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Artículos de revistas sobre el tema "Olympia. Temple of Jupiter"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

López Sánchez, Fernando. "Hercules Romanus, Hercules Gaditanus, Iovis Olympius, Sandan y Iupiter Victor: cultos locales y selecciones imperiales en la moneda de Adriano = Hercules Romanus, Hercules Gaditanus, Iovis Olympius, Sandan and Iupiter Victor: Local Cults and Imperial Selections on Hadrian’s Coinage." ARYS. Antigüedad: Religiones y Sociedades, no. 16 (September 12, 2019): 63. http://dx.doi.org/10.20318/arys.2018.4422.

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Resumen: La viajera biografía del emperador Adriano se suele agrupar en dos grandes giras. La primera se realizó entre los años 121 y 126 y concernió principalmente a Occidente. La segunda se hizo principalmente por Oriente y afectó fundamentalmente a algunas de las principales ciudades de Asia Menor, Capadocia, Siria, Judea y Egipto. En medio de su primera gran gira, Adriano, en el año 124, se inició en Eleusis, en las cercanías de Atenas, y en asociación con Hércules. Al principio de la segunda gira, en el año 128 y tras visitar África, el emperador participó en otros ritos mistéricos en E

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2

Stissi, Vladimir. "Het onzichtbare Olympia." Lampas 54, no. 2 (2021): 213–29. http://dx.doi.org/10.5117/lam2021.2.003.stis.

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Abstract Although ancient Olympia is usually viewed as a Classical Greek site, most buildings that are visible nowadays were not there yet when Pindar celebrated famous victors or Peisistratos and Alcibiades won their races. More generally, even though new research has substantially improved our knowledge, the early history of the site is often still neglected in introductory presentations of the site. In this article some important main issues are discussed. First, new excavations have revealed that Bronze Age occupation of the area cannot be connected to the later cult, as some scholars have

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3

Healy, Patrick. "Design, Demos, Dialectics: Max Raphael's theory of Doric architecture." Cubic Journal, no. 1 (April 2018): 108–23. http://dx.doi.org/10.31182/cubic.2018.1.006.

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The main focus of this paper is to examine the analysis offered of the Temple of Zeus at Olympia by Max Raphael in his study dedicated to the remains of the temple. The temple of Zeus at Olympia is often cited as the canonical example of Doric temple architecture and Raphael examines how a particular design can have such far ranging influence, to which end he elucidates the relationship of design to the activity of a participatory and democratic process specific to the Greek polis. By bringing to bear a highly dialectical analysis of the various forces at play in both construction and the elab

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4

Arafat, K. W. "Pausanias and the temple of Hera at Olympia." Annual of the British School at Athens 90 (November 1995): 461–73. http://dx.doi.org/10.1017/s0068245400016300.

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This article considers the contents of the temple of Hera at Olympia in the light of Pausanias' account and of excavation reports. Of all the temples Pausanias describes, the Heraion is the most crowded, and it is argued that by his day it was acting as a storeroom, primarily for objects from nearby buildings. The implications are assessed for the history of the attribution of the Heraion, and for the use of temples in Pausanias' day.

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5

Barringer, Judith M. "The Temple of Zeus at Olympia, Heroes, and Athletes." Hesperia 74, no. 2 (2005): 211–41. http://dx.doi.org/10.2972/hesp.74.2.211.

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6

Barringer, Judith M. "The Temple of Zeus at Olympia, Heroes, and Athletes." Hesperia 74, no. 2 (2005): 211–41. http://dx.doi.org/10.1353/hes.2005.0005.

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7

Bourke, Graeme. "The Eleian Mantic Gene." Antichthon 48 (2014): 14–36. http://dx.doi.org/10.1017/s006647740000472x.

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AbstractThe Eleian manteis who practised at the altar of Zeus in Olympia appear to have belonged to two separate gene, the Iamids and the Klytiads. This paper first considers the identity and number of the Eleian mantic gene and then questions the long-held assumption that the Iamid genos was the first to become established at Olympia. It is argued that the foundation myths that appear in Pindar and Pausanias are probably the result of the embellishment of pre-existing tradition in the Classical and Hellenistic periods. While neither archaeology nor further textual evidence entitles us to assu

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8

GOLDEN, MARK. "War and Peace in the Ancient and Modern Olympics." Greece and Rome 58, no. 1 (2011): 1–13. http://dx.doi.org/10.1017/s0017383510000495.

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The past sleeps lightly at Olympia. Recall the opening sequence of Leni Riefenstahl's 1938 film, Olympia. In a misty landscape of ruined buildings, broken columns, and weeds run wild, a Greek temple stands amid the wreckage. Statues appear and then waken to life; a naked athlete throws a discus, another a javelin – this heads towards a bowl of fire. Another naked youth lights the Olympic torch and holds it high. It is carried from hand to hand in a relay and then reaches the stadium in Berlin, home of the 1936 Olympic Games, which the film is meant to celebrate. Adolf Hitler salutes the specta

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9

Konstantinos, Kalogeropoulos. "Παρθενώνας και Ναός του Διός: Τυπολογικές διαφοροποιήσεις και ομοιότητες". Archive 12 (7 грудня 2016): 51–58. https://doi.org/10.5281/zenodo.4495550.

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This essay provides a brief overview and description of the rhythm and sculptural decoration of the Parthenon and the temple of Zeus at Olympia. The two temples are considered typologically Doric. The typology is relativized, however, if differences observed are taken into account, due to the introduction of Ionic and Cycladic elements in the construction of the Parthenon, and the creative pressure exerted by the Temple of Zeus on the Parthenon and vice versa -at least in the sculptural program of Phidias concerning the two monumental statues of Athena and Zeus. The aim is to identify possible

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10

Magli, Giulio. "Archaeoastronomy of the Temples of the Bekaa Valley." Heritage 4, no. 3 (2021): 1526–37. http://dx.doi.org/10.3390/heritage4030084.

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The Bekaa Valley, Lebanon, is famous worldwide due to the magnificent temple of Heliopolitan Jupiter at Baalbek. In recent years, new research revived the interest in the unsolved problems posed by the Baalbek monuments, including original dating and construction phases, relationships with the landscape, and nature of the cult practiced. In a preliminary paper, we used archaeoastronomy to propose that the project of the Temple of Jupiter was a unified one conceived under Herod the Great, and that the cult was strongly connected to the renewal of the seasonal cycles. Here, we extend and confirm

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11

Younger, John G., and Paul Rehak. "Technical Observations on the Sculptures from the Temple of Zeus at Olympia." Hesperia 78, no. 1 (2009): 41–105. http://dx.doi.org/10.2972/hesp.78.1.41.

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12

Tersini, Nancy D. "Unifying Themes in the Sculpture of the Temple of Zeus at Olympia." Classical Antiquity 6, no. 1 (1987): 139–59. http://dx.doi.org/10.2307/25010861.

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13

Moralee, Jason, and Kiel Moe. "WHAT FRANCESCO DI GIORGIO SAW ON THE CAPITOLINE HILL C. 1470." Papers of the British School at Rome 83 (September 16, 2015): 149–73. http://dx.doi.org/10.1017/s0068246215000070.

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Francesco di Giorgio, the Sienese architect and artist, visited Rome c. 1470. By looking at his plan of the ‘porticho del Champitolio’, it is possible to reconstruct not only what Francesco di Giorgio saw on the Monte Tarpeo, but also what Poggio Bracciolini, Flavio Biondo, Pietro del Massaio and others saw there. It was apparently a notable site, an evocative ruin worthy of commentary, artistic representation and imaginative reconstruction. Whatever temple remains continued to be visible, however, these were insufficient to suggest that they were originally part of the temple. By the end of t

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14

Walbank, Mary E. Hoskins. "Pausanias, Octavia and Temple E at Corinth." Annual of the British School at Athens 84 (November 1989): 361–94. http://dx.doi.org/10.1017/s0068245400021055.

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This article considers the identification and attribution of the Temple E, one of the most important monuments of Roman Corinth. It argues against the present general identification of it as the temple of Octavia (referred to by Pausanias) and iherefore a building dedicated to the Imperial cult. The evidence for the form, date and identity is reassessed. It involves a reexamination of the significance and relevance of the numismatic evidence cited in connection with it: a discussion of Octavia as a major recipient of cult and the worship of Jupiter Capitolinus at Corinth. It is argued, as a hy

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15

Sobczak, Kamil. "The Transition from the Temple of Jupiter to the Great Mosque of Damascus in Architecture and Design." Studia Ceranea 5 (December 30, 2015): 311–20. http://dx.doi.org/10.18778/2084-140x.05.10.

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Great Mosque of Damascus was built between 705 and 715 by the Umayyad Caliph al-Walid I. However, the origins of this building dates to the distant past. At first it was a location of an ancient Aramaean temple dedicated to the god Hadad. With Hellenization the temple was dedicated to Zeus and in the first century BC the Romans transformation it into the Temple of Jupiter Damascenus. In 391 Emperor Theodosius converted the temple into Christian Cathedral of Saint John. Erection of the mosque by Caliph al-Walid I was under strong influence of earlier constructions. Meaning and consequences of s

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Patay-Horváth, András, and Leif Christiansen. "From Reconstruction to Analysis. Re-use and re-purposing of 3D scan datasets obtained from ancient Greek marble sculpture." Studies in Digital Heritage 1, no. 2 (2017): 491–500. http://dx.doi.org/10.14434/sdh.v1i2.23236.

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The paper describes two related research projects concerning the sculptural decoration of a well-known classical Greek monument, the temple of Zeus at Olympia. Both projects are based on the same dataset, i.e. the 3D scans obtained from the original pieces of marble sculpture, but they are used for two completely different purposes. In the first section, a summary is given of the results concerning the virtual 3D reconstruction of the east pediment, the second part describes another research question, the identity of the so-called Olympia master and a new analytical method, which makes use of

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17

Spawforth, Tony. "Mary Emerson. Greek Sanctuaries and Temple Architecture. An Introduction." Journal of Greek Archaeology 4 (January 1, 2019): 470–72. http://dx.doi.org/10.32028/jga.v4i.501.

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In her preface the author explains what is new in this second edition: chapters on Paestum and the temple of Zeus at Akragas, commentary on architectural sculpture, and an expanded bibliography. The book is avowedly introductory, the emphasis is on buildings, and a glossary explains the technical terms used in the text, which the reader had best get used to since – as Emerson says – they litter the further reading. Other than the new sites (above), the content focuses on Delphi, Olympia, Athens (Acropolis and the Hephaisteion) and Bassae. These being the core sites (‘classics’ as Emerson says)

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18

Uson Guardiola, Ezequiel. "Deciphering the Greek Temple: Verification with Software Tools of the Solar Design of the Parthenon in Athens and the Temple of Zeus in Olympia." European Journal of Architecture and Urban Planning 2, no. 1 (2023): 9–18. http://dx.doi.org/10.24018/ejarch.2023.2.1.19.

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In Greek temples, compositional order and Pythagorean geometry were used to achieve regularity, proportion and beauty, combining exact magnitudes between the parts and the whole. It is also known that all the temples were oriented with great precision. However, the diverse reasons for their construction makes their astronomical orientation more difficult to interpret. In this research, the Parthenon in Athens (447-436 BC) and the Temple of Zeus in Olympia (470-456 BC) were analysed with solar simulation software. Comparing the results obtained, it is verified that both temples were designed an

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19

Hurwit, Jeffrey M. "Narrative Resonance in the East Pediment of the Temple of Zeus at Olympia." Art Bulletin 69, no. 1 (1987): 6. http://dx.doi.org/10.2307/3051079.

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Hurwit, Jeffrey M. "Narrative Resonance in the East Pediment of the Temple of Zeus at Olympia." Art Bulletin 69, no. 1 (1987): 6–15. http://dx.doi.org/10.1080/00043079.1987.10788398.

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21

Бондаренко, И. А. "COMPOSITION OF THE PARTHENON IN RELATION TO THE TEMPLE OF ZEUS IN OLYMPIA: PROPORTIONAL OBSERVATIONS." ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, no. 1(12) (February 17, 2020): 43–60. http://dx.doi.org/10.25995/niitiag.2019.12.1.002.

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Рассмотрение храма Зевса в Олимпии в качестве образца для Парфенона позволяет установить общность и отличительные особенности построения этих двух ключевых храмов классической Греции. Автор обнаруживает в Парфеноне ряд простых модульных размерностей, соответствующих кратному числу древнегреческих мер длины, а также величинам важнейших частей храма Зевса в Олимпии. Это приводит его к выводу о том, что архитекторы исходили из задачи скомбинировать в новом сооружении предустановленные значения некоторых отрезков длины, ширины и высоты, добиваясь при этом своим искусством ощущения сбалансированнос

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22

Neer, Richard T. "Framing the Gift: The Politics of the Siphnian Treasury at Delphi." Classical Antiquity 20, no. 2 (2001): 273–344. http://dx.doi.org/10.1525/ca.2001.20.2.273.

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Thêêsauroi, or treasure-houses, are small, temple-like structures, found typically in the sanctuaries of Delphi and Olympia. They were built by Greek city-states to house the dedications of their citizens. But a thêêsauros is not just a storeroom: it is also a frame for costly votives, a way of diverting elite display in the interest of the city. When placed on view in a treasure-house, the individual dedication is re-contextualized: although it still reflects well on its dedicant, it also glorifies the polis. Thêêsauroi effectively nationalize votives——and, with them, a dedicant's privileged

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23

González, Juan García. "The Temple of Jupiter Stator in Carthago Nova and the Sertorian War." Mélanges de l'École française de Rome. Antiquité, no. 132-2 (December 1, 2020): 449–62. http://dx.doi.org/10.4000/mefra.10476.

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24

Gavrilovic-Vitas, Nadezda, and Igor Bjelic. "“Antinous the good” in Municipium DD in Moesia superior: Architectural analysis of presumed Antinoeion and cult practice." Starinar, no. 74 (2024): 211–42. https://doi.org/10.2298/sta2474211g.

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In one of the most important mining centres of the ancient Central Balkans, known as Municipium DD (contemporary small town of Socanica), the remains of a temple dedicated to Emperor Hadrian?s companion, Antinous were discovered along with different epigraphic monuments and archaeological objects. In this paper, through architectural and archaeological analysis, a proposed interpretation of the temple?s appearance and archaeological objects dated to the same period as the temple and discovered in the sacral place or its vicinity, is presented. The interpretation of all finds shows that the 2nd

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Patay-Horváth, A. "THE COMPLETE VIRTUAL 3D RECONSTRUCTION OF THE EAST PEDIMENT OF THE TEMPLE OF ZEUS AT OLYMPIA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XXXVIII-5/W16 (September 7, 2012): 53–59. http://dx.doi.org/10.5194/isprsarchives-xxxviii-5-w16-53-2011.

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Harrison, S. J. "Augustus, the Poets, and the Spolia Opima." Classical Quarterly 39, no. 2 (1989): 408–14. http://dx.doi.org/10.1017/s0009838800037472.

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The winning of the ultimate military honour of spolia opima, spoils taken personally from an enemy commander killed by a Roman commander, traditionally occurred only three times in Roman history, the winners being Romulus in the legendary period, A. Cornelius Cossus in either 437 or 426 and M. Claudius Marcellus in 222 B.C.1 The dedication-place of these special spoils was the temple of Jupiter Feretrius on the Capitol, traditionally founded by Romulus for the purpose, and considered the oldest temple in Rome (Livy 1.10.7): the god was said to draw his name either from the fact that the spolia

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Teichner, Felix. "Signa Venerandae Christianae Religionis: On the Conversion of Pagan Sanctuaries in the Dioceses of Africa and Ægyptus." Libyan Studies 27 (1996): 53–66. http://dx.doi.org/10.1017/s0263718900002387.

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AbstractThe edict of the emperors Theodosius II and Valentinian III of AD 435 laid down the laws on the juridical dissolution of pagan sanctuaries and the annexation of the temple property. The probability of tallying such historically confirmed situations with archaeological finds always poses a difficult methodical question. A small number of interesting examples from the late antique Dioceses Africa and Ægyptus therefore deserve the author's closer attention: the temple of Apollo at Cyrene, the three-aisled Christian basilica at the ‘Vetus Forum’ of Lepcis Magna, the Jupiter Dolichenus Temp

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28

Patay-Horváth, András. "Lost and found : Virtual Rediscovery, Digitization and Interpretation of an Enigmatic Fragment from the Temple of Zeus at Olympia." Hungarian Archaeology 11, no. 1 (2022): 29–35. http://dx.doi.org/10.36338/ha.2022.1.1.

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The temple of Zeus at Olympia and its sculptural decoration were excavated almost one and a half century ago, and the remains have always been studied very intensively and from widely different perspectives (Herrmann 1987, Barringer 2005, Kyrieleis 2006, Rehak & Younger 2009, Westervelt 2009). Recently, latest technological innovations were also applied to create a virtual 3D reconstruction of the pediments and also, to simulate the illumination of the cella’s interior containing the famous chryselephantine statue of Zeus by Pheidias, which has perished completely (Patay-Horváth 2014, Digi

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Riesco Álvarez, Hipólito Benjamín. "El Capitolio y el templo de Júpiter Capitolino: un posible centro del mundo en Roma." Estudios Humanísticos. Filología, no. 13 (December 1, 1991): 11. http://dx.doi.org/10.18002/ehf.v0i13.4307.

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<p>A raíz de la construcción del templo de Júpiter Capitolino, algunos augurios y sucesos extraños mostraron a los ojos de los romanos que el Capitolio iba a ser el centro de un gran imperio. Visto, por ello, probablemente, como 'Centro del Mundo', en la bóveda del templo se dejó un agujero, tal como ocurría -según M. ELIADE- con numerosas construcciones sagradas antiguas identificadas con el centro cósmico.</p><p>As a result of the building process of the temple of Jupiter Capitoline some auguries and extraordinary events made evident in the eyes of the Roman people that the

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Turner, Robin, and J. J. Wymer. "An Assemblage of Palaeolithic Hand-Axes from the Roman Religious Complex at Ivy Chimneys, Witham, Essex." Antiquaries Journal 67, no. 1 (1987): 43–60. http://dx.doi.org/10.1017/s0003581500026275.

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This paper describes the context and nature of an assemblage of forty-four Palaeolithic hand-axes from a Roman religious site at Witham, Essex. The hand-axes are considered to have been derived from several sources, and it is suggested that the Romano-British occupants of the site deliberately selected them for their shape and placed them in the bottom of two large man-made depressions. In the light of stone axe finds on continental temple sites, and of classical Roman texts and traditions, the possibility arises that the Witham finds may have represented ‘thunderbolts’ in the worship of Jupit

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Kreizer, I. "TRANSMISSION OF ANCIENT GREEK TECHNIQUES OF BUILDING ORDERS IN THE ARCHITECTURE OF KHARKIV IN THE INTERWAR PERIOD." Scientific Bulletin of Building, no. 111 (December 10, 2024): 38–44. https://doi.org/10.33042/2311-7257.2024.111.1.5.

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The article presents the results of a study on the architecture of the interwar period in Kharkiv. The analysis focused on buildings of local historical significance, particularly those with facades based on the architectural order system. The selected objects included a residential complex with a store designed by architect O. Beketov and constructed between 1925 and 1936; the Metalist Stadium, designed in 1925 by architect Z. Permilovsky; the State Insurance Building, designed in 1927 by architects O. Molokin, H. Ikonnikov, and E. Lymar; and the ticket pavof the Metalist Stadium, designed in

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Burgeon, Christophe. "L’incendie du temple de Jupiter capitolin en 83 avant J.-C. dans les Mémoires de Sylla." Dialogues d'histoire ancienne 48/1, no. 1 (2022): 249–63. http://dx.doi.org/10.3917/dha.481.0249.

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Garani, Myrto. "Propertius' temple of Jupiter Feretrius and the spolia opima (4.10): a poem not to be read?" L'antiquité classique 76, no. 1 (2007): 99–117. http://dx.doi.org/10.3406/antiq.2007.2620.

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Marić, Almir. "Tragovi rimskih hramova u Bosni i Hercegovini / Traces of Roman Temples in Bosnia and Herzegovina." Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, no. 5 (December 24, 2021): 171–92. http://dx.doi.org/10.54524/2490-3930.2021.171.

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The paper analyzes the traces of Roman temples in the area of today’s Bosnia and Herzegovina. In the general, introductory part, the notion of the temple in the Roman world is dealt with. The sacred places of the native population, which were mostly under the open sky, were analyzed. According to the findings found so far, most of the Roman sanctuaries are dedicated to Jupiter and Liber. A number of sites were also recorded, which were probably temples, and for which it is not possible to determine to which deity they were dedicated. The remains of the temples have not been preserved, except f

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Biddle, Martin, and Martin Henig. "A Jupiter Temple (?) Outside the West Gate of Venta Belgarum and the Development of Winchester’s Western Suburb." Journal of the British Archaeological Association 171, no. 1 (2018): 1–33. http://dx.doi.org/10.1080/00681288.2018.1522118.

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Patay-Horváth, A. "Reconstructions of the East Pediment of the Temple of Zeus at Olympia – A Comparison of Drawings, Plaster Casts and Digital Models." International Journal of Heritage in the Digital Era 1, no. 3 (2012): 331–49. http://dx.doi.org/10.1260/2047-4970.1.3.331.

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Patay-Horváth, András. "The Virtual 3D Reconstruction of the East Pediment of the Temple of Zeus at Olympia – Presentation of an Interactive CD-ROM." Geoinformatics FCE CTU 6 (December 21, 2011): 241–48. http://dx.doi.org/10.14311/gi.6.30.

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The paper gives an overview of a two-years project concerning a major monument of ancient Greek art and presents the interactive, bilingual (English/Hungarian) CD-ROM, which is intended to summarize and visualize its final results. The presented project approaches a century-old controversy in a new way by producing a virtual 3D reconstruction of a monumental marble group. Digital models of the statues were produced by scanning the original fragments and by reconstructing them virtually. The virtual model of the pediment surrounding the sculptures was prepared on the basis of the latest archite

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Schmid, Stephan G. "Worshipping the emperor(s): a new temple of the imperial cult at Eretria and the ancient destruction of its statues." Journal of Roman Archaeology 14 (2001): 113–42. http://dx.doi.org/10.1017/s1047759400019851.

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In Greece, as in the E Mediterranean as a whole, the ruler-cult was well established during the Hellenistic period, but whereas in the Attalid, Seleucid and Ptolemaic kingdoms the same dynasty had ruled for centuries and the cult of the living ruler and the dynastic cult were stable institutions, the ruler-cult in Greece, though at first part of the Macedonian kingdom, was affected by the series of rulers of different dynasties who followed one another in rapid succession. This led to a large number of dedications for and offerings by Hellenistic rulers in Greece. Roman Republican leaders and

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Scopigno, Roberto. "András Patay-Horváth. The Virtual 3D Reconstruction of the East Pediment of the Temple of Zeus at Olympia (Budapest: Hungarian Academy of Sciences, 2010, DVD)." European Journal of Archaeology 16, no. 1 (2013): 210–12. http://dx.doi.org/10.1179/146195712x13524807927574.

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Patay-Horváth, András. "The virtual 3D reconstruction of the east pediment of the temple of Zeus at Olympia an old puzzle of classical archaeology in the light of recent technologies." Digital Applications in Archaeology and Cultural Heritage 1, no. 1 (2014): 12–22. http://dx.doi.org/10.1016/j.daach.2013.06.001.

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Rodríguez-Antón, Andrea. "Astronomy and religion in the Roman temples of Qsar Naous (Ain Akrine, Lebanon)." Cosmovisiones / Cosmovisões 5, no. 1 (2024): 135–44. http://dx.doi.org/10.24215/26840162e010.

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About 30 kilometres north of Byblos, the two Roman temples of Qsar Naous (Ain Akrine, Lebanon) are situated on a hilltop 700 meters above the sea level along the ridge of Mount Lebanon, overlooking the Al-Koura Valley to the east and the sea to the west. Probably developed over a previous cultic site, the temples of Qsar Naous share architectonical features with several sanctuaries from the same period in modern Lebanon. Furthermore, astral symbology is present in the lintels of the propylaea (entrance gate) of both temples of Qsar Naous, decorated with reliefs of sun disks, are present in fur

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Чореф, М. М. "Revisiting the purpose of the embassy of Naaman and Mahes to Rome, or to the prosopography of the Pontic kingdom." Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, no. 14 (September 23, 2022): 407–18. http://dx.doi.org/10.53737/2713-2021.2022.78.29.021.

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Объектом изучения стал травертиновый блок с билингвой на латинском и греческом языках, высеченной от имени понтийского царя Митридата IV Филопатора Филадельфа. Артефакт мог быть фрагментом монумента II—I вв. до н. э., располагавшегося близ храма Юпитера Капитолийского в Риме. Примечательно то, что в надписи упомянуты царские послы: Найман, сын Наймана и Махес, сын Махеса. На основании изучения священных текстов и мифологии, можно полагать, что первый происходил из Иудеи, а второй был выходцем из Египта. Понтийский царь отправил их в посольство для информирования о своих контактах с Хасмонеями

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Flower, Harriet I. "The Tradition of the Spolia Opima: M. Claudius Marcellus and Augustus." Classical Antiquity 19, no. 1 (2000): 34–64. http://dx.doi.org/10.2307/25011111.

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This paper aims to reexamine how traditions about the spolia opima developed with special emphasis on two crucial phases of their evolution, the time of Marcus Claudius Marcellus' dedication in 222 BC and the early years of Augustus' principate, following the restoration of the temple of Jupiter Feretrius on the Capitol. In particular, I will argue that Marcellus invented the spolia opima, that his feat shaped the entire tradition about such dedications, and that this tradition was later enhanced and "reinvented" by Augustus, probably following upon renewed interest under Julius Caesar. Throug

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Ovadiah, Asher. "Cults of Deities in Caves in Israel in the Hellenistic and Roman Periods." Jerusalem Journal of Archaeology 3, no. 2 (2022): 283–319. http://dx.doi.org/10.52486/01.00003.13.

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This article engages three deities, one Greek and two Oriental, that their cults were worshipped in caves during the Hellenistic and Roman periods. The first deity is a Hellenistic terracotta figurine of Aphrodite, recovered from the prehistoric cave Me‘arat ha-Nahal (Wadi el-Maghara) at the foot of Mount Carmel. It probably represents Aphrodite Pandemos (Ἀϕροδίτη Πάνδημος) or Aphrodite en Kepois (Ἀϕροδίτη ἐν Κήποις). It may be assumed that the cave, and its proximity to the city of Dor, was modified to serve as a cultic site or shrine. The second deity is represented by a sunken relief engrav

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La Bua, Giuseppe. "QUO USQUE TANDEM CANTHERIUM PATIEMUR ISTUM? (APUL. MET. 3.27): LUCIUS, CATILINE AND THE ‘IMMORALITY’ OF THE HUMAN ASS." Classical Quarterly 63, no. 2 (2013): 854–59. http://dx.doi.org/10.1017/s0009838813000311.

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Shortly after his accidental transformation into an ass, Lucius attempts to return to his human form by grabbing some roses decorating a statue of the patron goddess of the quadrupeds, Epona. But his servulus feels outraged at the sacrilegious act. Jumping to his feet in a temper and acting as a faithful defender of the sacred place, he addresses his former human owner as a new ‘Catiline’ (Apul. Met. 3.27): Quod me pessima scilicet sorte conantem servulus meus, cui semper equi cura mandata fuerat, repente conspiciens indignatus exurgit et: ‘quo usque tandem’ inquit ‘cantherium patiemur istum p

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Patay-Horváth, András. "Corrigendum to “The virtual 3D reconstruction of the east pediment of the temple of Zeus at Olympia—An old puzzle of classical archaeology in the light of recent technologies” [Digit. Appl. Archaeol. Cult. Herit. 1 (2014) 12–22]." Digital Applications in Archaeology and Cultural Heritage 1, no. 3-4 (2014): 103. http://dx.doi.org/10.1016/j.daach.2014.08.001.

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Bencze, Ágnes, and Csaba Szabó. "RecensionesAndrás Patay-Horváth (ed.): New Approaches to the Temple of Zeus at Olympia. Proceedings of the First Olympia-Seminar, 8th–10th May 2014. Cambridge Scholars Publishing, Newcastle upon Tyne 2015.- ISBN (10) 1-4438-7816-2 - 282 p., ill.Zerbini, Livio (ed.): Culti e Religiosità nelle Province Danubiane. Atti del II Convegno Internazionale Ferrara 20–22 Novembre 2013. I libri di Emil, Bologna, 2015. 746p. ISBN 978-88-6680-130-6." Acta Archaeologica Academiae Scientiarum Hungaricae 67, no. 2 (2016): 473–78. http://dx.doi.org/10.1556/072.2016.67.2.11.

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Busuladžić, Adnan. "Antički tragovi putovanja na prostoru današnje Bosne i Hercegovine / Ancient traces of traveling in the territory of present-day Bosnia and Herzegovina." Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, no. 2 (December 1, 2018): 267–97. http://dx.doi.org/10.54524/2490-3930.2018.267.

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Traveling for trade The territory of the inland of the Roman province of Dalmatia or the territory of present-day Bosnia and Herzegovina holds clear evidence that people had travelled for the purpose of healthcare, religion, trade, and relaxation. We can assume that the majority of the travels was for the purpose of business, but such type of travellingis more difficult to corroborate with material evidence. Exception is trade activities that have been unquestionably proven on the basis of discovered objects such as amphoras, jewellery, terra sigillata, lamps, and other objects. We can t

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Patay-Horváth, András. "VISUALIZING THE HISTORY AND ANALYZING THE SCULPTURAL DECORATION OF THE TEMPLE OF ZEUS AT OLYMPIA IN VIRTUAL REALITY." June 26, 2014. https://doi.org/10.5281/zenodo.13704.

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The project presented here started approximately four years ago and concerns the main temple of Olympia, a UNESCO world heritage site, which is visited by thousands of tourists nearly every day. Although Olympia is familiar to everybody and its monuments have been well-researched for more than a century, there are still many puzzles related to its history and remains. A new interpretation of the east pediment of the temple and the ensuing debate caused the reopening of the issue of the reconstruction. The historical setting of the temple-building was also reconsidered and led to a detailed stu

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Thein, Alexander. "Capitoline Jupiter and the Historiography of Roman World Rule." Histos 8 (July 1, 2014). http://dx.doi.org/10.29173/histos263.

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This article examines the origins of the idea of Roman world rule and the foundation myths of the Capitoline temple of Jupiter Optimus Maximus. The temple is associated with world rule by the mid-1st century BC. By the Augustan period its foundation myths are linked with the idea that Rome had been destined, from the time of the Tarquins, to exercise dominion over Italy and the world. The most important of the Capitoline foundation myths describes the prodigy of a human head which was discovered in the ground during the construction of the temple and interpreted as an omen of empire. In its ea

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