Bibliografías temáticas / Part songs, latin – 500-1400

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Literatura académica sobre el tema "Part songs, latin – 500-1400"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Tesis sobre el tema "Part songs, latin – 500-1400"

1

Taylor, Leslie Anne. "The eight monophonic political planctus of the Florence manuscript." Thesis, 1994. http://hdl.handle.net/2429/5150.

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The medieval planctus is a Latin lament, composed in great numbers on Biblical themes as well as for the death of political figures or the destruction of cities. It appeared in both monophonic and polyphonic form, and had counterparts in a number of vernacular languages. The manuscript Biblioteca Mediceo-Laurenziana Pluteo 29.1, known as the Florence manuscript, contains eight monophonic planctus in the memory of well-known public figures of the late twelfth and early thirteenth centuries. This thesis will examine these compositions as a collection. The monophonic repertoire of the middl
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Libros sobre el tema "Part songs, latin – 500-1400"

1

Huot, Sylvia. Allegorical play in the Old French motet: The sacred and the profane in thirteenth-century polyphony. Stanford University Press, 1997.

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2

Wilkins, Nigel E. Music in the age of Chaucer. 2nd ed. D.S. Brewer, 1999.

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Wilkins, Nigel E. Music in the age of Chaucer. 2nd ed. D.S. Brewer, 1995.

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4

Waddell, Helen. The wandering scholars. University of Michigan Press, 1989.

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5

Everist, Mark. French motets in the thirteenth century: Music, poetry, and genre. Cambridge University Press, 2004.

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6

Chaillou, de Pesstain, fl. 1300-1324., Roesner Edward H, Avril François, Regalado Nancy Freeman, and Bibliothèque nationale de France, eds. Le Roman de Fauvel: In the edition of Mesire Chaillou de Pesstain. Broude Bros., 1990.

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7

564, Musée Condé Bibliothèque. Codex Chantilly : Bibliothèque Du Château De Chantilly, Ms. 564: Fac-similé. Brepols, 2008.

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8

Stones, Alison, Catherine Bradley, Karen Desmond, and Anna Kathryn Grau. Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies. Boydell & Brewer, Incorporated, 2018.

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The Montpellier Codex: The Final Fascicle. Boydell Pr, 2018.

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10

Bradley, Catherine A. Polyphony in Medieval Paris: The Art of Composing with Plainchant. University of Cambridge ESOL Examinations, 2018.

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Capítulos de libros sobre el tema "Part songs, latin – 500-1400"

1

Rokosz, Mieczysław. "Literacka legenda Zygmuntowskiego dzwonu. Zygmunt w poezji." In 500 lat dzwonu Zygmunta. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381388627.13.

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The Sigismund Bell as a masterpiece of Renaissance bell-founding with its vastness and sound qualities already inspired poets contemporary to its creation. In the 16th century, the Bell was the theme of the works of the Polish-Latin poet Andrzej Krzycki and Mikołaj Rej. In the Old Polish era there were other men of letters who wrote about the Sigismund Bell, although not necessarily in verse. In the era of partitions, slavery and Poland’s non-existence – in the 19th century – the enormous Wawel bell funded by the great king in the times of the power of the Polish-Lithuanian state grew to the r
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2

Smołucha, Janusz. "Fundacje pobożne i mecenat artystyczny króla Zygmunta I. Źródła – inspiracje – idee." In 500 lat dzwonu Zygmunta. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381388627.01.

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Sigismund I grew up in an atmosphere of pietas Jagiellonica, the sources of which should be sought in the attitude of his mother Queen Elizabeth and his father Casimir IV, who was said to be “the most pious monarch of his time”. The royal couple raised their sons in the cult of their grandfather Władysław Jagiełło – the Apostle of Lithuania, and their uncle Władysław Warneńczyk, who gave his life in defense of Christianity. First, Jan Długosz, and then another royal teacher from Italy, the eminent humanist Filip Kallimach, had an important influence on his spiritual and intellectual formation.
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