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Artículos de revistas sobre el tema "Patriarchal Critique"

Autor: Grafiati

Publicado: 7 de junio de 2025

Última modificación: 2 de agosto de 2025

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1

Mufidah, Eni, and Zaini Dahlan. "Digital Feminism and Patriarchal Resistance: Gita Savitri’s Critique of Patriarchy on YouTube." Journal of Islamic Philosophy and Contemporary Thought 1, no. 2 (2023): 208–27. https://doi.org/10.15642/jipct.2023.1.2.208-227.

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Patriarchy is a social structure deeply rooted in Indonesian culture, influencing various aspects of life, including education, economy, and politics. This study aims to analyze how Gita Savitri, through her YouTube channel, constructs a critical discourse against patriarchal culture, using Qāsim Amīn's feminist paradigm as a framework for analysis. This research uses qualitative methods through a literature review and critical discourse analysis of the video content produced by Gita. The results show that Gita utilizes digital media as an alternative space to voice gender equality and critici

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2

Shubhangi M. Hiwarkhedka and Dr. Anshu Sharma. "Patriarchal Dominance in English Literature." International Research Journal on Advanced Engineering and Management (IRJAEM) 2, no. 04 (2024): 1228–31. http://dx.doi.org/10.47392/irjaem.2024.0165.

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Patriarchal dominance has been a prevalent theme in English literature throughout its history. Many literary works reflect and critique the societal norms and power structures that have historically favored men over women. Patriarchal norms prescribe rigid gender roles and expectations for men and women, reinforcing stereotypes and inequalities. Women are often relegated to traditional roles as caregivers, homemakers, and subordinate members of the family, while men are expected to be the primary breadwinners and decision-makers. These gender roles perpetuate unequal power dynamics and limit w

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3

Fikri, Ahmad Rifat, Ashadi Ashadi, and Sulis Triyono. "A Critique of Patriarchal Oppression of Women in The Yellow Wallpaper: A Feminism Literary Criticism." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 9, no. 1 (2025): 79. https://doi.org/10.26858/eralingua.v9i1.68861.

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Abstract. The research on Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) is motivated by the social reality of patriarchal oppression in marriage. This research uses a descriptive qualitative method. The study examines the critique of patriarchal oppression—the state in which societies grant men more power and privilege than women. The figure of John portrays patriarchal oppression as a husband who oppresses the narrator as a wife. The study reveals the effects of patriarchal oppression on the narrator’s life. There is also the narrator’s resistance to patriarchal oppression. This re

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4

Heim, Leah. "On Fungi, Future, and Feminism." Digital Literature Review 5 (January 13, 2018): 84–98. http://dx.doi.org/10.33043/dlr.5.0.84-98.

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This paper examines M.R. Carey’s fascinating zombie novel, The Girl with All the Gifts. While scholars question whether or not a female-oriented apocalypse narrative can exist, as thegenre is essentially rooted in imbalanced gender dynamics of ancient texts, this paper uses an ecofeminist critique to posit that the zombie apocalypse represented by Carey is a challenge toward the patriarchal values running rampant in the genre. This ecofeminist critique, while superficially offering a comforting message about female empowerment, actually offers a serious warning in regards to the insidious patr

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5

Edmeads, Luke. "“Splendid Failures”: Inclination, Slow Regicide, and Performative Critique." Res Publica. Revista de Historia de las Ideas Políticas 27, no. 1 (2024): 51–56. http://dx.doi.org/10.5209/rpub.91416.

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This paper focuses on Honig’s critical reworking of the concept of inclination and her concept of “slow regicide”. With “slow regicide” Honig describes a performative critique of the violence of the patriarchal order. However, what Honig underestimates, I argue, is that this intervention must itself be non-violent if it is not to reinstate patriarchal violence. My suggestion is that paying closer attention to the performativity of inclination shows how “slow regicide” enables a non-violent refusal in which the normativity of patriarchy is frustrated and fails.

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6

Smith, Rogers M. "Response to Karen Orren." Journal of Policy History 8, no. 4 (1996): 479–90. http://dx.doi.org/10.1017/s0898030600005431.

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Karen Orren's critique wages more war with itself than it does with my main arguments and evidence, most of which she does not engage directly. The bulk of my essay was devoted to textual critiques of Tocqueville, Myrdal, Hartz, and a number of more recent authors. I argued that their assumptions that liberal democratic traditions formed the core of American political culture led to inadequate accounts of major systems of ascriptive hierarchy, especially racist, nativist, and patriarchal ones. Orren mentions none of the authors I critiqued except Carol Pateman, whom she invokes in a paragraph

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7

Neimneh, Shadi. "“Castration or Decapitation?” A Feminist Reading of Two Stories by Angela Carter." International Journal of Linguistics, Literature and Translation 4, no. 5 (2021): 90–98. http://dx.doi.org/10.32996/ijllt.2021.4.5.8.

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This article examines two stories by Angela Carter, “The Bloody Chamber” (1979) and “The Executioner’s Beautiful Daughter” (1974) to account for Carter’s unique and ambivalent dismantling of patriarchal myths. Carter conflates two patriarchal tropes, castration and decapitation, to figure the oppression of women while allowing for an avenue of resistance. Using the French version of feminism, the work of Hélène Cixous in particular, the psychoanalytic theories of Freud and Lacan, and the postmodern critique of Linda Hutcheon, the article contends that Carter uses the trope of decapitation to l

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8

Foster, David. "Taming the Father: John Locke's Critique of Patriarchal Fatherhood." Review of Politics 56, no. 4 (1994): 641–70. http://dx.doi.org/10.1017/s0034670500019112.

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This article demonstrates the radical character of Locke's attack on patriarchalism in the TwoTreatises of Government, in part by showing that that attack implies the rejection of the natural and divine order to which patriarchalism appealed to justify itself. In this way, Locke's attack on patriarchalism, which prepared the way for his individualistic liberal politics, is also shown to be an important part of his solution to the political problem of religion. Special attention is given to Locke's disagreement with the Bible concerning the family and its place in political life.

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9

Sani, Fina Falahu. "Kritik terhadap Wacana Patriarki dalam Novel La Civilisation, ma Mère !... Karya Driss Chraïbi." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 6, no. 2 (2023): 573–96. http://dx.doi.org/10.30872/diglosia.v6i2.646.

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Moroccan francophone literature raises various criticisms, especially the issues of colonialism and gender. Driss Chraïbi is a Moroccan writer who investigated these issues in La Civilisation, ma Mère !.... This novel is told from the male perspective of a mother’s struggle in fighting gender discrimination in the French Protectorate, which later gives rise to a critique. This article aims to analyse how the critique of the patriarchal discourse is constructed in the novel. The method being used is qualitative and is supported by Roland Barthes’s narrative structure theory, A.J. Greimas’ actan

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10

A.Harrin, Ashney, and Milcah S.Praiselin. "A Critique on Mahasweta Devi's Bayen." Shanlax International Journal of English 7, no. 1 (2019): 118–21. https://doi.org/10.5281/zenodo.3457031.

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This paper is an attempt to critically analyse the play Bayen by Mahasweta Devi. It deals with the theme of ‘Gender Discrimination’ and spots out the ways in which the social position as a ‘Bayen’ is imposed through continuous abuse and vicious humiliations. Mahasweta Devi speaks about the subjugation of women in patriarchal society. While forcing a woman of her duties, her right to live her life is repeatedly buried in the Patriarchal Society. Chandidasi, the protagonist, is presented as a ‘Bayen’ and is separated from her husband, Malindar and her son, Bha

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11

Bhoir, Pranjal Prajval Kalpana, and Anshu Sharma. "A Study on Feminist Consciousness in Plays of Vijay Tendulkar." Revista Review Index Journal of Multidisciplinary 5, no. 1 (2025): 155–58. https://doi.org/10.31305/rrijm2025.v05.n01.018.

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This paper explores the feminist consciousness in the plays of renowned Indian playwright Vijay Tendulkar, focusing on his critical portrayal of women’s oppression and resistance in a patriarchal society. Tendulkar, who wrote during a period of significant social upheaval in India, challenges the deeply ingrained gender norms, presenting women not merely as victims but as individuals striving for autonomy. Through his complex female characters and their struggles, Tendulkar critiques societal conventions, patriarchal power structures, and gender inequalities, while also acknowledging the inter

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12

Bhavsar, Madhurata Pritesh, and Yogesh R. Gangurde. "Reclaiming the Self: A Feminist Critique of Shashi Deshpande's The Dark Holds No Terrors." International Journal of Research 12, no. 1 (2025): 727–32. https://doi.org/10.5281/zenodo.14775235.

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<em>Shashi Deshpande’s The Dark Holds No Terrors (1980) presents a nuanced exploration of the psychological, emotional, and societal challenges faced by women in a patriarchal society. This paper offers a feminist critique of the novel, focusing on the protagonist Sarita’s (Saru’s) journey toward self-awareness and autonomy within a traditional Indian framework that often silences and subjugates women. Through Saru’s struggles with marital abuse, professional ambition, maternal expectations, and childhood trauma, Deshpande critiques not only the oppressive structures im

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13

Salma Bartiza. "Feminine Re-Narrating the Nation in Nawal El Saadawi’s: A Daughter of Isis." International Journal of Arts and Humanities Studies 4, no. 4 (2024): 46–63. https://doi.org/10.32996/ijahs.2024.4.4.7.

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This study introduces a postcolonial feminist analysis of Nawal El Saadawi's A Daughter of Isis, focusing on the lived experiences of Egyptian women within the intersections of gender, colonialism, and religion. It examines how patriarchal structures and colonial legacies collectively shape women's roles and identities in Egyptian society. Central to this analysis is El Saadawi's challenge of oppressive cultural and religious traditions, including female genital mutilation and gender-restrictive roles, highlighting women's resistance against systemic inequities. The study explores the strategi

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14

Arya, Sakshi. "CULTURAL IDENTITY AND SOCIAL REALITIES: THE STRUGGLES OF WOMEN IN MANJU KAPUR’S ‘A MARRIED WOMAN’ AND ‘HOME’." ShodhKosh: Journal of Visual and Performing Arts 5, no. 4 (2024): 1402–7. https://doi.org/10.29121/shodhkosh.v5.i4.2024.4391.

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This study examines the representation of women in Manju Kapur’s novels A Married Woman and Home, focusing on the challenges they face within the constraints of Indian society. Both novels explore the struggles of female protagonists—Astha and Nisha—who navigate societal expectations, marriage, and personal aspirations while confronting deeply ingrained patriarchal norms. Through a feminist and postcolonial literary lens, the research analyzes how Kapur critiques traditional gender roles, domestic oppression, and the stigma surrounding female agency. The findings reveal recurring themes of mar

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15

Coetzee, Azille, and Annemie Halsema. "Sexual Difference and Decolonization: Oyĕwùmí and Irigaray in Dialogue about Western Culture." Hypatia 33, no. 2 (2018): 178–94. http://dx.doi.org/10.1111/hypa.12397.

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In this article we aim to show the potential of cross‐continental dialogues for a decolonizing feminism. We relate the work of one of the major critics of the Western metaphysical patriarchal order, Luce Irigaray, to the critique of the colonial/modern gender system by the Nigerian feminist scholar Oyĕrónké Oyĕwùmí. Oyĕwùmí's work is often rejected based on the argument that it is empirically wrong. We start by problematizing this line of thinking by providing an epistemological interpretation of Oyĕwùmí's claims. We then draw Irigaray and Oyĕwùmí into conversation, and show how this bolsters

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16

Aiello, Lucia. "Sanctioned by Law: Post-Patriarchal Narratives of Gender-Based Violence." Italica 100, no. 3 (2023): 386–402. http://dx.doi.org/10.5406/23256672.100.3.07.

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Abstract Italian women writers such as Anna Banti, Elsa Morante, and Elena Ferrante have challenged the patriarchal discourse on female subjectivity through their narrative articulations of gender-based violence. Drawing on Walter Benjamin's analysis of violence in relation to natural and positive law, this article argues that these authors’ representations of violence against women not only provide a powerful critique of patriarchal models but also reveal the contradictory nature of law and justice within a patriarchal power structure. By positioning gender-based violence at the intersection

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17

Amboy, Abdul Givari Pratama, and Abdul Basid. "Arab Women’s Revolution Against Patriarchy In The Cyber Feminist World." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 14, no. 2 (2024): 312. https://doi.org/10.26714/lensa.14.2.2024.312-332.

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Cyberfeminism is a phenomenon of feminist groups adapting to developments in technology, information, and communication. This phenomenon of existence is quite attractive in itself, as is how this feminist group struggles to defend their rights, especially their activities in the cyber world. The aims of this research are (1) The Rise of Women in Global Civilization, (2) Critique of Patriarchal Culture, (3) Posthuman Thinking. Posthumanism has begun to be implemented. The research method uses a qualitative type of content analysis whose data comes from five Arab feminist blog sources. This data

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18

Tang, Muhammad Rapi, Ridwan Ridwan, and Inayah Maharezki Junaedi. "Voicing The Reality of Colonialized Women in The Novel ‘Belenggu’ By Armijn Pane." Tamaddun 23, no. 1 (2024): 43–50. http://dx.doi.org/10.33096/tamaddun.v23i1.714.

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This study explores the representation of women's subjugation during the colonial period in Indonesia through Armijn Pane's novel "Belenggu." Utilizing an interdisciplinary approach that integrates literary sociology, feminist literary criticism, and postcolonial studies, this research provides a comprehensive understanding of how the novel reflects the author's critique of patriarchal societal structures and colonial impacts on indigenous women. The analysis focuses on the main character, Sukartini, highlighting her struggle for equality and autonomy. Despite being educated and progressive, S

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19

Fajardo, Christian. "Mystified Alienation: A Discussion between Marx, Foucault and Federici." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 19, no. 2 (2021): 287–300. http://dx.doi.org/10.31269/triplec.v19i2.1277.

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This article explores Karl Marx’s critique of alienation. Specifically, I will argue that the concept of alienation is essential to understand not only how capitalism reproduces itself, but also to find alternatives to a regime of capital valorisation that has become mystified. In order to develop the analytical scope of this critique, I propose to discuss it together with the Foucauldian concept of disciplinary power and with the concept of patriarchal violence that appears in Silvia Federici's Caliban and the Witch. These two approaches provide a basis for the statement that the Marxist crit

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20

Sparke, M. "Writing on Patriarchal Missiles: The Chauvinism of the ‘Gulf War’ and the Limits of Critique." Environment and Planning A: Economy and Space 26, no. 7 (1994): 1061–89. http://dx.doi.org/10.1068/a261061.

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The limits of critique are politically significant. Such politics become examinable through deconstruction as a form of interested closure. To do this, however, it is first necessary to distinguish the Derridean deconstruction of writing from the purely literalist interpretations it is commonly but mistakenly given. The example subsequently used as an illustration of limited critique is a conference paper on the ‘Gulf War’ previously presented by the author in 1991. This paper drew on feminist psychoanalytic theories in order to critique the geopolitical effects of masculinist nationalism made

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21

Dr., Poonam Mor, and Sonam Kamboj Dr. "Silence as a Literary and Cultural Device in Shashi Deshpande's That Long Silence." Criterion: An International Journal in English 15, no. 4 (2024): 252–59. https://doi.org/10.5281/zenodo.13684273.

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Silence is a rich and multifaceted literary and cultural device as used by Shashi Deshpande in <em>That Long Silence</em>. It is used to explore themes of oppression, identity, infidelity, and emotional distance, as well as moments of transformation in the relationship of husbands and wives in Indian patriarchal society. Furthermore, the novel not only offers a powerful critique of patriarchal dominated Indian society but also a call for women to find their voice and assert their identities on their own terms. This research paper attempts to show that the use of silence not only seeks to chall

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22

Lawal, Nurudeen Adeshina, Musibau Olusola Lawal, and Adewale Christopher Oyewo. "War, Cannibalistic Atrocity, and the Illusion of Patriarchal Absolutism in Wole Soyinka’s Madmen and Specialists." Interdisciplinary Literary Studies 26, no. 3 (2024): 398–431. http://dx.doi.org/10.5325/intelitestud.26.3.0398.

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ABSTRACT Existing studies on Soyinka’s dramatic works have shown how his play Madmen and Specialists (henceforth called Madmen in this study) constitutes a caustic critique of war, the Nigerian military class, and its civilian allies who orchestrated the tragedy that characterized the Nigerian Civil War (1967–1970). However, Madmen deserves more critical attention to unravel its significance to Nigeria’s current state of anomie generated by various patriarchal supremacist ideologies. This article, thus, explores how Soyinka, in Madmen, uses dramatic resources to capture how obsession with abso

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23

Basundhara, Chakraborty. "Re-reading History through Feminist Lens: A Critical Study of Qurratulain Hyder's The River of Fire." Trivium A multi disciplinary journal of humanities of Chandernagore College 3, no. 4 (2019): 37–48. https://doi.org/10.5281/zenodo.13827165.

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The present paper intends a critical study of The River of Fire (1998), the cause célèbre of Qurratulain Hyder. While the narrative, in line with the tradition of typical historical novels, has a storyline parallel with the timeline of Indian history, the present paper intends to read the novel as subversion to this stereotypical presentation of history, as it produces a critique of the phallogocentric notion of history as Hyder restrained herself from delving into macrocosmic detailing of wars and invasions that history tends to detail. The paper will further analyze how in The

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24

Altın, Merve. "War, Woman, and Environment: An Ecofeminist Reading of A Thousand Ships by Natalie Haynes." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 53 (June 14, 2025): 103–18. https://doi.org/10.21497/sefad.1550420.

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This study aims to offer an ecofeminist reading of Natalie Haynes’ novel A Thousand Ships (2019) to analyse how the text reflects and critiques the intersections of militarism, gendered violence, and environmental destruction. Ecofeminism, as a critical and interdisciplinary approach, reveals the relationships between the oppression of women and the degradation of nature, both of which are argued to stem from patriarchal and capitalist structures. While the novel does not explicitly aim to explore such themes as war, heroism, and gender within ecological frameworks, it inevitably highlights th

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25

Qasim, Zareena, Adeela Iftikhar, and Asifa Qasim. "A feministic critique of Jamil Ahmed’s The Wandering Falcon." Journal of Humanities, Social and Management Sciences (JHSMS) 2, no. 2 (2021): 1–12. http://dx.doi.org/10.47264/idea.jhsms/2.2.1.

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The study investigates the novel The Wandering Falcon (2011) by Jamil Ahmad in the milieu of feminist approach. It qualitatively explores the text for the representation of women: the treatment of women by men, and their position in the patriarchal society. The novel is analysed by employing De-Beauvoir’s (1949) feministic philosophical approach in The Second Sex. This research explores the way power is exercised over women in the novel and the suppression of women by men plays as an instrument of transmission of customs and traditions. This research is to explore the novel from a feministic p

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Taufiq, Ahmad, Ashadi Ashadi, and Yeni Artanti. "Patriarchal Deconstruction in the song “Sit Still Look Pretty” by Daya." Journal of Language and Literature 25, no. 1 (2025): 250–62. https://doi.org/10.24071/joll.v25i1.10669.

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Music plays a key role in shaping culture, reflecting societal norms, and serving as a tool for critique. This study examines how Sit Still, Look Pretty by Daya challenges traditional gender roles using Derrida’s deconstruction theory, which questions binary oppositions and redefines female autonomy. By analyzing the song’s lyrics and themes, this research explores how popular music can dismantle patriarchal norms and provide a more inclusive understanding of gender and identity. Using a qualitative approach and Derrida’s concepts of différance and binary opposition, the study reveals how the

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Barlas, Asma. "Un-reading Patriarchal Interpretations of the Qur’an." American Journal of Islam and Society 24, no. 2 (2007): 129–35. http://dx.doi.org/10.35632/ajis.v24i2.1557.

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I would like to thank AMSS, and specially Jamin Zine, for inviting me toaddress your conference on “Islam: Tradition and Modernity” today. Since Iam in the midst of enjoying your splendid hospitality, I feel I should beginwith an apology for what I am about to say. A polite guest would havepraised the food and your conference and gone home without being criticalof anything. But unfortunately for you, I was born with an impolitic geneand so I am going to take this opportunity to critique the way in which yourconference is framed.The basic point I will make is a simple one: It is not very produc

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Høigilt, Jacob. "EGYPTIAN COMICS AND THE CHALLENGE TO PATRIARCHAL AUTHORITARIANISM." International Journal of Middle East Studies 49, no. 1 (2017): 111–31. http://dx.doi.org/10.1017/s0020743816001161.

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AbstractAdult comics are a new medium in the Arab world. This article is the first in-depth study of their emergence and role within Arab societies. Focused on Egypt, it shows how adult comics have boldly addressed political and social questions. Seeing them as part of a broader cultural efflorescence in Egypt, I argue that, against patriarchal authoritarianism, adult comics have expressed an alternative ideology of tolerance, civic rights and duties, individualism, creativity, and criticism of power. Specifically, they present a damning critique of Egypt's authoritarian order, as well as of t

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Salahuddin, Ambreen. "Feminine or Patriarchal: Story of Adam and Eve in Urdu Novels by Women Writers." Journal of Islamic Thought and Civilization 13, no. 2 (2023): 231–41. http://dx.doi.org/10.32350/jitc.132.15.

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The current research attempted to analyze the novels written by eminent women writers in the Urdu language, that is, Bano Qudsia, Jamila Hashmi, and Khadija Mastoor, to understand the usage and interpretation of religious narrative of Adam and Hawwa in their writings [Eve]. The study focused on narrations, such as creating Eve from Adam’s rib and expulsion of Adam and Hawwa from heaven. Jamila Hashmi, Bano Qudsia, and Khadija Mastoor’s notable novels have been included in the current study. The main objective was to ascertain if the symbolic and metaphorical usage and interpretation of creatio

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Darvishova, Gulchehra Kenjabayevna. "THE REPRESENTATION OF PATRIARCHAL IDEOLOGY AND GENDER ROLES IN CHARLOTTE BRONTE'S LITERATURE." Innovative Development in Educational Activities 3, no. 4 (2024): 245–49. https://doi.org/10.5281/zenodo.10824937.

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 <em>This article examines Charlotte Brontë’s exploration of Victorian female stereotypes and her advocacy for a new paradigm of womanhood across her novels. Bronte challenges traditional gender roles and the patriarchal gaze, particularly through the narratives of "Jane Eyre," "Shirley," "Villette," and "The Professor." Her works serve as a critique of societal constraints on female identity and subjectivity, offering a psychological portrayal of her heroines’ journeys towards self-definition against societal norms. Bronte’s nuanced portrayal of the female psyche r

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Ahmed, Mairaj, Muhammad Issa, and Muhammad Mustafa. "Revisiting a choq pa bursting shargo (women: the miserable): Feminist critique in Balti folktale." Journal of Language, Literature, Social and Cultural Studies 3, no. 1 (2025): 32–43. https://doi.org/10.58881/jllscs.v3i1.234.

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This study examines the Balti folktale “Choqpa Bursting Shargo” through a feminist lens, focusing on the representation of female characters and their societal roles. The research aims to explore gender roles, major themes, and the portrayal of patriarchal structures in the narrative. It highlights the elements of oppression and the marginalization of women in a male-dominated society, drawing attention to the societal norms that perpetuate gender inequality. The study employs a qualitative approach, utilizing feminist literary criticism to analyse the folktale. The research is based on textua

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Khan, Amara. "Metamorphosis of a Despondent Indian Woman: A Feminist Evaluation of Girish Karnad's Naga-Mandala." Global Regional Review V, no. II (2020): 102–8. http://dx.doi.org/10.31703/grr.2020(v-ii).11.

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The article engages with the feminist approach in Girish Karnad's Naga-Mandala (1988) in the framework of postcolonial gender analysis. Naga-Mandala (1988) addresses the continued uneven power relations between female and male gender. Karnad's female character, Rani, in Naga-Mandala, is primarily pitiable, downgraded and most importantly an object of patriarchal social and political dominance and authority. The paper postulates Rani as a site of theoretical transformations, engaging with issues of gender subjectivity, sexuality, and power positionality in relation to the patriarchal Indian sta

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Moqbil, Rehab. "Unveiling Patriarchal Constructs: Exploring Saudi Women's Traditional Gender Roles and Gender Inequality Through Raja'a Alem's The Dove's Necklace." مجلة العلوم التربوية و الدراسات الإنسانية, no. 48 (July 30, 2025): 893–910. https://doi.org/10.55074/hesj.vi48.1513.

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This study delves into a network of patriarchal societies within the Arab-Muslim world, particularly focusing on the construction of women's roles from a patriarchal perspective. It investigates how women's traditional gender roles are socially and culturally constructed and moulded at the hands of a male-dominated culture and societal norms through a deep exploration of Raja'a Alem's The Dove's Necklace novel and its connection to Saudi women. Both descriptive and analytical approaches to content analysis are employed to unravel the layers of women's traditional gender roles within a patriarc

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Hellwig, Tineke. "Abidah El Khalieqy’s novels: Challenging patriarchal Islam." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 167, no. 1 (2011): 16–30. http://dx.doi.org/10.1163/22134379-90003600.

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Since the 1990s Islam in Indonesia has shifted in orientation and gradually shed its depoliticized position. After the fall of the New Order in 1998 many female authors came to the fore and voiced their opinions about societal expectations, gender roles and norms that regulate female sexuality. Muslim women have addressed in their fiction issues regarding Islam, modernity and how to balance Islamic teachings with globalized forces that have changed Indonesian ways of living. This article analyzes three novels by Muslim author Abidah El Khalieqy in which the protagonists search for ways to shap

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Dr., Sudhir Kumar. "Shashi Deshpande's That Long Silence: A feminist Critique of Indian Society." Journal of Research & Development 15, no. 3 (2022): 57–60. https://doi.org/10.5281/zenodo.7710556.

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This research paper is an attempt to evaluate the feminist perspective of Indian society in Shashi Deshpande’s <em>That Long Silence </em>(1988). Feminism is a movement that originated in the West but with the decline in the status of women in India also  and the ensuing efforts made during the freedom struggle to pave the way for equal status in society so there emanates a need for feminist studies in India. Hence Indian feminists like  Shashi Deshpande who's quest for identity and independence in a patriarchal society has become controlling titles in literature, reflects

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Letsoin, Yetva Softiming, Kristinus Sembiring, and Yosefina Elsiana Suhartini. "Womanhood of Roko Molas Poco Rite in Manggarai's Patriarchal Culture: A Discourse on Simone de Beauvoir." Perspektif 19, no. 1 (2024): 99–113. http://dx.doi.org/10.69621/jpf.v19i1.214.

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This paper focuses on exploring the role of women in the Roko Molas Poco rite in Manggarai. This study applies a discourse approach by referring to Simone de Beauvoir's concept of feminism. She views women as "the Other," often an object in a patriarchal society. The patriarchal system adopted by the Manggaraians is deeply rooted and thus influences the treatment of women. Femininity has a very important meaning in this rite, because the wood called siri bongkok (main pole) is symbolized as virgin who will provide life, offspring, fertility for humans. It’s a symbol that connects humans with n

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Khaliq, Ayesha, Mamona Yasmin Khan, and Rabia Hayat. "Oppression and Female Body: A Feminist Critique of the Novel 'Half the Sky'." Global Sociological Review VI, no. I (2021): 79–85. http://dx.doi.org/10.31703/gsr.2021(vi-i).11.

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The female body is more than often used as a site to perpetuate violence and oppress women in patriarchal societies. The current study aims to explore how patriarchal oppression targets the female body and how it enforces women to become subalterns having no voice in the selected fictional work, Half the Sky by Kristoff and WuDunn. For this purpose, Simone De Beauvoir's The Second Sex (1949) and Bryan Turner's The Body theory (1984) are used as theoretical frameworks to explore the selected novel. The research is descriptive qualitative, and placed within the interpretive paradigm. The data fo

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Sekar Pawestri. "REPRESENTASI FEMINISME DAN KRITIK SOSIAL ATAS PERAN PEREMPUAN DALAM “YUNI 2021” (STUDI ANALISIS SEMIOTIKA MODEL ROLLAND BARTHES)." JURNAL TEKNOLOGI INFORMASI DAN KOMUNIKASI 16, no. 1 (2025): 33–40. https://doi.org/10.51903/49tdw353.

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This study focuses on the analysis of the representation of feminism and social critique of women's roles depicted in the film "Yuni" (2021) using Roland Barthes' semiotic approach. The objective of this research is to identify and evaluate how issues of feminism and social critique regarding gender roles are communicated through symbolism and signs in the film. The research method used is Barthesian semiotic analysis, where the film is analyzed based on connotation, denotation, and mythology derived from visual and textual signs.The results of the study show that the film "Yuni" significantly

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Sekar Pawestri. "REPRESENTASI FEMINISME DAN KRITIK SOSIAL ATAS PERAN PEREMPUAN DALAM “YUNI 2021” (STUDI ANALISIS SEMIOTIKA MODEL ROLLAND BARTHES)." JURNAL TEKNOLOGI INFORMASI DAN KOMUNIKASI 16, no. 1 (2025): 33–40. https://doi.org/10.51903/jtikp.v16i1.943.

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This study focuses on the analysis of the representation of feminism and social critique of women's roles depicted in the film "Yuni" (2021) using Roland Barthes' semiotic approach. The objective of this research is to identify and evaluate how issues of feminism and social critique regarding gender roles are communicated through symbolism and signs in the film. The research method used is Barthesian semiotic analysis, where the film is analyzed based on connotation, denotation, and mythology derived from visual and textual signs.The results of the study show that the film "Yuni" significantly

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Arnhart, Larry. "Feminism, Primatology, and Ethical Naturalism." Politics and the Life Sciences 11, no. 2 (1992): 157–70. http://dx.doi.org/10.1017/s0730938400015100.

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Primatology supports a feminist ethical naturalism rooted in evolutionary biology. Patriarchal exploitation can be condemned as contrary to women's natural needs and capacities, although prudence is required in recognizing how ecological circumstances limit the range of practicable reform. Donna Haraway's history of primatology, however, illustrates the tendency of some feminists to reject naturalistic realism in favor of nihilistic relativism. Such relativism is disastrous for the feminist position, because it deprives the feminist of any ground in nature for criticizing patriarchal customs.

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Ünlü Çimen, Esra. "Critique of Phonocentrism in Elizabeth Cary’s The Tragedy of Mariam." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 369–82. https://doi.org/10.47777/cankujhss.1448751.

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According to Jacques Derrida, phonocentrism, the so-called supremacy of speech over writing, is in a close relationship with logocentrism, which is based upon male language. Phonocentric/logocentric worldview holds agency primarily as a matter of orality in that the spoken word is assumed to be offering a direct course to empowerment. Feminist theorists Hélène Cixous, Luce Irigaray and Julia Kristeva aim to show the inhibitory impacts of logocentric language on women and suggest women should find alternative ways of expression to ward off its effects, which means women should invest in new mod

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Air, Gagan Singh. "Rewriting History of the Marginalized Voices in Peter Carey’s Oscar and Lucinda." Shiksha Shastra Saurabh 24 (December 31, 2024): 80–92. https://doi.org/10.3126/sss.v24i1.75377.

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This article examines the exclusions inherent in official Australian history as addressed by Peter Carey in his novel Oscar and Lucinda. Drawing on Edward Said’s Orientalism and Gayatri Spivak’s theory of the subaltern, the study critiques the colonial narratives that marginalize aboriginal people, transported convicts, and women. These groups, often silenced in historical accounts, are reimagined in Carey’s historiographical revision, which endeavors to construct a more inclusive history that amplifies the voices of the oppressed. Through a qualitative methodology and an interpretative framew

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Yakovenko, I. "Resistance and liberation discourse in Audre Lorde’s “Sister Outsider”." Studia Philologica 1, no. 14 (2020): 107–13. http://dx.doi.org/10.28925/2311-2425.2020.1416.

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The article focuses on the essays of Audre Lorde — African American writer, Black feminist and activist. Through the lens of African American and Feminist Studies the essay collection “Sister Outsider” by Audre Lorde is analysed as a political manifesto which critiques the Second Wave feminism, and suggests a unique perspective on issues of racism, sexism, heterosexism, homophobia, women’s erotic and creativity. Although Lorde’s early poetry collections are characterised by the wide usage of authentic imagery and Afro-centric mythology, the later poetry, the 1982 biomythography “Zami: A New Sp

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Nanda, M. "Is Modern Science a Western, Patriarchal Myth? A Critique of the Populist Orthodoxy." Comparative Studies of South Asia, Africa and the Middle East 11, no. 1 and 2 (1991): 32–61. http://dx.doi.org/10.1215/07323867-11-1_and_2-32.

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Aiman, Solih1* Md Maruf Hasan2. "Feminism in the context of Islamic critique." ISRG Journal of Multidisciplinary Studies (ISRGJMS) II, no. XII (2024): 1–9. https://doi.org/10.5281/zenodo.14252878.

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<strong>Abstract</strong> <em>This article deals with the genealogical development of feminism. Women's rights are a major concern in the contemporary world. Women have been subjugated in a patriarchal narrative for thousands of years. With the advent of science and secularization, women's empowerment has become a major issue in the 21st century. This research is important because there is a need to understand how Islam sees women's empowerment and feminism. The rise of Islamic feminism has also been noticed among Muslim countries. This article uses qualitative methodology. A historical method

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Linda, Kgomotlokoa, and Mamothibe Amelia Thamae. "Using self-study approach to critique gender stereotyping and discrimination on family resources for girls and women: educational implications." International Journal of Research in Business and Social Science (2147- 4478) 13, no. 6 (2024): 208–18. http://dx.doi.org/10.20525/ijrbs.v13i6.3377.

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Girls and women continue to suffer at the hands of patriarchal society that excludes them in family resource allocation. The primary objective of this paper is to examine the challenge that leads to the exclusion of family resource allocation in the form of educational resources for African girls and women. This paper adopts a self-study research approach, which is undergirded by interpretivism philosophical methodology. Intersectional feminism offers a lens for questioning the domination and supremacy of patriarchal society that perpetuates girls’ and women’s vulnerability in the acquisition

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Dey, Debashree. "Subverting the Myth: Mahasweta Devi's “Draupadi” as a Critique of Contemporary Socio-Political Issues through the Reinterpretation of Classical Mythology." Creative Launcher 10, no. 1 (2025): 125–33. https://doi.org/10.53032/tcl.2025.10.1.13.

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Mahasweta Devi’s “Draupadi” (2002) is a groundbreaking narrative that reimagines classical mythology to critique contemporary socio-political injustices, particularly the systematized oppression and despotism of women and marginalized communities in India. By subverting the mythological Draupadi from the Mahabharata, Devi crafts Dopdi Mejhen, a tribal woman and a Naxalite revolutionary, as a symbol of disobedience and resistance against patriarchal and state violence and its inhumanity. This study tries to explore how Devi reclaims myth to address issues of gender, caste, and class oppression,

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Alandira, Palendika, Fadlil Yani Ainusyamsi, and Rohanda Rohanda. "FEMINIST LITERARY CRITIQUE OF WOMEN’S REPRESENTATION IN NAGUIB MAHFOUZ’S LAYALI ALF LAYLAH." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 8, no. 2 (2024): 737–54. https://doi.org/10.30743/ll.v8i2.10288.

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This research examines the portrayal of women in Arabian Nights and Days by Naguib Mahfouz through the lens of feminist literary criticism, focusing on the character of Dunyazad. The analysis explores her physical, psychological, and social dimensions, emphasizing how these aspects reflect broader societal perceptions and treatment of women. Employing a qualitative approach, the research utilizes feminist theory to uncover the depiction of Dunyazad and her interactions within the social context of the novel, which mirrors the condition of women in the Arab world. The formal object of this stud

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Sandström, Frida. "Carla Lonzi och krisens kritik 1969-1970." K&K - Kultur og Klasse 52, no. 137 (2024): 55–86. http://dx.doi.org/10.7146/kok.v52i137.145764.

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Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the crisis”. Beyond a universal consciousness and its presupposed identities, as they were reproduced within the party form and at academic institutions duri

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S, Aswini. "Silenced and Stone: A Feminist Critique of Gendered Violence and Legal Injustice in The Stoning of Soraya M." Shanlax International Journal of Arts, Science and Humanities 12, S3-Jan (2025): 80–82. https://doi.org/10.34293/sijash.v12is3-jan.8847.

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The Stoning of Soraya M. vividly depicts systematic gender inequality in films, therefore highlighting the terrible reality experienced by women in patriarchal countries. Filmed from a feminist perspective, the movie questions the junction of legal inequity, gender-based violence, and the silence of women’s voices. Tragically accused of adultery and put to public stoning, Soraya’s tragedy reveals the misuse of judicial processes in patriarchal settings that devalues women’s life and voices. The movie shows how gender-based violence functions as a weapon of societal control meant to silence and

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