources scheduled, on the one hand the identification of the criticalities of the territorial system, and on the other the conscious and distinctly interpretational representation of the local cultural bedrock. The definition of scenarios for the entire territory has mad
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5

Petho, Ágnes, ed. Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.001.0001.

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This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be
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6

Herdin, Thomas, Maria Faust, and Guo-Ming Chen, eds. De-Westernizing Visual Communication and Cultures. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748906933.

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This edited volume gives voice to pluralised avenues from visual communication and cultural studies regarding the Global South and beyond, including examples from China, India, Cambodia, Brazil, Mexico and numerous other countries. Defining visual communication and culture as an umbrella term that encompasses imagery studies, the moving image and non-verbal visual communication, the first three chapters of the book describe de-Westernisation discourse as a way to strengthen emic research and the Global South as both a geographical concept and, even more so, a category of diversity and pluralis
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7

Kim, Lee Su, Thang Siew Ming, and Lee King Siong, eds. Border crossings: Moving between languages & cultural frameworks. Subang Jaya, Selangor, Malaysia: Pelanduk Publications, 2007.

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8

Minna, Ruckenstein, and Karttunen Marie-Louise, eds. On foreign ground: Moving between countries and categories. Helsinki: Finnish Literature Society, 2007.

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9

Boon, Timothy. Medical Film and Television: An Alternative Path to the Cultures of Biomedicine. Edited by Mark Jackson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199546497.013.0034.

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This article is concerned with the triangular territory between biomedicine, relevant moving image media production, and lay people — sometimes cinematic subjects, sometimes patients, and sometimes audiences. The examples quoted — mainly British — arise from the period stretching from the late nineteenth century up to the 1960s. The significant costs and effort involved in producing medical films and programmes make their existence in certain times and places particularly interesting evidence for the terrain of biomedicine in the past. The three modes of medical film and television are discuss
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10

Ruse, Michael. Moving Forward. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867577.003.0012.

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The Augustinian vision of humankind, on which so much Christian thinking about war is based, is false. Thanks to Darwinian evolutionary biology we know there was no original couple, Adam and Eve; there was no eating of the apple; there is no original sin. We are not innately depraved in this way. Morbid fatalism is inappropriate. The killer-ape vision of humankind, on which so much Darwinian thinking about war is based, is equally false. Thanks to updated Darwinian evolutionary biology, we know that we did not evolve in the violent ways often presumed, and that in major respects we are designe
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11

Firebrace, William. Zickzack. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14431.001.0001.

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Zigzagging through six locations on the edges of the German-speaking world, exploring them through politics, architecture, literature, film, art, music, food, and history. “Zickzack” is the German word for “zigzag”: hopping around, moving back and forth, never following a straight line, avoiding the monotony of one thing following another. Zickzack is William Firebrace's zigzagging exploration of six places on the edges of the German-speaking world. Deploying essays, narration, conversations, descriptions, and lists, Firebrace celebrates locations on defined and undefined borders, where cultur
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12

Lau, Chun Kwok. Moving back and forth between Hong Kong and Toronto: A narrative inquiry into a family's cultural and educational experiences. 2004.

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13

Park, Robert, and S. Brooke Milne. Pre-Dorset Culture. Edited by Max Friesen and Owen Mason. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199766956.013.39.

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This chapter summarizes our current understanding of the widespread and diverse Pre-Dorset culture, known from the central and eastern parts of the Canadian Arctic between 4500 and 2700 B.P. The Pre-Dorset were mobile foragers, moving across the landscape to exploit seasonally available land and sea mammals in different locales, although the extent of their movements varied considerably. The lithic component of their technology has been more intensively studied than the organic component due to differential preservation; it too is characterized by considerable variability. The chapter summariz
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14

Tweedie, James. Moving Pictures, Still Lives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.001.0001.

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Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century, exploring the work of artists and philosophers who complicated the usual association between the past and tradition or the future and modernity. The book retraces the “archaeomodern turn” in media and theory that viewed the past as a repository of abandoned but potentially transformative modern experiments. Three theoretical chapters consider key figures—Walter Benjamin, Gilles Deleuze, and Serge Daney—who grappled with the late twentieth century’s characteristic concerns, including h
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15

Bethke, Brandi, and Amanda Burtt, eds. Dogs. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066363.001.0001.

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The relationship between humans and dogs has garnered considerable attention within archaeological research around the world. Investigations into the lived experiences of domestic dogs have proven to be an intellectually productive avenue for better understanding humanity in the past. This book examines the human-canine connection by moving beyond asking when, why, or how the dog was domesticated. While these questions are fundamental, beyond them lies a rich and textured history of humans maintaining a bond with another species through cooperation and companionship over thousands of years. Di
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16

Vosen Callens, Melissa. Ode to Gen X. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832412.001.0001.

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Even for the casual viewer, the Netflix series Stranger Things will likely feel familiar, reminiscent of popular 1980s coming-of-age movies. While Stranger Things and these classic 1980s films are all tales of childhood friendship and shared adventures, they are also narratives that reflect and shape the burgeoning cynicism of the 1980s. Throughout Ode to X: Institutional Cynicism in “Stranger Things” and 1980s Film, Melissa Vosen Callens explores the parallels between iconic 1980s films featuring children and teenagers and the first three seasons of Stranger Things, moving beyond the 1980s Ea
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17

Romanowski, William D. English Cinema and the Bible. Edited by Paul C. Gutjahr. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190258849.013.1.

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As prop, subject, quotation, or theme, the Bible appears both explicitly and implicitly in countless movies. Arranged to provide some historical context while considering films from the silent era to the present, this account considers significant films as part of an ongoing struggle between two dynamic institutions—religion and cinema—over cultural power and the function of entertainment. The tension between commercial and religious values is crucial to understanding the production and reception of Bible-related films and surrounding discourse. More than explicitly Bible-based fare, movies th
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18

Jones, Kevin M. The Dangers of Poetry. Stanford University Press, 2020. http://dx.doi.org/10.11126/stanford/9781503613393.001.0001.

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Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave r
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19

Chodat, Robert. Afterword. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682156.003.0007.

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At least four things could be taken away from the preceding chapters. First, the nominalism that has stood behind so much of our culture’s scientific advances is not restricted to science alone: it has marked literary and artistic culture as well. Second, such nominalism has been a cause both for celebration and for condemnation, but the postwar sages that this book has considered have a more ambivalent response—an ambivalence manifest in their effort to negotiate the narrative and the discursive. Third, in pursuing this reflective composition, the authors here anticipate certain important tre
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20

Kahn, Jennifer G. Colonization, Settlement, and Process in Central Eastern Polynesia. Edited by Ethan E. Cochrane and Terry L. Hunt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199925070.013.020.

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This chapter explores the long-term processes whereby settlers moving into Central Eastern Polynesia (CEP) adapted to new island environments and social landscapes. Over a thousand-year period, CEP societies instigated environmental change and subsistence intensification, in addition to developing localized styles of material culture and affecting great change in their sociopolitical complexity. In comparing the cultural sequences from three CEP archipelagoes (Society Islands, Marquesas Islands, Austral Islands), the chapter demonstrates shared patterns in demographic change and shifts in subs
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21

Erigha, Maryann. The Hollywood Jim Crow. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479886647.001.0001.

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The Jim Crow era of outright racism seemingly ended decades ago, yet the major American film industry—Hollywood—is waist deep in racial politics. Jim Crow Hollywood shows how Hollywood insiders consider race when making decisions about moviemaking. Movies by and about white Americans are said to be worthy investments, while movies by and about Black Americans are said to be risky investments. This way of thinking has profound effects on the way movies and people move through the Hollywood system—shaping their production budgets, determining who directs lucrative tent pole blockbuster franchise
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22

Wagner, Jon Nelson, and Tracy Biga MacLean. Television at the Movies. Inc, 2008. http://dx.doi.org/10.5040/9798765100684.

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The overview of television criticism, which this book provides, comes appropriately at a moment of change. Television is becoming dramatically different as a result of new and developing technologies such as cable, HDTV, satellite transmission and broadband distributions. By concentrating on the still-dominant notion of television, what the authors call "Classical Network Television," they argue that it is as important to understand this model as it is to understand Classical Hollywood Cinema. The co-authors have a unique approach to the study of television, viewing its history and reception n
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23

Cutting, James E. Movies on Our Minds. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197567777.001.0001.

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Why do we enjoy popular movies? This book explores perceptual, cognitive, and emotional reasons for our engagement. It considers effects of camera lenses and the layout of images. It outlines the types of transitions between shots, and it traces their historical functions and changes. It classifies different kinds of shots and the changes in them across a century. It explains the arcs of scenes and how they fit into the larger structure of sequences, and then it explores scene- and sequence-like units that have become increasingly prevalent in recent years. It then breaks movies into larger, r
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24

Missero, Dalila. Women, Feminism and Italian Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474463249.001.0001.

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Italian cinema experienced its peak of domestic and international popularity in the years between the ‘economic miracle’ of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women’s lives? This book explores the multiple intersections between feminism and Italian cinema from the perspective of women’s everyday lives and relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds a
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25

Sommer, Tim. Carlyle, Emerson and the Transatlantic Uses of Authority. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474491945.001.0001.

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This book examines the transatlantic writings and professional careers of Thomas Carlyle and Ralph Waldo Emerson. Building on recent research in literary studies, book history and cultural sociology, it explores how a range of different forms of authority – literary, cultural, political, legal – impacted on Anglo-American writing, publishing and lecturing. The book retraces nineteenth-century debates about race and nationhood, analyses the relationship between cultural nationalism and literary historiography and sheds light on Carlyle’s and Emerson’s professional identities as publishing autho
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26

Cove, Patricia. Italian Politics and Nineteenth-Century British Literature and Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474447249.001.0001.

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The nineteenth-century Italian Risorgimento, or ‘resurgence’, re-drew Europe’s map to create a new nation-state: Italy. Italian Politics and Nineteenth-Century British Literature and Culture argues that the Risorgimento radically shaped nineteenth-century British political, literary and cultural landscapes. Crossing borders, political divides and genres, this study examines the intersections of literary works by Mary Shelley, Lady Morgan (Sydney Owenson), Giovanni Ruffini, Wilkie Collins, Elizabeth Barrett Browning and others with journalism, parliamentary records and pamphlets, to establish B
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27

Easterbrooks, Susan R. Conceptualization, Development, and Application of Research in Deaf Education. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190455651.003.0001.

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Many have referred to practices in deaf education as having their basis in beliefs and attitudes rather than evidence and science; misunderstandings between the culture of the researcher and the culture of the practitioner result in misperceptions of the intentions from both sides. The purpose of this chapter is to identify how a good idea makes it from a belief in a practice to scientific validation of its effectiveness. The available research designs are legion, and all have their purposes. This chapter describes the place of the different designs on the path from a belief to an evidence-bas
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28

Eisler, Riane, and Douglas P. Fry. Nurturing Our Humanity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190935726.001.0001.

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Nurturing Our Humanity sheds new light on our personal and social options in today’s world, showing how we can build societies that support our great human capacities for consciousness, caring, and creativity. It brings together findings—largely overlooked—from the natural and social sciences debunking the popular idea that we are hardwired for selfishness, war, rape, and greed. Its groundbreaking approach reveals connections between disturbing trends like climate change denial and regressions to strongman rule. Moving past right versus left, religious versus secular, Eastern versus Western, a
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29

Bagnall, Kate, and Julia T. Martínez, eds. Locating Chinese Women. Hong Kong University Press, 2021. http://dx.doi.org/10.5790/hongkong/9789888528615.001.0001.

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This ground-breaking edited collection draws together Australian historical scholarship on Chinese women, their gendered migrations, and their mobile lives between China and Australia. It considers different aspects of women’s lives, both as individuals and as the wives and daughters of immigrant men. While the number of Chinese women in Australia before 1950 was relatively small, their presence was significant and often subject to public scrutiny. Moving beyond traditional representations of women as hidden and silent, this book demonstrates that Chinese Australian women in the twentieth cent
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30

Klaess, John. Breaks in the Air. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023500.

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In Breaks in the Air John Klaess tells the story of rap’s emergence on New York City’s airwaves by examining how artists and broadcasters adapted hip hop’s performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York’s African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS prog
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31

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0031.

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Part V explores the relationship between the dramatic history of the twentieth century and the transformations of Russian literary culture and poetics, arguing that the story is one of unexpected continuities as much as rupture. The Part outlines the development of Russian modernism and the avant-garde in the Silver Age (1890s–1917), moving on to the avant-garde poetics and institutions reinvented in late Soviet (1960s–early 1980s), and treating underground and post-Soviet literature (since 1991), as well as the émigré literature of Russia Abroad. Émigré and Soviet literature are shown to foll
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32

Beeston, Alix. In and Out of Sight. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.001.0001.

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This book reappraises the connections between modernist writing and photography in the light of new work in visual culture studies that emphasizes the interplay between still and moving images. Arguing for the importance of photography to the work of four major modernist authors—Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald—it proposes a new theory of composite literary form in the first half of the twentieth century. Segmented and reiterative, composite modernist writing is shaped by the figure of the woman-in-series, whose appearances and disappearances map its connec
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33

Balboni, Michael J., and Tracy A. Balboni. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780199325764.003.0001.

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A spiritual sickness lies over American medicine. As an introduction to Hostility to Hospitality, this chapter depicts the sickness as a growing hostility within the patient–clinician relationship. Forms of this hostility are revealed by three paintings completed around the turn of the twentieth century that depict a depersonalizing relationship between patients and clinicians. The book’s motivation is to describe why spiritual care is avoided or neglected by clinicians within the context of serious illness and then to consider the large-scale cultural consequences of this divorce between medi
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34

Jones, Stephen H., Tom Kaden, and Rebecca Catto, eds. Science, Belief and Society. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529206944.001.0001.

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The relationship between science and belief has been a prominent subject of public debate for many years, one that has relevance to everything from science communication, health and education to immigration and national values. Yet, sociological analysis of these subjects remains surprisingly scarce. This wide-ranging book critically reviews the ways in which religious and nonreligious belief systems interact with scientific theories and practices. Contributors explore how, for some secularists, ‘science’ forms an important part of social identity. Others examine how many contemporary religiou
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35

Aguayo, Angela J. Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.001.0001.

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The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into its own as a political force of social change. The exploding reach and power of audio and video are multiplying documentary modes of communication. Once considered an outsider media practice, documentary is finding mass appeal in the allure of moving images, collecting participatory audiences that c
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36

Newton, Michael. Rosemary's Baby. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781838719074.

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Rosemary’s Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its
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37

Risman, Barbara J. Gender as a Social Structure. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199324385.003.0002.

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The chapter reviews the social scientific research on gender beginning with biological theories and then moving on to psychological ones. Attention then moves to sociological theories developed as alternatives to understanding gender as a personality trait. The chapter then covers the “doing gender” and structuralist theories developed in the 20th century. Risman suggests that integrative frameworks, including her own, emerged toward the end of the 20th century. In this chapter, Risman offers a revision to her framework conceptualizing gender as a social structure with consequences for individ
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38

Dutta, Urmitapa. The Everyday and the Exceptional. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190614614.003.0008.

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This chapter makes a case for reconceptualizing human rights “from below” by grounding human rights discourses in women’s particularities and their voices rather than prescriptive policy standards. It does so by bringing together feminist perspectives grounded in decoloniality and liberation psychology. It presents findings from activist scholarship in Northeast India to offer a critical feminist analysis of civil society’s (non)response to gender-based violence and counternarratives of Garo women protagonists who explain these (non)responses. Following Garo women protagonists in their underst
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39

Winter, Tim. The Silk Road. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197605059.001.0001.

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Evocative and enigmatic, the Silk Road occupies a unique place in contemporary culture and international affairs. Across the world, it has captured the imagination as a story of camel caravans crossing desert and mountain, of precious goods moving between East and West, and of ideas, religions, and technologies migrating across land and sea. As China seeks to “revive” the Silk Roads for the twenty-first century, this compelling, yet poorly understood, narrative of history now serves as a platform for building trade, diplomatic, infrastructure, and geopolitical connections. The Silk Road: Conne
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40

Murphy, Patrick D. Amazonian Indigenous Green. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252041037.003.0006.

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Drawing from the cultural survival efforts of the Kayapó and the Paiter-Suruí, this chapter traces how indigenous rights and Western environmentalism have shaped each other. At the core of analysis is how, through the different periods of Amazonian activism, indigenous actors have been both framed by and drawn from the notion of the “Ecologically Noble Savage.” The political currency of this reoccurring trope has informed the creation of alliances between indigenous communities and Western eco-conscious actors to “save the rainforest.” While these partnerships have benefited both the “First Wo
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41

Gustafsson, Tommy, and Pietari Kääpä, eds. Nordic Genre Film. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693184.001.0001.

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Nordic Genre Film offers a transnational approach to studying contemporary genre production in Nordic cinema. It discusses a range of internationally renowned examples, from Nordic noir such as the television show The Bridge and films like Insomnia (1997) to high concept ‘video generation’ productions such as Iron Sky (2012). Yet, genre, at least in this context, indicates both a complex strategy for domestic and international competition as well as an analytical means to identify the Nordic film cultures’ relationships to international trends. Conceptualizing Nordic genre film as an industria
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42

Guarneri, Michael. Vampires in Italian Cinema, 1956-1975. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458115.001.0001.

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The book takes as its subject a corpus of thirty-three vampire movies made, distributed and exhibited during the peak years of film production in Italy, and certified to be of Italian nationality by state institutions such as the Italian Show Business Bureau and the Italian Film Censorship Office. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, the book asks: why, and how, is the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? Or, more concisely, what do the vam
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Lewis, Hannah. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0001.

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The introduction presents the book’s scope, approach, and organization. It recounts the history of the transition to synchronized sound film, which has largely been examined from the perspective of American cinema. However, because of aspects of French cinematic and musical culture that were unique to France, the transition unfolded in very different ways, becoming a hotly debated topic and resulting in divergent artistic responses. The introduction lays out the competing conceptions of sound film in France—for instance, its aesthetic proximity to either live theater or silent film, and its po
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Assael, Brenda. Running the Restaurant. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817604.003.0003.

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Chapter 2 examines the restaurant as a business. It offers an explanation for the dramatically contrasting fortunes of London’s restaurants, a sector of the economy characterized by success and expansion as well as by failure and bankruptcy. Consideration is given to how restaurants were financed, how they secured staff and supplies, the incorporation of new technology, and the often ingenious ways that they sought out customers. Restaurant proprietors and managers (and even cooks and chefs) explored a variety of schemes to establish their status as professionals, but these rarely compromised
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45

Paszkiewicz, Katarzyna. Genre, Authorship and Contemporary Women Filmmakers. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474425261.001.0001.

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Genre, Authorship and Contemporary Women Filmmakers examines the significance of women’s contribution to genre cinema by highlighting the work of US filmmakers within and outside Hollywood – Kathryn Bigelow, Sofia Coppola, Nancy Meyers, Karyn Kusama and Kelly Reichardt, among others. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, Katarzyna Paszkiewicz interrogates questions of ‘genre’ authorship; the blurring of the borders between commercial and independent cinema and gendered discourses of (de)authorisation that operate within e
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46

Buhler, James. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.003.0001.

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From its beginnings in the later nineteenth century, film—“moving pictures”—posed problems for critics, philosophers, and others concerned with the nature of art. At one level it was an abstract question: could film, a product of mechanical reproduction, be an aesthetic object at all? At another level, it was a matter of mechanics and effects: what did film do, and how did it do it? At still another level, it was a matter of cultural hierarchy: how did film as a popular art form relate to the very well-established categories of the theater, painting, opera, and so forth? This chapter lays out
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47

Scott, Walter. Old Mortality. Edited by Jane Stevenson and Peter Davidson. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199555307.001.0001.

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Old Mortality (1816), which many consider the finest of Scott’s Waverley novels, is a swift-moving historical romance that places an anachronistically liberal hero against the forces of fanaticism in seventeenth-century Scotland, in the period infamous as the ‘killing time’. Its central character, Henry Morton, joins the rebels in order to fight Scotland’s royalist oppressors, little as he shares the Covenanters’ extreme religious beliefs. He is torn between his love for a royalist’s granddaughter and his loyalty to his downtrodden countrymen. As well as being a tale of divided loyalties, the
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48

Whitehead, Kevin. Play the Way You Feel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.001.0001.

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This book—both a narrative and a film directory—surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2019 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres—biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, “race movies” and modernized Shakespeare—even as th
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Howland, John. Hearing Luxe Pop. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0009.

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This chapter examines the concept of the “luxe pop” production practices and their evolution over the last several decades. It traces the connection between modern luxe pop, 1970s symphonic soul, and 1920s symphonic jazz. Each case features the timbre of a lush string orchestra as a stand-in for highbrow or elevated culture, while the overlaid genres of jazz, soul, and hip-hop function as a symbol of lowbrow culture. This juxtaposition of black/white, lowbrow/highbrow, street/luxury functions as musical irony and subversive sarcasm. This chapter traces specifically the connection between Jay-Z
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50

Ho, Joseph W. Developing Mission. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760945.001.0001.

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This book offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures tha
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