Literatura académica sobre el tema "Mumbai (India) – Drama"

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Artículos de revistas sobre el tema "Mumbai (India) – Drama"

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Nasreen Banu, S., and J. Ahamed Meeran. "Mahesh Dattani’s The Big Fat City: An Exploration of Urban Reality and Change in Societal Dynamics." Shanlax International Journal of English 13, S1-Dec (2024): 100–103. https://doi.org/10.34293/english.v13is1-dec.8534.

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Using Mahesh Dattani’s The Big Fat City, which is a realistic portrayal of life in a contemporary Indian city, this article attempts to analyse the connected themes of urban reality and societal progress that are present in the novel. The disillusionment, alienation, and moral compromises that are inherent in metropolitan existence are something that are investigated in the drama, which takes place in Mumbai. In its capacity as a social force, the city functions as an organic organism, offering a perspective that conflicts with others on human ties. When the characters are unable to notice the
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Manoj Kumar. "Mahesh Dattani’s Tara: A Critical Study of Gender and Social Discrimination." Creative Launcher 4, no. 1 (2019): 69–73. http://dx.doi.org/10.53032/tcl.2019.4.1.11.

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Mahesh Dattani is a well known Indian English dramatist. He was born in 1958 in Bangalore, India. He is resourceful theatre artist, a drama teacher, stage director and a good dancer. He was awarded with the prestigious Sahitya Academy Award for his plays; Final Solutions and Other Plays. It is the first Indian dramatist who received this eminent award. Apart from this, he wrote many plays like Dance like a Man, Bravely Fought the Queen, Tara, Where There’s a Will, Thirty Days in September, On a Muggy Night in Mumbai, The Tale of a Mother Feeling Her Child, Complete Plays, (it holds 8 plays), M
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Sreeja, Konar. "Mapping the Urban Space: Representation of Mumbai in Dattani's The Big Fat City." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 2 (2018): 130–38. https://doi.org/10.5281/zenodo.1318976.

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Sahitya Akademi award winning only Indian English dramatist Mahesh Dattani’s latest drama The Big Fat City (2014) is considered to be the first black comedy in Indian theatre as in this text the dramatist has sarcastically portrayed the stylized lives of the city dwellers and their involvement in socialization. Thus the textual fabric of The Big Fat City captures the ever-moving ever-whirling spirit of Mumbai, the city of action where life never stops. People who come into this city with aspirations and who go back from here with shattered longings all want not only to have a big bite of
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Dr. Bhagyashree Varma. "Meeting the Artist in Transnational World: Jeff Goldberg with American Glance on Indian Theatre." Literary Voice, February 21, 2025, 1–5. https://doi.org/10.59136/lv.2025.3.1.144.

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Jeff Goldberg is an Actor and Film Director who, after finishing his Bachelors in Film and Television from Boston University, moved to Paris to attain Graduate degree in Film direction from EICAR, The International Film School of Paris, and embarked upon his professional career. While in his early 20’s, Jeff wrote and directed his first independent feature film on the streets of Paris that was selected to the St. Petersburg International Film Festival. On the heels of that success, he began working as a director and screenwriter with French, American and Indian producers winning several presti
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Libros sobre el tema "Mumbai (India) – Drama"

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Razmī, Shāhid. Ipṭā aur Urdū ḍrāmā. Zer-i ihtimām Tak̲h̲līqkār Pablisharz, 1995.

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Razmī, Shāhid. Ipṭā aur Urdū ḍrāmā. Zer-i ihtimām Tak̲h̲līqkār Pablisharz, 1995.

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Bombay Plays. Playwrights Canada Press, 2017.

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Bombay Plays. Playwrights Canada Press, 2017.

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Bombay Plays. Playwrights Canada Press, 2017.

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The Bombay Plays. Playwrights Canada Press, 2017.

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Perinchery, Anitha. One Monsoon in Mumbai: A Contemporary Novel with Romance, Comedy, Drama, and Suspense, Set in India. Anitha Perinchery, 2019.

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Tickell, Alex. City Fictions of the New India. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198921233.001.0001.

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Abstract How does anglophone Indian fiction imagine urban transformation? India’s cities were once seen as places of economic stasis and deprivation, but in the era of the so-called New India (2000–present), centres like Delhi and Mumbai have been recast as vital ‘engines of growth’ and reshaped by new showcase infrastructure. Yet the provision of core infrastructures for all remains a major challenge for urban governance. City Fictions is the first study of its kind to read contemporary Indian fiction infrastructurally: by taking account of the centrality of water utilities, waste-processing,
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Capítulos de libros sobre el tema "Mumbai (India) – Drama"

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Tickell, Alex. "Introduction." In City Fictions of the New India. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198921233.003.0001.

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Abstract In this introduction I preview and contextualize the investigative aims of City Fictions of the New India, with an emphasis on the periodization of the book and its subtitle terms: citizenship and infrastructure. Opening with an analysis of the political and economic idea of the New India, I set out conceptual parameters for the project and identify the city as a privileged site for public discourses of India’s rise. The introduction to City Fictions presents a methodological reflection on the Indian anglophone novel and its imaginative engagement with nationhood and calls for a renew
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