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Artículos de revistas sobre el tema "Nationalism in architecture"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de febrero de 2022

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1

Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia." Journal of Design and Built Environment 20, no. 2 (2020): 13–26. http://dx.doi.org/10.22452/jdbe.vol20no2.2.

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The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore th

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2

McNeill, Donald, and Mark Tewdwr-Jones. "Architecture, banal nationalism and re-territorialization." International Journal of Urban and Regional Research 27, no. 3 (2003): 738–43. http://dx.doi.org/10.1111/1468-2427.00479.

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Aydınlık, Sevil, and Hıfsiye Pulhan. "Education in Conflict: Postwar School Buildings of Cyprus." Open House International 44, no. 2 (2019): 68–76. http://dx.doi.org/10.1108/ohi-02-2019-b0009.

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The terms cyprus, conflict, crisis and war have been almost inextricably intertwined throughout the history of this Mediterranean island. The education system played an important role socially and school buildings played an important role visually first in the dissemination of nationalism when the ethno-nationalist movements within the turkish and greek-cypriot communities increased dramatically under British colonial rule (1878-1960), and later in the dissemination of internationalism in the mid-twentieth century. Despite the increased conflict and nationalism, which was reflected by neo-gree

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4

Myzelev, Alla. "Canadian Architecture and Nationalism: From Vernacular to Deco." Brock Review 11, no. 1 (2010): 28–42. http://dx.doi.org/10.26522/br.v11i1.137.

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The debates about national and local architecture in Canada go as far as the construction of the first permanent structures. The young country had to invent its native architectural tradition and at the same time to mitigate European influences. Introducing the notion of longing – or nostalgia – into the debate on Canadian design and architecture this study argues that European grandeur, innovations as well as financial and cultural magnitude often played an important role in the desire to create artistic projects including public and residential buildings. The interest in the Gothic revival a

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5

El-Ashmouni, Marwa. "INTERROGATING EGYPTIAN NATIONALISM: TRANSCULTURAL ARCHITECTURE AT THE RAGGED EDGE OF EMPIRE." International Journal of Architectural Research: ArchNet-IJAR 12, no. 1 (2018): 36. http://dx.doi.org/10.26687/archnet-ijar.v12i1.1309.

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This paper examines the discursivity of nationalism in Egypt during the late nineteenth century; a period of vibrant political and architectural transformation that manifests the ragged edge of British empire. To explore this discursive terrain, this paper examines the transnationalism of multiethnic intellectuals and architectural themes. Progressive intellectuals, including the Armenian and Jewish Italian Adib Ishaq, and Yaqub Sanu—all disciples of the originally Persian scholar Jamal al-Din al-Afghani—coincided with the design of ambivalent architectural themes. The architecture and urban c

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6

Brown, Deidre. "Nga Paremata Maori: The Architecture of Maori Nationalism." Fabrications 12, no. 2 (2002): 1–17. http://dx.doi.org/10.1080/10331867.2002.10525166.

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7

Nafde, Dr Mrs Tanuja. "Nationalism and Music." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 4982–84. http://dx.doi.org/10.22214/ijraset.2021.36040.

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It is a well-known fact, that music alone of all the arts and sciences has that dominating note of supreme mastership which compels unquestioned universal recognition. In painting, in sculpture, in architecture, in poetry, and in general literature in all its varying and varied moods and modes of expression, Indian music has won fame and occupied the highest place of appreciation in the world. It is admitted that Music is the last art to develop in any civilization, it must also be admitted that Indian civilization and culture have reached a point that would predicate a degree of development i

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8

Pantelić, Bratislav. "Nationalism and Architecture: The Creation of a National Style in Serbian Architecture and Its Political Implications." Journal of the Society of Architectural Historians 56, no. 1 (1997): 16–41. http://dx.doi.org/10.2307/991214.

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From the mid-nineteenth century until the late 1930s the dominant architectural mode in Serbia was a local historicist style termed Serbo-Byzantine. At first it was used only for churches but was soon extended to schools and then to all types of buildings. Although mostly based on academic revivalist forms, this idiom, which purportedly drew its inspiration from Balkan medieval architecture, did, on occasion, display distinctly local characteristics. Although part of a pan-European trend. Serbian historicism was detached from architectural developments elsewhere. Unlike other Romantic-era revi

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9

Hess, Janet Berry. "Imagining Architecture: The Structure of Nationalism in Accra, Ghana." Africa Today 47, no. 2 (2000): 34–58. http://dx.doi.org/10.2979/aft.2000.47.2.34.

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10

Hess, Janet Berry. "Imagining Architecture: The Structure of Nationalism in Accra, Ghana." Africa Today 47, no. 2 (2000): 35–58. http://dx.doi.org/10.1353/at.2000.0045.

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11

Fukuyama, Francis. "The New Nationalism and the Strategic Architecture of Northeast Asia." Asia Policy 3, no. 1 (2007): 38–41. http://dx.doi.org/10.1353/asp.2007.0004.

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12

Storm, Eric. "When Did Nationalism Become Banal? The Nationalization of the Domestic Sphere in Spain." European History Quarterly 50, no. 2 (2020): 204–25. http://dx.doi.org/10.1177/0265691420910948.

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Inspired by Michael Billig’s Banal Nationalism, social scientists have begun to study the impact of nationalism on everyday life. However, Billig’s concept is far from clear. Actually, banal can refer to ‘mundane’ expressions of nationalism, to their ‘unconscious’ consumption or their ‘cold’ temperature. Moreover, on many occasions Billig referred to the state instead of the nation, thus in fact analysing ‘banal statism’. For historians it is often difficult to ascertain whether people consciously perceived certain expressions of nationalism or not. However, we can analyze when certain mundane

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13

Leslie, Stuart W. "Atomic structures: the architecture of nuclear nationalism in India and Pakistan." History and Technology 31, no. 3 (2015): 220–42. http://dx.doi.org/10.1080/07341512.2015.1124635.

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14

TOYOYAMA, AKI. "Visual Politics of Japanese Majolica Tiles in Colonial South Asia." Journal of Indian and Asian Studies 01, no. 02 (2020): 2050010. http://dx.doi.org/10.1142/s2717541320500102.

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This paper examines the political, socio-economic, and cultural aspects of Japanese decorative tiles or the so-called majolica tiles widely diffused in colonial South Asia in the early twentieth century. A tile became a popular building material in European countries by the first half of the nineteenth century, and European tiles spread over the world with the expansion of colonialism. Japan in the making of a modern nation established domestic manufacturing of tiles mainly after British models, and the industry’s rapid development was helped by the First World War (1914–1918) and the Great Ka

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15

Okawara, Kentaro. "A Critical and Theoretical Re-imagining of ‘Victimhood Nationalism’: The Case of National Victimhood of the Baltic Region." Baltic Journal of European Studies 9, no. 4 (2019): 206–17. http://dx.doi.org/10.1515/bjes-2019-0043.

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Abstract There are many arguments to support the idea that the Baltic nations (and other “victimized” areas) adhere to ‘victimhood nationalism’, a form of nationalism that explains the region’s recognition of its history and the related problems. Since the start of the 21st century, memory and area studies experts have used the concept of ‘victimhood nationalism’. However, the framework of victimhood nationalism is critically flawed. Its original conceptual architecture is weak and its effectiveness as an explanatory variable requires critical examination. This paper presents a theoretical exa

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Chrzanowski, Tadeusz. "A Variety of Religious Architecture in Poland." Studies in Church History. Subsidia 6 (1990): 161–71. http://dx.doi.org/10.1017/s0143045900001253.

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Before I attempt a brief survey of the numerous and varied examples of religious architecture in Poland let me mention a few well-known facts. Poland, having grown out of a tribal community, and having early developed a national character, after the Union with Lithuania (first a personal union in 1386 and then a State union in 1569) began expanding rapidly. At the turn of the fifteenth century a new model of parliamentary monarchy was established, a model functioning in an already multinational, federal state, which ceased to be the ‘Republic of Two Nations’ and became instead the ‘Republic of

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17

Poon, S. T. F. "CONTRIBUTION OF ECOLOGICAL DESIGN TO CRITICAL REGIONALISM: ANALYSING SUSTAINABILITY EFFECTIVENESS IN VERNACULAR URBAN BUILDING." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-4/W9 (September 30, 2019): 103–9. http://dx.doi.org/10.5194/isprs-annals-iv-4-w9-103-2019.

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Abstract. Environmentalism as the overall concept of ecological architecture is defined as the inter-relations between people, and how built forms affect the surroundings through design, reflecting the impact of technology, human principles of living with nature, and of social connections in communities. Modern ecological designs have smart solutions in planning climatic zones, with optimised natural lighting to lower energy use, and reduce wastage. Passive thermal comfort methods and spatial alignment of buildings to sun orientation have brought the ideals of organic architecture full circle

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18

Shan, Lin Lin, and Song Fu Liu. "Analysis on Creative Thinking of Contemporary Japanese Architects from the Angle of National Characters." Applied Mechanics and Materials 174-177 (May 2012): 1660–64. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1660.

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In Asia, contemporary Japanese architecture owns bright national characters, and meanwhile is geared to international standards. As an embodiment of nationalism, national characters have a direct influence on the creative thinking of architecture. Japanese people owns the double character of enlargement and reduction, as well as opening and closure, and the insularity character of delicacy and love of nature, thus contemporary Japanese architects own the nature of combining the “big” and the “small” as well as opening and closure, and the architecture form, aspiring after the creative thinking

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19

Greer, Alan. "Sir James Craig and the constrution of Parliament Buildings at Stormont." Irish Historical Studies 31, no. 123 (1999): 373–88. http://dx.doi.org/10.1017/s0021121400014218.

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Architecture has its political uses: public buildings being the ornament of a country; it establishes a nation, draws people and commerce, makes the people love their native country, which passion is the original of all great actions in a Commonwealth.Sir Christopher WrenWhen the prince of Wales formally opened the new Northern Ireland Parliament Buildings at Stormont on 16 November 1932, it brought to an end over ten years of controversy, delay, confusion, and wrangling over both finance and design. Although approval to build a new parliament house and administrative offices was given in the

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20

Bauman, Whitney A. "Meaning-Making Practices, Copyrights, and Architecture in the Indonesian Archipelago." Worldviews 19, no. 2 (2015): 184–202. http://dx.doi.org/10.1163/15685357-01902007.

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This article examines the connections between meaning-making practices and how those practices are codified into institutions and structures that shape individual identities. The theoretical and geographical locus of this article is Indonesia where one can be Buddhist, Hindu, Muslim, Catholic, Protestant, or Confucian, but not outwardly an atheist. In practice, there are a lot of hybrid religious identities, and this is echoed in Indonesia’s economic and legal institutions, and even its architecture. In other words, what Tom Boellstorff identifies as an “archipelagic” understanding of the self

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21

Park, Augustine SJ. "Racial-Nationalism and Representations of Citizenship: The Recalcitrant Alien, the Citizen of Convenience and the Fraudulent Citizen." Canadian Journal of Sociology 38, no. 4 (2013): 579–600. http://dx.doi.org/10.29173/cjs17939.

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This paper traces racial-nationalism through three recent sites of controversy relating to citizenship: the banning of face coverings while swearing the citizenship oath, the evacuation of Canadians abroad and the revocation of the citizenship of 1,800 alleged to have gained citizenship through fraudulent means. Racial-nationalism is an architecture of race-thinking defined by (1) cultural racism, which operates as a strategy of “sorting out” outsiders from insiders and (2) expulsion or what Hage refers to as the logic of pure exclusion. Through an interrogation of online reader commentary res

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22

Wood, Peter. ""... from teat-jerk to quidnunc": A.R.D. Fairburn and the Formation of an Ideology of Architectural Nationalism in New Zealand." Architectural History Aotearoa 3 (October 30, 2006): 44–51. http://dx.doi.org/10.26686/aha.v3i.6799.

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In 1934 ARD Fairburn published the essay "Some Aspects of N.Z. Art and Letters" in the journal Art in New Zealand. In it he criticized Alan Mulgan's book Home: A Colonial's Adventure, which had been first published in 1927, and was reprinted in 1934. It was, in Fairburn's view, an account unacceptably steeped in romantic melancholy for a distant motherland that was no longer as germane as it had once been. Instead he proposed looking to the American Transcendentalists Twain and Thoreau for direction. Also published in 1934 was a small book from the New Zealand Institute of Architects cal

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23

KATZER, NIKOLAUS. "Introduction: sports stadia and modern urbanism." Urban History 37, no. 2 (2010): 249–52. http://dx.doi.org/10.1017/s0963926810000337.

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Despite the fact that sporting spaces reflect key shifts in thinking about town planning, sports architecture is still an underexplored area in the historiography of urban design. The architects, engineers and designers attempting to regenerate and rejuvenate cities after World War II were aware of the popular interest in competitive sports. Stadia and landscape design were intended to help erase the negative urban images of nationalism and totalitarianism. By starting a dialogue with the past, town planners questioned the grandeur and monumentalism prevalent in architecture since the late nin

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24

Weingarden, Lauren S. "Naturalized Nationalism: A Ruskinian Discourse on the Search for an American Style of Architecture." Winterthur Portfolio 24, no. 1 (1989): 43–68. http://dx.doi.org/10.1086/496399.

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25

Eggener, Keith L. "Nationalism, Internationalism and the ‘Naturalisation’ of Modern Architecture in the United States, 1925–1940." National Identities 8, no. 3 (2006): 243–58. http://dx.doi.org/10.1080/14608940600842540.

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26

Houston, Christopher. "Historical Agency, Nationalism, Architecture: Some Reflections on the Anthropology of Turkey in the Nineties." Die Welt des Islams 46, no. 1 (2006): 61–75. http://dx.doi.org/10.1163/157006006776562200.

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27

de Carvalho, Rita Almeida. "Ideology and Architecture in the Portuguese ‘Estado Novo’: Cultural Innovation within a Para-Fascist State (1932–1945)." Fascism 7, no. 2 (2018): 141–74. http://dx.doi.org/10.1163/22116257-00702002.

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This article challenges the common assumption of the fascist nature of the Portuguese Estado Novo from the thirties to mid-forties, while recognizing the innovative, modernizing dynamic of much of its state architecture. It takes into account the prolix discourse of Oliveira Salazar, the head of government, as well as Duarte Pacheco’s extensive activity as minister of Public Works, and the positions and projects of the architects themselves. It also considers the allegedly peripheral status of architectural elites, and the role played by decision makers, whether politicians or bureaucrats, in

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Dutta, Arindam. "Representing Calcutta: Modernity, Nationalism and the Colonial Uncanny." Journal of Architectural Education 63, no. 2 (2010): 167–69. http://dx.doi.org/10.1111/j.1531-314x.2010.01082.x.

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Liscombe, Rhodri Windsor. "Nationalism or Cultural Imperialism?: The Chateau Style in Canada." Architectural History 36 (1993): 127. http://dx.doi.org/10.2307/1568587.

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Mansbach, S. A. "Modernist Architecture and Nationalist Aspiration in the Baltic: Two Case Studies." Journal of the Society of Architectural Historians 65, no. 1 (2006): 92–111. http://dx.doi.org/10.2307/25068240.

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Modern art developed comparatively late in the eastern Baltic, with a variety of meanings, political purposes, and national references different from those to be found elsewhere in Europe and the Americas. Shaped by specific historical events and determined by distinctive local interests, Baltic modern architecture and art of the early twentieth century was charged with a national mission to reflect the political aspirations of the emergent new states of Estonia, Latvia, and Lithuania. The present article investigates this charged nationalism within the modern art in the Baltic by focusing on

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Mahatmanto. "PERKEMBANGAN WACANA IDENTITAS ARSITEKTUR DALAM JURNAL-JURNAL ARSITEKTUR DI AWAL ABAD XX DI HINDIA BELANDA." Jurnal Koridor 9, no. 2 (2018): 299–306. http://dx.doi.org/10.32734/koridor.v9i2.1371.

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The transition of the 19th century to the 20th century known as the flowering period of the printed mass media in the West and the colonies. Similarly, in the Dutch East Indies, in the turn of the century, many publications are created, written and read by the architects who come to enjoy this print technology development in order to always be able to follow the progress in the Netherlands. At the turn of the century it was known four publications that circulated among architects in the Indies. Ideologies and interests with each of them carrying, mixing, and developed the ideas of architecture

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Davis, Charles L. "Louis Sullivan and the Physiognomic Translation of American Character." Journal of the Society of Architectural Historians 76, no. 1 (2017): 63–81. http://dx.doi.org/10.1525/jsah.2017.76.1.63.

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Louis Sullivan and the Physiognomic Translation of American Character examines the racial politics of Louis Sullivan's democratic vision for American architecture, as manifest in his interpretations of physiognomic character in people and the built environment and in his reflections on U.S. nationalism. Charles L. Davis II argues that while Sullivan believed that ordinary Americans would produce an indigenous culture reflective of democratic ideals, his assimilationist conception of American citizenship excluded recent white immigrants and resident nonwhite peoples and limited his democratic a

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Nandadeva, B. D. "Anoma Pierls. Architecture and Nationalism in Sri Lanka: The Trouser Under the Cloth. Routledge, 2012." Sri Lanka Journal of Humanities 40 (November 21, 2014): 149. http://dx.doi.org/10.4038/sljh.v40i0.7235.

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Egreteau, Renaud. "Power, cultural nationalism, and postcolonial public architecture: building a parliament house in post-independence Myanmar." Commonwealth & Comparative Politics 55, no. 4 (2017): 531–50. http://dx.doi.org/10.1080/14662043.2017.1323401.

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Koumaridis, Yorgos. "Urban Transformation and De-Ottomanization in Greece." East Central Europe 33, no. 1-2 (2006): 213–41. http://dx.doi.org/10.1163/187633006x00114.

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AbstractThis article examines the ways in which nationalism transformed Greek urban space during the nineteenth and early twentieth centuries. Through urban planning, architecture, archaeology, the destruction of Ottoman material remains and the promotion of Ancient Greek and (later) Byzantine heritage, urban space was gradually hellenized and cleansed of its Ottoman past. Specific examples, including the case of Thessaloniki, where the strong Ottoman character of the city was gradually effaced, are examined so as to outline the aims and the patterns of this transformation.

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Shiqiao, Li. "Reconstituting Chinese Building Tradition: The Yingzao fashi in the Early Twentieth Century." Journal of the Society of Architectural Historians 62, no. 4 (2003): 470–89. http://dx.doi.org/10.2307/3592498.

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In this paper, I analyze several early-twentieth-century attempts to reprint, edit, and annotate a Northern Song dynasty (960-1127) construction manual, the Yingzao fashi (1103), each one revealing an aspect of the project to define Chinese architecture. As manifested in the research on the Yingzao fashi by a number of Chinese scholars and architects, the project to reconstitute and understand the text was closely connected to broader intellectual issues in early-twentieth-century China: nationalism, philological scholarship, and modern historiography. The Yingzao fashi was rediscovered in 191

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Sutherland, Thomas. "Peter Sloterdijk and the ‘Security Architecture of Existence’: Immunity, Autochthony, and Ontological Nativism." Theory, Culture & Society 36, no. 7-8 (2019): 193–214. http://dx.doi.org/10.1177/0263276419839119.

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Centred on Foams, the third volume of his Spheres trilogy (2011, 2014, 2016), this article questions the privilege granted by Peter Sloterdijk to motifs of inclusion and exclusion, contending that, whilst his prioritization of dwelling as a central aspect of human existence (drawing in part upon the work of Martin Heidegger) provides a promising counterpoint to the dislocative and isolative effects of post-industrial capitalism, it is compromised by its dependence upon an anti-cosmopolitan outlook that views cultural distantiation as a natural and preferable state of human affairs, and valoriz

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Arciszewska, Barbara, and Makary Górzyński. "Urban Narratives in the Age of Revolutions: Early 20th century Ideas to Modernize Warsaw." Artium Quaestiones, no. 26 (September 19, 2018): 101–47. http://dx.doi.org/10.14746/aq.2015.26.6.

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In January 1906, in the turbulent period of 1905–1907, the poet, artist, and socialactivist Antoni Lange published in the Warsaw weekly Świat an essay called“Marzenia warszawskie” (“The Warsaw Dreams”). A several page text, illustratedwith woodcuts by the painter Andrzej Zarzycki, included a spectacular vision of metropolitanWarsaw of the future: a capital city with many public buildings and moderninfrastructure, a genuine center of Polish national and cultural life. The present essayanalyzes unexamined ideas of Lange in terms of the history of architecture, andin a double political and social

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Gervits, Maya. "Historicism, Nationalism, and Museum Architecture in Russia from the Nineteenth to the Turn of the Twentieth Century." Visual Resources 27, no. 1 (2011): 32–47. http://dx.doi.org/10.1080/01973762.2011.542352.

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Åkerfelt, Mia. "Type-planning a Fenno-Swedish identity. The housing association for the Swedish speaking areas of Finland and the ideal rural home between 1938 and 1969." SHS Web of Conferences 63 (2019): 01002. http://dx.doi.org/10.1051/shsconf/20196301002.

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Better housing for the rural population was an important part ofthe Finnish housing discussion in the 20th century. Between 1938 and 1969, Bostadsföreningen för svenska Finland (The housing association for the Swedish speaking areas of Finland) promoted rational housingfor the Fenno-Swedish minority. The construction of a collective identityfor a minority through dwelling ideals is the main focus of the article.Methods as identity process theory and perspectives on architecture and nationalism are used to interpret the material. Specific questions relate to how modernist architecture became a

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denton, kirk a. "museums, memorial sites and exhibitionary culture in the people's republic of china." China Quarterly 183 (September 2005): 565–86. http://dx.doi.org/10.1017/s0305741005000366.

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this article presents an overview of post-mao museum representations of modern chinese history. the focus is on changing exhibitionary practices and historical narratives in prc history museums in the period of market reforms and globalization. it shows how new museum architecture, the place of museum buildings in the cityscape and new exhibitionary technologies (such as multimedia displays, dioramas, miniatures) are tied to new narratives of history that serve the interests of the ideology of market reform. conventional socialist narratives of martyrdom and revolutionary liberation have not d

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TAGSOLD, CHRISTIAN. "Modernity, space and national representation at the Tokyo Olympics 1964." Urban History 37, no. 2 (2010): 289–300. http://dx.doi.org/10.1017/s0963926810000362.

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ABSTRACT:The 1964 Tokyo Olympics acted as a rite of passage for post-war Japan, symbolizing the modernization of the city and the country. This was reflected by the space and architecture of the venues. Urban development of Olympic cities has been scrutinized recently but the symbolic implications have been touched upon only in passing, most especially in Tokyo's case. This article will show how symbolic layers of architecture and space aimed at linking history and modernity while bypassing the highly problematic legacy of ultra-nationalism and World War II. An important hub for transmitting t

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Kurniawan, Kemas Ridwan. "DINAMIKA ARSITEKTUR INDONESIA DAN REPRESENTASI ‘POLITIK IDENTITAS’ PASCA REFORMASI." NALARs 17, no. 1 (2018): 65. http://dx.doi.org/10.24853/nalars.17.1.65-78.

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ABSTRAK. Menguatnya politik identitas di Indonesia pasca reformasi telah melahirkan formasi arsitektur baru yang tersebar di berbagai daerah di Indonesia. Identitas budaya terkait indigenitas menjadi bagian dari politik identitas yang menurut sebagian pengamat politik disinyalir dimanfaatkan para elit dan penguasa untuk kepentingan politik kekuasaan. Ironisnya, dalam bidang arsitektur, definisi tentang identitas ini justru semakin tidak jelas. Definisi-definisi ini berputar pada debat tentang pencarian jati diri yang tidak pernah selesai dan sering diasosiasikan dengan proses untuk memunculkan

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Watson, Victoria. "Architecture and Faux-nationalism: reflections on a remark made by the British architectural historian Gavin Stamp about the German-American architect Ludwig Mies van der Rohe." National Identities 22, no. 4 (2020): 471–78. http://dx.doi.org/10.1080/14608944.2020.1803576.

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Goldstein, Jordan. "The Canadian landscape as Art. Stanley Thompson, Golf Course Architecture, the Group of Seven, and the Aesthetic of Canadian Nationalism." Landscape History 41, no. 2 (2020): 105–25. http://dx.doi.org/10.1080/01433768.2020.1835189.

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Lacroix, Justine. "For a European Constitutional Patriotism." Political Studies 50, no. 5 (2002): 944–58. http://dx.doi.org/10.1111/1467-9248.00402.

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In recent years, two dominant models for understanding the source of common political identities have emerged in the European context: the universalist paradigm of constitutional patriotism and the communitarian paradigm of ‘civic nationalism’. In view of this dichotomy, one could be tempted to think that only a combination of these two positions could deal with the mixed nature of European architecture. The European Union would thus give birth to the appealing synthesis of a ‘cosmopolitan communitarianism’. This choice of a middle way is challenged in this paper. Instead, I argue that the nat

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Daniels, Timothy P. "Kuala Lumpur and Putrajaya." American Journal of Islam and Society 27, no. 3 (2010): 109–12. http://dx.doi.org/10.35632/ajis.v27i3.1312.

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Ross King’s Kuala Lumpur and Putrajaya: Negotiating Urban Space inMalaysia provides a provocative interpretation of urban landscapes inKuala Lumpur and Putrajaya, a recently built government administrativecenter. He attempts to explicate meanings of the built urban environment aswell as its history, ideology, and contemporary possibilities.Consisting of a preface, five chapters, and an afterword, the book ishighly illustrated with pictures, sketches, maps, and architectural plans. Inthe preface, King introduces the dilemma of Malaysian nationalism, imagininga multicultural nation with a politi

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Malji, Andrea. "People Don’t Want a Mosque Here: Destruction of Minority Religious Sites as a Strategy of Nationalism." Journal of Religion and Violence 9, no. 1 (2021): 50–69. http://dx.doi.org/10.5840/jrv202142086.

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Religious sites are often at the center of confrontation. Groups frequently clash over the structures and the historical narratives surrounding sacred spaces. Religious sites encompass deeply entrenched meanings for groups of all backgrounds. These spaces represent identity, tradition, history, family, and belief systems. For minority groups, their religious sites can help provide a sense of belonging and serve as a monument to their history in the community. Due to their symbolic importance, religious sites are also vulnerable to violence by outside groups. Destructive acts targeting religiou

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Jääts, Indrek. "Favourite Research Topics of Estonian Ethnographers Under Soviet Rule." Journal of Ethnology and Folkloristics 13, no. 2 (2019): 1–15. http://dx.doi.org/10.2478/jef-2019-0010.

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Abstract Estonian ethnography as one of the Estonia-related disciplines was tied with Estonian nationalism from the very beginning. Defined as a science investigating mainly the material side of vanishing traditional peasant culture in the 1920s, it fitted rather well with the Soviet understanding of ethnography as a sub discipline of history. Thanks to the major cooperation projects initiated and coordinated by ethnographers from Moscow, Soviet Estonian ethnographers could continue studying Estonian traditional peasant culture. Their favourite research topics (folk costume, peasant architectu

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Alfiati, Alfiati. "Pembelajaran Bahasa Indonesia di Perguruan Tinggi dalam Konteks Interkultural." An-Nuha : Jurnal Kajian Islam, Pendidikan, Budaya dan Sosial 8, no. 1 (2021): 167–77. http://dx.doi.org/10.36835/annuha.v8i1.400.

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Indonesian Language Course is a lesson that develops students' ability to speak Indonesian properly and correctly, because mastery of Indonesian can be used as a measure of one's nationalism as an Indonesian nation. The Indonesian language course also aims to develop students' abilities in organizing ideas or concepts to be communicated to other parties so that there is continuous interaction between ideas and results in an effective knowledge transfer and management process. One of these integration efforts is through intercultural-based learning methods. With an intercultural-based learning

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