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Tesis sobre el tema "Philosophy and aesthetics"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de julio de 2024

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1

Dugas, Alex T. "Beauty, Ever Ancient, Ever New: The Philosophy of Beauty of Plotinus and St. Augustine." Athenaeum of Ohio / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=athe1526051732407169.

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2

Warsop, David John. "Structure and aesthetic properties : an analysis of the notion of structure in aesthetics." Thesis, University of Sheffield, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296764.

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3

Rowe, M. W. "Philosophy, psychology, criticism : A defence of traditional aesthetics." Thesis, University of York, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377287.

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4

Razumovskaya, Maria. "Heinrich Neuhaus : aesthetics and philosophy of an interpretation." Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/355/.

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This thesis investigates one of the key figures of Russian pianism in the twentieth century, Heinrich Gustavovich Neuhaus (1888 - 1964). Although Neuhaus is known, particularly in the West, as an important pedagogue of the Moscow Conservatory rather than a performing artist in his own right, this thesis seeks to address the tension between Neuhaus's identities as a pedagogue and his overshadowed conception of himself as a performer - thus presenting a fuller understanding of his specific attitude to the task of musical interpretation. The reader is introduced to aspects of Neuhaus's biography

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5

Spoor, Iris P. "Defending Perceptual Objectivism: A Naturalistic Realist Analysis of Aesthetic Properties." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511799160442784.

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6

Bailey, Rowan. "The philosophy of sculpture : the sculpture of philosophy : casting bodies of thought." Thesis, University of Leeds, 2009. http://eprints.hud.ac.uk/16898/.

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This thesis explores both the conceptual register and tropic play of sculpture as a fine art in some of the key writings of Plato, Immanuel Kant, Johann Gottfried Herder, and Georg Wilhelm Friedrich Hegel. It serves to show how sculpture is both shaped by and reshapes in turn philosophy's explicit register of sculpture as an art form. The central argument within this thesis is that sculpture turns its back on philosophy as soon as philosophy casts sculpture out of its mould. Registering sculpture as a fine art within philosophy reveals that whilst specific examples of sculpture may appear to c

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7

Browne, Paul Leduc. "Lukacs's aesthetics and ontology, 1908-23." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339014.

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This thesis examines the development of Georg Lukacs's early philosophy, and specifically of his concept of the subject-object dialectic, from the History of Development of Modern Drama (1908) to History and Class Consciousness (1923). Between 1908 and 1918, Lukacs came to see as the only possible philosophical options either Hegel's ontology or a resolutely anti-ontological Neo-Kantian value-philosophy inspired by Lask, combined with a quasi-religious metaphysic inspired by Fichte, Kierkegaard and Dostoevsky. In the Heidelberg Aesthetics (1916-1918), the programme of Hegel's metaphysics (the

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8

Gourova, Maria Andreevna. "The Aesthetic Idea and the Unity of Cognitive Faculties in Kant's Aesthetics." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/philosophy_theses/41.

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In this paper, I will try to answer the question how the aesthetic idea in Kant’s aesthetic theory accounts for the universal validity of the subjective judgment of taste, and what the nature of the aesthetic idea is that makes such account possible. This claim about universal validity of the subjective judgment of taste in Kant’s philosophy is regarded to be problematic because of the seeming contradiction between the subjectivity of a judgment and its universality. What can solve this contradiction, from my point of view, is the role of the aesthetic idea that it plays in the judgment of tas

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9

Van, der Berg Servaas de V. "On depiction and expression : two essays in philosophical aesthetics." Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5203.

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Thesis (MA (Philosophy))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This thesis consists of two essays, each focussing on a current topic in aesthetics in the tradition of analytic philosophy. First paper (On depiction) Given broad consensus that resemblance theories do not do well at explaining depiction, two alternative approaches have dominated the literature in recent decades: (1) Perceptual accounts try to ground depiction in the phenomenology of our pictorial experiences; (2) Structural accounts understand pictures as symbols in pictorial symbol systems. I follow Domin

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10

Šparada, Renata. "Internet as Aesthetic Medium." Thesis, Uppsala universitet, Avdelningen för estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-452910.

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The dissertation explains the internet as an aesthetic medium, authorship in the medium and platforms’ influence on the medium’s aesthetic function. This is achieved by analysing the actual art that uses the internet as an aesthetic medium. The aesthetic function of the internet as a medium is different from its informative and communicative function. It entails manipulation of the medium defined by the permanent and instant interconnectedness of the digitalised instances or representations of people, things, artificial intelligence and information to achieve a specific aesthetic aim. Internet

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11

McMahon, Melissa Jane. "Deleuze and Kant's Critical Philosophy." University of Sydney. School of Philosophical and Historical Inquiry (SOPHI), 2005. http://hdl.handle.net/2123/618.

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This thesis considers the status of Deleuze as a Kantian, and as such committed both to the critical destiny of philosophy, and the contestation of the sense of this destiny. The focus of Deleuze�s reading of Kant is an active conception of thought: the fundamental elements of thought are will and value rather than being or the concept. In the development of this idea we can note a progressive 'tapering' of the foundational instance of thought, in three stages: from the speculative field of being to the practical field of reason; from the intellectual category of the concept to the problem

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12

McMahon, Melissa Jane. "Deleuze and Kant's Critical Philosophy." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/618.

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This thesis considers the status of Deleuze as a Kantian, and as such committed both to the critical destiny of philosophy, and the contestation of the sense of this destiny. The focus of Deleuze's reading of Kant is an active conception of thought: the fundamental elements of thought are will and value rather than being or the concept. In the development of this idea we can note a progressive 'tapering' of the foundational instance of thought, in three stages: from the speculative field of being to the practical field of reason; from the intellectual category of the concept to the problem

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13

Roche, Jennifer Lynn. "Imagination in the Philosophy of Josiah Royce." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/1038.

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That Josiah Royce's philosophy relies on imagination has been acknowledged, but there has not yet been scholarship behind what this argument consists of or implies, both for imagination and Roycean loyalty. This project works to examine how imagination works in Royce's philosophy and, in particular, the ethical system of loyalty, as imagination serves in the creation and perfection of loyalty. The first level of this explores Royce's psychological groundwork for imagination and how this works into the development of the self. From there, this project works with the connections of aesthetics an

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14

Johnson, Carl Matthew. "Watsuji Tetsuro and The Subject of Aesthetics." Thesis, University of Hawai'i at Manoa, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3569117.

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<p>A central question in aesthetics is whether aesthetic judgment is subjective or objective. Existing approaches to answering this question have been unsatisfying because they begin with the assumption of an individual observer that must then be communalized through the introduction of a transcendent object or the transcendental reason of the subject. </p><p> Rather than introduce a vertical transcendence to account for the ideal observer, I propose an alternative account based on the anthropology of the Japanese philosopher W<p style="font-variant: small-caps">ATSUJI</p> Tetsur&omacr;. Acc

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15

Johnston, Jennene Louise Hooper. "Angels of desire subtle subjects, aesthetics and ethics /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050527.155421/index.html.

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16

Evans, Robert A. "An Aesthetic Attitude: An East - West Comparison of Bullough and Nishida." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1274279326.

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17

Kovach, Vanya. "Judgement as play: revealing analogies between aesthetics and ethics." Thesis, University of Auckland, 1993. http://hdl.handle.net/2292/2488.

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This thesis is about the similarities of process between aesthetic experience and ethical judgement. I claim that in both cases the activity is best described as a type of play in which elements interact in mutual adjustment and transformation. This conception of play has its roots in Kant's aesthetic theory. Describing aesthetic experience as play results in emphasis on three central characteristics. These characteristics become the basis of constraints on judgement. In the case of ethical judgement these are important because they save from subjectivism a moral theory, particularism, which r

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18

Auyer, Jonathan P. "Illusion in the commonplace| Reinterpreting Ernst Gombrich's concept of illusion." Thesis, State University of New York at Albany, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565358.

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<p> In the dissertation I analyze and interpret Ernst Gombrich's book <i> Art and Illusion,</i> focusing on his view that illusion is involved in pictorial representation. Since Gombrich never gave a concise, systematic account of illusion, my goal will be to fill this void by using the text of <i> Art and Illusion</i> as well as Gombrich's subsequent writings in order to present a coherent account of how illusion might play a role in a picture's representing an object.</p><p> My goal is not to present an unassailable account of pictorial representation. Instead, I offer a version of Gombric

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19

Wood, Andrew J. "Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination." Thesis, University of California, Santa Cruz, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10829418.

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<p> Weaving together influences from philosophy, visual and sonic aesthetics, and radical political thought, this project argues that individual and collective imagination should be understood as important sites of politics—in cultural, discursive, institutional, and collectivist registers. Rather than proposing dogmatic adherence to any particular ideology, we find that imagining new possibilities, as well as the possibilities for more possibilities, is centrally important to the endeavor of seeking radical change in the contemporary capitalist/state system. By turning to the examples o

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20

Wesselinoff, Catherine. "Kaleidoscopes, or Two Kinds of Beauty:The Anti-Aesthetic and Beauty Revival Movements." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/28627.

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This doctoral thesis identifies and provides original descriptive accounts of two schools of thought in the philosophy of beauty: (i) the 20th-century ‘Anti-Aesthetic’ movement and (ii) the 21st-century ‘Beauty-Revival’ movement. I argue that the Anti-Aesthetic movement is devoted to a decisive negation of beauty—denying its importance as a philosophical notion and its significance as a lived experience. The Beauty-Revival movement affirms the value of beauty as a philosophical notion and as a lived aesthetic experience. Corresponding to these commitments, the Anti-Aesthetic and Beauty-Revival

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21

Ali, Zulfiqar. "Ethics as aesthetics : Michel Foucault's genealogy of ethics." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35118/.

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22

Aloi, Michael Joseph. "Participation in the Play of Nature: A Hermeneutic Approach to Environmental Aesthetics." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752360/.

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Within the environmental aesthetics literature, there is a noticeable schism between two general approaches to understanding the aesthetic value of nature: the ambient approach and the narrative approach. Ambient thinkers focus on the character of aesthetic appreciation of nature, the way in which one is embedded in multi-sensory environment. These ambient theorists emphasize the importance of those aesthetic experiences that are difficult to articulate. Narrative thinkers argue that aesthetic appreciation of nature is enhanced and enriched by narratives that are relevant to the natural object

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23

Bracewell, Pamel Joyce. "Space, time and the artist : the philosophy and aesthetics of Wyndham Lewis." Thesis, University of Sheffield, 1990. http://etheses.whiterose.ac.uk/3027/.

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My study, in Part I of this thesis, of Wyndham Lewis's philosophical principles outlined in Time and Western Man (1927), reveals a mode of thought which is inspired and determined by beliefs about visual art and its metaphysical significance. The ultimate rejection of the philosophies of Bergson, Schopenhauer and Nietzsche and the 'Space-Timeists' such as Spengler, Whitehead and Alexander, in pursuit of a 'philosophy of the eye' was, I argue, fashioned according to aesthetic objections. 'Time-values' are challenged by 'space-values', ideally expressible for Lewis in the static, spatial medium

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24

Reynolds, Christine Sara. "Past presence : aesthetics and the creation of origin /." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/6783.

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25

Mckeown, Conor. "Videogame ecologies : interaction, aesthetics, affect." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/8878/.

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This project is driven by omissions at the intersection of ecological game studies and media-ecology. Although authors have studied videogames from a variety of ecological approaches, few have attempted to develop a holistic methodology, embracing videogames' specific attributes while recognising their role within larger physical systems. This thesis is an attempt to address this, reading videogames as simultaneously about and functioning as ecologies. My methodology draws on the agential-realist philosophy of Karen Barad whose theory of 'intra-activity' is abundant with ecological ramificatio

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26

Henry, Jon L. "Techniques of Sensual Perception: The Creation of Emotional Pathways." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2276/.

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Some artists strive to create artwork that has aesthetic value. If a piece of artwork has the ability to capture the attention of an audience, it must contain strong sensual attributes. Thus, understanding how to design an art form to contain strong sensual attributes may increase the possibility of an aesthetic experience. Since aesthetics is an experience of sensations perceived when in contact with a creative form in any artistic discipline, it is necessary for an artist to understand the nature of the sensual experience. In understanding the sensual experience, artists may be able to creat

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27

Gao, Weining. "A STUDY OF HUTCHESON’S AND HUME’S THEORIES OF AESTHETIC TASTE." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1871.

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This thesis examines the aesthetic theories by Francis Hutcheson and David Hume, two of the most influential philosophers of the eighteenth century. Focused on the interpretation of both theories, it concentrates on the issue of human taste, in particular, aesthetic taste, including questions concerning people’s external sense (sensation) and internal sense (sensations), what the differences are between better taste and worse taste, how people possible improve taste by practice, examples, customs, education, and the like. It concludes with a criticism on both philosophers’ works and a positive

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28

Migan, Darla Senami. "The confessions of augustine's flesh| Counter-conducts overwhelming to pastoral power in Christian conversion." Thesis, State University of New York at Stony Brook, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1553279.

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<p> In his 1978 lectures at the College de France, <i>Security Territory Population</i>, Michel Foucault shifts his analysis of power by arguing for pastoral power as both the prelude to governmentality and as the decisive moment in the constitution of the Western subject. If the history of the Christian pastorate involves "the entire history of procedures of human individualization in the West (184)," then, Foucault argues, there has never been a revolt against pastoral power because such a revolt would be a revolt against the constitution of the self, that is to say against self-consciousnes

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29

Rampley, Matthew. "Dialectics of contingency : Nietzsche's philosophy of art." Thesis, University of St Andrews, 1993. http://hdl.handle.net/10023/14775.

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This thesis examines the function of art in Nietzsche's philosophy. Its primary concern is with Nietzsche's turn to art as the means to counter what he terms metaphysics. Metaphysics is a metonym for the system of beliefs sustaining our culture whereby human judgements about the world are perceived as uncovering an objective truth antecedent to those judgements, with an implicit faith in the possibility of exhausting the totality of these antecedent truths. This thesis consequently has two principal strands. The first is to analyse Nietzsche's criticism of metaphysics. The second is to explore

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30

Tanchio, Paul Albert. "Transcultural aesthetics and contemporary art." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10225.

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‘Transcultural aesthetics’, in Proceedings of the Pacific Rim Conference in Transcultural Aesthetics (1998), is a generic term used by comparative philosophers and aestheticians to denote a theoretical assessment of distinctive applied aesthetic concepts and experience of cultures. This thesis is concerned with transcultural art and transcultural aesthetics, and it uses the argument put forward by comparative philosopher and aesthetician Eliot Deutsch, in his On Truth: An Ontological Theory (1979), that its practitioners’ distinctive art forms, especially Anselm Kiefer, Imants Tillers, John Y

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31

Collins, Lorna Patricia. "Making sense : art and aesthetics in contemporary French thought." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610086.

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32

Jörnvi, Malin. "Visionary Philosophy." Thesis, Uppsala universitet, Avdelningen för estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-429020.

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In this thesis I look at possible implications of the philosophical use of sight metaphors as rendered visible in the philosophy of Iris Murdoch. Through Murdoch’s reading of Plato, and together with the perspectives added by Ludwig Wittgenstein, Paul de Man, Carolyn Korsmeyer, and Mats Persson, I argue that some contemporary philosophy as shaped by science and logic might be partially blind to essential aspects of human life and human awareness. I show that this partial blindness becomes visible in an inability to acknowledge and understand the philosophical importance of that which cannot be

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33

Robertson, Casey. "Illuminating postmodern elements in the music of John Cage." Thesis, California State University, Dominguez Hills, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10020172.

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<p> While the American composer John Cage is often classified as an influential figure in the realm of modernist music, the controversial nature of Cage's work has proven to be more far-reaching than many had initially contended. Through a process of re-examining the work of Cage through a postmodern lens, this thesis rejects the notion that Cage was confined to the realm of modernism, and demonstrates that the composer not only exhibited postmodern tendencies through his ideas and concepts, but also aesthetically in his compositions. By illuminating these postmodern compositional practices an

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34

Farinas, Rebecca Lee. "The Aesthetic Agency of Popular Culture in the Writings of Pierre Bourdieu and Arthur C. Danto." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/949.

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ABSTRACT The Aesthetic Agency of Popular Culture: In the Writings of Pierre Bourdieu and Arthur C. Danto Rebecca L. Farinas, Ph.D. Pierre Bourdieu and Arthur C. Danto are significant interlocutors in the areas of aesthetics and popular culture. This study affirmatively answers a question raised by both writers, that popular culture puts forward a strong enough aesthetic to change elitist v

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35

Smethurst, Coryn Russell Ronald. "Towards a creative aesthetics : with reference to Bergson." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/104996/.

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This thesis explores issues in aesthetics with reference to Bergson. The first chapter outlines and assesses Bergson's interesting and subtle theory of humour, which emphasises the necessary lack of sympathy in humour, and its generalising, external methodology. In doing so it explores the different ways the motif of 'something encrusted on the living' functions on various levels. This is ultimately found to be an interesting account which has many merits. The second chapter then begins to outline the theoretical structure of Bergson's account of humour in terms of vertical and horizontal move

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36

Simus, Jason Boaz. "Disturbing Nature's Beauty: Environmental Aesthetics in a New Ecological Paradigm." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11008/.

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An ecological paradigm shift from the "balance of nature" to the "flux of nature" will change the way we aesthetically appreciate nature if we adopt scientific cognitivism-the view that aesthetic appreciation of nature must be informed by scientific knowledge. Aesthetic judgments are subjective, though we talk about aesthetic qualities as if they were objectively inherent in objects, events, or environments. Aesthetic judgments regarding nature are correct insofar as they are part of a community consensus regarding the currently dominant scientific paradigm. Ecological science is grounded in m

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37

Gershkovich, Tatyana. "Held Captive: Tolstoy, Nabokov, and the Aesthetics of Constraint." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493286.

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This dissertation examines a counterintuitive artistic imperative that emerged from the struggles of Leo Tolstoy and Vladimir Nabokov with an aesthetic problem of Kantian provenance. These two authors are widely considered to be opposed in their vision of art, but I show that their aesthetics in fact converge upon the same goal: to grant the reader a particular kind of freedom. These authors shared the Kantian view that aesthetic enjoyment requires that the reader not be constrained by any interest or concept. This feeling of freedom, they believed, is threatened not only when a reader looks t

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38

Sweeney, Mark Richard. "The aesthetics of videogame music." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:70a29850-0c0d-4abd-a501-e75224fa856a.

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The videogame now occupies a unique territory in contemporary culture that offers a new perspective on conceptions of high and low art. While the fear that the majority of videogames 'pacify' their audience in an Adornian "culture industry" is not without justification, its reductionism can be countered by a recognition of the diversity and aesthetic potential of the medium. This has been proposed by sociologist, Graeme Kirkpatrick, although without close attention to the role of music. Videogame music often operates in similar ways to music in other mixed-media scenarios, such as film, or ope

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39

Gurciullo, Sebastian 1968. "Between art and philosophy : Adorno and Foucault as heirs and critics of Enlightenment." Monash University, School of Literary, Visual and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7662.

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40

Kooy, Michael John. "Aesthetics and moral philosophy in the thought of Samuel Taylor Coleridge, 1808-1819." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319145.

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41

Hanson, Louise Mary. "Conceptual art : what is it?" Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e.

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Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philosophical aesthetics, and one on which a degree of philosophical weight disproportionate to the attention it has received is placed. On the one hand it is frequently mentioned by philosophers as a problematic case, one that general theories of art have difficulty dealing with, but on the other, there is a notable lack of philosophical research taking CA as its focus. It is largely taken as a given that CA is radically different from other art in various ways and thus poses problems for some of the

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42

Ozdemir, Ibrahim Soner. "Grasping The Space Of The Heart/mind: Artistic Creation And Natural Beauty In The Later Philosophy Of Kitar." Phd thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613515/index.pdf.

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In this dissertation, focusing on the problem of &ldquo<br>aesthetic form&rdquo<br>and its relation to the distinction between natural and artistic beauty, it is argued that the Japanese philosopher Kitar

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43

Garlitz, Dustin Bradley. "Philosophy of new jazz : reconstructing Adorno." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002213.

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44

Pitkin, Carissa. "Against Expression?: Avant-garde Aesthetics in Satie's "Parade"." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595499202615172.

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45

高舒 and Shu Phyllis Kao. "Affective gesture in J.S. Bach's keyboard music with special referenceto selected works in D minor." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213145.

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46

Moore, Gregory. "Art and action : exploring postmodern aesthetics." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1456.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Political Science

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47

Thompson, Seth Aaron. "Art Unfettered: Bergson and a Fluid Conception of Art." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248388/.

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This dissertation applies philosopher Henri Bergson's methodology and his ideas of duration and creativity to the definitional problem of art, particularly as formulated within analytic aesthetics. In mid-20th century, analytic aesthetics rejected essentialist definitions of art, but within a decade, two predominant definitions of art emerged as answers to the anti-essentialism of the decade prior: functionalism and proceduralism. These two definitions define art, respectively, in terms of the purpose that art serves and in terms of the conventions in place that confer the status of art onto a

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O'Brien, Marianne. "Aesthetics and ethics at the intersection: Contemporary reflections on the philosophy of Arthur Schopenhauer." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494273.

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In the last hundred years of commentarial literature on Schopenhauer, the breadth and profundity of the relationships that exist between aesthetics and ethics in his philosophy have been overlooked and overshadowed by studies of Schopenhauer as a metaphysician. This exploration of the status of the metaphysical connection between aesthetics and ethics in his philosophy. In order to establish the significance of this connection for contemporary debates on aesthetics and ethics, I elucidate Schopenhauer's philosophy in a manner that addresses its inconsistencies and inadequacies whilst being con

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49

Wong, Ching-ping. "The manifestation of Chinese philosophy and aesthetics in the performance of the pipa music." Thesis, Kingston University, 1989. http://eprints.kingston.ac.uk/20532/.

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This thesis attempts to identify the philosophical and aesthetic concepts of pipa music. The discussion is approached from a performer's point of view and is supported by the author's demonstrations on the pipa, in conjunction with the discussion of artistic theories of other Chinese traditional arts. The introductory chapter involves an examination of thehistorical perspective of the pipa, a discussion of the problems of pipa notation and an explanation of the approach of this thesis. Part I (Chapters 1-6) concentrates on the discussion of theoretical matters. An investigation of the various

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50

Fernández, Celso Ignacio. "The distinction between philosophy of art and aesthetics in the thought of Étienne Gilson." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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