Bibliografías temáticas / Opera di Santa Maria del Fiore

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Literatura académica sobre el tema "Opera di Santa Maria del Fiore"

Autor: Grafiati
Publicado: 10 de marzo de 2023
Última modificación: 19 de julio de 2025

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Artículos de revistas sobre el tema "Opera di Santa Maria del Fiore"

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Vessella, Luigi, Antonio Laurìa, Gianluca Belli, and Mirko Romagnoli. "Considerazioni intorno al progetto di valorizzazione dei luoghi di interesse culturale. L’esperienza del Piano per l’Accessibilità del complesso monumentale dell’Opera di Santa Maria del Fiore a Firenze." Restauro Archeologico 32, no. 1 (2024): 40–63. https://doi.org/10.36253/rar-15065.

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The research presented here represents an 'experiment' in the application of the methodology of the Accessibility Plan to the monumental complex of the Opera di Santa Maria del Fiore in Florence. The goal of the research is to attempt to increase the degree of accessibility of the complex through an innovative medium and long-term strategic planning tool that takes into consideration not only tangible aspects (physical and sensory accessibility) but also intangible aspects, thus enabling people to fully visit and understand the cultural significance of the locations, with a focus on the experi
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2

Es Sebar, Leila, Leonardo Iannucci, Sabrina Grassini, et al. "Characterization of the Santa Maria del Fiore cupola construction tools using X-ray fluorescence." ACTA IMEKO 11, no. 1 (2022): 7. http://dx.doi.org/10.21014/acta_imeko.v11i1.1101.

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<p class="Abstract">This paper presents the characterization of different tools employed in the construction of the Santa Maria del Fiore cathedral in Florence; they are part of the Opera di Santa Maria del Fiore collection and are currently exhibited in the Museo dell’Opera del Duomo. The analysed objects are turnbuckles, pulleys, three-legged lewises, and pincers; indeed, despite their uniqueness and their importance from the historical point of view, this study is the first one that investigates their alloys composition. Actually, this information can be of great interest for curators
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Es Sebar, Leila, Leonardo Iannucci, Sabrina Grassini, et al. "Measurement campaign on the historical metallic construction tools and metallic elements of the Brunelleschi’s Dome in Florence." Acta IMEKO 14, no. 2 (2025): 1–8. https://doi.org/10.21014/actaimeko.v14i2.2093.

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This paper presents the results of ameasurement campaign aimed at the elemental characterisation of variousmetallic tools used in the construction of the Dome of Santa Maria del Fiore Cathedral in Florence, as well as several metallic elements inside the Dome. The analysed construction tools, part of the Opera di Santa Maria del Fiore collection, are currently exhibited at the Museo dell’Opera del Duomo, and include turnbuckles, pulleys, three-legged lewises, and pincers. Despite their historical significance, this study is the first to investigate their alloy composition. The metallic element
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Macchioni, Nicola, Marco Degl’Innocenti, Francesca Mannucci, Ilaria Stefani, Simona Lazzeri, and Samuele Caciagli. "Timber Structures of Florence Cathedral: Wood Species Identification, Technological Implications and Their Forest Origin." Forests 14, no. 9 (2023): 1733. http://dx.doi.org/10.3390/f14091733.

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The Cathedral of Florence is one of the largest churches in the world and is known for one of the most famous domes ever, which characterizes the skyline of the city. The dimensions of the building mean that the dimensions of the roof are equally large and so are the wooden structures that support it. The roof of the cathedral is organized on two levels: the roof of the large central nave and, at a lower level, those of the two lateral naves. The purpose of this paper is the identification of the wood species of which the structures are made. The sampling method of the 408 samples that have be
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Tucci, G., V. Bonora, L. Fiorini, and A. Conti. "THE FLORENCE BAPTISTERY: 3-D SURVEY AS A KNOWLEDGE TOOL FOR HISTORICAL AND STRUCTURAL INVESTIGATIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 16, 2016): 977–84. http://dx.doi.org/10.5194/isprs-archives-xli-b5-977-2016.

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The Baptistery of San Giovanni is one of the most important pieces of architecture in Florence. It is an octagonal building, encrusted with marble both internally and externally (including the pyramidal roof) and covered inside by a magnificent dome with sparkling gold mosaics. During Dante’s time, it appeared much older than the other monuments, so its origins were considered as hailing straight from Florence’s most remote and mythical history. Even though we have much more data now, scholars still disagree over the interpretations on the origin and construction sequence of the monument. <
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Tucci, G., V. Bonora, L. Fiorini, and A. Conti. "THE FLORENCE BAPTISTERY: 3-D SURVEY AS A KNOWLEDGE TOOL FOR HISTORICAL AND STRUCTURAL INVESTIGATIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 16, 2016): 977–84. http://dx.doi.org/10.5194/isprsarchives-xli-b5-977-2016.

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The Baptistery of San Giovanni is one of the most important pieces of architecture in Florence. It is an octagonal building, encrusted with marble both internally and externally (including the pyramidal roof) and covered inside by a magnificent dome with sparkling gold mosaics. During Dante’s time, it appeared much older than the other monuments, so its origins were considered as hailing straight from Florence’s most remote and mythical history. Even though we have much more data now, scholars still disagree over the interpretations on the origin and construction sequence of the monument. &amp
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Bergstein, Mary. "Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412." Renaissance Quarterly 44, no. 4 (1991): 673–719. http://dx.doi.org/10.2307/2862484.

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On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a program of monumental sculpture devoted to the life of the Virgin (fig. 1). Giovanni Villani, who recorded the benediction ceremony in his chronicle, a
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Smith, Graham. "Gaetano Baccani's "Systematization" of the Piazza del Duomo in Florence." Journal of the Society of Architectural Historians 59, no. 4 (2000): 454–77. http://dx.doi.org/10.2307/991621.

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Emilio de Fabris's completion of the west front of Santa Maria del Fiore is the best-known of the architectural interventions carried out during the nineteenth century in the Piazza del Duomo and Piazza di San Giovanni in Florence. But this initiative was preceded by an earlier one that was more radical in character, insofar as it transformed the area around the Campanile and Duomo. A proposal of November 1823 by the architect Gaetano Baccani resulted in the demolition of a large part of the late medieval cathedral canonry and the creation of an extensive new piazza on the south side of Santa
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Labrecque, Cory Andrew. "Hospes venit, Christus venit: Hospitality, Healing, and the Opera Misericordiae in the Ospedale di Santa Maria della Scala." Religions 15, no. 9 (2024): 1065. http://dx.doi.org/10.3390/rel15091065.

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For almost a thousand years (1090–1990), Santa Maria della Scala in Siena—arguably one of the oldest surviving hospitals in the world—opened its doors to pilgrims, travelers, the sick, the poor, and the gittati (children who were “cast off” and left on its steps). Making manifest the traditional adage of hospitality, all the guests who presented themselves there were to be welcomed as Christ himself. In this paper, I explore this broadening of the Church’s vision of its healing ministry (that is, beyond care for the sick) alongside the increasing dedication of the laity to the opera misericord
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Pauwels, Yves. "I progetti per la facciata di Santa Maria del fiore (1585–1645): Architettura a Firenze tra Rinascimento e Barocco. Mario Bevilacqua. Archivi di Santa Maria del Fiore: Studi e Testi 4. Florence: Olschki, 2015. xxx + 354 pp. €45." Renaissance Quarterly 69, no. 4 (2016): 1454–55. http://dx.doi.org/10.1086/690345.

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Tesis sobre el tema "Opera di Santa Maria del Fiore"

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Amidei, Federica. "Il recinto fiorentino. Dai disegni di Brunelleschi ad un nuovo progetto liturgico per Santa Maria del Fiore." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/8040/.

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Lonzi, Giuditta. "La cupola del Duomo di Siena: ricerca storica, analisi costruttiva e modellazione strutturale tramite FEA finalizzate alla comprensione del comportamento statico." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16541/.

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Il centro storico di Siena, iscritto nella Lista Patrimonio Mondiale dell’UNESCO, è soggetto ad una forte contaminazione ambientale da cui deve essere necessariamente protetto e conservato in funzione del valore storico ed estetico che rappresenta. La vetustà del patrimonio architettonico comporta la necessità di uno studio approfondito del singolo edificio e la comprensione delle particolari tecniche costruttive antiche al fine di una corretta interpretazione del comportamento strutturale per l’elaborazione di efficaci strategie di prevenzione. Questa tesi di laurea vuole approcciarsi nel s
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Baradel, Valentina. "Zanino di Pietro nel contesto della cultura figurativa veneziana tra Tre e Quattrocento." Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3422317.

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The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14th and 15th centuries. Indeed, this artist was an eminent personality of the Late Gothic period and took part to the transition of the artistic scene from the neo-Giottesque style to the International style introduced in the Lagoon by Gentile da Fabriano. The goal of the research was to rebuild Zanino di Pietro’s catalogue, analyzing every artwork attributed to the painter and trying to resolve some critical issues or various attributions so far unresolved. The research was carried out deepeni
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LATTUCHELLA, ANTONIO. "La manutenzione dei paramenti lapidei delle grandi fabbriche: i materiali del rivestimento esterno e la loro sostituzione dal XIX secolo ad oggi nel Campanile di Giotto." Doctoral thesis, 2017. http://hdl.handle.net/2158/1097641.

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Il lavoro ha ad oggetto gli interventi di restauro delle ‘incrostazioni’ marmoree e le sostituzioni che, negli ultimi due secoli, hanno interessato i materiali di rivestimento del campanile di Giotto, parte integrante del complesso monumentale di Santa Maria del Fiore. Lo studio è stato condotto sulla base di lunghe e complesse ricerche d’archivio al fine di rintracciare il materiale fotografico e i documenti utili a identificare e ricostruire gli interventi di sostituzione marmorea eseguiti dal XIX secolo, fino agli anni sessanta del XX secolo e ad attestare lo stato di conservazione del cam
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Cerini, Umberto. "Musica e costume liturgico in San Lorenzo e in Santa Maria del Fiore durante il Granducato di Cosimo III." Doctoral thesis, 2022. http://hdl.handle.net/2158/1262463.

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Il lavoro indaga sugli aspetti salienti della musica liturgica e del suo rapporto con la liturgia e la ritualità sacra nei contesti della Basilica di San Lorenzo e della Cattedrale di Santa Maria del Fiore di Firenze nei decenni a cavallo tra Sei e Settecento, ovvero gli anni del lungo governo del Granduca Cosimo III de’ Medici.
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ATERINI, BARBARA. "La stereotomia ed i metodi di rappresentazione prima di Monge." Doctoral thesis, 1996. http://hdl.handle.net/2158/235550.

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Tesi di DOTTORATO DI RICERCA in Rilievo e Rappresentazione del Costruito (VIII ciclo) Università degli Studi di Firenze. Studio sui problemi della rappresentazione dello spazio tridimensionale nelle varie fasi della storia umana, con particolare riferimento alla stereotomia, cioè a quell’insieme di procedimenti e regole per il disegno ed il taglio dei conci in pietra di una struttura. Dunque la stereotomia come avanguardia della Geometria Descrittiva. 272 illustrazioni di cui 10 tavole del rilievo originale di una delle tribune poste sotto il tamburo della cupola del Duomo di Firenze.
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Libros sobre el tema "Opera di Santa Maria del Fiore"

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Pecchioli, Michele. Opera viva: L'Opera di Santa Maria del Fiore : gli uomini e la storia = the Opera di Santa Maria del Fiore: its people and history. Mandragora, 2015.

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Palterer, David. MOPA: Il nuovo Museo dell'Opera di Santa Maria del Fiore, Firenze = The new Museum of the Opera di Santa Maria del Fiore, Florence. Polistampa, 2001.

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Luigi, Zangheri, ed. MOPA: Il nuovo Museo dell'opera di Santa Maria del Fiore, Firenze = the new Museum of the Opera di Santa Maria del Fiore, Florence. Polistampa, 2001.

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4

Opera di S. Maria del Fiore (Florence, Italy), ed. Due granduchi, tre re e una facciata: Opera di Santa Maria del Fiore di Firenze. Alinea, 1987.

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Ippolito, Lamberto. La cupola di Santa Maria del Fiore. NIS, La nuova Italia scientifica, 1997.

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Timothy, Verdon, and Catholic Church. Archdiocese of Florence (Italy), eds. Santa Maria del Fiore nell'Europa delle cattedrali. Centro Di, 1998.

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Francesco, Gurrieri, and Acidini Luchinat Cristina 1951-, eds. La Cattedrale di Santa Maria del Fiore a Firenze. Giunti, 1994.

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Bigi, Lucio. Il fior fiore di Santa Maria del Fiore: Il complesso monumentale della cattedrale di Firenze. Libreria editrice fiorentina, 2010.

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1377-1446, Brunelleschi Filippo, ed. Brunelleschi: La costruzione della cupola di Santa Maria del Fiore. Marsilio, 2002.

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Luchinat, Cristina Acidini. La cupola di Santa Maria del Fiore: Architettura, pittura, restauro. Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1996.

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Capítulos de libros sobre el tema "Opera di Santa Maria del Fiore"

1

Romolini, Alberto, Silvia Fissi, Elena Gori, and Marco Contri. "Exploring the Financial Strategies of Private Museums: The Case of the Opera di Santa Maria del Fiore in Florence." In Cultural Initiatives for Sustainable Development. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65687-4_3.

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Vessella, Luigi. "NEAR PROJECT – Accessibility Plan for the Monumental Complex of the Opera di S. Maria del Fiore in Florence. Accessibility as an Element of Social." In Studies in Health Technology and Informatics. IOS Press, 2022. http://dx.doi.org/10.3233/shti220875.

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Italy is the country with the highest number of sites recognised as World Heritage by UNESCO and one of the nations with the highest density of sites of cultural interest both in Europe and in the world. Unfortunately, only a small part of these are completely and easily accessible, and certain of the most fragile sections of society, for example disabled persons, are in fact excluded from the possibility of visiting and discovering the said places. The research presented here represents an “experiment” in the application of the methodology of the Accessibility Plan to the monumental complex of the Opera di Santa Maria del Fiore in Florence, in other words the attempt to increase the degree of accessibility of the complex through a medium and long-term innovative strategic planning tool that takes into consideration not only material aspects (physical and sensory accessibility) but also aspects of an intangible nature, thus making it possible for people to fully understand the cultural meanings of the places, and focusing on the “experiential dimension of the visit” [1].
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Actas de conferencias sobre el tema "Opera di Santa Maria del Fiore"

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Taddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.

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Architectural and structural recovery of “mastio” and its courtyard of the new fortress of VolterraThe recovery of the “mastio” and the surrounding courtyard of the new fortress of Volterra (1472-1474) has as its objective the opening to the public of this fortified work, after 542 years from its construction, with the possibility of being enjoyed without interposing with the prison function of the complex, it also represents the possibility of knowledge and study of a constructive typology in the context of the Renaissance fortified architecture of the Italian school called “transition” with
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