Bibliografías temáticas / Paris in London Exhibition (1902 : London, England)

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Literatura académica sobre el tema "Paris in London Exhibition (1902 : London, England)"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Paris in London Exhibition (1902 : London, England)"

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Zubairov, D. M., I. I. Kamalov, and A. S. Galyavich. "XVIII European Congress of Cardiology." Kazan medical journal 77, no. 6 (1996): 464–66. http://dx.doi.org/10.17816/kazmj104813.

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The European Society of Cardiology, which now unites about 20,000 specialists from 40 countries, was founded in 1950 in Paris and met for the first time in London in 1952. The authors of the report first attended the XVIII Congress of the society, which was held this time in the center of England, in Birmingham, the National Exhibition Center, one of the world's largest facilities designed for conferences. The Congress was attended by 12,000 people and some 5,000 scientific presentations were made. Up to 10,000 delegates could be accommodated at the same time in 24 different conference rooms a
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2

Pięta, Wiesław, and Aleksandra Pięta. "Czech and Polish Table Tennis Players of Jewish Origin in International Competition (1926-1957)." Physical Culture and Sport. Studies and Research 53, no. 1 (2011): 65–75. http://dx.doi.org/10.2478/v10141-011-0023-7.

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Czech and Polish Table Tennis Players of Jewish Origin in International Competition (1926-1957)The beginnings of the 18th century marked the birth of Jewish sport. The most famous athletes of those days were boxers, such as I. Bitton, S. Eklias, B. Aaron, D. Mendoga. Popular sports of this minority group included athletics, fencing and swimming. One of the first sport organizations was the gymnastic society Judische Turnverein Bar Kocha (Berlin - 1896).Ping-pong as a new game in Europe developed at the turn of the 20th century. Sport and organizational activities in England were covered by two
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3

Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer
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4

Pryor, Melanie, and Amy Mead. "Let Me Walk." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1482.

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Let me walk. Let me go at my own pace. Let me feel life as it moves through me and around me. Give me drama. Give me unexpected curvilinear corners. Give me unsettling churches and beautiful storefronts and parks I can lie down in. The city turns you on, gets you going, moving, thinking, wanting, engaging (Elkin 37, emphasis our own). Walking Is ThinkingAs feet pound the pavement, synaptic movement follows. To clear the head, one must get up and walk.In her 2016 book Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, Lauren Elkin traces the figure of the walking woman—
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5

Avram, Horea. "The Convergence Effect: Real and Virtual Encounters in Augmented Reality Art." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.735.

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Augmented Reality—The Liminal Zone Within the larger context of the post-desktop technological philosophy and practice, an increasing number of efforts are directed towards finding solutions for integrating as close as possible virtual information into specific real environments; a short list of such endeavors include Wi-Fi connectivity, GPS-driven navigation, mobile phones, GIS (Geographic Information System), and various technological systems associated with what is loosely called locative, ubiquitous and pervasive computing. Augmented Reality (AR) is directly related to these technologies,
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Larsson, Chari. "Suspicious Images: Iconophobia and the Ethical Gaze." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.393.

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If iconophobia is defined as the suspicion and anxiety towards the power exerted by images, its history is an ancient one in all of its Platonic, Christian, and Judaic forms. At its most radical, iconophobia results in an act of iconoclasm, or the total destruction of the image. At the other end of the spectrum, contemporary iconophobia may be more subtle. Images are simply withdrawn from circulation with the aim of eliminating their visibility. In his book Images in Spite of All, French art historian Georges Didi-Huberman questions the tradition of suspicion and denigration governing visual r
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7

Mac Con Iomaire, Máirtín. "The Pig in Irish Cuisine and Culture." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.296.

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In Ireland today, we eat more pigmeat per capita, approximately 32.4 kilograms, than any other meat, yet you very seldom if ever see a pig (C.S.O.). Fat and flavour are two words that are synonymous with pig meat, yet scientists have spent the last thirty years cross breeding to produce leaner, low-fat pigs. Today’s pig professionals prefer to use the term “pig finishing” as opposed to the more traditional “pig fattening” (Tuite). The pig evokes many themes in relation to cuisine. Charles Lamb (1775-1834), in his essay Dissertation upon Roast Pig, cites Confucius in attributing the accidental
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Libros sobre el tema "Paris in London Exhibition (1902 : London, England)"

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Fleeting cities: Imperial expositions in fin-de-siècle Europe. Palgrave Macmillan, 2010.

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2

History of modern design. 2nd ed. Pearson Prentice Hall, 2010.

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Capítulos de libros sobre el tema "Paris in London Exhibition (1902 : London, England)"

1

Saylor, Eric. "“I Think I Am Improving” (1902–1908)." In Vaughan Williams. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190918569.003.0003.

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Two enormously influential events transformed Vaughan Williams’s career during the first decade of the twentieth century: his firsthand study, collection, and preservation of English folk songs—through which he came to know the influential collector Cecil Sharp—and his acceptance of the editorship for The English Hymnal. As he later claimed, “close association with some of the best (as well as some of the worst) tunes in the world was a better musical education than any amount of sonatas and fugues.” The results were apparent in the flood of music that came forth during this period—songs, cham
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