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1
Haan, Estelle. "John Milton's latin poetry : some neo-Latin and vernacular contexts". Thesis, Queen's University Belfast, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317073.
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Stevenson, Harald Edward. "The French and neo-Latin epigram (1530-1560)". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648873.
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Porter, David Andrew. "Neo-Latin formal verse satire from 1420 to 1616". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708254.
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Eskhult, Josef. "Andreas Norrelius' Latin translation of Johan Kemper's Hebrew commentary on Matthew edited with introduction and philological commentary". Doctoral thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8349.
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This thesis contains an edition of the Swedish Hebraist Andreas Norrelius’ (1679-1749) Latin translation, Illuminatio oculorum (1749), of the converted rabbi Johan Kemper’s (1670-1716) Hebrew commentary on Matthew, Me’irat ‘Enayim (1703). The dissertation is divided into three parts. The focus lies on the introduction, which concentrates on issues of language and style. Andreas Norrelius’ Latin usage is elucidated on its orthographical, morphological, syntactic, lexical and stylistic levels. The features are demonstrated to be typical of scholarly Neo-Latin: Through a broad comparative synchronic approach, conspicuous linguistic phenomena are taken as points of departure for the exploration of scholarly Latin prose in the seventeenth and eighteenth centuries, especially the vocabulary and phraseology of philological, theological, and exegetical discourse. An intellectual historical background is outlined that places the ambitions and the achievements of the author and the translator as well as the texts used for comparison in their scholarly and cultural setting against a general European and specific Swedish background. Furthermore, the introduction deals with various questions relating to translation techniques and strategies. In particular, the method for the translation of biblical passages is analysed and put in relation to the humanistic Latin Bible translations. Moreover, the life and work of Johan Kemper is described in the light of all historical sources available. The life of Andreas Norrelius is also portrayed, and the questions about the date and authorship of the Latin translation are thoroughly addressed. The second part contains the editio princeps of the Latin translation. Andreas Norrelius’ own prolegomena about Kemper’s early life has been made accessible as well. The third part provides a philological commentary focused on the explanation of specific linguistic and exegetical questions in the text edited.
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De, Smet Ingrid A. R. "Neo-latin Menippean satire in the Low Countries and France 1581-1655". Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308070.
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O'Brien, J. P. "'Anacreon' Redivivus : French Anacreontic translation in neo-Latin and the vernacular 1554-1556". Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371718.
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Rodriguez-Ahumada, Mariano. "Alleviating poverty in Latin America : neo-liberal reforms and their compensatory social programmes in Chile, Mexico and Peru". Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438122.
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Fouto, Catarina I. B. C. "Edition and study of Teive's Epithalamium : the Epodon libri tres (1565) and Neo-Latin literature in Counter-Reformation Portugal". Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0b820530-7df0-4f36-9af6-b83add38c798.
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This dissertation comprises the first study of the poetry of the Portuguese humanist Diogo de Teive (1513-14 – c. 1569). It examines and presents a scholarly edition of the Epithalamium which Teive composed on the occasion of the marriage of Princess Maria of Portugal to Alessandro Farnese in 1565. It also critically explores the work in which the poem was published, the Epodon libri tres (Lisbon, 1565). Because both this and the Epithalamium bring together different strands of Teive’s literary work, Chapter One analyses the development of his literary career, linking it to the ideological and cultural transformations which took place in Portugal from the 1540s to the 1560s, and the author’s attempt to carve his identity and space in the Portuguese literary scene. Chapter Two explores the concepts of ‘imitatio’ and ‘mimesis’ in the Epodon libri tres, shedding light on specific aspects of the Epithalamium. In the eyes of his readers, Teive emerges as a Catholic Horace. This is achieved by means of formal imitation, ‘aemulatio’, and allusion to Horace, a process whereby Teive introduces significant and ideologically motivated differences representative of the impact of Counter-Reformation upon literary writing. The ‘aemulatio’ of Prudentius’s Peristephanon in book II is to be understood in this light. Part Two engages with Teive’s comments on questions of verbal representation in the Epodon libri tres. Chapter Three analyses the Epithalamium from a generic perspective, arguing that it presents instances of generic enrichment, and that these are an example of the appropriation of occasional poetry for the purpose of authorial self-representation. One of the instances of generic enrichment is the incorporation of a didactic passage indebted to the tradition of the ‘speculum principum’, which is analysed in Chapter Four. Part One interprets the rewriting and appropriation of Plutarch and Erasmus as authorising strategies whereby Teive represents himself as an advisor of kings in the Epodon libri tres. Part Two discusses the author’s political thought and opinions, drawing from an analysis of the Epithalamium. Finally, Chapter Five comprises the study of the transmission of the poem, its metrical analysis, edition, translation, and commentary.
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Cassi, Romana. "Il De liberis educandis di Guarino Guarini: Testo latino, traduzione e commento storico-filologico = Guarino Guarini’s De liberis educandis: Latin text, Italian translation and historical-philological commentary". Thesis, Boston College, 2016. http://hdl.handle.net/2345/bc-ir:107282.
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Thesis advisor: Franco MormandoTra il 1410 e 1411, di ritorno dal suo viaggio di formazione in Grecia, il giovane Guarino tradusse in latino il Περὶ παιδῶν αγογὴς, opuscolo contenuto nel corpus dei Moralia e attribuito ad un maestro del circolo di Plutarco. Il testo greco riassumeva concetti educativi fondamentali nell’antichità, suggerendo un modello di educazione che mirava a formare un uomo laico, cittadino consapevole dei suoi doveri familiari, civili e religiosi. Questo concetto educativo, consono alla sensibilità umanistica di Guarino, spiega la sua scelta di tradurre in latino l’opera greca. Il De liberis educandis rappresenta, dunque, dal punto di vista del contenuto, un importante divulgatore di principi educativi per i secoli a venire e, dal punto di vista linguistico, una preziosa fucina di quel nuovo latino che andava formandosi all’inizio del XV secolo e di cui Guarino è uno dei primi artefici. Questo studio si propone di sottrarre il De liberis educandis dall’ombra e di aggiungere osservazioni sulla controversa attività di Guarino come traduttore. Sulla base di un dettagliato confronto linguistico tra l’originale greco e la versione latina di età umanistica, si può concludere che Guarino traduceva il testo greco con precisione, pur permettendosi qualche libertà dal punto di vista linguistico e culturale, come si dimostrerà con precisi riferimenti testuali. Il raffronto con l’originale greco rappresenta anche la base per avviare un’edizione critica dell’opuscolo latino che, assieme ad una traduzione in italiano, non è mai stata affrontata prima d’ora
Thesis (PhD) — Boston College, 2016
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Romance Languages and Literatures
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Delvaux, André. "Barthélemy Latomus d'Arlon : un dialecticien humaniste (~1497-1570)". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4036.
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Latiniste disciple d’Érasme et docteur en droit civil, Barthélemy Latomus est une figure emblématique d’une époque marquée par les mouvements transversaux de l’Humanisme et de la Réforme. Sa carrière connut deux périodes asymétriques, comme professeur de rhétorique latine et conseiller juridique d’un archevêque électeur de l’empire. Il enseigna à Trèves, Cologne, Louvain et Paris, où il fut choisi le premier comme lecteur en rhétorique latine au Collège fondé par François Ier. Ses recherches sur les fondamentaux de l’art oratoire, conjuguées à celles de Melanchthon dans le sillage de Rodolphe Agricola et de Georges de Trébizonde, aboutirent à l’avènement d’une rhétorique de type humaniste alliant étroitement logique et éloquence. L’objectif premier est de répondre aux besoins concrets des enseignants et des orateurs responsables. Dans ce but, il mit au point une méthode originale en analysant les discours classiques, surtout de Cicéron, non par intérêt archéologique ni en vue d’une vaine imitation, mais pour acquérir les outils d’un savoir-faire personnel. Dans un grand discours sur les « studia humanitatis » il expose le fond de sa pensée : un humanisme civique, reflet d’une anthropologie qui envisage l’homme en tant que membre actif de la société, où la rhétorique tient une place capitale. À Paris, il est l’un des représentants très prisés de l’humanisme du nord qui avait tant contribué à la réforme des programmes d’études universitaires. Devenu conseiller à Trèves après un voyage en Italie, il est amené à approfondir la théologie en vue du dialogue interreligieux. Dans ses controverses, il relaye la doctrine officielle en la fondant sur l’étude des sources bibliques et patristiques; il prône le débat d’idées face aux disputes stériles. À Paris, Latomus était proche du mouvement évangélique français; il maintint des contacts avec des amis luthériens, tels Jean Sturm et Jean Sleidan, et leur fit des ouvertures hardies concernant la structure hiérarchique de l’Église en vue d’un Concile libreA pupil of Erasmus, a Latin scholar, and a doctor of civil law, B. Latomus was an emblematic figure of a period marked by the cross-currents of humanism and reformation. His career spanned two asymmetrical periods: starting out as a professor of Latin literature, he ended up as a legal adviser to the Archbishop-Elector of Trier. He taught at Trier, Cologne, Louvain and Paris, where he was the first appointed lecturer of Latin eloquence at the College founded by François Ier. His research into the foundations underlying the art of oratory, together with those of Melanchthon and following upon those of Agricola and George of Trebizond, led to the development of a specifically humanist rhetoric, combining dialectics with eloquence, whose main goal was to cater to the practical needs of teachers and orators holding a post of responsibility. His analysis of classical speeches, above all by Cicero, was more than a mere archeological interest or an empty striving after imitation: Latomus developed an original method allowing him to forge for himself the tools of a highly personal savoir-faire. The essentials of his thoughts are developed in a great speech devoted to the ‘studia humanitatis’: a civic humanism, which is the reflection of an anthropology seeing man as an active member of society, in which rhetoric played a central role. During his Paris years, Latomus was seen as one of the foremost representatives of that brand of Northern humanism that had contributed so much to the shaping of university curricula. After becoming a counselor in Trier on his return from an iter Italicum, he delved into theology. In his controversies, he sided with the official doctrine by firmly basing it on biblical and patristic sources; he preferred the clash of ideas over sterile disputations. Latomus was close to the French evangelical movement; he kept contact with Lutheran friends such as Sturm and Sleidan, to whom he submitted courageous proposals regarding the hierarchical structures of the church, in the hope of having them discussed at a free council
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Wong, Alexander Tsiong. "Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.
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Steenson, Allison L. "The clerical humanist and the language of service: neo-Latin ephemera and the Jacobean court in the Hawthornden manuscripts of William Fowler". Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3422322.
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The research detailed in this thesis explores the largely uncharted territory represented by the Hawthornden manuscripts (Edinburgh, National Library of Scotland, MSS 2063-67) of William Fowler, Scottish courtier in Edinburgh and London and attached to the court of Queen Anna of Denmark between 1590 and 1612. The research has focused on material evidence of scribal culture, with the aim of clarifying issues of localization of specific texts and typologies of texts in relation to their social, literary and more broadly cultural background. Based on the fragmentary evidence in the Hawthornden manuscript, this project engages in the exploration of one of the “cultural places of the European Renaissance”, focusing on the early Stuart courtly establishment in the first decade of the seventeenth century. The aim is, on the one hand, to close a series of scholarly gaps in the field of manuscript-based studies of the Scottish Jacobean Renaissance, and on the other, to increase our knowledge of British Jacobean cultural life in the broader sense of the word.La ricerca presentata in questa tesi si concentra sugli “Hawthornden manuscripts” (Edinburgo, National Library of Scotland, MSS 2063-67). I manoscritti contengono le carte dello scozzese William Fowler, poeta petrarchesco e cortigiano a Edinburgo e Londra, impiegato come segretario della consorte di Giacomo VI, dal 1590 al 1612. La ricerca si è concentrata sul reperimento di dati riguardanti la cultura manoscritta contemporanea, con l'obiettivo di chiarire questioni di localizzazione della produzione fowleriana d'occasione all'interno del suo contesto sociale, letterario e più generalmente culturale. Sulla base delle testimonianze frammentarie raccolte negli “Hawthornden manuscripts”, questo progetto vuole esplorare uno dei “luoghi culturali del Rinascimento Europeo”. Si concentra in particolare sulla corte del sovrano a Londra nella prima decade del Seicento, con l’obiettivo finale di comprendere più a fondo alcuni aspetti specifici della congerie culturale Britannica, nonchè di raccogliere testimonianze materiali che ci permettano di comprendere più a fondo la produzione manoscritta scozzese del cosiddetto “rinascimento giacobita”.
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Maxson, Brian. "Review of Neo-Latin and the Humanities: Essays in Honour of Charles E. Fantazzi, ed. by Luc Deitz, Timothy Kircher, and Jonathan Reid". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6197.
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Campanholo, Silvia Helena. "Tradução e análise do Liber Primus, da obra Inscriptionum Libri Duo, de Jean Visagier: a imitação dos clássicos no Renascimento". Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-27092018-100126/.
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Esta pesquisa tem como objetivo traduzir e analisar o Liber Primus da obra Inscriptionum Libri Duo, do poeta neolatino francês Jean Visagier. Esse livro foi publicado em 1538, em Paris, na tipografia de Simon de Colines. O Liber Primus dessa obra possui noventa e três epigramas que foram traduzidos e, posteriormente, estudados quanto à imitação que fazem da antiguidade clássica. Encontramos vestígios, nesses epigramas, de autores latinos como Catulo, Marcial e Ovídio. Sendo um poeta renascentista, em alguns momentos foi necessário cotejar seu texto com a tradição posterior à clássica, sobretudo nos epigramas de cunho erótico. Inclui-se, ainda, um estudo introdutório sobre a inserção de Jean Visagier na cultura do século XVI, principalmente entre o grupo de poetas neolatinos.The purpose of this research is to translate and to analyze the Liber Primus of the book Inscriptionum Libri Duo, by the French Neo-Latin poet Jean Visagier. This book was published in 1538, in Paris, in the typography of Simon de Colines. The Liber Primus has ninety-three epigrams that were translated and later studied regarding their imitation of Classical Antiquity. We found vestiges, in these epigrams, of Latin authors like Catulus, Martial and Ovid. As Visagier is a Renaissance poet, at times, it was necessary to compare his text with the post-Classical tradition, especially in the erotic epigrams. It also includes an introductory study on the insertion of Jean Visagier in the culture of the sixteenth century, mainly in the group of Neo-latin poets.
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Ginzel, Christof. "Poetry, politics and promises of empire prophetic rhetoric in the English and Neo-Latin epithalamia on the occasion of the Palatine marriage in 1613". Göttingen V & R Unipress, Bonn Univ. Press, 2007. http://d-nb.info/99109445X/04.
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Toscano, Dennis. "Carthago Indiarum Obsessa, Sed Non Expugnata: Praefatio, Editio Critica, Commentarius, Paraphrasis Versuum Quibus Celebratur Victoria Hispanorum a Britannis Anno 1741 Reportata". UKnowledge, 2016. http://uknowledge.uky.edu/mcllc_etds/5.
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Opus cui titulus est "Carthago Indiarum obsessa sed non expugnata" est carmen divulgatum sine nomine auctoris saeculo duodevicesimo ad celebrandam vic- toriam quam Hispani a Britannis Carthagenae Indiarum anno 1741 in bello auris illius Ienkins (vulgo, the War of Jenkins’ Ear) reportaverunt. In hac thesi tractantur modo satis compendiario res gestae huius proelii quo melius lectores carmen ipsum possint intellegere. Necnon hic inveniuntur ea quae spectant ad huius opusculi genus, indolem et momentum litterarium. Postremo, praebetur hic editio critica, paraphra- sis Latina, commentarius in hoc carmen scriptus. Ex hoc carmine potest conspici quomodo litterarum Latinarum patrimonium pertineat ad omnes aetates, ad omnes gentes, ad omnes patrias.
The work Carthago Indiarum obsessa, sed non expugnata ("Cartagena de Indias, Assailed but not Captured") is an eighteenth century anonymous poem that celebrates the Spanish victory over the English at Cartagena de Indias during the War of Jenkins’ Ear in 1741. This thesis presents a summary of the battle in order to contextualize the significance of the poem. It further presents a literary analysis of the poem’s genre, characteristics, and literary importance, as well as a critical edi-tion, a paraphrase in Latin prose, and a commentary. From analyzing this poem, one can see some ways in which the Latin literary patrimony brought from the ancients pertains to all ages, peoples, and nations.
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Hill, Robert Stephen. "Duae M. A. Mureti Orationes in Platonis Rem Publicam Commentariis Instructae". UKnowledge, 2016. http://uknowledge.uky.edu/mcllc_etds/4.
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Marcus Antonius Muretus, qui inde ab anno 1526o usque ad 1585m vixit, modo Latine scribendi optimo insignis et apud aequales et apud posteriores, annis 1573o et 1574o duas in Platonis Rem Publicam habuit orationes. Quarum contextus in hoc opusculo editur commentariisque instruitur, quo facilius a lectoribus hodiernis sententiae Mureti legantur ac intellegantur. In praefatione quam huic opusculo adiunximus tractantur etiam res nonnullae quae ad Muretum et ad has orationes de Platone habitas pertinent: videlicet Mureti vita, sententiae eius ad artem rhetoricam pertinentes, controversiae Ciceronianae, studia Graeca, philosophia Platonica, denique ratio quam ad hanc editionem perficiendam adhibuimus.
Marc-Antoine Muret (1526-1585), known for his excellent Latin style both in his own time and afterwards, gave two inaugural speeches on Plato's Republic in 1573 and 1574. This thesis contains an edition of these speeches together with a commentary aimed at readers comfortable in classical Latin but perhaps new to Muret and to Renaissance studies. In a preface to this edition and commentary, several subjects are discussed that are essential for understanding Muret and the context of these speeches: Muret's life; his views on rhetoric and the imitation of Cicero; Greek studies in the Renaissance; Platonic philosophy; and finally the text of the speeches and other matters specific to this edition.
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Puškarić, Jelena. "Lumières françaises et culture croate à la fin du XVIIIe siècle". Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP016.
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C'est en 1767 que Jean-François Marmontel (1723-1799) publie son Bélisaire. Plus un traité socio-philosophique, miroir de son siècle, qu'un roman d'aventure, le Bélisaire de Marmontel retentira immédiatement dans la société de son temps et connaîtra une postérité fructueuse. En regroupant les idées clés de l'époque telles liberté de la pensée religieuse, tolérance civile (son point le plus vivement contesté par la critique et le plus ardemment défendu par son auteur), étendue de l’autorité royale, réforme souhaitée des systèmes fiscaux ainsi que des institutions de la vie civile…, l'ouvrage de Marmontel s'acquiert une importante popularité, son auteur ayant en plus remporté la victoire contre la Faculté de théologie de Paris. Il faut signaler également que le thème historique du vieux général byzantin n’est pas étranger à la littérature européenne antérieure à l’époque des Lumières françaises mais, là, ce sujet reste plutôt historique, sans l’attirail de la pensée novatrice dont Marmontel va le doter. Ainsi, parmi de tels ouvrages l’on range également le drame du Ragusain Antun Gledjević « Bélisaire ou Elpidie ». Cependant, c’est la trame idéologique du roman de Marmontel qui conduit le croate Michael Horvath (1733-1810), prêtre originaire de la région autrichienne de Burgenland, à publier à Vienne - très probablement en 1772 - une adaptation en langue latine du roman français. Une autre version latine (remaniement de la première édition) verra le jour en 1806 par les soins du libraire viennois, Aloysius DollIn 1767 Jean-François Marmontel (1723-1799) published a “novel” which he intitled Bélisaire. Much more a socio-philosophical treaty well anchored in its century’s philosophy than an adventure novel, Marmontel’s Bélisaire was an immediate success in his time and inspired many a literary follower in decades to come. Summing up the key ideas of its time, namely freedom of thought in religious matters, civil toleration (the novel’s strongest point, the most criticized by its opponents as well as the most fiercely defended by its author), extension of the royal authority, a most wished for reform of the tax system and, on a larger scale, of various social institutions…, Marmontel’s work quickly gained popularity, which was largely due to his author’s triumph over the Sorbonne theological party. The leitmotiv of Justinian’s old general, whose conduct was synonym of nothing but impeccable righteousness, was not unknown to the European literary pre-Enlightenment production, though back then the traditional plot lacked the novelty elements with which Marmontel endowed his Bélisaire. In this lineage we can place a play intitled « Belisarius or Elpidia » by the Ragusan poet Antun Gledjević. But it was primarily the ideological filament of Marmontel's novel that inspired the Croatian priest Michael Horvath (1733-1810) to publish a Latin version of Marmontel's text (most probably in 1772). A second Latin version of the text (published by a Vienna typographer Aloysius Doll) appeared in 1806
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Feile, Tomes Maya Caterina. "Neo-Latin America : the poetics of the "New World" in early modern epic : studies in José Manuel Peramás's 'De Invento Novo Orbe Inductoque Illuc Christi Sacrificio' (Faenza 1777)". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/273742.
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This is an investigation of the epic poetry produced in and about the Ibero-American world during the early modern period (sixteenth to eighteenth centuries) in trilingual perspective: in addition to the more familiar Spanish- and Portuguese-language texts, consideration is also––and, for the purposes of the thesis, above all––given to material in Latin. Latin was the third of the international literary languages of the Iberian imperial world; it is also by far the most neglected, having fallen between the cracks of modern disciplinary boundaries in their current configurations. The thesis seeks to rehabilitate the Latin-language component as a fully-fledged member of the Ibero-American epic tradition, arguing that it demands to be analysed with reference not only to the classical and classicising traditions but to those same themes and concerns––in this case, the centre|periphery binary––as are investigated for counterparts when in Spanish or Portuguese. The crucial difference is that––while the ends may be the same––the means of thematising these issues derive in form and signifying power from interactions with the conceptual vocabularies and frameworks of the Greco-Roman epic tradition. How is America represented and New World space figured––even produced––in a poetic idiom first developed by ancient Mediterranean cultures with no conception whatsoever of the continent of the western hemisphere? At the core is one such long neglected Ibero-American Latin-language epic by a figure who lived across the Iberian imperial world: the 'De Invento Novo Orbe Inductoque Illuc Christi Sacrificio' (Faenza, 1777) by Catalan-born Jesuit José Manuel Peramás. Peramás’s epic––which has never been the subject of a literary-critical study before––is offered as a test case: an exercise in analysing a Latin-language Hispanic epic qua Hispanic epic and setting it into Ibero-American literary-cultural context. This is to be understood in relation to the field of so-called ‘New World poetics’: an at present emergent zone of inquiry within Iberian colonial studies which until now has been developing almost completely without reference to the Latin-language portion of the corpus.
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Constant-Desportes, Barbara. "Autour de L'Angelinetum et des Carmina varia de Giovanni Marrasio : étude sur la poésie latine du premier humanisme et sur le renouvellement du genre élégiaque". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL081.
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Cette thèse porte sur la renaissance de l’élégie latine à l’ère humaniste, au début du XVe siècle, à Sienne. Giovanni Marrasio compose alors le premier recueil d’élégies en langue latine de la Renaissance, l’Angelinetum, d’inspiration amoureuse, auxquels s’ajoutent de nombreux poèmes variés, ses carmina varia. Avant lui, ce genre n’avait pas retrouvé d’expression depuis plusieurs siècles. L’œuvre du poète, très variée dans ses thèmes et dans ses sujets, trouve son unité dans l’utilisation exclusive du distique élégiaque. Cela conduit à s’interroger sur la conception de l’élégie latine que Marrasio illustre : s’il se réapproprie de nombreux thèmes et de nombreuses topiques caractéristiques des élégies antiques, il intègre dans sa poésie plusieurs héritages littéraires d’époques ultérieures. Tous ces emprunts sont savamment fondus dans une poésie originale au gré d’une imitation habilement pensée. Les modalités de cette imitation sont analysées dans toute leur variété : la réminiscence littéraire s’exprime ainsi par l’allusion, la citation et la traduction. L’analyse de l’imitation marrasienne permet également d’évaluer les nouveaux apports du poète au genre élégiaque, notamment par l’intégration de thèmes pétrarquistes et par le rapprochement de l’élégie et de l’épigramme. Marrasio participe, en tant que lettré, à certains débats littéraires de son temps, tels l’inspiration ou la valeur de la poésie, qui trouvent dans ses poèmes, des illustrations inédites, repérables grâce à une pratique métapoétique de l’écriture. Marrasio se révèle à la fois un passeur et un novateur dans la renaissance du genre élégiaqueThis thesis deals with the renaissance of the Latin elegy in the humanist era, at the beginning of the 15th century, in Siena, when Giovanni Marrasio composed the first collection of elegies in Renaissance Latin, Angelinetum, with love as its inspiration, in addition to numerous diverse poems, his carmina varia. This style of expression had not been in use for several centuries prior to this. The exclusive use of the elegiac distich lends unity to the wide range of themes and subjects in the poet's work. This leads one to ponder the conception of the Latin elegy as illustrated by Marrasio : if he reappropriates many themes and topics characteristic of ancient elegies, he integrates several literary legacies from various earlier periods in his poetry. All these borrowings are skillfully combined into original poetry by means of clever purposeful imitation. The methods of this imitation are analysed in full: literary influence is thus expressed by allusion, quotation and translation. The analysis of Marrasian imitation also allows the poet's new contributions to the elegiac genre to be evaluated, in particular his use of Petrarchist themes and combination of the elegy and the epigram. As a man of letters, Marrasio took part, in certain literary debates of his time, on topics such as inspiration or the value of poetry, which find novel expression in his poems, identifiable thanks to a metapoetic writing style. Marrasio turns out to be both an imitator and an innovator in the renaissance of the elegiac genre
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Siedina, Giovanna. "The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century". Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065007.
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For the first time, the reception of the poetic legacy of the Latin poet Horace (65 B.C.-8 B.C.) in the poetics courses taught at the Kyiv Mohyla Academy (17th-first half of the 18th century) has become the subject of a wide-ranging research project presented in this dissertation. Quotations from Horace and references to his oeuvre have been divided according to the function they perform in the poetics manuals, the aim of which was to teach pupils how to compose Latin poetry. Three main aspects have been identified: the first consists of theoretical recommendations useful to the would-be poets, which are taken mainly from Horace's Ars poetica. The second aspect is the use of Horace's poetry as a model of word usage, tropes, rhetorical figures, and metrical schemes. Finally, the last important aspect of the reception of Horace is how his works could be imitated and his words or dicta borrowed in the composition of poetry, in which students were expected to exercise as part of the poetics course.
The research draws the conclusion that Horace's legacy was of paramount importance in the manuals analyzed: on the one hand the Mohylanian poetics teachers' tendency (after Renaissance literary theorists and critics) to consider poetry within rhetorical categories rendered Horace's Ars Poetica extremely congenial to them. On the other, Horace's ideas were extrapolated from their original context and at times modified to serve a moralistic and "utilitarian" conception of poetry, which considered the latter as an instrumental science that served the ends of moral philosophy. With its metrical virtuosity and brilliant verbal craftsmanship, Horace's poetry provided an excellent model for the introduction of Christian content.
The analysis of the way pagan authors (Horace first and foremost) were elaborated in a Christian key in the poetry composed by Mohylanian teachers and pupils indicates that education (and with it the assimilation of the Classics) at the KMA was not extraneous to the integration of ancient learning in Christian thinking as it took place in the different confessional schools of contemporary Western Europe.Slavic Languages and Literatures
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Eingold, Eric V. "A shock to the system : US foreign policy and the victories of the Latin American left". Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1084.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Sciences
Political Science
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Dewey-Montefort, Jamie Arlene. "Entre la Literatura Indianista y la Narrativa Neo-Indigenista: Identidad y Modernidad". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143410417.
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Lima, Ricardo da Cunha. "A presença clássica na poesia neolatina do humanista português Antônio de Gouveia". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06122007-113357/.
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Esta tese trata da obra poética neolatina publicada em Lyon, França, nos anos de 1539 e 1540, pelo humanista português Antônio de Gouveia, consistindo em duas centenas de epigramas e mais quatro cartas de amor em versos. Foram feitos o estabelecimento do texto latino, com o cotejo de diferentes edições, e a tradução para o português, acrescida de notas e comentários. Foram feitas diversas análises, de cunho poético, para examinar os procedimentos estilísticos de composição da obra e para verificar a presença da literatura clássica no texto renascentista. A existência de duas diferentes edições da poesia epigramática propiciou o exame e a interpretação de algumas das alterações introduzidas pelo poeta lusitano. Inclui-se, ainda, um capítulo sobre a vida de Antônio de Gouveia, enfocando, principalmente, sua formação humanística e sua circulação nos meios artísticos e acadêmicos da Renascença européia.This thesis deals with the Neo-Latin poetic work published by Antônio de Gouveia, Portuguese humanist, in Lyon, France, in the years 1539 and 1540, consisting of two hundred epigrams and four love letters in verse. The thesis includes the comparative edition of the Latin text, with critical apparatus, and the translation of it into Portuguese, with notes and comments. It also includes a poetic analysis, in order to examine the stylistic procedures of the composition of the work, and to verify the influence of classical literature on this Renaissance text. The existence of two different editions of the epigrammatic poetry permitted the examination and interpretation of some changes made by the Portuguese poet. The thesis also has a chapter about the life of Antônio de Gouveia, focusing his humanistic education and his movement in the artistic and academic circles of European Renaissance.
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Boutrois, Valérie. "Roman, histoire et alchimie au XVIIème siècle. Traduction et étude de la Peruviana de Claude-Barthélemy Morisot". Thesis, Reims, 2015. http://www.theses.fr/2015REIML006.
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Ce travail présente la première traduction française, assortie de notes et précédée d’une introduction détaillée, d’un roman à clef néo-latin intitulé Peruviana (1644), qui transpose au Pérou les intrigues politiques et sentimentales du Royaume de France au temps de Louis XIII. Son auteur, Claude-Barthélemy Morisot (12 avril 1592 - 22 octobre 1661), était un parlementaire dijonnais appartenant à un cercle de “libertins érudits” de la République des Lettres de la première moitié du XVIIème siècle, auteur d’ouvrages savants et de cet unique roman.L’étude en trois parties servant d’introduction offre d’abord une contextualisation de cette fiction romanesque et de son auteur, livrant les premières clefs nécessaires à la lecture ; puis une analyse narratologique aborde les enjeux littéraires et l’exploitation des sources, notamment antiques : la confrontation des référents et de la structuration de l’intrigue met en évidence la double portée, stéganographique et politique, de ce roman, que la fin de l’étude tentera d’élucider. Il apparaîtra alors que l’auteur, par le jeu de l’analogie et de la métaphore que permet le principe du roman à clef, a envisagé son œuvre comme une utopie où les mécanismes historiques, entrant en concordance avec ceux du Cosmos, pourraient être appréhendés et harmonisés par l’application d’un art bienveillant, prenant en compte tous les aspects et tous les états de la matière sociale afin de guider celle-ci vers un accomplissement proche de l’idéal. Cette lecture alchimique révèle que tout le roman est une métaphore de l’Œuvre, dont l’artisan serait le Poète, mettant au service de l’humanité à venir ce fruit de sa sagesseThis dissertation is the first translation of a Neo-Latin roman à clef entitled Peruviana (1644) which transposes to Peru the political and sentimental intrigues that took place in France under Louis XIII. This edition is accompanied with notes and preceded by a detailed introduction. The author of Peruviana, Claude-Barthélemy Morisot (April 12, 1592 – October 22, 1661), was a native of Dijon and belonged to a group of libertine scholars from the Republic of Letters during the first half of the 17th century. He is the author of several scholarly works, but Peruviana is his only novel.The first part of the introduction provides contextual elements about the narrative and its author, while also giving some of the keys to read the novel. The second part consists of a narratological analysis which deals with its literary issues and the use of sources – especially classical literature ; the confrontation between the referents and the structure of the plot highlights the steganographic and political dimension of this novel, a point on which third part of this study sheds light.It then becomes clear that thanks to the use of analogy and metaphor – which are characteristic devices of romans à clefs – the author conceived his work as a utopia in which the historical mechanisms reflecting those of the Cosmos might be apprehended and harmonized through a benevolent art that would take into account all the aspects and states of the social Materia(l) in order to lead it to an (almost) ideal fulfilment. This alchemical reading reveals that the entire novel is a metaphor of the Magnum Opus, whose architect would be the Poet offering the product of his wisdom to the future of mankind
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Andersson, Oskar. "A moderate excess : Argumentation and conceptual change in the luxury debate in Swedishdissertations, 1722–1779". Thesis, Uppsala universitet, Historiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-294861.
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Research into the luxury debate in 18th century Sweden has focused on poetry and literature, the wording of decrees and the minutes of the Swedish riksdag. One source material largely left unexplored is the body of dissertations published by Swedish universities of the time. Not only is this an unfortunate omission as the universities were important intellectual centres, but also because they had a distinct culture, heavily influenced by Latin and the classics, in which luxury condemnations played a pivotal role. Building on the notion that ideas are best studied as arguments in debates, this master’s thesis examines twelve dissertations published in Sweden in the years 1722–1779 using models of conceptual change and argumentation analysis as theoretical approaches. The results indicate that the academic debate on luxury, through its focus on classical antiquity and conceptual definition, distinguished itself from other contemporary Swedish contributions to the debate, and that the interpretation of its characteristics must proceed from both the dissertation genre and the learned culture of university. The investigation furthermore stresses the importance of the university as a venue for reception of ideas in the latter part of the Early Modern Period and emphasises the dissertations as a central medium in this process.
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Vaananen, Katrina Victoria. "Renaissance Reception of Classical Poetry in Fracastoro’s Morbus Gallicus". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1506444910819066.
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Sfaxi, Intissar. "Contribution à la connaissance de la langue libyque : l'apport de l'onomastique". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3046.
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Partant du constat qu'il existe pour les autres domaines linguistiques représentés dans l'Afrique antique (punique, latin) des inventaires et outils onomastiques très complets, notre ambition a été d'élaborer, pour le domaine libyque un instrument comparable, qui rassemble les matériaux et en propose une étude linguistique et étymologique aussi systématique que possible. Dans le vaste champ de l'onomastique, notre recherche s'est focalisée prioritairement sur l'anthroponymie, l'ethnonymie, et dans une moindre mesure sur la théonymie. On a postulé que les matériaux onomastiques pouvaient apporter quelques lumières sur la langue libyque puisque une grande part des noms étudiés sont des vocables indigènes d’une authenticité incontestable. L'analyse linguistique et étymologique des données onomastiques permet ainsi un accès immédiat à la langue libyque. La documentation, rassemblée, commentée et analysée, constitue les bases d'un corpus onomastique (Onosmasticon libycum), qui compte actuellement 636 bases lexicales, et autorise un certain nombre de considérations sociolinguistiques sur les univers libyco-punique et libyco-romain. Sur le plan linguistique, l'étude du corpus onomastique permet d'avoir à la fois un ensemble de renseignements lexicaux et grammaticaux utile pour l'histoire de la langue, et un ensemble de données ponctuelles relatives à la situation linguistique antique. L'examen des données onomastiques libyques et les résultats obtenus constituent une première approche de la langue libyque et une base de réflexion et de travail qui pourra être développée dans des recherches ultérieuresStarting from the observation that there are inventories and comprehensive onomastic tools for the other linguistic spheres represented in ancient North Africa (Punic, Latin), my goal has been to develop a comparable instrument for the Libyan sphere which would bring together materials and provide a linguistic and etymological study as systematic as possible. In the vast field of onomastics, my research has focused primarily on anthroponomy, ethnonymy, and to a lesser extent on theonymy. It has been postulated that the onomastic materials could shed some light on the libycal language as the largely studied names are indigenous terms whose authenticity is beyond question. The linguistic and etymological analysis of onomastic data from epigraphic and historical sources provides an immediate access to the Libycal language. The materials of our work cover all of Ancient North Africa, which enables us to offer a global vision. Assembled, annotated and analyzed documentation is the basis for an onomastic corpus (Onosmasticon libycum), which currently has 636 lexical bases, and authorizes a number of sociolinguistic considerations on the Libyco-Punic and Libyco-Roman worlds. Linguistically speaking, the study of the onomastic corpus allows for both a set of useful information for lexical and grammatical history of the language, and a precise set of data relating to the ancient linguistic situation. The examination of the Libycal onomastic data and its results constitute a first approach to the Libycal language and a starting point and working basis which could be developed in future research
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Larrouqué, Damien. "Les politiques d’inclusion digitale en Amérique latine : de la rénovation éducative à la recomposition de l’Etat (Argentine, Paraguay, Pérou, Uruguay)". Thesis, Paris, Institut d'études politiques, 2016. http://www.theses.fr/2016IEPP0044.
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L’enjeu de cette thèse est de mettre en lumière les transformations institutionnelles observables en Amérique latine à l’aune de la gestion des politiques d’inclusion digitale. Instaurés par certains pays de la région au milieu des années 2000, ces programmes socio-éducatifs s’inspirent de l’initiative promue par la fondation philanthropique nord-américaine One Laptop Per Child (OLPC). Ces politiques publiques ont pour double caractéristique d’être relativement coûteuses en termes financiers et d’être, sur le plan logistique, très contraignantes à administrer. Aussi, selon notre postulat de départ, elles nous permettent non seulement d’illustrer le « retour de l’Etat » en matière d’investissement social, mais encore d’apprécier son efficacité à l’heure de mettre en œuvre des initiatives présentées comme révolutionnaires. D’après notre principale hypothèse, leur concrétisation a été conditionnée par la capacité des pouvoirs publics à innover en matière de gestion administrative. La plus-value académique de ce travail repose sur le concept d’Etat néo-wébérien, lequel se situe à mi-chemin entre le modèle bureaucratique classique et le New Public Management. Nous soutenons que les programmes d’inclusion digitale étudiées (plan Ceibal en Uruguay, plan Conectar Igualdad en Argentine, plan Una Computadora por Niño au Pérou, plan OLPC au Paraguay) ont été couronnés de succès dans les deux pays du Bassin de la Plata (Argentine et Uruguay) qui ont su emprunter le plus aux caractéristiques de cette conception, certes idéal-typique, mais néanmoins éclairante à l’heure d’appréhender la réalité des mutations contemporaines de l’Etat en Amérique latineOur ambition is to bring to light the institutional transformations that derive in Latin America from the implementation of digital inclusion policies. These social and educational programs have taken inspiration from the project of the One Laptop Per Child foundation and they have been instituted in some South-American countries during the last decade. We consider that these public policies present two interesting characteristics. On the one hand, being very costly from a financial perspective, they illustrate the “return of the state” in terms of social investment. On the other hand, because they are logistically complex to run, they can be seen as examples of a new and effective policy-making process. Our main hypothesis is that their successful implementation has been triggered by the capacity of public authorities to innovate in the field of administrative management. The academic interest of our dissertation rests on the concept of Neo-weberian State. It designs a new institutional configuration, which borrows some properties from two administrative paradigms: the bureaucratic model of Weber and the New Public Management. Taking into consideration four digital inclusion policies, we argue that the successful implementation of two of them (the programs Ceibal in Uruguay and Conectar Igualdad in Argentina) can be explained by the use of a neo-weberian form of political and administrative management. In our opinion, although it remains an ideal type, the concept of “Neo-Weberian State” is considerably useful for whoever analyses the transformations of public institutions in Latin America
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Sundqvist, Max Filip. "Anemia in the Andes - Health promotion and Ethnography in the Northern Peruvian highlands". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21658.
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In this study I will present an investigation conducted at two communities in the northernPeruvian highlands during the months of February and March of 2019. I applied an anthropological perspective to Communication for Development and investigated how health promotion concerning anemia was perceived by different groups (health care workers and Patients) at the communities. I applied an ethnomethodological approach and worked with an applied anthropology perspective as collected data through ethnography and semi-structured interviews throughout the communities. I found that perspectives that are hard to accommodate within dominating discourses – such as critical perspectives questioning inequality and poverty – may beless prioritized in favour of narratives that can be accommodated within a neoliberal context.Furthermore, I found that there exists a myriad of accounts of development and that development work cannot easily be accommodated within simplified dichotomies.
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Thampy, Gayatri S. "INDIGENOUS CONTESTATIONS OF SHIFTING PROPERTY REGIMES: LAND CONFLICTS AND THE NGOBE IN BOCAS DEL TORO, PANAMA". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365428854.
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Farquhar, Alexander J. K. "Arthur Johnston and the fostering of Scottish letters". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b649c8ca-f9f8-4562-9dfd-d57b9399ceb7.
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Traditionally, Arthur Johnston has been judged proxime accessit to George Buchanan in the world of Scottish neo-Latin poetry, and particularly in the versification of the Book of Psalms. The thesis offers a counterpoint to that theme. More of his poetry came under scrutiny at the close of the nineteenth century, when an edition of his Parerga and Epigrammata of 1632, turned scholarly attention to his secular poems. This study examines the poems written between 1599 and 1622 during Johnston’s peregrenatio academica in Europe – poems which depict him at the moment of his emergence onto the public stage, and which offer insights into his life, and the worlds he occupied, during those years. Part one of the thesis will examine his early years and his move into the academic world in Aberdeen and at Heidelberg University. Part two will consider the years he passed as a teacher of philosophy at the Huguenot Academy in Sedan, the independent principality on the northern border of France. It will look, too, at the evidence of his year spent in Padua, where he studied to become a physician. Part three will focus on the years 1619-22 when his longest secular poems were composed. He wrote and published with an eye to achieving a post in the medical circle around James VI and I. The thesis concludes by considering the retreat he made from Europe and London to his home in Aberdeen, and looks briefly at one of the small poems he wrote in 1623-24. Throughout, themes emerge of Johnston’s irenic preferences, and his response to the disturbance to intellectual life brought about by Calvinist division, and by the crisis heralded by the Bohemian Revolt.
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Tadvald, Batista Marcelo. "Adaptações da fé : análise antropológica da transnacionalização da Igreja Universal entre Brasil e Argentina". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/71939.
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Nas últimas décadas, a partir da nova ordem mundial constituída pela globalização, intensificaram-se os fluxos entre diferentes países de práticas, símbolos, capitais, pessoas, religiões e toda a sorte de bens culturais que transitam constantemente e em ritmo acelerado nesse contexto. No que se refere ao campo religioso, percebeu-se que o trânsito de religiões entre o seu contexto nacional e cultural originário e o contexto receptor perpassa diferentes estratégias de adaptação, que reconfiguram os campos religiosos em questão. Este trabalho se ocupa das formas de adaptação em um contexto exterior de religiões originadas no Brasil, mais especificamente das estratégias postas em prática, das ressemantizações produzidas e dos diálogos com a cultura local realizados pela Igreja Universal do Reino de Deus no seu processo de transnacionalização para a Argentina. Desta forma, o trabalho examina a formação de comunidades religiosas transnacionais a partir das novas configurações que se observa atualmente no espaço transnacional formado entre o Brasil e a Argentina e de um diálogo entre as suas sociedades nacionais, aspectos históricos, políticos e culturais relacionados ao campo religioso que possibilitam os fluxos abordados. Tendo como objeto de análise a Igreja Universal na Argentina, avalio a sua presença no exterior a partir de diferentes instâncias, como a sua relação com as sociedades envolventes (de origem e de recepção) e a sua atuação nesses locais mediante uma etnografia das mídias e do cotidiano em templos e rituais da igreja no exterior e de sua relação com outras religiões, como o catolicismo e as religiões de matriz africana. Esta pesquisa foi desenvolvida entre 2007 e 2012 no Brasil (Brasília e Porto Alegre) e na Argentina (Buenos Aires e conurbado).In recent decades, arising from the new world order, flows of practices, symbols, capital, people, religions and all sorts of cultural goods which move constantly at a fast pace between different countries were intensified. In regard to religion, the transit of religions between their national and original cultural context to a foreign context entails different adaptation strategies, which reshape these religious fields. This study focuses on the ways religions originated in Brazil adapt to a foreign context, more specifically on the strategies put into practice, on the resemantizations produced and on the dialogues with the local culture established by the Universal Church of the Kingdom of God in its process of transnationalization to Argentina. Thus, the thesis examines the formation of transnational religious communities from the new configurations that can be seen today in transnational space formed between Brazil and Argentina and the dialogue between their national societies, historical, political and cultural issues related to the religious field which enable the flows discussed. With the purpose of analyzing the Universal Church in Argentina, this thesis evaluates its presence abroad in such perspectives as, its relationship with the surrounding societies and its performance at these sites through an ethnography of media and of routine in temples and rituals as well as its relationship with other religions, such as catholicism and religions of African origin. This research was conducted between 2007 and 2012 in Brazil (Brasilia and Porto Alegre) and Argentina (Buenos Aires and metropolitan area).
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Orsini, Sarah. "Les "Carmina" de Pascoli : édition traduite et commentée d'une sélection de poèmes latins et édition numérique d'une sélection de brouillons". Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2090.
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Giovanni Pascoli (1855-1912) est un classique de la littérature italienne. Poète bilingue écrivant en italien et en latin, il s’est illustré dans le domaine de la littérature néo-latine en composant des poèmes qui ont remporté le certamen poeticum hoeufftianum. Son œuvre latine, les Carmina, est méconnue en France. Le premier objectif de cette recherche doctorale est de proposer une édition bilingue traduite et commentée d’une sélection des poèmes latins de Pascoli, accessible à un public français non spécialiste de littérature latine ou italienne. Nous avons tenté de sélectionner des poèmes de formes variées (poèmes narratifs, épigrammes, odes dédicatoires) afin de donner au lecteur un aperçu de ce que pourrait être une édition intégrale des Carmina. Nous avons présenté en introduction les éléments biographiques et les diverses aspects esthétiques et linguistiques de la poésie pascolienne susceptibles de faciliter la compréhension des textes. Nous y proposons également une analyse de l’expérience poétique que représente pour Pascoli le fait d’écrire en latin et de situer cette pratique par rapport à ses contemporains. Nous avons en outre essayé autant que possible d’étudier la poésie latine de Pascoli au contact de sa poésie italienne. Le second aspect de cette thèse porte sur le caractère posthume de cette œuvre, éditée par la sœur du poète, Maria Pascoli avec l’aide du philologue Ermenegildo Pistelli. Le poète n’ayant pas eu le temps de proposer une structuration de son œuvre en recueil, les poèmes latins sont organisés selon des sections thématiques qui ne sont pas toujours satisfaisantes (par exemple, les épigrammes sont éditées sans logique d’organisation dans une section rassemblant tous les poèmes de forme brève ou les poèmes qui n’ont pu être classés dans les sections thématiques). Grâce à la numérisation de l’ensemble des brouillons de G. Pascoli, nous avons pu explorer les ébauches de plans réalisés par l’auteur, et nous proposons dans l’introduction de cette thèse deux recueils possibles : le premier organisé selon la chronologie de l’écriture, le second organisé selon la chronologie des faits représentés. Notre édition commentée des Carmina est présentée selon la première organisation, afin d’offrir un aperçu de l’écriture de Pascoli comme un processus qui a évolué au fil du temps. Cette étude du processus de l’écriture pascolienne, nous l’avons également menée à l’échelle du poème, dans le détail de la composition. Nous avons réalisé une édition génétique XML-TEI d’un dossier de brouillons, celui du poème Crepereia Tryphaena. Dans cette édition, nous avons décrit avec une très grande précision les gestes d’écriture visibles sur la page (ajouter, supprimer, substituer, déplacer, réécrire une nouvelle version) et nous avons tenté, quand cela était possible d’analyser les opérations mentales qui ont provoqué ces gestes. Nous avons en outre tenté de reconstituer la chronologie de l’écriture de chaque brouillon, afin de créer un prototype d’édition qui permette de lire les brouillons de poésie en affichant le texte une campagne d’écriture après l’autre et de visualiser les modifications apportées par l’auteur jusqu’à l’échelle de la lettre. Grâce à cette édition, nous avons pu analyser dans le détail les étapes de composition, les méthodes employées par l’auteur et les gestes effectués pour mener à bien son projet, et nous livrons les résultats de cette analyse à la fin de l’introduction de cette thèseGiovanni Pascoli (1855-1912) is a classic of Italian literature. A bilingual poet writing in Italian and Latin. He has distinguished himself in the field of Neo-Latin literature by composing poems awarded in the certamen poeticum hoeufftianum. His Latin work, the Carminas, is almost unknown in France. The first objective of this doctoral research is to propose a bilingual edition, translated and commented, of a selection of Pascoli's Latin poems, accessible to a French audience not specialised in Latin or Italian literature. We have tried to select poems of various forms (narrative poems, epigrams, dedications odes) in order to give the reader an idea of what a complete edition of the Carmina could be like. In the introduction, we presented the biographical elements and the various aesthetic and linguistic aspects of Pascolian poetry that could facilitate the understanding of the texts. We also offer an analysis of the practice consisting in writing in Latin as a poetic experiment, and tried to situated this practice in relation to his contemporaries. We also tried as much as possible to study Pascoli's Latin poetry in relation to his Italian poetry. The second aspect of this thesis concerns the posthumous nature of this work, edited by the poet's sister, Maria Pascoli, with the help of philologist Ermenegildo Pistelli. Since the poet did not have time to propose a structure of his work in a collection, the Latin poems are organized according to thematic sections that are not always satisfactory (for example, the epigrams are published without organizational logic in a section containing all the short poems or the poems that could not be classified in the thematic sections). The digitization of all of G. Pascoli's drafts enabled us to explore the drafts of the author's plans, and we propose two possible collections in the introduction to this thesis: the first organized according to the chronology of the writing, the second organized according to the chronology of the facts represented. Our commented edition of the Carmina is presented according to the first organization, in order to offer an overview of Pascoli's writing as a process that has evolved over time. This study of the Pascholian writing process was also carried out at the poem level, in the detail of the composition. We made an XML-TEI genetic edition of a draft folder, that of the poem Crepereia Tryphaena. In this edition, we have described with great precision the writing gestures visible on the page (add, delete, substitute, move, rewrite a new version) and we have tried, when possible, to analyze the mental operations that caused these gestures. We have also tried to reconstruct the chronology of the writing of each draft, in order to create an editing prototype that allows us to read the drafts of poetry by displaying the text one writing campaign after the other and to visualize the modifications made by the author up to the scale of the letter. Thanks to this edition, we were able to analyse in detail the composition steps, the methods used by the author and the gestures made to carry out his project, and we deliver the results of this analysis at the end of the introduction of this thesis
Giovanni Pascoli (1855-1912) fa parte dei classici della letteratura italiana. Poeta bilingue scrivendo in italiano e in latino, è diventato famoso nell’ambito della letteratura neolatina per avere composto poemi premiati o lodati quasi ogni anno dal 1892 al certamenpoeticum hoeufftianum. La sua opera latina, i Carmina, è sconosciuta in Francia.Il primo obbiettivo di questa ricerca dottorale è di proporre un’edizione bilingue tradotta e commentata di una selezione dei poemi latini del Pascoli e di rendere quest’edizione accessibile a un lettorato francese che non sia specialista né di letteratura latina né di letteratura italiana. Abbiamo provato a selezionare poemi di forme varie (poemi narrativi, epigrammi, odi dedicatorie) per poter dare al lettore una visione d’insieme di quello che potrebbe essere un’edizione integrale dei Carmina. Abbiamo presentato in introduzioneelementi biografici e vari aspetti estectici e linguistici della poesia pascoliana suscettibili di agevolare la comprensione dei testi. Ci presentiamo anche un’analysi delle modalità della scrittura in latino come esperienza poetica, ambientando questa pratica nel contesto culturale in cui scriveva il Pascoli. Abbiamo inoltre provato a studiare la poesia latina del Pascoi al contatto di quella italiana.Il secondo aspetto di questa tesi riguarda il carattere postumo dei Carmina, la cui edizione princeps è stata realizzata da Maria Pascoli e Ermenegildo Pistelli. Il poeta non ha avuto il tempo di raggruppare i suoi poemi in una raccolta strutturata, quindi i Carmina sono stati organizzati in sezioni tematiche che non sono sempre soddisfacenti (per esempio, gli epigrammi sono pubblicati senza logica di organizzazione in una sezione ragruppando poemi di forma breve e poemi che non entravano nei temi delle sezioni). Grazie alla digitalizzazione dell’insieme delle carte di G. Pascoli, abbiamo potuto esplorare i tentativi di strutturazionedell’opera realizzati dal poeta, e proponiamo nell’introduzione di questa testi due strutture possibili : la prima secondo la cronologia della scrittura, e l’altra secondo la cronologia dei fatti rappresentati. Abbiamo scelto per presentare l’edizione commentata dei Carmina la prima struttura, per permettere di visualizzare la scrittura dei Carmina come un processo che ha evoluto nel tempo.Questo studio del processo della scrittura pascoliana, l’abbiamo anche portato al livello del poema, nel dettaglio della composizione. Abbiamo costituito un’edizione genetica XMLTEI di una cartella di carte, quella del poema Crepereia Tryphaena. In questa edizione, abbiamo descritto con una massima precisione possibile i gesti di scrittura visibili sulla pagina (aggiungere, cancellare, sostituire, spostare, riscrivere una nuova versione), e abbiamo tentato, quando era possibile, di analizzare le operazioni mentali che hanno provocato questi gesti. Inoltre, abbiamo provato a ricostituire la cronologia della scrittura di ogni carta, percreare un prototipo di edizione che permetta di leggere le carte di una poesia facendo apparire una stesura dopo l’altra, e permettendo di visualizzare le modifiche fino al livello della lettera. Grazie a quest’edizione abbiamo potuto analizzare precisamente le varie tappe della composizione di poesia, i metodi usati dall’autore et i gesti effettuati per condurre il suo progetto creativo. Presentiamo i risultati di quest’analisi alla fine dell’introduzione della tesi
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Martínez, Rodríguez Fabiola. "Civilizing the prehispanic : neo-prehispanic imagery and constructions of nationhood in Porfirian Mexico (1876-1910)". Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/7751/.
Texto completoResumen
This work looks at the artistic production of the Porfiriato (1876-1910) with particular attention to the representation of prehispanic cultures and their incorporation into an official historiography. Whilst highlighting the growing popularity of prehispanic and conquest themes, during the last two decades of the nineteenth century, the research centres on the study of what may be described as a 'neo-prehispanic' genre in order to explore issues of identity and nationalism in the arts. The use of academic styles for the artistic interpretation of prehispanic material coincides with an already growing concern to redefine prehispanic cultures as 'classical' civilisations. The neo-prehispanic as a style may therefore be understood as a reappropriation of the past via western canons and art schools, and the construction of a neo-prehispanic imagery as a means of 'cleansing' the barbaric. The analysis concentrates on the function of neo-prehispanic representations by looking at the reception of these images in relation to the aesthetic ideas operating at the time, and their production within the institutional framework of the Academy of San Cartos. It also looks at State-funded projects in order to highlight the cultural politics of the Porfiriato which sought to celebrate the cultural legacies of prehispanic Mexico. The study will hence seek to explore the particularities of a national style, the function of art in the Porfiriato, and the relationship between artistic production and the construction of a national identity. All of this will be looked at in relation to history painting, monuments and architecture. The main objectives of the research aim to be both practical (a catalogue of material 'Appendix B'), and interpretative. The correct cataloguing and identification of this material together with an analysis of their function within the context of Porfirian society will provide invaluable material for more research, and will constitute the original contribution of my PhD.
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Piazza, Élisabeth. "La rhétorique chez Martianus Capella : Édition critique, traduction et commentaire du livre 5 des Noces de Philologie et de Mercure". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040189.
Texto completoResumen
L’encyclopédie en neuf livres de Martianus Capella, vraisemblablement composée au début du Ve s. après J.-C., se situe à la transition entre les conceptions antiques et médiévales de la « formation libérale ». Sept sciences, dons de Mercure à Philologie, exposent leur discipline devant les dieux, et forment un programme d’ascension de l’âme vers le monde divin et rationnel. En promettant un exposé conforme au statut de science (disciplina) qu’elle partage avec ses six compagnes, Rhétorique propose de dépasser les débats dont elle fait l’objet : son enseignement veut construire un art général de l’argumentation persuasive. Notre étude définit la place du livre 5 dans l’œuvre de Martianus et dans la tradition rhétorique antique. Contrairement aux traités des rhéteurs latins tardifs qui nous sont parvenus, le traité du livre 5 adopte (et adapte) les orientations des derniers ouvrages rhétoriques de Cicéron (le De oratore notamment) : la théorie est conçue pour répondre aussi bien aux questions « particulières », domaine des orateurs, qu’aux questions « générales » et philosophiques. Cette conception de la rhétorique n’est pas nouvelle : elle s’appuie sur des traditions philosophiques d’enseignement de la rhétorique, notamment développées dans des cadres péripatéticiens et académiciens. Le traité de Martianus est toutefois le seul témoin tardif qui reprenne ces perspectives avancées, et cherche à les organiser sous forme systématique. Science de la parole persuasive, la rhétorique occupe une place essentielle dans la mise en œuvre du projet de Martianus, et constitue une étape importante avant le principe plus élevé représenté par l’harmonieMartianus Capella’s encyclopedic work, probably composed in the early 5th century A.D., forms an original transition between Ancient and Medieval conceptions of "liberal education". As wedding gifts given by Mercury to Philology, seven Sciences present their branch of knowledge in a divine assembly : this scientific programme aims at the ascension of the soul towards the divine and rational world. Rhetoric answers (and goes beyond) the traditional critics directed against oratory. She promises a presentation consistent with the status of science (disciplina) she shares with her six companions : her teaching builds a general art of persuasive argument. Our study defines the position of Book 5 in Martianus’ work and in the Ancient rhetorical traditions. Whereas the Late Latin rhetorical handbooks that have survived partake of the « standard » rhetorical teaching, Martianus’ Book 5 adopts (and adapts) the guidelines of the Cicero’s latest rhetorical works (especially De oratore) : the theory is designed to meet both "particular " questions, area of orators, and the "general" philosophical questions. This conception of rhetoric is not new : it relies on philosophical traditions of teaching rhetoric that were developed in Peripatetic and Academic settings. Martianus’ Book 5 is however the only Late Antique testimony that embraces these advanced prospects, and seeks to organise them in a systematic form. As the science of persuasive speech, Rhetoric plays an essential role in Martianus’ project, and constitutes an important step before the higher principle represented by Harmony
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Lannier, Hélène. "Benoît Court : un juriste humaniste et ses livres". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2074.
Texto completoResumen
Au croisement de la littérature et de l’histoire du livre de la Renaissance, la thèse vise à établir la première monographie sur le juriste lyonnais du XVIe siècle Benoît Lecourt. Originaire des Monts du Lyonnais, ce dernier a mené une carrière juridique et ecclésiastique à Lyon en même temps qu’il y a publié trois œuvres en l’espace d’une trentaine d’années. Il a par ailleurs rassemblé une bibliothèque qui constitue l’un des exemples les plus importants de bibliothèques lyonnaises privées et l’ensemble le plus homogène de reliures lyonnaises de la Renaissance. La thèse proposera de déterminer la place du juriste dans le milieu érudit et littéraire lyonnais de la première moitié du XVIe siècle par la reconstitution de sa biographie, l’étude de son œuvre publiée et manuscrite ainsi que par l’analyse de sa bibliothèque. Un modèle de fonctionnement de l’invention littéraire et de la pratique érudite d’un humaniste sera alors dégagé dans lequel pourront se lire les interactions entre le monde de l’imprimerie, les milieux de la création lyonnaise et les pratiques de collectionneur, de lectures et d’écriture d’un érudit de la RenaissanceDuring the first half of the Sixteenth century, the city of Lyon is characterised by a cultural dynamism due to an intellectual active circle driven by authors visiting the city or native to Lyon. By collecting and analysing the various traces left by the intellectual activities of the jurist native from the Monts du Lyonnais Benoît Court, this study aims at documenting this circle’s activities from a singular and novel perspective. Reconstructing the biography and the network of the jurist gives an understanding of his position in this erudite circle and particularly in the Sodalitium lugdunense, the humanist network of Lyon, during the 1530’ and of his connections with well-known figures like Symphorien Champier, Étienne Dolet or neo-latin poets. Some traces of his activities – books buying and publication of his own works of course, but also advice for publication – in the printing shops of Sébastien Gryphe, the Frellon brothers and Jean de Tournes have been collected. Benoît Court spent time with this erudite society and in printing shops, but he also published, probably encouraged by the intellectual competition which reigned there, three works in Lyon in the space of thirteen years. A legal commentary, the first one testifies to his author’s skills in law and also to his positioning at the heart of the hermeneutic renewal driven by the application of humanist methods in the legal scope. It is a commentary designed for law students or practitioners which also represent an eloquent exemple of wellread law as lauded by legal humanism. The great culture and the vast knowledge invested by Benoît Court in his works tallies with the ideal of the « perfect jurist », perfectus iurisconsultus, which is developping at the Renaissance. But Court’s work is also marked out by his uncommon literary inventiveness. Indeed, he diverts the legal commentary’s classic form by applying the paradoxical aesthetic of the serio ludere inherited from Antiquity. By seriously playing, the jurist shows a great inventiveness and offers an unheard commentary’s form. Benoît Court’s portrait as a « perfect jurist » is complemented by the reconstruction of his private library. An investigative work has permitted to collect bibliographical and material data of two hundred items divided into eighty five volumes ; it brings to light an encyclopaedic collection who must have been among the most important private libraries at this time in Lyon. In addition to helping us understand the owner’s intellectual interests, it turned out to be an invaluable source of material to a better knowledge of the Lyonnaise printing and binding’s world as well as the comprehension of books’ movement in Europe
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Cassella, Dean Marcel. "Culture and Self-Representation in the Este Court: Ercole Strozzi's Funeral Elegy of Eleonora of Aragon, a Text, Translation, and Commentary". Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33223/.
Texto completoResumen
This dissertation presents a previously unedited text by one of the most distinguished- yet neglected-Latin writers of the Italian Renaissance, Ercole Strozzi (1471-1508), a poet and administrator in the court of Ferrara. Under the Este Dukes, Ferrara became a major center of literary and artistic patronage. The Latin literary output of the court, however, has received insufficient scholarly scrutiny. The text is a verse funeral elegy of Eleonora of Aragon (1450-1493), the first Duchess of Ferrara. Eleonora was a remarkable woman whose talents and indefatigable efforts on behalf of her husband, her children, and her state, won her accolades both at home and abroad. She also served as a prototype for the remarkable careers of her two daughters, Isabella d'Este, and Beatrice d'Este, who are celebrated for their erudition and patronage of arts and letters. The text is a mirror of the Estense court and reveals to us how its members no doubt saw themselves, at the very peak of its temporal power and the height of its prestige as a center of cultural creativity. It is also important for the striking portrait it presents of Eleonora. Ercole Strozzi chose to call his poem an epicedium, an ancient minor literary genre that had received attention in the two decades prior to its composition, due to the discovery and printing of the silver age Roman poet Statius, whose text includes several epicedia. Strozzi deftly adapts and transcends both his ancient and contemporary models (especially Poliziano), and in the process, creates a new Latin literary genre, the Renaissance epicedium. It is a fine poem, full of both erudition and creativity, and as such is the first fruits of what would be Ercole Strozzi's illustrious poetic career. The work is genuinely worthy of study on both esthetic and historical grounds.
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Acedo-Matellán, Víctor. "Argument Structure and the Syntax-Morphology Interface. A Case Study in Latin and other Languages". Doctoral thesis, Universitat de Barcelona, 2010. http://hdl.handle.net/10803/21788.
Texto completoResumen
In this dissertation I put forth a syntactic theory of argument structure and the syntaxmorphology interface and I apply it mainly to Early and Classical Latin, although comparison with other languages and discussion of the facts in these languages is conceded a considerable weight. Drawing on Mateu 2002f., Borer 2005b and Marantz 1995f., I argue for a view of argument structure where a basic distinction is drawn between the elements carrying encyclopaedic content, the roots, and the syntactic configuration built around functional heads. Argument structure properties exclusively depend on the latter. Furthermore, the syntactic configuration provides the structural semantics of the linguistic expression. I endorse a theory of the syntaxmorphology interface like the one proposed in the Distributed Morphology framework: morphology is, by default, syntax, although some specific PF operations can disrupt the basic syntax-morphology isomorphism —an isomorphism which, I argue, is inherent to the syntax-semantics interface. Crucially, cross-linguistic variation shall be defended to depend exclusively on that lack of isomorphism between syntax and morphology. In particular, it is triggered ultimately by languagespecific morphophonological properties of functional heads.
The empirical focus is set on the domain of events expressing a transition. I consider Talmy’s (2000) theory of the cross-linguistic expression of events of change, where a basic divide is drawn between the languages in which the transition can be encoded by a non-verbal element —satellite-framed languages— and the languages in which the transition must be encoded by the verb —verb-framed languages. I couch Talmy’s theory of transition events within a syntactic theory of argument structure, and I explore a wide range of constructions in Latin —either presenting new data or giving a new perspective on data from the Latin linguistics tradition— to show that Latin pertains to the class of satellite-framed languages. Following an idea in Mateu 2002:160 and Mateu & Rigau 2002, I propose that the s-/v-framed distinction is explainable in purely morphophonological terms. In particular, I make use of the theory of PF operations developed by Embick & Noyer (1999, 2001) within the Distributed Morphology framework, together with Hale & Keyser’s (2002:60f.) and Harley’s (2004) theory of conflation, to account for the distinction. Thus, in v-framed languages the eventive v head lowers, at PF, to the head encoding transition —Path— and fuses with it, yielding a unique locus for phonological realisation. On the other hand, in s-framed languages this Fusion operation does not take place, so v and Path are free to be phonologically realised independently from each other. Finally, I propose a refinement of Talmy’s typology within the class of s-framed languages.
First, there are strong s-framed languages, like the Germanic languages, where v and Path are not required to form one word, and, thus, allow constructions like complex adjectival resultative constructions. Second, there are weak s-framed languages, like Latin, where v and Path must form one word (if both are realised independently from each other) and disallow, hence, constructions like adjectival resultative constructions. This distinction is accounted for in terms of a v-to-Path (PF) Lowering operation for weak s-framed languages, which creates a complex head. A three-way, gradual typology emerges encompassing strong s-framed languages (no v-to-Path Lowering and no Path-v Fusion), weak s-framed languages (v-to-Path Lowering, no Path-v Fusion) and v-framed languages (v-to-Path Lowering and Path-v Fusion).En aquesta tesi defenso una teoria de l’estructura argumental basada en la distinció entre les arrels, elements de contingut enciclopèdic, i les configuracions sintàctiques construïdes sobre les base dels morfemes funcionals, a les quals van lligades les propietats de l’estructura argumental i la semàntica estructural. Alhora advoco per una teoria de la interfície sintaxi-morfologia per defecte isomòrfica; la possible manca d’isomorfisme, de la qual depèn la variació interlingüística, es deu a l’existència de certes operacions morfofonològiques provocades per propietats dels morfemes funcionals. Aplico aquesta teoria a dades fonamentalment del llatí arcaic i clàssic, concentrantment en la divisió tipològica proposada per Talmy entre llengües d’emmarcament en el satèl•lit i llengües d’emmarcament verbal: en les primeres l’element que expressa un canvi d’estat o lloc és típicament no verbal mentre que en les segones és sempre un verb. Demostro, a través de l’anàlisi de diferents construccions, que el llatí pertany al primer grup, però també que tant aquesta llengua com l’eslau es distintingeixen de les altres llengües d’aquest tipus pel fet que no admeten construccions resultatives complexes basades en SAs. Relaciono aquest fet amb un altre: que aquestes llengües tampoc no admeten resultatives basades en SPs si el verb no està prefixat. Concloc que en aquestes llengües, que anomeno llengües d’emmarcament en el satèl•lit febles, hi ha un requeriment morfològic pel qual l’element que expressa el resultat de l’esdeveniment i el verb, per bé que són dos morfs diferents, han de formar un sol mot fonològic; aquesta característica impedeix la generació de resultatives basades en SAs o SPs. El requeriment esmentat no es dóna en les llengües germàniques o en finoúgric, llengües d’emmarcament en el satèl•lit fortes. Explico aquesta escissió proposant que en les llengües de tipus feble hi ha una operació morfofonològica, el Descens (Lowering: Embick & Noyer 2001), que forma un node complex a partir del node v i del node Path, codificador de canvi. En les llengües d’emmarcament en el verb hi opera Descens però també Fusió (Fusion: Embick & Noyer 2001), formant un sol node a partir del node complex Path+v, que és representat, doncs, per un sol morf.
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Acedo, Matellán Víctor. "Argument Structure and the Syntax-Morphology Interface. A Case Study in Latin and other Languages". Doctoral thesis, Universitat de Barcelona, 2010. http://hdl.handle.net/10803/21788.
Texto completoResumen
In this dissertation I put forth a syntactic theory of argument structure and the syntaxmorphology interface and I apply it mainly to Early and Classical Latin, although comparison with other languages and discussion of the facts in these languages is conceded a considerable weight. Drawing on Mateu 2002f., Borer 2005b and Marantz 1995f., I argue for a view of argument structure where a basic distinction is drawn between the elements carrying encyclopaedic content, the roots, and the syntactic configuration built around functional heads. Argument structure properties exclusively depend on the latter. Furthermore, the syntactic configuration provides the structural semantics of the linguistic expression. I endorse a theory of the syntaxmorphology interface like the one proposed in the Distributed Morphology framework: morphology is, by default, syntax, although some specific PF operations can disrupt the basic syntax-morphology isomorphism —an isomorphism which, I argue, is inherent to the syntax-semantics interface. Crucially, cross-linguistic variation shall be defended to depend exclusively on that lack of isomorphism between syntax and morphology. In particular, it is triggered ultimately by languagespecific morphophonological properties of functional heads.
The empirical focus is set on the domain of events expressing a transition. I consider Talmy’s (2000) theory of the cross-linguistic expression of events of change, where a basic divide is drawn between the languages in which the transition can be encoded by a non-verbal element —satellite-framed languages— and the languages in which the transition must be encoded by the verb —verb-framed languages. I couch Talmy’s theory of transition events within a syntactic theory of argument structure, and I explore a wide range of constructions in Latin —either presenting new data or giving a new perspective on data from the Latin linguistics tradition— to show that Latin pertains to the class of satellite-framed languages. Following an idea in Mateu 2002:160 and Mateu & Rigau 2002, I propose that the s-/v-framed distinction is explainable in purely morphophonological terms. In particular, I make use of the theory of PF operations developed by Embick & Noyer (1999, 2001) within the Distributed Morphology framework, together with Hale & Keyser’s (2002:60f.) and Harley’s (2004) theory of conflation, to account for the distinction. Thus, in v-framed languages the eventive v head lowers, at PF, to the head encoding transition —Path— and fuses with it, yielding a unique locus for phonological realisation. On the other hand, in s-framed languages this Fusion operation does not take place, so v and Path are free to be phonologically realised independently from each other. Finally, I propose a refinement of Talmy’s typology within the class of s-framed languages.
First, there are strong s-framed languages, like the Germanic languages, where v and Path are not required to form one word, and, thus, allow constructions like complex adjectival resultative constructions. Second, there are weak s-framed languages, like Latin, where v and Path must form one word (if both are realised independently from each other) and disallow, hence, constructions like adjectival resultative constructions. This distinction is accounted for in terms of a v-to-Path (PF) Lowering operation for weak s-framed languages, which creates a complex head. A three-way, gradual typology emerges encompassing strong s-framed languages (no v-to-Path Lowering and no Path-v Fusion), weak s-framed languages (v-to-Path Lowering, no Path-v Fusion) and v-framed languages (v-to-Path Lowering and Path-v Fusion).En aquesta tesi defenso una teoria de l’estructura argumental basada en la distinció entre les arrels, elements de contingut enciclopèdic, i les configuracions sintàctiques construïdes sobre les base dels morfemes funcionals, a les quals van lligades les propietats de l’estructura argumental i la semàntica estructural. Alhora advoco per una teoria de la interfície sintaxi-morfologia per defecte isomòrfica; la possible manca d’isomorfisme, de la qual depèn la variació interlingüística, es deu a l’existència de certes operacions morfofonològiques provocades per propietats dels morfemes funcionals. Aplico aquesta teoria a dades fonamentalment del llatí arcaic i clàssic, concentrantment en la divisió tipològica proposada per Talmy entre llengües d’emmarcament en el satèl•lit i llengües d’emmarcament verbal: en les primeres l’element que expressa un canvi d’estat o lloc és típicament no verbal mentre que en les segones és sempre un verb. Demostro, a través de l’anàlisi de diferents construccions, que el llatí pertany al primer grup, però també que tant aquesta llengua com l’eslau es distintingeixen de les altres llengües d’aquest tipus pel fet que no admeten construccions resultatives complexes basades en SAs. Relaciono aquest fet amb un altre: que aquestes llengües tampoc no admeten resultatives basades en SPs si el verb no està prefixat. Concloc que en aquestes llengües, que anomeno llengües d’emmarcament en el satèl•lit febles, hi ha un requeriment morfològic pel qual l’element que expressa el resultat de l’esdeveniment i el verb, per bé que són dos morfs diferents, han de formar un sol mot fonològic; aquesta característica impedeix la generació de resultatives basades en SAs o SPs. El requeriment esmentat no es dóna en les llengües germàniques o en finoúgric, llengües d’emmarcament en el satèl•lit fortes. Explico aquesta escissió proposant que en les llengües de tipus feble hi ha una operació morfofonològica, el Descens (Lowering: Embick & Noyer 2001), que forma un node complex a partir del node v i del node Path, codificador de canvi. En les llengües d’emmarcament en el verb hi opera Descens però també Fusió (Fusion: Embick & Noyer 2001), formant un sol node a partir del node complex Path+v, que és representat, doncs, per un sol morf.
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Ledesma, Eduardo. "The Historic Avant-Garde, the Neo-Avant-Garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10286.
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My dissertation examines the experimental poetry of three periods, the historical avant-garde of the 1920s, the neo-avant-gardes of the 1950s, 60s, and 70s, and the digital avant-garde (from the 1990s until the present), drawing on the works of poets from the Luso-Hispanic world including the Iberian Peninsula and Latin America. Scholars such as Renato Poggioli and Peter Bürger define the avant-garde as radically new and unrepeatable, an "advanced" guard that exhausted its aesthetic and political possibilities. I challenge this view by establishing a continuity of avant-gardes that emerge during periods of technological innovation and cultural exchange, introducing new artistic modalities, engaging with emerging media and re-purposing the strategies of past avant-gardes to their own historical conditions. Experimental poetic practices such as visual, kinetic, phonetic, concrete, video poetry, and poetic performance have unfolded over time and across national boundaries in response to global, social, and technological forces. My focus is on poetry broadly understood as works that "experiment" with the interplay between the visual, the sonorous and the verbal, questioning both genre and medium specificity, and contesting traditional discipline-bound tools of analysis. In order to critically approach poems that are often not printed on a page, and depend on more than verbal communication, I draw on disciplines such as literary analysis--including close-readings--media theory, and film analysis, and deploy theories of metaphor, embodiment and affect to interpret works that focus on the materiality of language through typographic experiments, script animation, and performance. The selection includes poems by authors from the 1920s such as Josep M. Junoy, Joan Salvat-Papasseit, José Juan Tablada, Guilherme de Almeida; neo-avant-garde visual and concrete poets from the 1960s such as Joan Brossa, Julio Campal, Edgardo Vigo, and Décio Pignatari; and their contemporary counterparts working with digital media such as Ana María Uribe, Olga Delgado, María Mencía, Arnaldo Antunes, and Eduardo Kac. Examining digital poetry in the light of older poetic practices, I compare and contrast how artists have queried the status of literature as a purely script-based art, considering how notions of experimental literature have changed through time (diachronically), but also isolate each period (synchronically).Romance Languages and Literatures
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Popelková, Eva. "Les tragédies de Sénèque et leur réception dans le théâtre jésuite scolaire de la province tchèque aux XVIIe et XVIIIe siècles (1623–1773)". Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEP033.
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L’étude de la réception des tragédies de Sénèque dans le théâtre scolaire des jésuites de la province tchèque s’articule autour de trois axes : la description des mécanismes et des manifestations de passions ; l’enjeu pédagogique lié à la figure du tyran, avec l’attention portée également aux personnages féminins ; et l’image des divinités antiques. Elle est basée sur la comparaison des textes de Sénèque et des pièces provenant du théâtre scolaire de la Compagnie de Jésus. Le corpus est constitué de trois parties : les pièces imprimées de Carolus Kolczawa ; les pièces d’Arnoldus Engel, à la fois mises en scène et destinées à la publication par leur auteur ; et les pièces consacrées au personnage symbolique du baroque tchèque, le saint Jean Népomucène, représentées sur les tréteaux scolaires sans ambition d’être publiées. Les analyses sont précédées d’un aperçu de la réception du théâtre sénéquien en Europe, ainsi que d’une présentation du théâtre jésuite de la province tchèque et du corpus étudiéThe study of the reception of Seneca’s tragedies in the Jesuit School theatre in the Bohemian province is focused on three aspects: the description of the mechanism and the expression of passions; the pedagogical issue linked to the figure of a tyrant, with an emphasis on female characters; and the image of pagan gods. The research is based on a comparison of Senecan tragedies and school plays from the Society of Jesus. The corpus consists of three parts: the printed plays of Carolus Kolczawa; the plays of Arnoldus Engel, both staged and intended for publication; and the plays devoted to John of Nepomuk, the emblematic saint of the Czech baroque period, which were not to be published. The analyses are preceded by an overview of the Senecan reception in the Early Modern Europe, the presentation of the Jesuit context and the studied corpus
Studie recepce Senekových tragédií ve školském jezuitském divadle české provincie se zaměřuje na tři aspekty: popis fungování a zobrazení vášní; pedagogický aspekt spojený s postavou tyrana, se zřetelem k ženským postavám; a obraz antických bohů. Výzkum je založen na srovnání textů Senekových tragédií a jezuitských školských her. Korpus tvoří tři části: tištěné hry Karla Kolčavy; hry Arnolda Engela, které byly inscenovány, a zároveň autor usiloval o jejich vydání tiskem; hry spojené s emblematickou postavou českého baroka, svatým Janem Nepomuckým, které neměly jiné ambice než školní představení. Studii samotné předchází přehled bádání o senekovské recepci v raně novověké Evropě, úvod do problematiky jezuitského divadla a představení zkoumaného korpusu
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Rodriguez, Fernandez Gisela Victoria. "Reproduciendo Otros Mundos: Indigenous Women's Struggles Against Neo-Extractivism and the Bolivian State". PDXScholar, 2019. https://pdxscholar.library.pdx.edu/open_access_etds/5094.
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Latin America is in a political crisis, yet Bolivia is still widely recognized as a beacon of hope for progressive change. The radical movements at the beginning of the 21st century against neoliberalism that paved the road for the election of Bolivia's first indigenous president, Evo Morales, beckoned a change from colonial rule towards a more just society. Paradoxically, in pursuing progress through economic growth, the Bolivian state led by President Morales has replicated the colonial division of labor through a development model known as neo-extractivism. Deeply rooted tensions have also emerged between indigenous communities and the Bolivian state due to the latter's zealous economic bond with the extractivist sector.
Although these paradoxes have received significant attention, one substantial aspect that remains underexplored and undertheorized is how such tensions affect socio-political relations at the intersections of class, race and gender where indigenous women in Bolivia occupy a unique position. To address this research gap, this qualitative study poses the following research questions: 1. How does neo-extractivism affect the lives of indigenous women? 2. How does the state shape relations between neo-extractivism and indigenous women? 3. How do indigenous women organize to challenge the impact of state-led extractivism on their lives and their communities? To answer these questions, I conducted a multi-sited ethnographic study between October 2017 and June 2018 in Oruro, Bolivia, an area that is heavily affected by mining contamination. By analyzing processes of social reproduction, I argue that neo-extractivism leads to water contamination and water scarcity, becoming the epicenter of the deterioration of subsistence agriculture and the dispossession of indigenous ways of life. Because indigenous women are subsistence producers and social reproducers whose activities depend on water, the dispossession of water has a dire effect on them, which demonstrates how capitalism relies on and exacerbates neo-colonial and patriarchal relations.
To tame dissent to these contradictions, the Bolivian and self-proclaimed "indigenist state" defines and politicizes ethnicity in order to build a national identity based on indigeneity. This state-led ethnic inclusion, however, simultaneously produces class exclusions of indigenous campesinxs (peasants) who are not fully engaged in market relations. In contrast to the government's inclusive but rigidly-defined indigeneity, indigenous communities embrace a fluid and dual indigeneity: one that is connected to territories, yet also independent from them; a rooted indigeneity based on the praxis of what it means to be indigenous. Indigenous women and their communities embrace this fluid and rooted indigeneity to build alliances across gender, ethnic, and geographic lines to organize against neo-extractivism. Moreover, the daily responsibilities of social reproduction within the context of subsistence agriculture, which are embedded in Andean epistemes of reciprocity, duality, and complementarity, have allowed indigenous women to build solidarity networks that keep the social fabric within, and between, communities alive. These solidarity networks are sites of everyday resistances that represent a threat and an alternative to capitalist, colonial and patriarchal mandates.
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Ingemarsdotter, Jenny. "Ramism, Rhetoric and Reform : An Intellectual Biography of Johan Skytte (1577–1645)". Doctoral thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-151487.
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This thesis is an intellectual biography of the Swedish statesman Johan Skytte (1577–1645), focusing on his educational ideals and his contributions to educational reform in the early Swedish Age of Greatness. Although born a commoner, Skytte rose to be one of the most powerful men in Sweden in the first half of the seventeenth century, serving three generations of regents. As a royal preceptor and subsequently a university chancellor, Skytte appears as an early educational politician at a time when the Swedish Vasa dynasty initiated a number of far-reaching reforms, including the revival of Sweden’s only university at the time (in Uppsala). The contextual approach of the thesis shows how Skytte’s educational reform agenda was shaped by nationally motivated arguments as well as by a Late Renaissance humanist heritage, celebrating education as the foundation of all prosperous civilizations. Utilizing a largely unexplored source material written mostly in Latin, the thesis analyzes how Skytte’s educational arguments were formed already at the University of Marburg in the 1590s, where he learned to embrace the utility-orientated ideals of the French humanist Petrus Ramus (1515–1572). Moreover, the analysis shows that the expanding Swedish state administration in the early seventeenth century was in urgent need of educated civil servants, and that this basic demand favored an ideology based on education, skill and merit. It is shown that Skytte skillfully combined a Ramist and patriotic rhetoric with narratives of individual merit and rewards, conveying not least himself as an example. The thesis argues that Skytte’s rhetoric reflects the formation of a new professional category in the Swedish society, one that was distinguished from the royal courtier, the clergyman, the merchant, the warrior, and the scholar. This category is the professional civil servant whose identity was dependent on skills and education.
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Dias, Renato Câmara Nunes. "O neo-funcionalismo qualificado na integração sul-americana de infraestrutura: uma proposta teórica a partir do estudo de caso do Brasil". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/101/101131/tde-08102015-144022/.
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A pesquisa tem como objetivo primário compreender os desafios da integração de infraestrutura regional na América do Sul. Partindo do estudo das obras de interconectividade de infraestrutura sob a égide da Iniciativa de Integração de Infraestrutura Sul-Americana (IIRSA). Analisam-se as irregularidades na execução das obras, de forma a ressaltar seus impactos no esforço regional de integração. A hipótese central da pesquisa é a de que o processo de integração regional de infraestrutura depende da normatização supranacional que obrigue aos países a elevação dos parâmetros de qualidade de execução das obras de infraestrutura. A análise mobiliza o arcabouço teórico oferecido pela literatura de Bens Públicos Regionais, a Nova Geografia Econômica e a Abordagem Neo-Regionalista, levando a uma revisão do pensamento neo-funcionalista sobre a integração. A ferramenta metodológica utilizada para o teste de hipóteses é o process-tracing.This research aims primarily at understanding the challenges regarding the regional infrastructure integration in South America. Studying the infraestructure interconnectivity Works of the Innitiative for the Integration of Infrastructure in South America (IIRSA), irregularities in public Works execution are analysed, aiming at stressing their impacts on the regional integration effort. This reaearch\'s central hypothesis is that the regional infrastructure integration process depends on supranational normatization which obliges countries to raise their quality standards on infrastructure public works. The analysis uses the theoretical framework offered by Regional Publi Goods theory, New Economic Geography and the New Regionalist Approach, leading to a revision of neo-functionalist thought on integration. The methodological tool used for hypothesis testing is process tracing.
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Gauthier, Élise. "Entre vita activa et vita contemplativa, la "vita poeticia" de Nicolas Barthélémy de Loches, un moine-poète du début de la Renaissance française". Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2010.
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Bien qu’il ait inspiré des contemporains plus célèbres, tels François Rabelais et Clément Marot, et fréquenté des humanistes de premier plan, bien qu’il soit l’auteur d’une forme de tragédie latine inédite et maintes fois rééditée, et d’une chronique du règne de Louis XII connue des historiens, le poète néo-latin Nicolas Barthélemy de Loches est resté parfaitement méconnu. Il est ainsi nécessaire de rassembler, corriger et compléter les données dont on peut disposer sur ce personnage et ses oeuvres, mais aussi de reconstituer le cadre social, littéraire et historique dans lequel il a vécu et composé, afin de réévaluer la diversité et la richesse poétique de ses oeuvres. Ces données suffisent à montrer que les écrits de Barthélemy ne sont pas ceux d’un moine cloîtré, mais bien plutôt ceux d’un véritable humaniste engagé dans les réformes de son temps, qu’elles soient pédagogiques, monastiques ou évangéliques. L’édition d’un des recueils poétiques de Barthélemy les plus représentatifs de sa production littéraire (le recueil varié paru à Paris en 1520) vient nourrir et confirmer cette lectureAlthough he inspired famous contemporaries like François Rabelais or Clément Marot, and spent time with leading humanists, although he wrote a new Latin tragedy form many times reprinted and a chronicle about the reign of Louis XII familiar to historians, very little is known about the Neo-Latin poet Nicolas Barthélemy de Loches. Collecting, correcting and completing existing data about the man and his writings is necessary, as well as the reconstruction of the social, literary and historical environment in which he lived and wrote, in order to reevaluate the poetic diversity and richness of his work. Such data are enough to show that Barthélemy’s works were not written by a cloistered monk, but rather by a true humanist involved in the pedagogical, monastic and evangelical reforms of his time. The edition of one of the most representative poetic collections written by Barthélemy (a varied collection printed in 1520 in Paris) supports and confirms this interpretation
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Chung, Wan-Yu y 鍾宛諭. "The Study of Latin America''s Neo-left''s Appearance". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/41408743732242399507.
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碩士淡江大學
拉丁美洲研究所碩士班
95
After 1980s, known as “lost decade”, the neo-liberal economic policies, or “Washington Concensus”, supported by International Monetary Fund and other western international organizations, took place of traditional import-substituting industrialization policies in Latin American countries in 1990s. However, since 1994, series of economic crisis occurred in majority of Latin American countries, as Mexico in 1994, Brazil in 1998, and Argentina in 2001. As a result, those countries began to criticize neo-liberalism and rethink its applicability. Latin American’s Left had passed through a silver age during 1950s to 1980s. In that period, not only Cuba became the first socialist country in western hemisphere, but also created a meaningful revolutionary political regime in Nicaragua, and established leftist governments in several Latin American countries, which had a great effect upon the anti-dictatorship and democratic movement. It also reduced the U.S. influence in Latin America. The situation changed since the disintegration of Soviet Union. The International Socialist and Latin American Leftist Movement had faced obstacle after the Cold War. Nevertheless, after Hugo Chávez was elected president of Venezuela in 1998, the left was expanding in many Latin American countries. In fact, as the history of Latin America, the ideology in that continent is like a cycle. During the cold war, the left appeared after the collapse of dictatorship in 1980s, but it faced the frustration in the end of same decade. In 1990s, although neo-liberal economic policies were realized in most countries of Latin America, the old problems, such as corruption, unemployment, bad distribution of wealth, could not be resolved, they were even getting worse, therefore, the left obtain another opportunity to govern this continent.
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Chodor, Tom. "Neoliberal globalisation and Latin American resistance : a neo-Gramscian perspective". Phd thesis, 2012. http://hdl.handle.net/1885/149860.
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This thesis deals with issues of power, class, conflict and identity. It deals, more specifically, with the democratic aspirations of peoples in Latin America who for centuries have been quietened and who have sporadically fought back to recover their voice. More specifically, it deals with the 'Pink Tide' phenomenon which has seen a wave of leftist governments elected in the region over the past decade, promising an end to 'savage neoliberalism' and a new era of political, economic and ideologically autonomy. The thesis explores the rise of the Pink Tide in the larger context of the rise and fall of the neoliberal globalisation project integral to U.S. hegemony in the post-Vietnam era. In doing so, it necessarily engages with the dominant analytical and political frames of understanding of the current world order derived from orthodox analyses of International Relations (IR) and International Political Economy (IPE), which propagate the 'common sense' notion that there is no alternative to this order. The thesis critically examines this orthodoxy in order to elucidate its conservative bias whose primary aim, it suggests, is to prevent those quietened from speaking for themselves. Instead, the thesis utilises a multidisciplinary approach, combining themes from IR, IPE, Latin American studies and the Marxian perspectives of Antonio Gramsci in particular, to explore the rise of the Pink Tide by examining its two most prominent members - Venezuela under Hugo Chavez and Brazil under Lula and Dilma Rousseff. The thesis proposes that, from a Gramscian perspective, their emergence can be understood as a response to the organic crisis of neoliberalism in Latin America underway since the late 1990s. In this context the Bolivarian Revolution in Venezuela represents a counter-hegemonic project that seeks to instil in the Venezuelan people a radical class consciousness, while the Brazilian project under Lula and Rousseff is better understood as a 'passive revolution' whose aim is to resecure consent for the neoliberal order by making significant material and ideological concession to the Brazilian masses. The relationship between these two projects, the thesis proposes, should be understood dialectically, in terms of the potentials for radical politics that emerge out of their interaction - potentials that are especially prominent at the regional level, where both countries are at the forefront of a process of regional integration that aims to make Latin America more politically, economically and ideologically autonomous in the neoliberal world order. All this is particularly significant for the U.S., given the importance of Latin America to its hegemonic status. However, over the past decade, the U.S. has found its ability to impose its will on the region diminishing, as it has become increasingly distracted by challenges to its hegemony from elsewhere around the globe. This situation, the thesis concludes, opens up all kinds of opportunities for a fairer, more prosperous and more democratic Latin America as the 21st century unfolds. -- provided by Candidate.
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Wu, Chia-Hao y 吳嘉豪. "The Study of Latin American Neo-left, take Hugo Chávez’s Regimes for example". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/60320865901181274033.
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碩士淡江大學
拉丁美洲研究所碩士班
95
The prosperity and decline of the Latin American left wing has close relation with the international political circumstance. The Latin American left wing rapidly expanded the unceasing prosperous time during 1950s’ to 1980s’. The Latin American left wing not only built the first socialist country- Cuba in the Western Hemisphere, but also established the Nicaraguan Sandinista’s regimes in Central America(1979~1990). The Eastern European drasticlly changed and the Soviet Union disintegrated brought out universal socialism movement and the Latin American left wing to the lowest ebb in the end of 1980s’. The extreme change in the Latin America political circles is the re-rising of Latin American left wing in the 21st century. The characteristic of these neo-left wings is built by election, not by radical violence. The most famous neo-left wing in Latin America is Hugo Chávez’s regimes. On the day of December 6 in 1998,. Chávez’s had won the president election in Venezuela, and it inspired the re-rising of Latin American left wing. From then on, the Latin America neo-left wing is vividly appeared one after another. After being in power in 1999, Chávez launched a series of political activities on the foundation of “Bolivar Revolution ” to take thoroughly changes Venezuelan economical and social situations as the goal. The anti-Chávez activists planned several coups to overthrow Chávez due to his radical reform. Chávez’s regimes became to be more consolidated after he overcame these political crisises. In February 2005, Chávez proposed the idea of “21st century socialism ” to lead Venezuela to move towards the socialist road. The Venezuelan political situation will be moved towards socialist road, or, not under the leading of Hugo Chávez, it needs time to examine.
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Liang, Chih-Hao y 梁志豪. "A Study on Spain’s Brige Role between Europe and Latin America and the Influence of Latin American Neo-left Regimes (1986-2010)". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/95604754302775018857.
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碩士淡江大學
歐洲研究所碩士班
98
Spain’s foreign policy focuses its attention on three aspects : Europe, Mediterranean and Iberoamerica. After participating in the North Atlantic Treaty Organization ( NATO ) and European Community ( EC ) in 1980s, Spain regards European Policy as the priority issue, because of its historical and cultural connections with the Ibero-American countries. Every Spanish prime minister spares no effort to consolidate and develop relationship with this region. At the same time, Spain difines itself as the bridge between the European Union ( EU ) and the Latin-American countries in order to elevate its international status. The institutional cooperation between Spain and the Ibero-American countries began with the first celebration of Ibero-American Summit in 1991. The Summit is convened annually and has become the most important channel between its member states. Moreover, the first EU-Latin America and the Carribean Summit is convoked in 1999 due to the coordination of Spain. The participants not only discuss democracy, human rights, social development and environmental protection issues, but also hope to build up gradually “Association Agreements European Union – Latin America” in order to create a win-win situation. Another keypoint of this article is discussing the attitude of Latin-American countries toward Spain’s foreign policy. Although the Latin-American countries have gradually broken away from the “lost decade”, immature democracy and the gap between rich and poor is still widening in this region, which provides opportunity for the abrupt rise of “neo-left”. The Latin American neo-left regimes, under the leadership of Venezuelan President Hugo Chavez, fights against the U.S. unilateral hegemony in the international community and have a great influence over Spain’s role as the bridge between Europe and Latin America.