Libros sobre el tema "Music theory History 16th century"
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A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Buscar texto completoTonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Buscar texto completoMusic and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Buscar texto completoE, Corneilson Paul, ed. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.
Buscar texto completoTheories of fugue from the age of Josquin to the age of Bach. Rochester, NY: University of Rochester Press, 2000.
Buscar texto completoToft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Buscar texto completoStoquerus, Gaspar. Musica verbali libri duo =: Two books on verbal music. Lincoln: University of Nebraska Press, 1988.
Buscar texto completoIoannes Stomius, prima ad musicen instructio: Edition, Übersetzung, Kommentar. Bern: Peter Lang, 2010.
Buscar texto completoJoachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.
Buscar texto completo1937-, Maniates Maria Rika, and Palisca Claude V, eds. Ancient music adapted to modern practice. New Haven: Yale University Press, 1996.
Buscar texto completoAgricola, Martin. The "Musica instrumentalis deudsch" of Martin Agricola: A treatise on musical instruments, 1529 and 1545. Cambridge: Cambridge University Press, 1994.
Buscar texto completoHülsen, Nora Verena. Frühe Formen musikalisch-rhetorischer Figuren: Ausdrucks- und Gestaltungsmittel in Vokal- und Instrumentalmusik des 16. und beginnenden 17. Jahrhunderts. Frankfurt am Main: Lang, 2012.
Buscar texto completoPraetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoT, Kite-Powell Jeffery, ed. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoMoyer, Ann E. Musica scientia: Musical scholarship in the Italian Renaissance. Ithaca: Cornell University Press, 1992.
Buscar texto completoMichael, Fend, ed. Theorie des Tonsystems: Das erste und zweite Buch der Institutioni harmoniche (1573). Frankfurt am Main: P. Lang, 1989.
Buscar texto completoMersenne, Marin. Harmonie universelle: Contenant la théorie et la pratique de la musique (Paris, 1636). Paris: Centre National de la Recherche Scientifique, 1986.
Buscar texto completoPesce, Dolores. The affinities and medieval transposition. Bloomington: Indiana University Press, 1987.
Buscar texto completoV, Palisca Claude, ed. The Florentine Camerata: Documentary studies and translations. New Haven: Yale University Press, 1989.
Buscar texto completoModal subjectivities: Self-fashioning in the Italian madrigal. Berkeley, CA: University of California Press, 2005.
Buscar texto completoPennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.
Buscar texto completoPraetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Buscar texto completoPraetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Buscar texto completoPraetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.
Buscar texto completoD'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.
Buscar texto completoMusic theory in seventeenth-century England. New York: Oxford University Press, 2000.
Buscar texto completoPraetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Buscar texto completoCompositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
Buscar texto completo1944-, Bray Roger, ed. The Sixteenth century. Oxford [England]: Blackwell Reference, 1995.
Buscar texto completoInterpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.
Buscar texto completoThe performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.
Buscar texto completoBlasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Buscar texto completoSmith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.
Buscar texto completoIndian music during Delhi Sultanate period: 13th to early 16th century. New Delhi: Kanishka Publishers, Distributors, 2015.
Buscar texto completoTheory and history of ideological production: The first bourgeois literatures (the 16th century). Newark [Del.]: University of Delaware Press, 2002.
Buscar texto completoBetween modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
Buscar texto completoMcBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Buscar texto completoIain, Fenlon, ed. The Renaissance: From the 1470s to the end of the 16th century. London: Macmillan, 1989.
Buscar texto completoViennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Buscar texto completoTonal Structures in Early Music (Critisism & Analysis of Early Music). Routledge, 1999.
Buscar texto completoOwens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.
Buscar texto completoCorneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2016.
Buscar texto completoCorneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 1998.
Buscar texto completoCorneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Buscar texto completoCorneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Buscar texto completoMerritt, Arthur Tillman. Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint. Harvard University Press, 2013.
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