Bibliografías temáticas / National Exposition (1931 : Mexico City, Mexico)

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Literatura académica sobre el tema "National Exposition (1931 : Mexico City, Mexico)"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "National Exposition (1931 : Mexico City, Mexico)"

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Lurtz, Casey Marina. "A Confounded Statistic: Turn-of-the-Century Mexican Agriculture in Incommensurable Terms." Americas 80, no. 2 (2023): 291–329. http://dx.doi.org/10.1017/tam.2023.5.

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AbstractIn 1899, municipal officials throughout Mexico sent tables of agricultural statistics to Mexico City to assist in the preparation of a special publication for the 1900 Paris Universal Exposition, where the Mexican government hoped it would impress the world with Mexico's modernity and potential. Though the activity was nothing new, the ways in which municipal officials provided the requested information confounded the national project of both understanding and representing the Mexican countryside. The statistics were never published. This article serves as an introduction to a new data
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Krieger, Peter. "Geo-Aesthetics, a concept of interdisciplinary research and artistic practice: the exposition STRATUM in Mexico City, in 2022." Quaderni Culturali IILA 4, no. 4 (2023): 53–63. http://dx.doi.org/10.36253/qciila-2062.

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This article presents ideas about the function of the image, particularly in the fine arts, in the discourses on the current environmental crisis, determined by geological factors, which have a fundamental importance for the definition of the new epoch of the Anthropocene. Exemplified by an art installation in the University Museum of Sciences and Arts (MUCA, at the National Autonomous University of Mexico, UNAM), the visual strategies will be revised of how to present an alternative access to the understanding of the geomorphological destruction via the hyper-urbanization in the basin of Mexi
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Fallaw, Ben. "Limits on the Press and Civil Society during the Maximato." Mexican Studies/Estudios Mexicanos 36, no. 1-2 (2020): 43–67. http://dx.doi.org/10.1525/msem.2020.36.1-2.43.

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In October 1931, Governor Bartolomé García Correa and Socialist Party activists violently closed Carlos R. Menéndez’s Diario de Yucatán for being reactionary. Defenders of the Diario denounced the governor for illegally silencing the voice of what today we would understand to be civil society. After a seventeen-month struggle in the courts, the national press, and in Mexico City’s bureaucracy, Menéndez prevailed. This article closely examines the conflict, using regional and national archives and abundant contemporary press coverage, paying careful attention to discursive expression of socioet
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Blásquez, Elsa Barberena. "Sor Juana and her library world." Transinformação 12, no. 1 (2000): 83–92. http://dx.doi.org/10.1590/s0103-37862000000100008.

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There has been numerous documents about Sor Juana since Juan Camacho published his first volume in Madrid in 1689, and more so during 1995, her anniversary. There is no certainty about the date of her birth, it is placed between 1651 and 1653, she died in 1695. The magazines A BSIDE. REVISTA DE CULTURA MEXICANA during the period 1941-1973 published 25 articles, and CONTEMPORÂNEOS eight articles from 1929 to 1931; the BOLETIN DE LA BIBLIOTECA NACIONAL published five articles in 1951 and I960, but none of these deal with her library. The following authors have discussed her library: the writer,
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Libros sobre el tema "National Exposition (1931 : Mexico City, Mexico)"

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Cherny, Robert W. “Under Rivera’s Guidance,” 1929–1931. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040788.003.0005.

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When Arnautoff’’s student visa was expiring, Stackpole arranged an introduction to Diego Rivera, and Victor, Lydia, and their two sons spent 1929-1931 in Mexico. There Arnatuoff assisted Rivera at the Cortés Palace in Cuernavaca and the National Palace in Mexico City and encountered both the PCM (Mexican Communist Party) and Rivera’s idiosyncratic version of communism. In 1930, Rivera went to San Francisco to paint murals there, leaving Arnautoff in charge at the National Palace. Ione Robinson’s letters provide information both about life in Mexico City and about Arnautoff. In 1931, the family
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Capítulos de libros sobre el tema "National Exposition (1931 : Mexico City, Mexico)"

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Santoyo-Orozco, Ivonne. "O’Gorman, Juan (1905–1982)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2064-1.

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Perhaps the best way to understand the Mexican architect and painter Juan O’Gorman is through his self-portrait of 1950 in which he depicts himself in multiple frames corresponding to his different occupations. Juan O’Gorman was born in Mexico City of Irish descent. He graduated in 1927 from the School of Architecture of the National Autonomous University of Mexico and began his career working as a draughtsman in the studio of Obregón, Tarditi, and Villagrán García (1921–5), and, later on, as an architect for Carlos Obregón Santacilla (1925–8). At a very early age, O’Gorman designed the first
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Actas de conferencias sobre el tema "National Exposition (1931 : Mexico City, Mexico)"

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A´vila, Javier, Silvia Gonza´lez, Vicente Borja, Alejandro C. Rami´rez, and Marcelo Lo´pez Parra. "Applying a Design Process to Create a Reduction Platform of GHG in Industries." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-39382.

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This paper describes the final results of a project aiming at addressing climate change by creating a GHG reduction platform for businesses with carbon management needs in global markets. The project was carried out during a New Product Development course in a bi-national program between The University of California at Berkeley (UCB) and the National University of Mexico (Universidad Nacional Auto´noma de Me´xico, UNAM) in Mexico City. The program features collaboration between the Engineering and Design Schools at UNAM and Engineering and Business Schools at UCB and the College of Architectur
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Han, Xiao, and Ning Zhang. "Coastal Hydrodynamic and Sediment-Salinity Transport Simulations for Southwest Louisiana Using Measured Vegetation Data." In ASME 2015 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/imece2015-51571.

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Storm-surge flood is a major thread to the inhabitants and the health of the marshes in Southwest Louisiana. The floods caused direct damages to the area, but also indirectly caused excessive sedimentations in the water system, especially in Calcasieu Ship Channel which is a vital industrial water way connecting the City of Lake Charles to the Gulf. It is well known that coastal wetlands and marshes have significant impacts on the prevention and reduction of coastal floods. The wetland vegetation creates larger frictions to the flooding water and acts as the first line of defense against any s
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