Literatura académica sobre el tema "Palazzo Mocenigo (Venice, Italy)"

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Artículos de revistas sobre el tema "Palazzo Mocenigo (Venice, Italy)"

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Kragelund, P. "Popes, kings and the Medici in the eighteenth-century fasti of the Palazzo Mocenigo di S. Stae in Venice." Journal of the History of Collections 22, no. 2 (2009): 207–21. http://dx.doi.org/10.1093/jhc/fhp001.

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Noh, J., and S. Russo. "LONG-TERM DYNAMIC MONITORING OF THE HISTORICAL MASONRY FAÇADE: THE CASE OF PALAZZO DUCALE IN VENICE, ITALY." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2/W2 (August 9, 2017): 187–93. http://dx.doi.org/10.5194/isprs-annals-iv-2-w2-187-2017.

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Long-term dynamic monitoring of the masonry façade of Palazzo Ducale known as Doge’s palace in Venice, Italy was performed from September 2010 to October 2012. This article demonstrates the results of preliminary analysis on the data set of the first 12-month long monitoring campaign for out-of-plumb dynamic responses of the medieval façade of the monument. The aim of the analysis of the dynamic signals is to validate the data set and investigate dynamic characteristics of the vibration signature of the historical masonry wall in the long-term. <i>Palazzo Ducale</i> is a heavily vi
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Gambaro, A., R. Ganzerla, M. Fantin, E. Cappelletto, R. Piazza, and W. Cairns. "Chemical and statistical characterization of selected documents from the archives of the Palazzo Ducale (Venice, Italy)." Analytica Chimica Acta 651, no. 2 (2009): 139–48. http://dx.doi.org/10.1016/j.aca.2009.08.023.

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Costantini, Rosa, Eleonora Balliana, Davide Dalla Torre, Fabio Aricò, and Elisabetta Zendri. "Evaluating the Impacts of Alcohol-Based Solutions on Silk: Chemical, Mechanical and Wettability Changes before and after Artificial Ageing." Heritage 5, no. 4 (2022): 3588–604. http://dx.doi.org/10.3390/heritage5040186.

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Due to the COVID-19 pandemic, since 2020, alcohol-based sanitisers have been frequently used in museums and historic sites. Although they provide a safer environment for visitors, the impact of the (components in) sanitisers on the cultural heritage on open display is still uncertain. The current study investigated the effects of ethanol and isopropanol solutions on silk artefacts specifically in relation to possible mechanical changes and to their long-term impact based on artificial ageing. Thus, samples from three modern silk fabrics were treated through spraying and immersion with six solu
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Ganzerla, R., A. Gambaro, E. Cappelletto, M. Fantin, S. Montalbani, and M. Orlandi. "Characterization of selected paper documents from the archives of Palazzo Ducale (Venice), Italy using various analytical techniques." Microchemical Journal 91, no. 1 (2009): 70–77. http://dx.doi.org/10.1016/j.microc.2008.08.003.

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Gambaro, A., R. Ganzerla, M. Fantin, E. Cappelletto, R. Piazza, and W. R. L. Cairns. "Study of 19th century inks from archives in the Palazzo Ducale (Venice, Italy) using various analytical techniques." Microchemical Journal 91, no. 2 (2009): 202–8. http://dx.doi.org/10.1016/j.microc.2008.11.002.

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Russo, Salvatore. "Testing and modelling of dynamic out-of-plane behaviour of the historic masonry façade of Palazzo Ducale in Venice, Italy." Engineering Structures 46 (January 2013): 130–39. http://dx.doi.org/10.1016/j.engstruct.2012.07.032.

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Sciarretta, Francesca, Fabrizio Antonelli, Fabio Peron, and Silvia Caniglia. "Final outcomes on the multi-disciplinary long-term monitoring and preservation state investigation on the medieval external Façades of Palazzo Ducale in Venice, Italy." Journal of Civil Structural Health Monitoring 8, no. 1 (2017): 111–33. http://dx.doi.org/10.1007/s13349-017-0263-2.

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Ballarin, M., C. Balletti, P. Faccio, F. Guerra, A. Saetta, and P. Vernier. "SURVEY METHODS FOR SEISMIC VULNERABILITY ASSESSMENT OF HISTORICAL MASONRY BUILDINGS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 12, 2017): 55–59. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-55-2017.

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On 20<sup>th</sup> and 29<sup>th</sup> of May 2012, two powerful earthquakes struck northern Italy. The epicentres were recorded respectively in Finale Emilia (magnitude 5.9 Ml) and Medolla (magnitude 5.8 Ml) in the province of Modena, though the earthquake was formed by a series of seismic shakes located in the district of the Emilian Po Valley, mainly in the provinces of Modena, Ferrara, Mantova, Reggio Emilia, Bologna and Rovigo. Many monuments in the city of Mantova were hit by the earthquake and, among these, Palazzo Ducale with the well-known Castello di San Giorg
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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel com­prises the complex historical knowledge about numerous woodcuts which pre­sent views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu
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Tesis sobre el tema "Palazzo Mocenigo (Venice, Italy)"

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Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major E
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Sen, Priyanka. "The architectural history of the Peggy Guggenheim Collection of Modern Art." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-08-6303.

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Marguerite “Peggy” Guggenheim is best known for her legacy of collecting modern art in both Europe and the United States, but scholars have overlooked her importance as a patron of modern architecture, specifically the exhibition spaces that showcased her art collection. This thesis fills the gap of literature by tracing the architectural history of the collection. Guggenheim represented a catalyst for bridging the role of art and architecture by promoting modern art through three different spatial approaches: creating collaborative and didactic gallery workspaces at Galerie Guggenheim Jeune i
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Libros sobre el tema "Palazzo Mocenigo (Venice, Italy)"

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Buratti, Bruno. Palazzo Corner Mocenigo a Venezia: Sede della Guardia di Finanza. Museo storico della Guardia di Finanza, 2019.

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Ariano, Irene, and Stefania Moronato. Tessuti, costumi e moda: Le raccolte storiche di Palazzo Mocenigo : Venezia, Palazzo Mocenigo, Centro studi di storia del tessuto e del costume, 3 agosto-30 settembre 1985. Musei civici veneziani d'arte e di storia, 1985.

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3

Franzoi, Umberto. The ducal palace Venice. Istituto Poligrafico e Zecca dello Stato, Libreria dello Stato, 1990.

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contributor, Jelinek Elfriede 1946, Lüpertz Markus artist, and Palazzo Loredan (venice italy), eds. Markus Lüpertz: Palazzo Loredan. Verlag der Buchhandlung, Walther und Frank König, 2022.

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Unesco, Kemin taidemuseo, Rovaniemen taidemuseo, and Biennale di Venezia (50th : 2003), eds. The Snow Show, Venice: June-July 2003, Palazzo Zorzi, Venice, Italy. Zingmagazine Zing LLC, 2003.

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Jean-Pierre, Gabriel, ed. Palazzo ducale a Venezia. Skira, 2011.

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Italy) International Architectural Exhibition (15th 2016 Venice. Time Space Existence: La Biennale di Venezia 2016 : Palazzo Mora, Palazzo Bembo, Palazzo Rossini. GAA Foundation (Global Art Affairs Foundation), 2016.

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8

Arbore-Popescu, Grigore. Palazzo Papadopoli: A Venezia. Consiglio nazionale delle ricerche, 1993.

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Franzoi, Umberto. L' armeria del Palazzo ducale a Venezia. Canova, 1990.

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10

1945-, Romanelli Giandomenico, Da Cortà Fumei Monica, Enrico Basaglia, and Civici musei veneziani d'arte e di storia., eds. Il Palazzo ducale di Venezia. Electa, 2004.

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Capítulos de libros sobre el tema "Palazzo Mocenigo (Venice, Italy)"

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Budden, Julian. "Ernani." In The Operas of Verdi. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198162612.003.0007.

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Abstract With the double success of Nabucco and J Lombardi, Verdi had won his spurs, and offers of contracts came pouring in. Unwilling to tempt providence with another premiere in Italy’s leading opera house* he decided in the teeth of all Merelli’s blandishments to accept a commission from the Marquis Nani Mocenigo, President of the Gran Teatro la Fcnice in Venice, La Scala’s biggest rival in Northern Italy. In the seventeenth century Venice had been the cradle of public opera; two hundred years later there was no city in all Italy more clamorous in its operatic enthusiasm. It was here that
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Marchesin, Giorgia. "Dell'Archivio Storico delle Arti Contemporanee «la Biblioteca n’era il principio»." In Storie della Biennale di Venezia. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/010.

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The essay aims to reconstruct the history and to provide a library analysis about one of the most important libraries of contemporary art in Italy: the Library of the Venice Biennale. The library has been the founding fulcrum of what today is ASAC: Historical Archive of Contemporary Arts of the Venice Biennale. Its long history can be reconstructed by retracing the move of which it has been the protagonist, from the beginning in a small room on the ground floor of the Palazzo Ducale, to the current location inside the Central Pavilion of the Biennale Gardens. The heritage of books is in contin
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