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Tesis sobre el tema "Music studies"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de enero de 2023

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1

Stewart, Lauren Marian. "Neurocognitive studies of music reading." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405213.

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2

Ellrott, Travis Rudy Paul. "Studies." Diss., UMK access, 2006.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2006.<br>A series of ten pieces composed for two channel audio using trumpet and viola samples. "A thesis in music composition." Jared Prost, Erin Wright, musicians ; Paul Rudy, advisor Includes compact disc. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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3

Bidgood, Lee. "History of Bluegrass Music." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1087.

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4

Bidgood, Lee. "Bluegrass Music in History." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1085.

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5

Olson, Ted. "Jean Ritchie: Natural Music." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1214.

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6

Olson, Ted. "Let the Music Be Heard: Creating New Appalachian Music Compilations for a New Generation." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1196.

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As a performer, teacher, and scholar, I have interpreted Appalachian music in a range of venues (classrooms, festivals, restaurants, and National Park Service campgrounds) and via a variety of media (books and periodicals, websites, films, and documentary recordings). In my presentation, I'll discuss how my efforts to interpret the music (and other aspects of culture) of Appalachia in multiple roles over twenty-five years evolved into my recent work as a producer and album notes writer on several historical albums containing neglected archival recordings or forgotten commercial records of Appa

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7

Bidgood, Lee. "Music and Work in Appalachia." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1091.

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8

Schaus, Lam E. "Implementing multicultural music education in the elementary schools' music curriculum." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111519.

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The study examined the benefits of implementing multicultural music education into an elementary school's music curriculum. Conducted in a region with a culturally diverse student population, the study surveyed in-service music teachers and elementary students' parents on their perceptions of multicultural music education. Meanwhile, a set of experimental classes focused on Chinese music was taught to a diverse class of Grade 5 students to study their reactions and learning outcomes when studying non-Western music. Results indicate that (a) multicultural music needs to be better implemented in

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9

Bidgood, Lee. "Imagining Place in Bluegrass Music." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1102.

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10

Olson, Ted. "Joe Wilson: Pioneering Music Promoter." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1212.

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11

Bidgood, Lee. "Recent Music Scholarship." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/2762.

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Review of Recent Music Scholarship: The Music of Multicultural America: Performance, Identity, and Community in the United States, 2nd edition. Ed. Kip Lornell and Anne K. Rasmussen. (Jackson: University Press of Mississippi, 2016. Pp. 425, website and acknowledgments, introduction, notes, references cited, additional sources, audiographies, videographies, index.) Country Boys and Redneck Women: New Essays in Gender and Country Music. Ed. Diane Pecknold and Kristine M. McCusker. (Jackson: University Press of Mississippi, 2016. Pp. xviii + 280, introduction, notes, index.) Sing Me Back Home: So

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12

Zamborlin, Bruno. "Studies on customisation-driven digital music instruments." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12312/.

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From John Cage’s Prepared Piano to the turntable, the history of musical instruments is scattered with examples of musicians who deeply customised their instruments to fit personal artistic objectives, objectives that differed from the ones the instruments have been designed for. In their digital counterpart however, musical instruments are often presented in the form of closed, finalised systems with apriori symbolic rules set by their designer that leave very little room for the artists to customise the technologies for their unique art practices; in these cases the only possibility to chang

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13

Bidgood, Lee. "Integrating Teaching: Music, Appalachian Studies, and Sustainability." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1083.

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Ideas and practices related to sustainability have become more common in academia since the foundation of the Association for the Advancement of Sustainability in Higher Education network and the growing currency of all things "green" in the business, structure, and daily life of higher education. In discussing elements of sustainability that I have incorporated into a course entitled "Ethnomusicology and Appalachia," I show how they are not part of a trend, but are foundational and transformative parts of both Appalachian studies and the study of people making music. Ethnomusicology is based

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14

Olson, Ted. "Blind Alfred Reed: Life and Music." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1189.

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15

Bidgood, Lee. "Music and Dance in Appalachia." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1088.

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16

Cross, Jonathan Guy Evrill. "Modernism, analysis and new music : studies in the music of Stravinsky and Birtwistle." Thesis, King's College London (University of London), 1994. https://kclpure.kcl.ac.uk/portal/en/theses/modernism-analysis-and-new-music--studies-in-the-music-of-stravinsky-and-birtwistle(992330bf-9452-4fa5-a4f7-df1c5e13f453).html.

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17

Chen, Hui-Shan. "The Tao to the new music : studies in Anton Webern's early atonal music." Thesis, Birmingham City University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395172.

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18

Bofill-Calero, Jaime O. "Improvisation in Jibaro music A structural analysis." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560809.

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<p> Improvisation is regarded as the most sublime element in the <i> jíbaro</i> folk music tradition of Puerto Rico. This tradition originated by the <i>jíbaro</i>, the simple rural farmer of Puerto Rico's heartland, involves the complicated art of improvising in décima, a ten-line poetic form, as well as improvisation of melodic lines played on the cuatro, a small guitar-like instrument. Since <i> jíbaro</i> improvisation is an art that is transmitted orally and involves a seemingly spontaneous act, it might seem odd to talk about a theory of improvisation within t

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19

Olson, Ted. "The Celtic Influence on Appalachian Music." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1204.

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20

Yiu, Yan-ling, and 饒欣凌. "Rock music as cultural translation: a case study of Hong Kong rock music video." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30432996.

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21

Olson, Ted S. "African American Music in Southwest Virginia." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5514.

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Excerpt: African Americans have lived in Southwest Virginia since the early eighteenth century, and their traditions—their verbal folklore, customary folklife, and material culture—have long influenced cultural life in Southwest Virginia. African American music has been particularly impactful in the region, yet many people today are unaware of the extent of that influence.

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22

Olson, Ted S. "Anglo-American Gospel Music." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5516.

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23

Jennings, Mark. "Realms: A Phenomenological, Socio-Cultural and Theological-Religious Studies exploration of Musical Space." Thesis, Jennings, Mark (2009) Realms: A Phenomenological, Socio-Cultural and Theological-Religious Studies exploration of Musical Space. PhD thesis, Murdoch University, 2009. https://researchrepository.murdoch.edu.au/id/eprint/1675/.

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This thesis sets out to explore the ways people use and interpret experience of music, the divine and interaction with other people within discrete musical spaces. This exploration takes place in two sites: a Pentecostal church in suburban Perth, Western Australia, and the West Coast Blues & Roots festival, a well known music festival held annually in Fremantle, Western Australia. I have nominated these two sites as “realms” because they are spaces set up for the performance and experience of music. My primary questions about these sites relate to how people interact with music, each other

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24

Jennings, Mark. "Realms : a phenomenological, socio-cultural and theological-religious studies exploration of musical spaces /." Murdoch University Digital Theses Program, 2009. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100421.135501.

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25

Jansen, van Rensburg Wim Petrus. "Interpreting music consumption data published by the music industry to inform the career choices of music graduates." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/62641.

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26

Olson, Ted. "Catching the World’s Ear: Documenting Appalachia’s Music Traditions." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1114.

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27

Olson, Ted. "A Century of Heritage Guitar Music." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu_books/134.

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Album Notes For those who love the traditional music of Southwest Virginia, especially the many folks who make it, listening to these recordings will likely be a deeply emotional experience. Embedded within these recordings are cherished memories that connect people to the first time they ever heard a certain artist, or the first song they themselves ever learned on guitar. A Century of Heritage Guitar Music represents a shared experience of the people of The Crooked Road region - an experience that connects families and communities with their unique place and culture. Like The Crooked Road

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28

Cunningham, John Patrick. "Music for the privy chamber : studies in the consort music of William Lawes (1602-45)." Thesis, University of Leeds, 2007. http://etheses.whiterose.ac.uk/21097/.

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The first half of the seventeenth century was one of the most vibrant periods in English music. William Lawes is arguably one of the finest English composers of the period, and indeed, ranks with the best of his Continental contemporaries. He gained a post among the private musicians of Charles I in 1635, a group known as the Lutes, Viols and Voices (LVV). Much of his surviving consort music appears to have been written for performance by members of LVV; nevertheless, little is known of the internal workings of this elite group. Thus, this dissertation first considers the evidence available fr

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29

Peak, Anna. "THE MUSIC OF THE SPHERES: MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/96510.

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English<br>Ph.D.<br>This interdisciplinary study examines how nineteenth-century British ideas about music reflected and influenced the period's gendering of the mind. So far, studies of Victorian psychology have focused on the last half of the century only, and have tended to elide gender from the discussion. This study will contribute to a fuller picture of nineteenth-century psychology by demonstrating that the mind began to be increasingly gendered in the early part of the century but was largely de-gendered by century's end. In addition, because music was an art form in which gender norms

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30

Wendel, Evan Landon. "New potentials for "independent" music : social networks, old and new, and the ongoing struggles to reshape the music industry." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/43197.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2008.<br>Includes bibliographical references (p. 105-111).<br>This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post-punk era as an offline social network. This develops a useful framework for then considering the similar and distinctive ways in which contemporary independent practices are enable

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31

Bidgood, Lee, and ETSU Faculty Band. "Performance at Music on the Lawn concert." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1067.

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32

Olson, Ted. "Scottish Culture: Scottish and Scots-Irish Music." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1199.

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33

Wall, Jonathan Frederick. "Intermedia, hypermedia, and metamedia in Tarrare| Consumption Studies." Thesis, The University of North Carolina at Greensboro, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1541401.

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<p> With my thesis, I have attempted to find a multimedia-oriented approach to musical composition that simultaneously presents a number of possible interpretations and allows for listeners to create their own. <i>Tarrare: Consumption Studies</i> explores a discursive space created around Tarrare, an eighteenth-century polyphagist, through instrumental music, electronic sound, spoken text, and moving image. I collaborated on many of the texts with Jensen Suther.</p><p> This thesis also examines media theories that aim to address the relationships between different facets of multimedia creati

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34

Jordan, Robert D. "Scale, arpeggio, and interval studies for the bassoon /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445.

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35

Olson, Ted. "The Stanley Legacy: Mountain Music Creators and Ambassadors." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1198.

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36

Olson, Ted. "The National Storytelling Festival: Words, Music, and Memories." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1126.

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Excerpt: A Other acclaimed masters of the spoken word scheduled to appear at this year’s Festival include David Novak, Minton Sparks, Joseph Bruchac, Milbre Burch, and Jackson Gillman. Each year the Festival seeks to represent storytelling from a range of cultural traditions, and this year is no exception. Rev. Robert Jones and Diane Ferlatte will present stories and music relating African American experience, while Festival attendees may also see and hear performances by Yiddish storyteller Shonaleigh, Chinese American storyteller and musician Charlie Chin, and Brazilian performance artist An

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37

Olson, Ted. "'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1111.

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38

Langley, Mikaela. "Exploring Authenticity in Old-Time Music." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/603.

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This thesis focuses on the question of authenticity in old-time music, and the ways in which it is studied in ETSU’s Bluegrass, Old-Time, and Country Music Studies program. In an academic setting, old-time is often studied in more of a historical or anthropological context and less as a specific style of music. Arguments for authenticity in this music have been made since the popularity of such films as “O Brother, Where Art Thou?” and “Cold Mountain”, which brought a lot of outside attention to the genres of bluegrass and old-time music, as well as defining the aesthetics associated with them

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39

Broad, Leah. "Nordic incidental music : between modernity and modernism." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8a2b5571-4bbc-4bed-9b99-4b66dbd1e12d.

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This thesis argues for the centrality of incidental music in early twentieth-century music history, based on a study of Swedish and Finnish theatre music between 1908 and 1926. The central claims made are firstly, that incidental music is an integral part of music history in this period, supporting a narrative about modernity that does not focus exclusively on "high art" concert music. Second, the Nordic countries were part of a cross-continental discourse concerning modernity that did not revolve solely around, or stem from, central European capital cities such as Vienna or Paris. Third, dram

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40

Bidgood, Lee. "Czech Perspectives on Race and Appalachian Music." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1097.

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41

Quillin, Jessica Kate. "Lyrical harmony : studies in Percy Shelley and his music." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613764.

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42

Russ, M. "Four studies in the analysis of post-tonal music." Thesis, University of Ulster, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355857.

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43

Bidgood, Lee. "Seeking Information in Bluegrass, Old Time, and Country Music Studies." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1093.

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44

Duling, Edward Burger. "The development of pedagogical-content knowledge : two case studies of exemplary general music teachers /." Connect to resource, 1992. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1244060359.

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45

Johnson, Maya Ayana. "Harem Fantasies and Music Videos: Contemporary Orientalist Representation." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626527.

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46

Bernhagen, Lindsay M. "Sounding Subjectivity: Music, Gender, and Intimacy." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365258753.

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47

Sörendal, Fredrik, Anders Berg, and Jörgen Fransson. "Competitiveness in the Music Industry : A study of the Swedish Music Companies." Thesis, Jönköping University, JIBS, Business Administration, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-730.

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48

Pohly, Linda Louise. "Welsh choral music in America in the nineteenth century /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu148767034687525.

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49

Adams, Brandon. "The knowledge, skills and competency requirements for music librarians in academic music libraries in the Western Cape, South Africa." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/26881.

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The objective of this study was to determine the knowledge, skills and competencies required for music librarians in academic music libraries in the Western Cape of South Africa, in order for these libraries to effectively serve their scholarly communities. In addressing this objective, the following research questions were generated: What are user expectations of academic music library services in the Western Cape?; To what extent are these expectations currently being met?; and, What are the knowledge, skills and competency requirements for music librarians in academic libraries in the Weste

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50

LaLonde, Kirsten M. "Teaching Music to the Hearing Impaired." Thesis, Minot State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10684252.

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<p> Elementary music teachers often have students who are hard-of-hearing participating in their classes. Teachers need to be aware of what hearing impairments are and how these hard-of-hearing students have entered the music classroom. The present text explores assistive hearing technology, general music education for students with hearing loss, adaptations for the general music classroom, instrumental music for students with hearing loss and a brief explanation of song signing. The author attempts to better understand which strategies can be used to improve the music education of hard-of-hea

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