Bibliografías temáticas / Muzică militară

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Literatura académica sobre el tema "Muzică militară"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Muzică militară"

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Oleg, CAZACU. "REPERE DIN ISTORIA FANFAREI RURALE ÎN SPAȚIUL CULTURAL AL REPUBLICII MOLDOVA." STUDIA UNIVERSITATIS MOLDAVIAE Științe Umanistice, no. 4(154) (2022): 29–33. https://doi.org/10.5281/zenodo.6583879.

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Un domeniu valoros al culturii tradiționale românești îl constituie muzica de fanfară. În arta de tradiție orală instru­mentele aerofone au o istorie bogată cu rădăcinile în cultura traco-geto-dacă. Constituirea fanfarei ca formație orga­ni­za­tă cu un anumit statut de activitate este nemijlocit legată de reforma armatei naționale din secolul al XIX-lea. Totodată, dezvoltarea profesionalismului instrumental de tradiție orală, tendința de îmbogățire a instrumentarului de către repre­zen­tanții acestuia – lăutarii, a dus la crearea fanf
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2

Maja, M. Vasiljevic. "Srpske vojne muzike u zemljama saveznika u Velikom ratu (1916-1918)." Vojnoistorijski glasnik/Military Historical Review, no. 2 (December 14, 2014): 20–41. https://doi.org/10.5281/zenodo.7436857.

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This paper results from research of archival collections and periodicalson orchestras and prominent musicians of Serbian Army in the Great War. An author extensively considers organization, conception and achievements of the military division orchestras/bands of the Kingdom of Serbia in the Great War. Most prominent orchestra of Serbia Army, Music of the Royal Guard and their conductor, composer Stanislav Binički, successfully toured France in September 1916. Author also examines the dynamic concert activities of the Music of the Cavalry Division conducted by Dragutin F. Pokorni in North Afric
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3

Hoegaerts, Josephine. "John Smit, Tussen leger en maatschappij. Militaire muziek in Nederland 1819-1923." TSEG - The Low Countries Journal of Social and Economic History 19, no. 2 (2022): 149–51. http://dx.doi.org/10.52024/tseg.12305.

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Falski, Maciej. "Who Has the Right to Decide? Pula and the Problem of Demilitarized Urban Zone." Prace Filologiczne. Literaturoznawstwo, no. 9(12) cz.1 (July 4, 2019): 135–48. http://dx.doi.org/10.32798/pflit.113.

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In 2007, the Croatian army decided to close its military base on the Muzil peninsula, which is a part of the city of Pula. Muzil hosts about 20 percent of the city; moreover, it is located in a very attractive area with the view on the seaside and the city’s historical center. After the city received the area, negotiations began to decide about the future of the demilitarized land. This paper discusses the attitudes of two main actors of the public debate: the city council supported by the central authorities of Croatia and a nongovernmental organization established by a number of residents of
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5

Vasiljević, Maja. "A 'quiet African episode' for the Serbian army in the Great War: The Band of the Cavalry Division and Dragutin F. Pokorni in North Africa (1916-1918)." New Sound, no. 43-1 (2014): 123–56. http://dx.doi.org/10.5937/newso1443123v.

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In the context of this year's centenary of World War I, the focus of this text is the music activities of the Serbian army in North Africa (1916-1918), where they recuperated from their retreat across the mountains of Albania. This paper is a result of an extensive archival research of the National Library of Serbia's collections and periodicals published during the Great War in North Africa. The daily news bulletin Napred/En avant published during the war in Africa deserves special attention, along with the personal archives of conductor and Serbian army captain Dragutin F. Pokorni (1868-1956
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6

Smołucha-Sładkowska, Agnieszka. "Pairing Antagonists: Pisanello’s Medals of Niccolò Piccinino and Francesco Sforza." Notae Numismaticae - TOM XV, no. 15 (May 17, 2021): 275–304. http://dx.doi.org/10.52800/ajst.1.a.14.

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Among the early medals made by Pisanello (Antonio Pisano, c. 1395–c. 1455), considered as the “inventor of the modern medal”, there are two of mercenary captains, Niccolò Piccinino and Francesco Sforza (the future duke of Milan). At the alleged moment of the medals’ execution both condottieri were in the service of Filippo Maria Visconti, Duke of Milan, who appears to have been the most probable commissioner. The pairing of these two captains was not coincidental – they were successors to the leaders of the two greatest Italian military companies, the bracceschi (led by Braccio da Montone) and
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7

Maja, Vasiljevic. "A 'QUIET AFRICAN EPISODE' FOR THE SERBIAN ARMY IN THE GREAT WAR: THE BAND OF THE CAVALRY DIVISION AND DRAGUTIN F. POKORNI IN NORTH AFRICA (1916−1918)." New Sound ISSN 1354-4362 43, no. I (2014): 123–56. https://doi.org/10.5281/zenodo.4642065.

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In the context of this year's centenary of World War I, the focus of this text is the music activities of the Serbian army in North Africa (1916−1918), where they recuperated from their retreat across the mountains of Albania. This paper is a result of an extensive archival research of the National Library of Serbia's collections and periodicals published during the Great War in North Africa. The daily news bulletin Napred/En avant published during the war in Africa deserves special attention, along with the personal archives of conductor and Serbian army captain Dragutin F. Poko
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8

AYANGIL, RUHI. "Western Notation in Turkish Music." Journal of the Royal Asiatic Society 18, no. 4 (2008): 401–47. http://dx.doi.org/10.1017/s1356186308008651.

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The adoption of western notation (which is an example of graphic notation) as the “official system” in Turkey dates from after 1828. Sultan Mahmud II (reigned 1808–1839) abolished the Janissary force in 1826 and with it the musical unit of that army, it was a band for wind and percussion instruments (Mehterhâne-i Hümâyûn). He then organised his new army on western lines and thus introduced an institution of western origin, the military band, as the musical unit of his modern army. This new institution, which was European in its music system, instruments, repertoire and first and foremost its m
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9

Ruhr, Peter, and Francis Pieters. "Van Trompetsignaal tot Muziekkapel. Anderhalve eeuw militaire muziek in Belgie (Vom Trompetensignal zur Musikkapelle. Anderthalb Jahrhunderte Militarmusik in Belgien)." Jahrbuch für Volksliedforschung 30 (1985): 183. http://dx.doi.org/10.2307/848805.

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10

Vasiliu, Laura-Otilia. "Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years." Artes. Journal of Musicology 24, no. 1 (2021): 329–43. http://dx.doi.org/10.2478/ajm-2021-0020.

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Abstract The vast work Noi istorii ale muzicilor românești [New histories of Romanian types of music]1 (816 pages), published by Editura Muzicală in 2020 was a project of the Romanian Composers and Musicologists’ Union, represented by composer and university professor Adrian Iorgulescu, a project meant to mark the celebration of a century of activity of the organisation. The two volumes of the New histories, coordinated by Valentina Sandu-Dediu and Nicolae Gheorghiță, reflect the fulfilment of a long research project, begun in the 1990s, with a view to reassessing the musical past of Romania,
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Libros sobre el tema "Muzică militară"

1

Radunović, Stevan. Crnogorska vojna muzika: Zbornik dokumenta. Državni arhiv Crne Gore, 2010.

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2

Grootemaat, Peter. Met muziek op mars: Nederlandse militaire tamboerkorpsen en andere muziekformaties van 1945 tot 2003. Europese Bibliotheek, 2003.

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3

Noi istorii ale muzicilor românești (II): Ideologii, instituții și direcții componistice în muzica românească din secolele XX-XXI. Editura Muzicală, 2020.

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Actas de conferencias sobre el tema "Muzică militară"

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Cazacu, Oleg. "Some aspects of orchestration in the music for the band." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.05.

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The repertoire for the marching band has its specificity, determined by the instrumental composition, the type of orchestra: military or civilian, the context of the performance. It includes both original opuses and transcriptions. The orchestration technique reflects all these aspects, and the authors of the works and arrangements will consider the timbre features, the possibilities of combining different instruments, the application of dynamic elements, the ways of creating/reproducing the chordal, polyphonic, melodic texture, which will harmonize and reflect the whole sound picture of the m
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2

Bertoncini Sabatini, Paolo, and Marco Giorgio Bevilacqua. "The Contribution of Muzio Oddi to the Lucca Walls: Unpublished Drawings and New Attributions." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20105.

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Engineer, architect, and mathematician Muzio Oddi (Urbino 1569-1639) is credited with an extensive collection of drawings that reflect his diverse technical, scientific, and artistic expertise. This notable and varied graphic collection, which has not yet been fully explored, includes a substantial portion housed in the Royal Collection at Windsor Castle. Within two large volumes, 213 drawings are attributed to Oddi, with about 142 confirmed as his and the remainder to artists active between the late 16th and early 17th centuries. Many of these pertain to military architecture, particularly th
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