Bibliografías temáticas / Museum of Art San Diego

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  1. Artículos de revistas
  2. Tesis
  3. Libros
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Literatura académica sobre el tema "Museum of Art San Diego"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Museum of Art San Diego"

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Hausman, Ken. "Art Museum Shrinks Distance Between Asia and San Diego." Psychiatric News 52, no. 4 (2017): 1. http://dx.doi.org/10.1176/appi.pn.2017.2b26.

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Morrison, Laura J., Ali John Zarrabi, Joshua Hauser, et al. "Afternoon at the Museum: Connection and Meaning at the San Diego Museum of Art (P21)." Journal of Pain and Symptom Management 59, no. 2 (2020): 403. http://dx.doi.org/10.1016/j.jpainsymman.2019.12.032.

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Plotek, Ariel. "A SOURCE FOR DIEGO RIVERA'S "HANDS OF DOCTOR MOORE" AT THE SAN DIEGO MUSEUM OF ART." Source: Notes in the History of Art 32, no. 4 (2013): 32–36. http://dx.doi.org/10.1086/sou.32.4.41955684.

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Baker, Brenda J. "Human Paleopathology and Related Subjects: An International Bibliography. Compiled by Daniel V. Elerick, edited by Rose A. Tyson. 1997. San Diego Museum of Man, San Diego, xx + 716 pp. 26 illustrations, 6 computer disks. $75.00 (paper)." American Antiquity 63, no. 4 (1998): 721–22. http://dx.doi.org/10.2307/2694133.

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MARSHALL, E. "Hard Times for San Diego Museum." Science 251, no. 4992 (1991): 375. http://dx.doi.org/10.1126/science.251.4992.375.

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John J. Bukowczyk. "The New Americans Museum in San Diego." Journal of American Ethnic History 37, no. 2 (2018): 62. http://dx.doi.org/10.5406/jamerethnhist.37.2.0062.

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Servin, Argentina E., Fátima A. Muñoz, Steffanie A. Strathdee, Justine Kozo, and María Luisa Zúñiga. "Choosing Sides: HIV Health Care Practices among Shared Populations of HIV-Positive Latinos Living near the US-Mexico Border." Journal of the International Association of Physicians in AIDS Care 11, no. 6 (2012): 348–55. http://dx.doi.org/10.1177/1545109712453854.

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Background: We compared HIV-positive patients receiving care in the border cities of San Diego, United States, with Tijuana, Mexico. Methods: Participants were HIV-positive Latinos (n = 233) receiving antiretroviral therapy (ART) from San Diego–Tijuana clinics (2009-2010). Logistic regression identified correlates of receiving HIV care in San Diego versus Tijuana. Results: Those with their most recent HIV visit in San Diego (59%) were more likely to be older, have at least a high school education, and were less likely to have been deported than those with last visits in Tijuana. Despite report
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Feldzensztajn, Mateusz, and Adam Mazikowski. "Comparison of modelling and measurement results of spectra emitted by a programmable lamp." Photonics Letters of Poland 10, no. 2 (2018): 42. http://dx.doi.org/10.4302/plp.v10i2.826.

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Nowadays artificial light with optimized spectrum is used in many different applications. For instance, it is widely used in museums and exhibitions to illuminate the art. Moreover, such light stimulates the growth of plants, or can be applied in industry and healthcare. To achieve the best results for each application, adjusting of dedicated spectrum is required, that is a complicated task. The ongoing research is focused on simplifying this process. In this paper we present the developed lamp with programmable spectrum, and its user interface. Predicted and measured output spectra are invest
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Holt, Sharon Ann, Sophie Kazan, Gloriana Amador, et al. "Exhibitions." Museum Worlds 6, no. 1 (2018): 125–57. http://dx.doi.org/10.3167/armw.2018.060110.

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Exhibition Review EssaysThe National Museum of African American History and Culture, Washington, D.C.After Darkness: Social Impact and Art InstitutionsExhibition ReviewsBehind the Red Door: A Vision of the Erotic in Costa Rican Art, The Museum of Costa Rican Art, San José“A Positive Future in Classical Antiquities”: Teece Museum, University of Canterbury, ChristchurchHeavenly Bodies: Fashion and the Catholic Imagination: The Metropolitan Museum of Art, New YorkAnche le Statue Muoiono: Conflitto e Patrimonio tra Antico e Contemporaneo, Museo Egizio, Fondazione Sandretto Re Rebaudengo, Musei Rea
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Roberts, Jodi. "Diego Rivera: Moscow Sketchbook." October 145 (July 2013): 85–114. http://dx.doi.org/10.1162/octo_a_00149.

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Diego Rivera made the following sketches during a seven-to-eight-month stay in the Soviet Union between 1927 and 1928. A prominent member of the Partido Comunista de México (Communist Party of Mexico), Rivera traveled to Moscow to participate in the tenth-anniversary celebrations of the 1917 Revolution. Word of Rivera's dedication to muralism as a politically potent art form preceded his arrival, and he quickly became embroiled in debates about Soviet art's ideological aims and physical characteristics. He lectured on monumental painting at the Komakademiia (Communist Academy) and joined the O
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Tesis sobre el tema "Museum of Art San Diego"

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Masala, Andrea <1994&gt. "T/HERE. Border art a San Diego e Tijuana (1970 al 2005)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/16031.

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La tesi affronta il tema del confine territoriale nella border art tra San Diego e Tijuana attraverso l’analisi di tre casi di studio principali: il Chicano Park (1970-80), il Border Art Workshop/Tallér de Arte Fronterizo (1984-90) e InSITE Specific (1994-05). Riconsiderando questi esempi parallelamente alla progressiva militarizzazione del confine, si approfondiscono gli aspetti di site-specificity delle opere, il loro rapporto con lo spazio e con il contesto di produzione. Il paradosso della coesistenza di globalizzazione e processi di consolidamento territoriale porta infatti nel tempo a e
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Marquette, Katherine Hoffpauir. "San Antonio Museum of Art: Addressing the Needs of Cultural Consumers in the 21st Century." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/aa_rpts/145.

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In January of 2012, I began an internship with the San Antonio Museum of Art. At the time, the Education Department was engrossed in an audience research study, designed to strengthen the Museum’s understanding of its constituents. This study was my entry-point into the organization and where all my efforts were focused over the course of my internship. This paper includes: an organizational summary; an account of my internship experiences; a SWOT analysis; a review of industry best practices; and recommendations based on observations acquired over the course of my internship.
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Arana, Cobos Itziar. "La soppressione degli ordini monastici e il patrimonio artistico dei conventi madrileni." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3423635.

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This thesis is based on the analysis of an unpublished set of documents that contains the inventories of paintings and sculptures created between 1835 and 1836 –immediately after the Ecclesiastic Confiscation- in some thirty Madrid based convents. The inventories were created with the purpose of gathering the secularized cultural heritage and place it in museum of new creation known as Museo Nacional de la Trinidad (National Holy Trinity Museum), whose collection was ultimately taken to the Prado Museum in 1892. In the long process of establishment of the Museo Nacional, the origin of the work
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Sokolova, Iana. "Pittura veneta a San Pietroburgo sotto i regni di Elisabetta e Caterina II (1741-1796)." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3423318.

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Il presente lavoro pone la lente d’ingrandimento sui rapporti artistici e culturali intercorsi tra la Repubblica di Venezia e l’Impero Russo nel XVIII secolo, dando rilievo alla presenza della pittura veneta a San Pietroburgo. Il consolidamento dei legami con Venezia, avviato nell’epoca di Pietro il Grande, aveva permesso alla pittura veneta di ‘espandersi’ fino alle sponde della città sul fiume Neva. Negli anni venti del Settecento il primo pittore veneto ad arrivare in Russia è Bartolomeo Tarsia, mentre bisogna aspettare il regno di Elisabetta Petrovna, figlia dello zar Pietro, per vedere al
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Goldman, Kristina Nicole. "Serving the underserved : San Diego Museum of Art's community partnership programs serving court-involved youth." 2012. http://hdl.handle.net/2152/19642.

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This research is an in-depth look into a museum striving to put into practice qualities of a socially responsible museum by providing educational programs for an underserved audience. The purpose of this research is to study the qualities and characteristics of two Community Partnership programs for court-involved youth at the San Diego Museum of Art. Identifying the qualities and characteristics of this particular museum program could be utilized by other museums in creating similar programs. Detailed data collection in the form of observations, interviews, and documentation provided a compre
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Vazquez, Julia Maria. "The Artist as Curator: Diego Velázquez, 1623-1660." Thesis, 2020. https://doi.org/10.7916/d8-9bnj-4989.

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“The Artist as Curator: Diego Velázquez, 1623-1660” reconsiders the career of Diego Velázquez at the court of Hapsburg king Philip IV as a major episode in the history of curatorial practice. By this it means to examine the ways Velázquez’s activities as a painter and his activities as curator of the Hapsburg art collection transformed each other. Velázquez’s paintings express ambitions and attitudes towards his predecessors that would motivate Velázquez’s reorganization of parts of the royal collection that included their works. In turn, the collection and display of paintings in royal exhibi
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Chung, Yi-Fei, and 鍾宜霏. "A Study of Importance-Performance Analysis on the Service Quality of Yang San-Lang Art Museum." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/20994119146492312795.

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碩士<br>國立臺北教育大學<br>文化創意產業經營學系<br>105<br>The service quality of a museum is primarily determined by the reviews or satisfactory index of its visitors. When the visitors remark higher satisfactory level, its overall review of service quality appears to be better consequently. Regardless tangible or intangible, the service quality provided by the museum usually affects by two factors: the first one is the recognition and expectation of visitors before the touring of the museum; the second one is the actual experience afterwards. The distinction between these two factors represents the outcome of s
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CHIU, HSINNI, and 邱欣妮. "A Study of University Art Students’ Experiences and Learningfrom the 2007 Sculpture camp in the San-Yi Sculpture Museum." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/01509104538018186292.

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碩士<br>國立彰化師範大學<br>藝術教育研究所<br>96<br>The study aimed to investigate Department of Art college students’ learning experiences at the 2007 Sculpture Camp in the San-Yi Sculpture Museum; through this case study, the researcher tried to unveil the students’ motivation and expectation before participating in the camp and to explore their feelings and thoughts about the activity, and the factors that may influence their learning experience. The researcher analyzed this study by using the three contexts in the Interactive Experience Model and tried to discover the participants’ learning characteristics
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Storey, Amanda Eileen Maria. "The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication." Thesis, 2006. http://hdl.handle.net/10413/1819.

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This dissertation critically evaluates the intersections of tourism, heritage conservation, and visual communication by exploring the display materials and Museology within the Didima Rock Art Centre, at Cathedral Peak, southern Drakensberg, KwaZulu-Natal. The text consists of three chapters. The first chapter introduces rock art and current research and conservation concerns in relation to heritage and rock art. The second chapter serves as an introduction to the Didima Rock Art Centre. A discussion raises important issues about visual communication in regard to the representation of the Sout
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Libros sobre el tema "Museum of Art San Diego"

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Butterfield, Deborah. Deborah Butterfield, San Diego Museum of Art. The Museum, 1996.

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1953-, Atkinson D. Scott, ed. San Diego Museum of Art: Selected works. San Diego Museum of Art, 2003.

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San Diego Museum of Art. San Diego Museum of Art: Selections from the permanent collection. The Museum, 1993.

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San Diego Museum of Contemporary Art. San Diego Museum of Contemporary Art: Selections from the permanent collection. The Museum, 1990.

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Woodall, Cory. Brush and ink: Chinese paintings from the San Diego Museum of Art. San Diego Museum of Art, 2016.

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Art, San Diego Museum of, and San Diego Museum of Art. Toulouse-Lautrec: The Baldwin M. Baldwin collection, San Diego Museum of Art. The Museum, 1988.

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San Diego Museum of Art. Toulouse-Lautrec: The Baldwin M. Baldwin Collection, San Diego Museum of Art. 2nd ed. San Diego Museum of Art, 1989.

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Art, San Diego Museum of. Selections from the Chinese collection. The Museum, 1999.

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San Diego Museum of Art., ed. The rival of painting: The lithographs of Albert Belleroche. San Diego Museum of Art, 2001.

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Nora, Desloge, Toulouse-Lautrec Henri de 1864-1901, Cate Phillip Dennis, and Frey Julia, eds. Toulouse-Lautrec: The Baldwin M. Baldwin Collection, San Diego Museum of Art. 2nd ed. The Museum, 1989.

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Capítulos de libros sobre el tema "Museum of Art San Diego"

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Tarigo-Bonizzoni, Liliana. "Study of the Open-Air Museum of Ibero-American Art of San Gregorio de Polanco, Uruguay." In Cultural and Creative Mural Spaces. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-53106-5_7.

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Bintliff, Amy Vatne, Zaharah Namanda, Beinomugisha Peninah, Rebecca S. Levine, Norah Nalutaaya, and Wendy Wei Cheung. "The Wellbeing Club-Uganda: Facilitating Positive Wellbeing and Leadership Among Adolescents in Kampala, Uganda." In University-Community Partnerships for Transformative Education. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60583-3_19.

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AbstractThe Wellbeing Club-Uganda is a research-practice partnership connecting University of California, San Diego Department of Education Studies faculty and students with Africa Education and Leadership Initiative (Africa ELI), a nongovernmental organization in Kampala, Uganda, supporting low-income and refugee youth with educational and leadership opportunities. The goal of The Wellbeing Club is to support adolescent wellbeing through a positive youth development curriculum that includes teaching the 4W LIFT model of wellbeing that exposes youth to 11 dimensions of wellbeing through arts-b
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&, Cohen. "Pacific." In America's Scientific Treasures. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197545508.003.0009.

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The chapter “Pacific” explains about scientific and technological sites of adult interest in Alaska, California, Hawaiʻi, Oregon, and Washington, including the Anchorage Museum, San Diego Air &amp; Space Museum, Pacific Tsunami Museum, Fort Clatsop, and the Museum of Flight. The traveler is provided with essential information, including addresses, telephone numbers, hours of entry, handicapped access, dining facilities, dates open and closed, available public transportation, and websites. Nearly every site included here has been visited by the authors. Although written with scientists in mind,
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"Darbārs in Transition: The Many Facets of the Mughal Imperial Image after Shah Jahan As Seen in the ex-Binney Collection in the San Diego Museum of Art." In Indo-Muslim Cultures in Transition. BRILL, 2012. http://dx.doi.org/10.1163/9789004218871_006.

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Giannachi, Gabriella. "San Francisco Museum of Modern Art." In Histories of Performance Documentation. Routledge, 2017. http://dx.doi.org/10.4324/9781315645384-5.

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"Art Credits." In Field Guide to Amphibians and Reptiles of the San Diego Region. University of California Press, 2006. http://dx.doi.org/10.1525/9780520939035-022.

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"ART CREDITS." In Field Guide to Amphibians and Reptiles of the San Diego Region. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8441802.16.

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Koerner, David, and Simon LeVay. "Origins." In Here Be Dragons. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128529.003.0002.

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Abstract The Museum of Creation and Earth History stands on a freeway frontage road in Santee, California, a nondescript suburb tucked among the low hills east of San Diego. We pull into the museum’s forecourt and park backward in our space, thus concealing the “Darwin fish” that adorns the rear of the car. We feel a slight anxiety.
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"The San Francisco Museum of Modern Art and Economic Inequality: Art and Imperialism." In Museums and Wealth. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350045798.ch-001.

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Berelowitz, Jo-Anne. "The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)." In Chicano and Chicana Art. Duke University Press, 2019. http://dx.doi.org/10.1215/9781478003403-049.

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Actas de conferencias sobre el tema "Museum of Art San Diego"

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Vavilov, Vladimir P. "Soviet IR imagers and their applications: short state of the art." In San Diego, '91, San Diego, CA, edited by Bjorn F. Andresen, Marija Scholl, and Irving J. Spiro. SPIE, 1991. http://dx.doi.org/10.1117/12.48755.

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Kopolovich, Zvi, Yoram Naor, Dario Cabib, W. Todd Johnson, and Eyal Sapir. "State-of-the-art transfer radiometer for testing and calibration of FLIR test equipment." In San Diego, '91, San Diego, CA, edited by Bjorn F. Andresen, Marija Scholl, and Irving J. Spiro. SPIE, 1991. http://dx.doi.org/10.1117/12.48785.

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Gaffard, Jean-Paul, R. Ravelet, and Corinne Boyer. "X-ray adaptive mirror: principle and state of the art." In San Diego '92, edited by Ali M. Khounsary. SPIE, 1993. http://dx.doi.org/10.1117/12.140513.

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Tung, Tse, L. V. DeArmond, R. F. Herald, et al. "State of the art of Hg-melt LPE HgCdTe at Santa Barbara Research Center." In San Diego '92, edited by Wagih H. Makky. SPIE, 1992. http://dx.doi.org/10.1117/12.138616.

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Bar-Cohen, Avram. "Thermal management of high-power microelectronic components: state of the art and future challenges." In San Diego '92, edited by Ali M. Khounsary. SPIE, 1993. http://dx.doi.org/10.1117/12.140496.

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Pescador, Katrina. "Flight of a Phoenix: History of the San Diego Air & Space Museum." In AIAA Scitech 2019 Forum. American Institute of Aeronautics and Astronautics, 2019. http://dx.doi.org/10.2514/6.2019-2197.

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Manoharan, N., and G. Kannan. "Generation of an efficient state of art methodology for custody, assimilation, and retrieval management of acquired Data arising out of the underwater exploration of Poompuhar Digital Heritage site in South India." In OCEANS 2021: San Diego – Porto. IEEE, 2021. http://dx.doi.org/10.23919/oceans44145.2021.9705855.

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Powers, Jessica, Mark Abbe, Michelle Bushey, and Scott H. Pike. "New Evidence for Ancient Gilding and Historic Restorations on a Portrait of Antinous in the San Antonio Museum of Art." In XI International Conference of ASMOSIA. University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. http://dx.doi.org/10.31534/xi.asmosia.2015/07.03.

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Peddireddy, N., A. Ali, and M. Moizuddin. "The Art of Diagnosis: Cyto-Histopathological Correlation in Metastatic Lung Cancers - A Rare Case Report." In American Thoracic Society 2024 International Conference, May 17-22, 2024 - San Diego, CA. American Thoracic Society, 2024. http://dx.doi.org/10.1164/ajrccm-conference.2024.209.1_meetingabstracts.a4645.

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Icaza, Daniel, Sergio Mestas, Federico Cordova, Carlos J. Calle, and Fernando Icaza. "Terrestrial Boundary Signage with the USS Midway Museum of the Historic Military Aircraft Carrier in San Diego California Using Low Scale." In 2018 International Conference on Smart Grid (icSmartGrid). IEEE, 2018. http://dx.doi.org/10.1109/isgwcp.2018.8634461.

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Informes sobre el tema "Museum of Art San Diego"

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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Graphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005919.

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20 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by artists from the Americas were presented at the Robert V. Fullerton Art Museum, California State University, San Bernardino, California. This is the first group exhibition organized by the museum of works on paper by some of the most recognized artists of the 20th century from Latin America and the Caribbean. It includes graphics by José Clemente Orozco, Diego Rivera, David Alfaro Siqueiros; Roberto Sebastián Matta; Enrique Grau, and others.
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Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005918.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
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