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Libros sobre el tema "Objet contemporain"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 12 de febrero de 2022

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1

Vovelle, José. L' objet et l'art contemporain. CAPC-Musée d'art contemporain, 1990.

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2

L' objet-fibule: Les petites attaches de l'art contemporain. L'Harmattan, 1997.

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3

Histoire contemporaine de l'Algerie: Nouveaux objets. Centre National de Recherche en Anthropologie Sociale et Culturelle, 2010.

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4

Contemporary object lessons for children's church. Baker Book House, 1985.

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5

Evans, Susan. The object in contemporary art: By Susan Evans. University of East London, 1997.

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6

Peckol, James K. Embedded systems: A contemporary design tool. John Wiley, 2008.

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7

Domínguez, Virginia R. People as subject, people as object: Selfhood and peoplehood in contemporary Israel. University of Wisconsin Press, 1989.

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8

Morestin, Marc. L' histoire, la nation & l'ethnique dans le Mexique contemporain: Objets de vérité et sujets de mémoire. Editions du CERS, 1996.

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9

Morestin, Marc. L' histoire, la nation & l'ethnique dans le Mexique contemporain: Objets de vérité et sujets de mémoire. Editions du CERS, 1996.

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10

Robinson, Larry. The art of inlay: Contemporary design & technique for musical instruments, fine woodworking & objets d'art. Miller Freeman Books, 1994.

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11

The abject object: Avatars of the phallus in contemporary French theory, literature and film. Rodopi, 2005.

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12

Robinson, Larry. The art of inlay: Contemporary design & technique for musical instruments, fine woodworking & objets d'art. Miller Freeman Books, 1999.

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13

Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.

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As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production a
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14

Desideri, Fabrizio, and Giovanni Matteucci, eds. Dall'oggetto estetico all'oggetto artistico. Firenze University Press, 2006. http://dx.doi.org/10.36253/88-8453-386-4.

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Does such a thing as an "aesthetic" object exist? And if so, how can it be defined? This book, with no less than 23 contributions, emerging from a Seminar on Aesthetics and a Convention of the Italian Philosophical Society, seeks to answer these questions, exploring the concept of the aesthetic object as distinct from the artistic object. The first section is theoretical and attempts to identify what are the aesthetic properties of an object as opposed to the physical or semantic. This is followed by a historical-aesthetic section, where the question is explored in terms of its theoretical eff
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15

Grgaard, Stian. Det vage objektet. The restless object: 12 samtaler om kunst. 12 conversations on contemporary art. Unipax, 2001.

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16

1951-, Bethe-Sélassié Mickaël, and Maison Rimbaud, eds. Éthiopie: Les règles d'un nouveau je : photographies, vidéos et sculptures contemporaines, peintures et objets anciens. Éditions Sépia, 2013.

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17

Bijutsukan, Tōkyō Kokuritsu Kindai, and Kyōto Kokuritsu Kindai Bijutsukan, eds. Kaiga, yūitsunaru mono: Gendai bijutsu e no shiten = Painting, singular object : a perspective on contemporary art. Tōkyō Kokuritsu Kindai Bijtusukan, 1995.

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18

Art, McMaster Museum of. This object, that object: To reveal the hidden meaning of things : an exhibition of contemporary European art from the permanent collection of McMaster University, September 4-October 16, 1994. McMaster Museum of Art, 1994.

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19

A folk model of the "internal self" in light of the contemporary view of metaphor: The self as subject and object. P. Lang, 1994.

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20

Dutta, Arindam. Of context and modernity: The Indian framework incursions into the architectural subject/object as cultural product of the contemporary condition. School of Architecture, Centre for Environmental Planning & Technology, 1994.

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21

Contemporary interpersonal theory and research: Personality, psychopathology, and psychotherapy. Wiley, 1996.

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22

Bagnati, Gaia, Melania Cassan, and Alice Morelli. Le varietà del naturalismo. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-325-0.

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‘Naturalism’ is a category that applies to different philosophical perspectives sharing the idea that nature is the primary object of philosophical enquiry. However, the philosophical debate of the second half of the twentieth century, mainly within analytical philosophy, has led towards an identification of naturalism with the sole scientific naturalism. The volume contains the proceedings of a doctoral workshop, in which PhD students and professors of Ca’ Foscari University of Venice and Université Paris 1 Panthéon-Sorbonne critically discussed this tendency. The contributions present some v
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23

Prampolini, Gaetano, and Annamaria Pinazzi, eds. The Shade of the Saguaro / La sombra del saguaro. Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-393-9.

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This volume springs from that fruitful project of scientific cooperation between the humanities departments of Università di Firenze and University of Arizona which was the Forum for the Study of the Literary Cultures of the Southwest (2000-2007). Tri-cultural, at least (Native, Hispanic and Anglo-American), and multi-lingual, today’s Southwest presents a complex coexistence of different cultures, the equal of which would be hard to find elsewhere in the United States. Of this virtually inexhaustible object of study, the essays here collected tackle an ample range of themes. While the majority
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24

Objet, bijou et corps: In-corporer : textes recueillis dans le cadre des travaux de la 4e édition de la Biennale du Bijou Contemporain de Nîmes. L'Harmattan, 2008.

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25

Monique, Manoha, Klein Alexandre 1984-, and Biennale du bijou contemporain de Nîmes (4th : 2005 : Nîmes, France), eds. Objet, bijou et corps: In-corporer : textes recueillis dans le cadre des travaux de la 4e édition de la Biennale du Bijou Contemporain de Nîmes. L'Harmattan, 2008.

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26

The Allure Of Things Process And Object In Contemporary Philosophy. Bloomsbury Publishing PLC, 2014.

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27

Buskirk, Martha. Contingent Object of Contemporary Art. MIT Press, 2005.

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28

Antony-Hudek. The Object (Documents of Contemporary Art). Whitechapel Art Gallery, 2014.

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29

The Contingent Object of Contemporary Art. The MIT Press, 2005.

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30

The Contingent Object of Contemporary Art. The MIT Press, 2003.

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31

Buskirk, Martha. The Contingent Object of Contemporary Art. The MIT Press, 2003. http://dx.doi.org/10.7551/mitpress/2139.001.0001.

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32

Martin, Kat. Against the Night and the Object of His Protection. Harlequin Enterprises, Limited, 2018.

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33

Martin, Kat. Against the Night and the Object of His Protection. Harlequin Enterprises, Limited, 2018.

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34

Stefano, Basilico, Lessig Lawrence, Yeo Rob, Museum of Contemporary Art (North Miami, Fla.), Milwaukee Art Museum, and Philbrook Museum of Art, eds. Cut: Film as found object in contemporary video. Milwaukee Art Museum, 2004.

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35

Language as object: Emily Dickinson and contemporary art. Mead Art Museum, Amherst College, in association with the University of Massachusetts Press, 1997.

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36

Gordon, Douglas, Lawrence Lessig, Paul Pfeiffer, et al. Cut/Film As Found Object In Contemporary Video. Milwaukee Art Museum, 2004.

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37

Liberto, Yuri Di. Being and Contemporary Psychoanalysis: Antinomies of the Object. Palgrave Macmillan, 2019.

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38

(Editor), Susan Danly, Martha A. Sandweiss (Editor), Karen Sanchez-Eppler (Editor), Polly Longsworth (Editor), Christopher Benfey (Editor), and David Porter (Editor), eds. Language As Object: Emily Dickinson and Contemporary Art. University of Massachusetts Press, 1997.

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39

Painting - singular object: A perspective on contemporary art. National Museum of Modern Art, 1995.

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40

Carter, Sarah Anne. Object Lessons. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190225032.001.0001.

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Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World examines the ways material things—objects and pictures—were used to reason about moral issues, the differences between reality and representation, race, citizenship, and capitalism in the nineteenth-century United States. For modern scholars, an “object lesson” is simply a timeworn metaphor used to describe any sort of reasoning from concrete to abstract. But in the 1860s, object lessons were classroom exercises popular across the United States. Object lessons forced children to learn about the world t
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41

Ding, Lien My. Contemporary software system design. 1988.

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42

John Michael Kohler Arts Center. Second Hand: An Exhibition of Contemporary Found Object Art. John Michael Kohler Arts Center, 1989.

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43

John Michael Kohler Arts Center., ed. Second hand: An exhibition of contemporary found object art. John Michael Kohler Arts Center, 1989.

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44

1958-, Collin Johanne, Monnais-Rousselot Laurence, and Otero Marcelo 1960-, eds. Le médicament au coeur de la socialité contemporaine: Regards croisés sur un objet complexe. Presses de l'Université du Québec, 2006.

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45

Embedded Systems: A Contemporary Design Tool. Wiley, 2007.

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46

Peckol, James K. Embedded Systems: A Contemporary Design Tool. Wiley & Sons, Limited, John, 2019.

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47

Peckol, James K. Embedded Systems: A Contemporary Design Tool. Wiley & Sons, Incorporated, John, 2019.

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48

Mowitt, John. Text: The Genealogy of an Antidisciplinary Object (Post-Contemporary Interventions). Duke University Press, 1992.

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49

Schaefer, Heike, and Alexander Starre. The Printed Book in Contemporary American Culture: Medium, Object, Metaphor. Palgrave Macmillan, 2019.

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50

The Allure of Things: Process and Object in Contemporary Philosophy. Bloomsbury Academic, 2015.

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