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Artículos de revistas sobre el tema "National characteristics, American – Drama"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Yan, Ping. "Research on the Application of the US Cornerstone Assessment Model proposed by National Core Art Curriculum Standards in 2014 in the Performance Evaluation of Music Literacy." Journal of Education and Educational Research 5, no. 3 (2023): 163–65. http://dx.doi.org/10.54097/jeer.v5i3.13686.

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The United States issued the latest National Core Art Curriculum Standards in 2014, which address the issues of the overall design and planning of the five art courses of music, dance, drama, and media art. Compared to the 1994 edition of the National Standards for Art Education in the United States, it provides a new content for art courses. Essentially, it proposed cornerstone evaluation model. The American art curriculum has the following characteristics: focusing on artistic literacy and developing students' academic abilities, enabling students to achieve artistic success and achievement
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2

Vysotska, Natalia. "Playing Upon Biographical Myths: William Shakespeare and Lesia Ukrainka as Characters in Contemporary Drama." Kyiv-Mohyla Humanities Journal, no. 8 (December 24, 2021): 103–19. http://dx.doi.org/10.18523/kmhj249192.2021-8.103-119.

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The article sets out to explore two plays by contemporary playwrights, one American (Don Nigro, Loves Labours Wonne), the other Ukrainian (Neda Nezhdana, And Still I will Betray You), focusing on William Shakespeare and Lesia Ukrainka, respectively, within the framework of “the author as character” subgenre of fictional (imaginative) biography. Accordingly, the article considers the correlation between the factual and the fi ctional as one of its foci of attention. Drawing upon a variety of theoretical approaches (Paul Franssen, Ton Hoenselaars, Ira Nadel, Aleid Fokkema, Michael MacKeon, Ina S
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3

O.V., Halchuk. "MYTHOLOGICAL PARAMETERS OF THE BOXER PROTAGINIST ROCKY BALBOA." South archive (philological sciences), no. 84 (December 23, 2020): 152–57. http://dx.doi.org/10.32999/ksu2663-2691/2020-84-23.

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The purpose of this study is to characterize the image of the protagonist of the saga of the boxer Rocky through the prism of mythopoetics as a type of new cultural hero in the field of sports. Research methods are historical and cultural, mythopoetic, and comparative. Its application allows to outline the genetic connection of the image of the hero-boxer with the literary tradition; identify its main parameters as a mythohero; allocate the points of intersection of the author's myth with the myth of the American dream; consider the acquisition of the mytheme of Rocky the beginnings of the ide
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4

Vo, Nhon Van. "TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY." Science and Technology Development Journal 13, no. 1 (2010): 5–12. http://dx.doi.org/10.32508/stdj.v13i1.2099.

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Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature
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5

Sajnani, Nisha, and Anamarija Vuic. "North American drama therapists’ perceptions of climate change." Drama Therapy Review 11, no. 1 (2025): 77–95. https://doi.org/10.1386/dtr_00162_1.

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The consequences of climate change have a significant impact on all aspects of planetary and human life, including mental health, necessitating attention across healthcare provision and training. We may assume that drama therapists agree with prevailing scientific opinion on climate change regarding its detrimental effects on human health and well-being but do not have empirical data to support this claim. The purpose of this study was to identify how North American drama therapists perceive climate change. A secondary aim was to compare these findings to a publicly available national (US) dat
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6

Liu, Juan. "The Rebellion Origins and Spiritual Symbols of American Experimental Drama." Yixin Publisher 2, no. 2 (2024): 17–23. http://dx.doi.org/10.59825/jhss.2024.2.2.17.

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In the 1950s and 1960s, American theater gradually diversified. Following the impact of the Absurdist theater on American realism and expressionism, American theater also moved from modern theater to exploration of postmodern theater. The experimental theater on Broadway and Broadway posed a challenge to traditional American theater. Experimental drama begins to weaken the story and script in terms of content, and instead invests a large amount of artistic creativity in formal expression. By weakening the script, it emphasizes the relationship between observation and performance, sensory perce
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7

Guo, Ziyan. "On the Application of Regional Features in Contemporary Dance Drama." Journal of Education and Educational Research 4, no. 1 (2023): 62–64. http://dx.doi.org/10.54097/jeer.v4i1.10034.

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Regional characteristics are widely used in Chinese contemporary dance dramas. Different regional cultures create different regional characteristics. Integrating regional characteristics into Chinese contemporary dance dramas can make Chinese regional characteristics shine. This article analyzes the regional characteristics of the dance drama "Shawan Past" and explores the spiritual connotations expressed by the application of regional characteristics in contemporary dance dramas. The dance drama "The Past of Shawan" is a rare masterpiece in contemporary dance drama creation. Through stories,
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8

Shen, Bingyan, and Kyunghoi Kim. "Cultural Characteristics and Social Values of Mongolian Folk Dance: Focusing on the Dance Drama “The Cavalry”." Korean Society of Culture and Convergence 45, no. 11 (2023): 465–73. http://dx.doi.org/10.33645/cnc.2023.11.45.11.465.

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This study focused on the Mongolian national dance drama 'Cavalry' to trace the roots of Mongolian national culture and to examine its historical background. It analyzed the ethnic elements of the dance drama 'Cavalry' and reviewed the diversity of Mongolian culture as depicted in the drama. Finally, the study examined the value of Mongolian national dance culture as depicted in 'Cavalry' and its impact on society. The results revealed that Mongolian national dance goes beyond just being a form of dance, playing a significant role in the derived cultural values, contributing to the transmissio
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9

McMurtry, Leslie. "Sounds Like Murder: Early 1980s Gothic on North American Radio." Gothic Studies 24, no. 2 (2022): 151–66. http://dx.doi.org/10.3366/gothic.2022.0131.

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Horror and the Gothic have long been staple genres of radio drama, including the radio drama revival series of the late 1970s–early 1980s , CBS Radio Mystery Theater (1974–82). During the same time period, the Canadian government, recognising an emergent national-identity crisis in relation to its southern neighbour, invested heavily in original programming on the Canadian Broadcasting Corporation (CBC). This resulted in the popular horror series Nightfall (1980–3), which Danielle Hancock argues presented ‘murder as a Canadian national narrative’ (2018). While CBSRMT occasionally adapted exist
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10

Meer, Sarah. "Foreign Constellations in a National Drama: Becoming American in Boucicault's Belle Lamar." Nineteenth Century Theatre and Film 39, no. 2 (2012): 19–38. http://dx.doi.org/10.7227/nctf.39.2.2.

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11

Lacko, Ivan. "National Drama, Theatre or Performance? Ruin, Revision and Reform in American Theatre." Scientia et Eruditio 3, no. 3 (2019): 76–83. http://dx.doi.org/10.31262/2585-8556/2019/3/3/76-83.

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12

Li, Zhengjun, and Tan Chee Lay. "A Study on the Stylistic Features and Teaching Strategy of Kuo Pao Kun’s Chinese Expressionist Drama ¬——“Kopi Diam” and “The Silly Little Girl and the Funny Old Tree”." ERUDITE: Journal Of Chinese Studies And Education 1, no. 2 (2020): 109–28. http://dx.doi.org/10.37134/erudite.vol1.2.5.2020.

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“Expressionist” drama is different from traditional realistic drama. It has features like anti-conflict, anti-logical structure and shows the inner state of the characters. Therefore, in the process of expressionist drama teaching, it is necessary to highlight the characteristics of “dramatic” and “stylistic”. Here, we will take Singapore’s national treasure Kuo Pao Kun’s dramas “Kopi Diam” and “The Silly Little Girl and the Funny Old Tree” as examples to discuss the stylistic features and teaching strategy for expressionist drama to promote the effective teaching.
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13

Mitchell, Tony. "Colonial Discourse and the National Imaginary." Canadian Theatre Review 74 (March 1993): 18–21. http://dx.doi.org/10.3138/ctr.74.004.

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Like Anglo-Australian popular music, which is often indistinguishable from its English or American counterparts, Anglo-Australian drama tends to have a familiarly white, post-colonial veneer which all too frequently simply covers a neocolonial core. As Stan Anson has stated: the rhetoric of postcolonialism assumes that anticolonialism has either overthrown imperialism or exhausted itself in the attempt. It has done neither. The world we live in is still manifestly colonial, although it might be better to call it neocolonial, in recognition of the fact that the crude annexations of the past hav
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14

Aketema, Joseph, Emmanuel Nana Beyin Kwaku Ofori, and Sylvia Tetteyfio Manu. "An Audiences’ Perception of Ghanaian Television Drama Series on National Values." Journal of Society and Media 8, no. 2 (2024): 588–611. http://dx.doi.org/10.26740/jsm.v8n2.p588-611.

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This paper examines students’ views regarding television series in line with the cultural and ideological broadcasting of Ghana’s regulations. With the main objective of evaluating the effects and influences of Ghana’s television series on audiences lived experiences, both qualitative and quantitative methodological approaches were used to evaluate a purposively sampled University of Ghana’s student body on their perception of Ghana’s television content. Key findings indicates that there is an -increasing enculturation of Ghanaian culture by Euro-American media products. This has proven to hav
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15

Alhajri, Khalifah. "Ritual and Drama." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 2, no. 1 (2019): 8–26. https://doi.org/10.31866/2616-759x.2.1.2019.170745.

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The purpose of the article is to study the nature of the ritual relationship and theater on the example of the Muslim ceremonial theatrical performance of the Ta’zijah – the Shi’i passion play. The chosen problem caused the broad context of the study. In particular, the author draws attention to the peculiarities of the combination of ritual and theater in ancient Greece, as well as in the European and American culture of the twentieth century. In addition, the specificity of ritual and theater connections in other cultures, including Chinese and Japanese, is monitored. Consi
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16

Jian, GAO. "A Concerto Resonance Between the Chinese Zhuang Customs and the Topic of Poverty Alleviation: Exploring the Artistic Value and Spiritual Connotation of Zhuang Drama Huang Wenxiu." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 4 (2022): 165–72. http://dx.doi.org/10.53789/j.1653-0465.2022.0204.021.p.

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Huang Wenxiu is a Zhuang drama based on the poverty alleviation work of Huang Wenxiu, who is an outstanding selected graduate from Guangxi and also the first secretary of Baini village. The drama has not only humorous and emotional stage effects, strong romantic sentiment, and realistic critical spirit, but also typical characteristics of the era, vivid artistic images and a strong ethnic style. This drama embodies unique aesthetic values, vividly interpreting the values of the era and the spirit of Guangxi, highlighting the artistic consciousness and practical innovation of Zhuang drama art t
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17

Radulović, Marko. "Anglo-American Drama Performed from 2005 to 2015 at the National Theatre in Belgrade." Анали Филолошког факултета 31, no. 2 (2019): 145–60. http://dx.doi.org/10.18485/analiff.2019.31.2.8.

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18

Starostina, Yuliya S. "The role of titles in forming linguistic axiological features in English drama discourse." Verhnevolzhski Philological Bulletin 4, no. 27 (2021): 165–75. http://dx.doi.org/10.20323/2499-9679-2021-4-27-165-175.

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The article is devoted to studying the nominative paradigm of English drama from the standpoint of linguistic axiology as a mainstream scientific direction focusing on verbal representation of values and evaluation. The aim of the study is to determine the variable linguo-axiological status of titles in British and American drama discourse, with subsequent systematization, aimed at clarifying the format and the extent of their participation in the value-evaluation manifestation. The research material is an equally proportional corpus of modern British and American play titles with a total scop
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19

Geybels, Lindsey. "Narration across time and media: Narrative framing in radio adaptations of H. G. Wells’s The Time Machine." Journal of Adaptation in Film & Performance 17, no. 2 (2024): 137–48. http://dx.doi.org/10.1386/jafp_00115_1.

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Radio drama presents unique challenges for narrative construction, particularly with regard to the incorporation of a narrator. The illusion of immediacy in radio drama often makes it difficult to identify a narrator, disrupting the traditional narrative structure found in novels. This article explores two American radio adaptations of H. G. Wells’s The Time Machine, with a particular focus on the use of narrative techniques that move beyond the possibilities of the original novel’s textual medium. This comparison emphasizes the unique narrative structures present in the radio adaptations and
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20

Anggraini, Suhesti, and Wika Soviana Devi. "ANALISIS NASKAH DRAMA “BAPAK” KARYA BAMBANG SOELARTO MENGGUNAKAN PENDEKATAN OBJEKTIF." Jurnal Komposisi 7, no. 1 (2023): 15. http://dx.doi.org/10.53712/jk.v7i1.1860.

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Drama is a performing art where actors portray a story on stage for an audience. This research analyzes the drama "Bapak" by Bambang Soelarto, which tells the story of a father who loves his children and his country. The purpose of this descriptive study is to provide an accurate description of the facts, characteristics, and relationships between the phenomena being investigated. The drama is set in Yogyakarta in 1949 and follows a linear plot with four main characters: Bapak, Si Sulung, Si Bungsu, and Perwira. An objective approach is used to analyze the theme, plot, setting, characterizatio
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21

Richards, Jeffrey H. "Politics, Playhouse, and Repertoire in Philadelphia, 1808." Theatre Survey 46, no. 2 (2005): 199–224. http://dx.doi.org/10.1017/s004055740500013x.

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In theatre and drama histories, the politics of the American stage has most often been judged by the litmus test of nationalism, primarily in the “rise” of American-authored drama set in America, the development of American character types, and the appearance of American-born actors on the stages of the early United States. To uncover in the old playbills the mention of a performance of Royall Tyler's The Contrast, to celebrate the development of the stage Yankee, or to focus on Edwin Forrest's muscular rant in The Gladiator is to score a palpable hit for national theatre. Given the scarcity o
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22

Wells, Brandy Thomas. "“The Curtain Rises on the Drama”." Journal of Civil and Human Rights 8, no. 2 (2022): 34–66. http://dx.doi.org/10.5406/23784253.8.2.02.

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Abstract This article examines the National Council of Negro Women's (NCNW) participation in the founding conference of the United Nations. Moving beyond a focus on formal actors, it situates Mary McLeod Bethune, the organization's founder and president and the only African American woman to serve as an official representative, alongside her contemporaries on whom she relied. It argues that recovering the activism of Dorothy Boulding Ferebee, Eunice Hunton Carter, Sue Bailey Thurman, Anna Arnold Hedgeman, and a host of other Black women is to recognize a polity that, by all accounts, was not s
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23

Russell, Richard Rankin. "Deprovincializing Brian Friel's Drama in America, 2009 and 2014: Dancing at Lughnasa in Fort Myers, Florida, and Faith Healer in Houston, Texas." Irish University Review 45, no. 1 (2015): 103–16. http://dx.doi.org/10.3366/iur.2015.0154.

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While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must catch up with this ‘deprovincialized’ drama, drawing upon his viewing of Brian Friel's Dancing at Lughnasa in a memorable 2009 production by the Florida Repertory Theatre in Fort Myers. I tentatively explore through that production of Lughnasa what implications its staging in a locale with a strong Hispanic concentration might have for American theatre and for its growing immigrant population as the
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24

Detsi-Diamanti, Zoe. "The Drama of Colonialism: National Identity and the Construction of theIndian/Otherin Early-19th-Century American Plays." Prospects 30 (October 2005): 87–110. http://dx.doi.org/10.1017/s036123330000199x.

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This essay offers insights into the American nation's persistent denial and deep-seated fears of its own inextricably multicultural identity at the time of the American Revolution and the first half of the 19th century. American imperialism, and perhaps this is true of all imperialisms, was founded upon a stable hierarchical relationship between “civilized” and “savage.” Rhetorically, indigenous tribespeople seem to have fitted Frantz Fanon's description of “the realotherwhom the white man perceived on the level of the body image, absolutely as the non-self – that is, the unidentifiable, the u
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25

Hsu, Wenhua. "Extensive reading: The vocabulary levels of English-subtitled Korean, Japanese and Chinese drama series." English Language Teaching Educational Journal 6, no. 3 (2024): 151–61. http://dx.doi.org/10.12928/eltej.v6i3.10068.

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‘Drama fever’ has been riding high with increasing consumer usage of OTT streaming services and prevalence of Internet-connected mobile devices, leading to the phenomenon of binge-watching on college campuses in Taiwan. This study targeted English subtitles as a source of input, since they offer EFL leaners a channel for exposure to English. The researcher compiled four corpora with each having approximately 2.5 million English-subtitled words from Korean, Japanese, American and Chinese TV series across a couple of genres with high viewership ratings on OTT services for comparison. The operati
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26

Kyrylova, O., and O. Yevdokimova. "American Police Procedural: Genesis of the Format and Typology Problems." Масова комунікація у глобальному та національному вимірах, no. 9 (February 15, 2018): 25–32. https://doi.org/10.5281/zenodo.1491700.

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The article deals with the television product known as “the police procedural” in order to highlight existing varieties of procedural dramas and its typologies. The genesis of a procedural drama or procedural has been analyzed since the 1950s launch of a project called “Dragnet” on the American television. The analysis of such format functioning showed that the modern police procedural has definite established signs: the maximum closeness to the reality in order to show that policemen and detectives are the same people as others, they tend to have the same problems and
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27

Katzenstein, Peter J. "Japan in the American Imperium: Rethinking Security." Asia-Pacific Journal 14, no. 6 (2016): 59–76. https://doi.org/10.1017/s1557466016027030.

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A succession of weak Japanese Prime Ministers, the drama of the war in Iraq and Afghanistan, and the current global financial crisis once again have returned the subject of Japanese security policy to a position of relative political marginality. [*] Throughout the Cold War, the analysis of Japanese security was a topic largely overlooked by both American students of Japan and by students of national security. Japan, after all, was the country that had adopted a Peace Constitution with its famous Article 9 interpreted as legally banning the use of armed force in the defense of national objecti
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28

TEMPLETON, PETER. "On the Couch: The Alpha Male in Therapy in Contemporary American Television Drama." Journal of American Studies 53, no. 3 (2018): 799–818. http://dx.doi.org/10.1017/s0021875817001815.

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As ideas of masculinity have changed in the United States, so too has the presentation of men on television. This article, then, explores a range of characters that have characteristics associated with the alpha male in the unusually vulnerable position of the patient, in a variety of programmes from generic detective dramas through to critically acclaimed productions, to analyse how programme makers navigate questions of masculinity against the cultural backdrop of the most recent fin de siècle. It also demonstrates a range of responses by programme makers, including some that question hyperm
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29

Lindquist, Danille Christensen. ""Locating" the Nation: Football Game Day and American Dreams in Central Ohio." Journal of American Folklore 119, no. 474 (2006): 444–88. http://dx.doi.org/10.2307/4137650.

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Abstract This article suggests how abstract ideas like "nation" are lived and situated by examining recurring features ofAmerican football as it is experienced by spectators in central Ohio. Football-an institutionalized drama formed by its inventors to address questions of national identity and social relations-is embedded within the generically complex event known as "game day" and is framed by ongoing social practices that stem from the sport’s competitive structure. As a multifaceted event grounded in both historical contexts and live performances, this spectator sport provides an ideal ca
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30

Eliasberg, Galina. "The Russian-Jewish New York, the Balfour Declaration and the Revolution in Russia in Leon Kobrin's Play Back to Your People!" Judaic-Slavic Journal, no. 1 (2018): 25–43. http://dx.doi.org/10.31168/2658-3364.2018.1.2.2.

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The article analyzes Kobrin’s play Back to Your People! and the Yiddish press reviews of its performances in New York at Boris Thomashevsky’s Peoples Theater in December 1917 by A. Cahan, I. Vartsman, B. Gorin and others. Critics defined the genre of Kobrin’s play variously as “national drama”, “sentimental melodrama”, “modern sketch” and “tendentious drama” but unanimously noted that it was a direct response to the landmark events of 1917, including the Russian Revolution and the Balfour Declaration. These events triggered nationalist feelings and had a significant impact on Jewish socialists
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31

Fang, Yuting. "A Multi-modal Analysis of the Impact of Subtitle Translation in the American Version of "Empresses in the Palace" on Cultural Dissemination." Journal of Education and Educational Research 13, no. 1 (2025): 108–11. https://doi.org/10.54097/qymav735.

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In the context of globalization, the rise of Chinese historical dramas on the world stage offers rich material for studying the multi-modal role of subtitle translation, exemplified by the American version of "Empresses in the Palace." This paper delves into the impact of subtitle translation strategies on cultural dissemination within this drama using multi-modal theory. The drama, set against the backdrop of the imperial harem of the Qing Dynasty, chronicles the growth of Zhen Huan. Following its success in Asia, adjustments were made to the American version to align with the viewing prefere
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32

Gross, Alan G. "When Nations Remember: Hiroshima in the American Consciousness and Conscience." Prospects 27 (October 2002): 467–88. http://dx.doi.org/10.1017/s0361233300001290.

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Routinely represented by the mushroom cloud that arose from the city immediately subsequent to the atomic attack, Hiroshima has a central place in America's collective memory; it is, to borrow historian Pierre Nora's pregnant phrase, an American lieu de mémoire. In the American psyche, Hiroshima is not a place; it is an event of a special kind, one that is “immediately invested with symbolic significance” (Nora, 18). Even as the attack unfolded, even as the bomb left the bomb-bay doors, Hiroshima was “being commemorated in advance,” an event that was transformed, as it occurred, into a denning
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33

Newbury, Michael. "Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904." Journal of the Gilded Age and Progressive Era 4, no. 4 (2005): 381–407. http://dx.doi.org/10.1017/s1537781400002760.

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In 1903, Alan Dale, the theater critic for the New York American and Journal, when contemplating the state of the American stage, came to the conclusion that “the only national theatre I can find, after severe cogitation, is that beautiful, flip, and classic commodity known as musical comedy.” Dale pointed out that musical comedy's exorbitant popularity was a recent development, emerging only in the previous five or ten years, and that his anointing of the form as the national theater would not sit well with more serious-minded devotees of drama. “Well read gentlemen with heavy minds,” wrote D
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34

Rudy, Rudy. "THE DEPICTION OF HOMOSEXUALITY IN AMERICAN MOVIES." Jurnal Humaniora 28, no. 1 (2016): 59. http://dx.doi.org/10.22146/jh.v28i1.11502.

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This study focuses on the depiction of homosexuality in American films. It is intended to identify the images of gays depicted in American films as well as the characteristics of American gay movies. It incorporates library research by applying an analytical descriptive approach in analyzing the data. The symbol and reflective theory is used to analyze 18 American movies and 14 gay films from other countries in the early 2000s. It shows that gay films can attract audiences by describing gays as the objects for laughs; gays revealing their sexual identities; sexual scenes of gays; masculine gay
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35

Belymenko, Liliana. "Children's Musicals on the Stage of Modern Musical and Music and Drama Theatres in Ukraine." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 110–16. https://doi.org/10.31866/2410-1176.47.2022.269609.

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The purpose of the article is to reveal the peculiarities of children’s musical productions on the stages of Ukrainian musical and music and drama theaters in dramaturgical, artistic-aesthetic, stylistic, and directing-production aspects. Research methodology. The systematic method (for researching the children’s musicals as an independent genre), the comparative method, the method of art history, and genre-style analysis (to identify the features of the domestic children’s musical development and the specific features of its productions on the stages of musical and
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36

Nam, JungAe. "The Jewishness in Characters, Themes, and Literary Styles of Arthur Miller's Plays." Korean Society of Culture and Convergence 45, no. 12 (2023): 985–97. http://dx.doi.org/10.33645/cnc.2023.12.45.12.985.

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This study aims to identify Jewish characteristics in Arthur Miller's eight major plays, focusing on their characters, themes, and writing styles. As a Jewish American immigrant, Miller has been praised for portraying the American ego or culture. Until now, criticism of Miller's plays has taken his imperfect American self for granted as the standard of universality. Critics analyzed only the form and content revealed on the surface of the plays, which have become ambiguous due to the author's double identities. Miller presents a typical American middle-class character on the surface of his wor
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37

Smith, Karina. "From Politics to Therapy: Sistren Theatre Collective's Theatre and Outreach Work in Jamaica." New Theatre Quarterly 29, no. 1 (2013): 87–97. http://dx.doi.org/10.1017/s0266464x13000080.

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Sistren Theatre Collective has been producing theatre and working with community groups in Jamaica for the last thirty-five years. Over the last decade the company has changed its profile to include male drama specialists and social workers in its team. This has come about due to new funding arrangement with the Jamaican Ministry of National Security, which won a large grant from the Inter-American Development Bank to establish the Citizen Security and Justice Programme (CSJP). The CSJP has a community outreach component in which Sistren has been employed to run socio-drama workshops and provi
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38

Jones, Leslie Kay. "#BlackLivesMatter: An Analysis of the Movement as Social Drama." Humanity & Society 44, no. 1 (2019): 92–110. http://dx.doi.org/10.1177/0160597619832049.

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Scholars agree that the United States is experiencing a new black civil and human rights movement called #BlackLivesMatter and that the Internet is pivotal to that movement. Protests in Ferguson, Missouri, and in Baltimore, Maryland, dominated national attention for months through 2014 and 2015. Protesters have successfully gained the attention of elite power brokers, a necessary step in the social movement process. #BlackLivesMatter has many insights to provide about mobilization, if researchers take black American discursive power and intellectual production more seriously as subjects of ana
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39

Starostina, Julia S. "Dualistic Character of Evaluative Utterances in English Drama Discourse." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 63–71. http://dx.doi.org/10.17072/2073-6681-2021-4-63-71.

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The article is devoted to the problem of interaction between emotional and rational aspects of evaluative utterances within English drama discourse. The aim of the study is to analyze the dualistic nature of evaluative messages and develop a set of demarcation criteria which would contribute to their classification. The material for the analysis is a sample of 2,000 evaluative utterances presented in the plays by contemporary British and American playwrights. The study was carried out in line with the linguoaxiological approach and employed the corresponding methods. On the basis of linguoaxio
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40

Huang, Chi. "Teaching of American Literature with Chinese Characteristics." Journal of Education and Educational Research 10, no. 3 (2024): 195–97. http://dx.doi.org/10.54097/gg4qd095.

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The questions of “For whom to cultivate students”, “what kind of students to cultivate”, and “how to cultivate students” are interrelated issues to the essence of education, which are worth deep thinking for every educator. The teachers of “American Literature” should carry out the curriculum-based ideological and political education, and deal with properly the relationship between explicit and implicit education. It is essential for the teachers to help students guard against the value infiltration of Western countries, strengthen their establishment of local vision, and build the curriculum
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41

Pleshkova, D. S. "Unveiling the Language Techniques Behind the Pragmatic Meaning of Sarcasm in American Confrontational Film Discourse." Professional Discourse & Communication 5, no. 1 (2023): 62–73. http://dx.doi.org/10.24833/2687-0126-2023-5-1-62-73.

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This article delves into the concept of sarcasm in confrontational American film discourse, examining its primary functions and characteristics. Specifically, the study focuses on how sarcastic statements are used in American television series to heighten emotional engagement and aesthetic appeal. The defining features of sarcasm, namely implicitness and double meaning, are also discussed. The analysis is conducted through a case study of the modern American drama series “This is Us”, which highlights the key mechanisms utilized to achieve the pragmatic effect of sarcasm, including intonation,
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42

Nickolayeva, Iryna. "NATIONAL AND CULTURAL PECULIARITIES OF PHONETICS IN THE AMERICAN ENGLISH." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 16–18. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-16-18.

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The article shows the establishment of the territorial norms on the level of phonetics in the American English. It analyses their national and cultural peculiarities. The studied and presented material shows that the phonetic characteristics of the American national version of the English language have their own territorial national and cultural characteristics. The article deals with the issue of phonetic peculiarities of the dialectic language as an ideal of the signs of the territorial jurisdiction of native speakers in terms of interpersonal communication. The main causes of regional diale
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43

He, Chengzhou. "‘The Most Traditional and the Most Pioneering’: New Concept Kun Opera." New Theatre Quarterly 36, no. 3 (2020): 223–36. http://dx.doi.org/10.1017/s0266464x20000469.

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Featuring hybridity, transgression, and improvisation, New Concept Kun Opera refers to experimental performances by Ke Jun and other Kun Opera performers since the beginning of the twenty-first century. From telling the ancient stories to expressing the modern self, this new form marks the awakening of the performer’s subjectivity and develops a contemporary outlook by rebuilding close connections between Kun Opera and modern life. A synthetic use of intermedial resources contributes to its appeal to today’s audiences. Its experimentation succeeds in maintaining the most traditional while expl
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44

Hsu, Wenhua. "Reversed Subtitling and Extensive Reading: The Case of English-Subtitled Mandarin Dramas." Journal of Education and Learning 13, no. 6 (2024): 1. http://dx.doi.org/10.5539/jel.v13n6p1.

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The binge-watching phenomenon on college campuses in Taiwan inspired this study. The researcher often overhears her students chatting about which Mandarin TV series they have been binge-watching recently. Given this drama fever, which may provide an impetus for sustained reading of on-screen text, the researcher is concerned with English vocabulary growth if the viewing habit shifts from Mandarin to English subtitles. A corpus of over 5.6 million English-subtitled words from 37 Mandarin dramas was compiled, totaling 1,238 episodes. The operational measures involved the ranked twenty-five 1000-
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45

Hu, Ying. "Domestication and Foreignization of Humor Elements in the Translation of 2 Broke Girls." Scientific and Social Research 6, no. 10 (2024): 46–51. http://dx.doi.org/10.26689/ssr.v6i10.8527.

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With the development of globalization, films and TV series from foreign countries, as an important vehicle of culture, have sprung up and are appreciated by viewers due to high-quality subtitle translation. Thus, subtitle translation has become an important part in the field of translation research. Since its launch in China, the famous American sitcom 2 Broke Girls has achieved universal praise among audiences. This recognition is attributed not only to its intriguing plot but also to the excellent subtitle translation, in which domestication and foreignization, two key translation techniques
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46

Ramlan, Ramlan. "Drama-Based Mathematics Learning Model For Character Building Of Students In Elementary School." Jurnal Indonesia Sosial Teknologi 4, no. 10 (2023): 1741–48. http://dx.doi.org/10.59141/jist.v4i10.753.

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Facing the problem of the Indonesian nation which is being hit by a 'moral crisis', the concept of the national education curriculum contains a lot of character education concepts. This is a new challenge so that teachers immediately change the 'mindset' that originally the purpose of teaching to produce intelligent humans, to having to prioritize teaching to form character. Mathematical characteristics are abstract sciences, but the process of understanding must be conveyed through concrete media. In addition, the psychological development of elementary school children is in the urge to want
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47

Zhang, Saiyao, and Yu Sun. "A Study of Gender Differences in English from the Perspective of Sociolinguistics." International Journal of Languages, Literature and Linguistics 8, no. 1 (2022): 36–39. http://dx.doi.org/10.18178/ijlll.2022.8.1.319.

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As we all know, there are certain differences between female and male in physiology and psychology, but for a long time, the language characteristics and differences between female and male have been rarely known. Until the rise of the American women's Liberation Movement in the last century, linguists began to pay more attention to the differences in language between different genders. In this paper, the author selects 22 episodes of the first season of the American drama How I Met Your Mother and arranges the conversations among them. Then the author studies the language differences of femal
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48

Kornev, V. A., and O. V. Murashkina. "The Gaucho Archetype in the Artistic Culture of Latin America." Язык и текст 11, no. 1 (2024): 65–73. http://dx.doi.org/10.17759/langt.2024110106.

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<p>The article examines the role of representatives of a specific ethnic group of inhabitants of the South American steppes-Pampas — pastoralists-Gaucho nomads in the formation, formation and development of national Spanish-American literature based on its genres such as oral folk art, lyrical and epic poetry, drama, realistic and psychological novel. The existence of this ethnic type can be traced back to 1775, but the process of turning a Spanish shepherd into a half-breed Gaucho is still largely unclear. The formation of Gaucho literature can serve as an example of the emerg
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49

Bukach, Olga Vladislavovna, and Olga Vadimovna Shelestova. "Idiographic style features in drama (a case study: "American dream" by Edward Albee)." Филология: научные исследования, no. 6 (June 2025): 100–111. https://doi.org/10.7256/2454-0749.2025.6.74960.

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The paper analyses peculiar features of Edward Albee's individual style with a special focus on drama being a synthetic art form, as well as the development of the theater of the absurd. The subject of the research is the ways of expressing the author's style in the text of the play "The American Dream"; the aim of the analysis is to identify the features of the expressive language that play a decisive role in conveying the intended meanings and ensuring the intended emotional impact on the recipient. The research methods include stylistic and linguo-cultural interpretation of the text, quanti
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50

Engin, Sarı. "Korean Wave TV Dramas and Turkish Remakes of K-Dramas: The Politics of Intercultural Communication and Cultural Meanings of Modernization." Journal of Social and Political Sciences 6, no. 2 (2023): 212–29. https://doi.org/10.31014/aior.1991.06.02.421.

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Television, through drama and series, is the most powerful and pervasive storyteller and culture producer of our time. The culture-producing function of television and the culture constructed by TV are most clearly visible in national adaptations of globally produced programs and formats. For more than a century, Korea and Turkey have been trying to modernize and integrate into contemporary civilization while preserving their own culture. In recent years, Korea has succeeded in producing its popular culture within the national culture industry and spreading it around the world, and this popula
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