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Artículos de revistas sobre el tema "Museum of Art San Diego"

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Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Hausman, Ken. "Art Museum Shrinks Distance Between Asia and San Diego." Psychiatric News 52, no. 4 (2017): 1. http://dx.doi.org/10.1176/appi.pn.2017.2b26.

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2

Morrison, Laura J., Ali John Zarrabi, Joshua Hauser, et al. "Afternoon at the Museum: Connection and Meaning at the San Diego Museum of Art (P21)." Journal of Pain and Symptom Management 59, no. 2 (2020): 403. http://dx.doi.org/10.1016/j.jpainsymman.2019.12.032.

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3

Plotek, Ariel. "A SOURCE FOR DIEGO RIVERA'S "HANDS OF DOCTOR MOORE" AT THE SAN DIEGO MUSEUM OF ART." Source: Notes in the History of Art 32, no. 4 (2013): 32–36. http://dx.doi.org/10.1086/sou.32.4.41955684.

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4

Baker, Brenda J. "Human Paleopathology and Related Subjects: An International Bibliography. Compiled by Daniel V. Elerick, edited by Rose A. Tyson. 1997. San Diego Museum of Man, San Diego, xx + 716 pp. 26 illustrations, 6 computer disks. $75.00 (paper)." American Antiquity 63, no. 4 (1998): 721–22. http://dx.doi.org/10.2307/2694133.

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5

MARSHALL, E. "Hard Times for San Diego Museum." Science 251, no. 4992 (1991): 375. http://dx.doi.org/10.1126/science.251.4992.375.

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6

John J. Bukowczyk. "The New Americans Museum in San Diego." Journal of American Ethnic History 37, no. 2 (2018): 62. http://dx.doi.org/10.5406/jamerethnhist.37.2.0062.

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7

Servin, Argentina E., Fátima A. Muñoz, Steffanie A. Strathdee, Justine Kozo, and María Luisa Zúñiga. "Choosing Sides: HIV Health Care Practices among Shared Populations of HIV-Positive Latinos Living near the US-Mexico Border." Journal of the International Association of Physicians in AIDS Care 11, no. 6 (2012): 348–55. http://dx.doi.org/10.1177/1545109712453854.

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Background: We compared HIV-positive patients receiving care in the border cities of San Diego, United States, with Tijuana, Mexico. Methods: Participants were HIV-positive Latinos (n = 233) receiving antiretroviral therapy (ART) from San Diego–Tijuana clinics (2009-2010). Logistic regression identified correlates of receiving HIV care in San Diego versus Tijuana. Results: Those with their most recent HIV visit in San Diego (59%) were more likely to be older, have at least a high school education, and were less likely to have been deported than those with last visits in Tijuana. Despite report
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8

Feldzensztajn, Mateusz, and Adam Mazikowski. "Comparison of modelling and measurement results of spectra emitted by a programmable lamp." Photonics Letters of Poland 10, no. 2 (2018): 42. http://dx.doi.org/10.4302/plp.v10i2.826.

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Nowadays artificial light with optimized spectrum is used in many different applications. For instance, it is widely used in museums and exhibitions to illuminate the art. Moreover, such light stimulates the growth of plants, or can be applied in industry and healthcare. To achieve the best results for each application, adjusting of dedicated spectrum is required, that is a complicated task. The ongoing research is focused on simplifying this process. In this paper we present the developed lamp with programmable spectrum, and its user interface. Predicted and measured output spectra are invest
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9

Holt, Sharon Ann, Sophie Kazan, Gloriana Amador, et al. "Exhibitions." Museum Worlds 6, no. 1 (2018): 125–57. http://dx.doi.org/10.3167/armw.2018.060110.

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Exhibition Review EssaysThe National Museum of African American History and Culture, Washington, D.C.After Darkness: Social Impact and Art InstitutionsExhibition ReviewsBehind the Red Door: A Vision of the Erotic in Costa Rican Art, The Museum of Costa Rican Art, San José“A Positive Future in Classical Antiquities”: Teece Museum, University of Canterbury, ChristchurchHeavenly Bodies: Fashion and the Catholic Imagination: The Metropolitan Museum of Art, New YorkAnche le Statue Muoiono: Conflitto e Patrimonio tra Antico e Contemporaneo, Museo Egizio, Fondazione Sandretto Re Rebaudengo, Musei Rea
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10

Roberts, Jodi. "Diego Rivera: Moscow Sketchbook." October 145 (July 2013): 85–114. http://dx.doi.org/10.1162/octo_a_00149.

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Diego Rivera made the following sketches during a seven-to-eight-month stay in the Soviet Union between 1927 and 1928. A prominent member of the Partido Comunista de México (Communist Party of Mexico), Rivera traveled to Moscow to participate in the tenth-anniversary celebrations of the 1917 Revolution. Word of Rivera's dedication to muralism as a politically potent art form preceded his arrival, and he quickly became embroiled in debates about Soviet art's ideological aims and physical characteristics. He lectured on monumental painting at the Komakademiia (Communist Academy) and joined the O
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11

Brooks, Mirella. "An interview with Dr G. James Daichendt." Visual Inquiry 12, no. 2 (2023): 199–209. http://dx.doi.org/10.1386/vi_00101_7.

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Dr G. James Daichendt is an art critic, art historian, art educator and arts administrator, living and working in San Diego, California. Through an interview on 2 February 2023, we discussed his childhood, people and ideas that influenced his philosophy of art education. The interview captures the biographical history and ideas of this unique arts scholar celebrating both Jim the person and Dr Daichendt the arts academic.
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12

Brooks, Mirella. "The journey of Dr G. James Daichendt: An inspiring pursuit into one’s calling." Visual Inquiry 12, no. 2 (2023): 117–22. http://dx.doi.org/10.1386/vi_00095_1.

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Dr G. James Daichendt is an art critic, art historian, art educator and arts administrator, living and working in San Diego, California. This article explains the biographical history and ideas of this unique arts scholar celebrating both Jim the person and Dr Daichendt the arts academic. Through an interview on 2 February 2023, we discussed his childhood, people and ideas that influenced his philosophy of art education.
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13

Southard, Craig. "http://www.sfmoma.org: The San Francisco Museum of Modern Art (San Francisco, CA)." Curator: The Museum Journal 45, no. 1 (2002): 65–68. http://dx.doi.org/10.1111/j.2151-6952.2002.tb00050.x.

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14

Fagerström, Linda, and Elisabet Haglund. "Mexican Art in Lund’s Museum of Sketches, Sweden." Art and Architecture, no. 42 (2010): 34–43. http://dx.doi.org/10.52200/42.a.2j2whvgo.

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The Mexican collection at Lund’s Museum of Sketches in is an unusual and valuable collection both from a Mexican and from an international perspective: the collection was built by Gunnar Bråhammar in the late 1960s, and counts works by David Alfaro Siqueiros, Diego Rivera, José Clemente Orozco and Juan O’Gorman but also Francisco Eppens, Rufino Tamayo, González Camarena, Raul Angiano, Leopoldo Méndez and Desiderio Xochitiotzin. The article discusses especially “the New Deal” by Rivera, “the Image of Mexico” at the Museo Nacional de Antropología e Historia in Mexico City by Morado Chavez, and “
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15

Ng, So Kam. "Instructional Resources: The Asian Art Museum of San Francisco." Art Education 45, no. 4 (1992): 24. http://dx.doi.org/10.2307/3193332.

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16

Sheren, Ila Nicole. "The San Diego Chicano Movement and the Origins of Border Art." Journal of Borderlands Studies 33, no. 4 (2016): 513–27. http://dx.doi.org/10.1080/08865655.2016.1238314.

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17

Spiridon (Ciocoiu), Ioana-Cristina. "„Efectul Picasso”. Expoziție desfășurată la Muzeul de Artă Recentă, București, 27 septembrie 2023-22 ianuarie 2024." Revista Muzeelor 1 (2024): 175–82. https://doi.org/10.61789/rm.2024.14.

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The exhibition “The Picasso Effect”, held at the private art museum MARe, is part of an international celebration of 50 years from Pablo Picasso’s death, along with exhibitions held at other 42 worldwide museums, such as “The Echo of Picasso” in Malaga, “Diego Velázquez invites Pablo Picasso... and Carmen Calvo” at the House of Velázquez, “Picasso Sculptor. Matter and Body” at Guggenheim Museum from Bilbao, “Picasso: drawing to infinity” at Centre Pompidou. The relevance of the exhibition held in Bucharest resides mainly in: mapping Bucharest for international, acclaimed artists, highlighting
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18

Tsirogiannis, Christos, and David W. J. Gill. "“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection." International Journal of Cultural Property 21, no. 4 (2014): 465–80. http://dx.doi.org/10.1017/s0940739114000289.

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Abstract:In February 2013 Christos Tsirogiannis linked a fragmentary Athenian red-figured cup from the collection formed by Dietrich von Bothmer, former chairman of Greek and Roman Art at New York’s Metropolitan Museum of Art, to a tondo in the Villa Giulia, Rome. The Rome fragment was attributed to the Euaion painter. Bothmer had acquired several fragments attributed to this same painter, and some had been donated to the Metropolitan Museum of Art as well as to the J. Paul Getty Museum. Other fragments from this hand were acquired by the San Antonio Museum of Art and the Princeton University
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19

Ling, Pamela M., Nadra E. Lisha, Torsten B. Neilands, and Jeffrey W. Jordan. "Join the Commune: A Controlled Study of Social Branding Influencers to Decrease Smoking Among Young Adult Hipsters." American Journal of Health Promotion 34, no. 7 (2020): 754–61. http://dx.doi.org/10.1177/0890117120904917.

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Purpose: To evaluate the impact of a Social Branding intervention in bars and nightclubs on smoking behavior. Design: Quasi-experimental controlled study. Setting: Bars and nightclubs in San Diego and San Francisco (intervention) and Los Angeles (control). Participants: “Hipster” young adults (age 18-26) attending bars and nightclubs. Intervention: Anti-tobacco messages delivered through monthly anti-tobacco music/social events, opinion leaders, original art, direct mail, promotional activities, and online media. Measures: A total of 7240 surveys were collected in 3 cities using randomized tim
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20

Andrews, Anne Milasincic, Jon Christensen, Paul S. Weiss, Floor Broekgaarden, Colin Camerer, and AJ Addae. "The two cultures meet again Breath(e): Toward Climate and Social Justice , Glenn Kaino and Mika Yoshitake, curators , The Hammer Museum, Los Angeles, CA, through 5 January 2025. Reframing Dioramas: The Art of Preserving Wilderness , The Natural History Museum of Los Angeles County, Los Angeles, CA, through 15 September 2025. Counter/Surveillance: Control, Privacy, Agency , Joes Segal and Marieke Drost, curators , The Wende Museum, Culver City, CA, through 19 October 2025. For Dear Life: Art, Medicine, and Disability , Jill Dawsey and Isabel Casso, curators , Museum of Contemporary Art San Diego, La Jolla, CA, through 2 February 2025. Seeing the Unseeable: Data, Design, Art , Stephen Nowlin and Christina Valentine, curators , ArtCenter College of Design, Pasadena, CA, through 15 February 2025. World Without End: The George Washington Carver Project , Cameron Shaw and Yael Lipschutz, curators , California African American Museum, Los Angeles, CA, through 2 March 2025." Science 386, no. 6727 (2024): 1218–21. https://doi.org/10.1126/science.adu2914.

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21

Li, Kin Sum (Sammy), Quanyu Wang, J. Keith Wilson, et al. "DECORATED MODELS, REPLICATION, AND ASSEMBLY LINES FOR BRONZE INDUSTRIAL PRODUCTION IN 500 b.c.e. CHINA." Early China 44 (September 2021): 109–42. http://dx.doi.org/10.1017/eac.2021.9.

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AbstractThis article examines the earliest examples of replication of bronze objects of complicated structure in China. It uses four quadrupeds from the Freer Gallery (National Museum of Asian Art, Smithsonian Institution), the Asian Art Museum of San Francisco, the British Museum, and the Yūrinkan Museum in Kyōto as examples to illustrate the complex technology required in replicating bronzes. It provides evidence to define identical bronzes and proves that the four quadrupeds shared the same decorated model. The application of section-mold casting, spacers, clay cores, and mold section assem
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22

Giannachi, Gabriella. "San Francisco Museum of Modern Art | The Art of Participation: 1950 to Now." Digital Creativity 20, no. 1-2 (2009): 125–31. http://dx.doi.org/10.1080/14626260902875223.

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23

Clark, Robin, and Michelle Barger. "The Artist Initiative at San Francisco Museum of Modern Art." Studies in Conservation 61, sup2 (2016): 24–28. http://dx.doi.org/10.1080/00393630.2016.1193692.

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24

Sterrett, Jill, and Roberta Piantavigna. "Building an Environmentally Sustainable San Francisco Museum of Modern Art." Studies in Conservation 63, sup1 (2018): 242–50. http://dx.doi.org/10.1080/00393630.2018.1481324.

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25

CUMMING, ROYCE T. "A second new species of Nanophyllium Redtenbacher, 1906 from the northern coast of New Guinea (Phasmida, Phylliidae)." Zootaxa 4238, no. 2 (2017): 246. http://dx.doi.org/10.11646/zootaxa.4238.2.3.

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A new species of leaf insect, Nanophyllium larssoni n. sp. is described and illustrated bringing the known species in the genus to a total of six. Like all species of Nanophyllium Redtenbacher, 1906, the new species is named from a single male specimen, which is deposited in the San Diego Natural History Museum. With this newly identified species, two clear species-groups emerge and are described, in detail, in the species key. Measurements of anatomical figures were made to the nearest 0.1 mm.
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26

Scott, David A. "Egyptian Sarcophagi and Mummies in the San Diego Museum of Man: Some Technical Studies." Studies in Conservation 63, no. 4 (2017): 215–35. http://dx.doi.org/10.1080/00393630.2017.1331549.

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27

Horsley, Pamela, Christiana Mojica, Kesler Randall, et al. "A Dry Collection Talk: Revitalizing the San Diego Natural History Museum Marine Invertebrate Collection." Biodiversity Information Science and Standards 8 (November 22, 2024): e142407. https://doi.org/10.3897/biss.8.142407.

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In 2021, the San Diego Natural History Museum (SDNHM) received funding from the US Institute of Museum and Library Services (IMLS) to improve the condition, management, and accessibility of the dry Marine Invertebrate Collection (IMLS MA-249928-OMS-21). The collection is one of the oldest at the museum and dates back to the founding of the San Diego Society of Natural History in 1874. It is a large, dry collection of primarily gastropods and bivalves and is estimated to contain nearly five million specimens in over 91,000 specimen lots, which include 135 holotypes and 856 paratypes. The collec
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28

Rothman, Amanda, and Opher Shamir. "Hate Letters to Miss Kendra: Will you Reply?, Written and Performed by Nicole Ventura, Vanessa Arthur, Katrina Sanyal, Alicia Stephen and Erinn Webb, with Art by Emily Kneis, Directed by Alicia Stephen and Erinn Webb." Drama Therapy Review 9, no. 2 (2023): 355–59. http://dx.doi.org/10.1386/dtr_00139_5.

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Review of: Hate Letters to Miss Kendra: Will you Reply?, Written and Performed by Nicole Ventura, Vanessa Arthur, Katrina Sanyal, Alicia Stephen and Erinn Webb, with Art by Emily Kneis, Directed by Alicia Stephen and Erinn Webb NADTA 43rd Annual Conference, Miss Kendra Program & Post Traumatic Stress Center, San Diego, California, 4 November 2022.
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29

AALBU, ROLF L., and CHRISTOPHER C. WIRTH. "The Status of Triorophus punctatus LeConte (Coleoptera: Tenebrionidae: Pimeliinae: Edrotini)." Zootaxa 4604, no. 1 (2019): 198. http://dx.doi.org/10.11646/zootaxa.4604.1.11.

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While working on a revision of Triorophus LeConte, 1851 we examined type material for the genus. One species, Triorophus punctatus LeConte, 1851 (Figs. 1a–1e), was described from a dead, partial specimen (Type 4475, Museum of Comparative Zoology, Harvard University) collected at “Vallecitas,” California in October or November of 1850 (LeConte, 1851). The locality likely refers to Vallecito, a contemporary United States Army depot and stage station (Roberts, 1988) located on the western edge of the Colorado Desert in eastern San Diego County (32.9755°, -116.35°).
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30

Gleisser, Faye. "Sitting Beside the Sit-In: Art Museum Dining and Gastrocuratorial Politics in the Age of Dei." ASAP/Journal 9, no. 2 (2024): 343–73. https://doi.org/10.1353/asa.2024.a947149.

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ABSTRACT: This essay challenges the persistent idealizing of art museum restaurants as spaces of diversity and togetherness and instead proposes a more expansive framework of gastrocuratorial politics to confront the colonialist and anti-Black somatic aesthetics manifest within the commissions, designs, and management of eateries in white-dominated collecting art museums. To build this argument, I cross-examine the social politics of dining environments differently but relatedly negotiated within the Tate Britain’s Rex Whistler; The Modern at the Museum of Modern Art in New York; In Situ at th
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31

Berelowitz, Jo-Anne. "The Spaces of Home in Chicano and Latino Representations of the San Diego–Tijuana Borderlands (1968–2002)." Environment and Planning D: Society and Space 23, no. 3 (2005): 323–50. http://dx.doi.org/10.1068/d0503.

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In this paper I examine the ways that artists in the San Diego–Tijuana borderlands have represented the spaces of home from the late 1960s to the present. The historical trajectory is from the agonistic nationalism of the Chicano Movement, which sought to reestablish the homeland of Aztlán, to the Border Art Workshop's more inclusive multiculturalist engagement with ‘the borderlands’, to the flexible combinatorial binationalism that marks the current postborder condition. Works of art characteristic of each phase are discussed.
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32

Giusti, Francesca. "Il San Matteo di Pisa: un “modello” tra i musei italiani." Opus Incertum 9 (December 13, 2023): 134–45. http://dx.doi.org/10.36253/opus-14847.

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The story of the Civic Museum of Pisa, built by Piero Sanpaolesi in the former convent of San Matteo, and inaugurated in 1949 in the midst of the emergency of reconstruction, intertwines the themes of restoration and museography, representing a significant synthesis of the international debate on culture and museum practice. In this sense, the contribution aims to demonstrate the principle of unity between architectural structure and pieces of art that underlies the project of the museum of San Matteo, where the intent of Sanpaolesi to think the restoration of the building and the exhibition a
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33

Ellisman, Mark H., Stephen J. Young, G. Y. Fan, Guy Perkins, Steve Lamont, and Maryann E. Martone. "Highlights of Selected Microscopy Research Resource Activities at San Diego." Microscopy and Microanalysis 3, S2 (1997): 275–76. http://dx.doi.org/10.1017/s1431927600008266.

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The intermediate high-voltage electron microscope (IVEM) located at the National Center for Microscopy and Imaging Research at San Diego (NCMIR) can image relatively thick specimens that contain substantial three-dimensional (3-D) structure. Electron tomography is an important tool used at NCMIR for deriving 3-D cellular and subcellular structure from IVEM images. Reconstruction algorithms commonly used in electron tomography include weighted back projection, and iterative algebraic reconstruction techniques such as ART and SIRT. Improvements in reconstruction quality are possible using the it
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34

Dittmar, Linda, and Joseph Entin. "Jamming the Works: Art, Politics and Activism Introduction." Radical Teacher 100 (October 9, 2014): 133–38. http://dx.doi.org/10.5195/rt.2014.169.

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As we enter the second decade of the 21st century, art that aims to actively challenge the social order continues to spark controversy and encounter resistance. In one recent instance, the University of California at San Diego threatened to revoke the tenure of Ricardo Dominguez, a professor of visual art, who developed what he calls “transborder immigrant tools”—recycled cell phones loaded with GPS software that point border-crossers to caches of fresh water in the desert. Dominquez has called the phones, which feature an audio application that plays inspirational poetry to migrants, a “mobil
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35

Wade Haddon, Rosalind A. "TWO CERAMIC PIECES FROM THE ASIAN ART MUSEUM OF SAN FRANCISCO." Muqarnas Online 21, no. 1 (2004): 153–59. http://dx.doi.org/10.1163/22118993-90000061.

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Wade Haddon, Rosalind A. "Two Ceramic Pieces from the Asian Art Museum of San Francisco." Muqarnas Online 21, no. 1 (2004): 153–59. http://dx.doi.org/10.1163/22118993_02101014.

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37

Scott, David A. "Ancient Egyptian Pigments: The Examination of Some Coffins from the San Diego Museum of Man." MRS Bulletin 35, no. 5 (2010): 390–96. http://dx.doi.org/10.1557/mrs2010.572.

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AbstractEgyptian pigments include the most successful synthetic blue pigment made, which has been in use for more than 2500 years. The nature of some Egyptian pigments, such as malachite, azurite, green earth, and calcite are briefly reviewed. The principal artworks examined here are a group of several 26th Dynasty coffins in the collection of the San Diego Museum of Man. This article examines the nature of the wooden substrate, binder, pigments, and alteration products. The conservation needs of the collection are of special importance. The pigments used in the coffins are malachite, orpiment
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Germana, Gabriela, and Amy Bowman-McElhone. "Asserting the Vernacular: Contested Musealities and Contemporary Art in Lima, Peru." Arts 9, no. 1 (2020): 17. http://dx.doi.org/10.3390/arts9010017.

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This essay examines three museums of contemporary art in Lima, Peru: MAC (Museum of Contemporary Art), MALI (Lima Art Museum), and MASM (San Marcos Art Museum). As framed through curatorial studies and cultural politics, we argue that the curatorial practices of these institutions are embedded with tensions linked to the negotiation of regional, national, and international identities, coloniality, and alternate modernities between Western paradigms of contemporary art and contemporary vernacular art in Peru. Peruvian national institutions have not engaged in the collection of contemporary art,
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39

Sullivan, Robert M., Thomas A. Deméré, and Gregory K. Pregill. "Paleontology at the San Diego Natural History Museum: a reply to Comment by Feldmann and Manning." Journal of Paleontology 66, no. 3 (1992): 532. http://dx.doi.org/10.1017/s0022336000034090.

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40

Thomas, Mary. "Reframing Public Art in the Borderlands." Latin American and Latinx Visual Culture 4, no. 3 (2022): 8–22. http://dx.doi.org/10.1525/lavc.2022.4.3.8.

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This article examines a series of public artworks created by Jari “WERC” Alvarez and Gera “GERALUZ” Lozano both singly and together between 2009 and 2013 in San Diego, California, and El Paso, Texas. Although the works produced then reveal an engagement with the history of Chicano muralism and visual representations of the US-Mexico border, Lozano and Alvarez’s projects offer a careful recuperation of the way the region and the site of the border are represented through their stylistic vocabularies that span graffiti, abstraction, and conceptual practice. This essay argues that the artists ena
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41

Duncan, Sam. "FINE ARTS MUSEUMS OF SAN FRANCISCO.NATIONAL GALLERY OF ART, WASHINGTON, DC.THE WHITNEY MUSEUM OF AMERICAN ART." Art Documentation: Journal of the Art Libraries Society of North America 17, no. 1 (1998): 51–52. http://dx.doi.org/10.1086/adx.17.1.27948941.

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42

Asberry, Kasey. "Design+Undesign: Tibor Kalman, 1979–1999 San Francisco Museum of Modern Art, San Francisco, CA, Fall 1999." Leonardo 33, no. 3 (2000): 228. http://dx.doi.org/10.1162/leon.2000.33.3.228a.

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43

Sparkes, Brian A. "(H.A.) Shapiro, (C.A.) Picón and (G.D.) Scott III Eds.Greek vases in the San Antonio Museum of Art. San Antonio: Museum of Art, 1995. Pp. 287, 17 pl. $39.95. 1883502047." Journal of Hellenic Studies 118 (November 1998): 251. http://dx.doi.org/10.2307/632300.

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Miramontes Olivas, Adriana, Juan De Dios Mora, and Deborah Caplow. "Exodus to the “Promised Land:” Of the Devil and Other Monsters in Juan de Dios Mora’s Artworks." Contemporaneity: Historical Presence in Visual Culture 6 (November 30, 2017): 58–72. http://dx.doi.org/10.5195/contemp.2017.222.

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Juan de Dios Mora is a printmaker and a senior lecturer at The University of Texas at San Antonio, where he began teaching painting, drawing, and printmaking in 2010. Mora is a prolific artist whose prints have been published in numerous venues including the catalogs New Arte Nuevo: San Antonio 2010 and New Art/Arte Nuevo San Antonio 2012. In 2017, his work was exhibited at several venues, including the McNay Art Museum in San Antonio, Texas in Juan Mora: Culture Clash (June 8–August 13, 2017) and at The Cole Art Center, Reavley Gallery in Nacogdoches, Texas, in Juan de Dios Mora (organized by
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Del, Águila Jesús Miguel Delgado. "El taekwondo y la gimnasia artística: dos deportes que buscan el efecto sorpresivo. Entrevista a Diego Torrealva." Revista Difusiones 26 (July 31, 2024): 91–98. https://doi.org/10.5281/zenodo.13328333.

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Diego Fernando Torrealva Sepúlveda nació el 19 de enero de 1992 en el distrito de La Victoria (Lima, Perú). Estudió Contabilidad en la Universidad San Martín de Porres y Educación Física en la Universidad Nacional Mayor de San Marcos. Empezó su práctica del taekwondo en Car Perú desde los 13 años, la cual continuó hasta alcanzar el segundo dan en su casa de estudios. Actualmente, practica taekwondo y ha sido campeón nacional en varias oportunidades. A sus entrenamientos, ha añadido el aprendizaje
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Klein, Joel A. "SEL: The Interview." SEL Studies in English Literature 1500-1900 63, no. 1 (2025): 105–16. https://doi.org/10.1353/sel.2025.a952062.

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Abstract: This interview features Joel A. Klein, Molina Curator for the History of Medicine and Allied Sciences, at The Huntington Library, Art Museum, and Botanical Gardens, San Marino, California. Klein shares his experience in digital humanities projects and curatorial work, his favorite sixteenth-century museum items, and the importance of library collections. " SEL : The Interview" is a recurring feature of the journal that puts the editors in direct conversation with professionals whose training and education is in literary analysis and scholarship but who work outside of or adjacent to
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Lin, Sheng, Min Zhang, Xi Cheng, Liang Wang, Maiping Xu, and Hai Wang. "Hyperspectral Anomaly Detection via Dual Dictionaries Construction Guided by Two-Stage Complementary Decision." Remote Sensing 14, no. 8 (2022): 1784. http://dx.doi.org/10.3390/rs14081784.

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Low rank and sparse representation (LRSR) with dual-dictionaries-based methods for detecting anomalies in hyperspectral images (HSIs) are proven to be effective. However, the potential anomaly dictionary is vulnerable to being contaminated by the background pixels in the above methods, and this limits the effect of hyperspectral anomaly detection (HAD). In this paper, a dual dictionaries construction method via two-stage complementary decision (DDC–TSCD) for HAD is proposed. In the first stage, an adaptive inner window–based saliency detection was proposed to yield a coarse binary map, acting
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Spencer, Susan. "Picturing Political Power: Eighteenth-Century Korean Portraits in San Francisco's Asian Art Museum." Eighteenth-Century Life 47, no. 1 (2023): 63–80. http://dx.doi.org/10.1215/00982601-10199942.

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Crawford-Brown, Sophie. "Ecocriticism on the Wall: Roman Landscapes at the San Antonio Museum of Art." American Journal of Archaeology 128, no. 1 (2024): 133–43. http://dx.doi.org/10.1086/728419.

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Asberry, Kasey. "Review: Design+Undesign: Tibor Kalman, 1979-1999 San Francisco Museum of Modern Art, San Francisco, CA, Fall 1999 ." Leonardo 33, no. 3 (2000): 228. http://dx.doi.org/10.1162/leon.2000.33.3.228.

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