Bibliografías temáticas / Photographers – france – biography

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Literatura académica sobre el tema "Photographers – france – biography"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Photographers – france – biography"

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Delangue, Guillaume. "Aux origines de la censure cinématographique : l’Armée et les images du procès Dreyfus." Annales de Bretagne et des pays de l'Ouest 132-2 (2025): 133–54. https://doi.org/10.4000/1496o.

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Durant l’été 1899, le capitaine Dreyfus – condamné en 1894 pour haute trahison et déporté sur l’île du diable – comparaît une seconde fois devant le conseil de guerre, à Rennes. Les journalistes, reporters et photographes du monde entier vont en France pour relater le déroulement du procès. Une équipe d’opérateurs cinématographiques de la Biograph and Mutoscope for France est également présente, et essaie de filmer les lieux et les grands personnages de l’affaire Dreyfus. L’Armée, mobilisée dans la ville pour assurer la sécurité de l’évènement, se méfie des cinéastes et décrète des interdictio
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2

Schmöller, Natascha. "Swiss Humanitarian Aid in Spain and Southern France through Paul Senn’s camera (1937-1942)." Culture & History Digital Journal 8, no. 2 (2019): 020. http://dx.doi.org/10.3989/chdj.2019.020.

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The aim of this article is to provide a brief biography of the Swiss photographer Paul Senn, and through the analysis of his photographic journalism resulting from his trips to Spain from 1937 to 1939, add a nuance from the visual perspective of the Civil War and Swiss humanitarian aid for the victims in situ. His photography kept track of both the Republican victims during “La Retirada” as well as of the refugees from Nazism in the South of France during 1942. His aim was to document the historical facts for Swiss readers, potential donors and affiliates of humanitarian aid. The final caption
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Scrocchi, Rafael Arreaza. "FROM PARIS TO ANGOSTURA: THE IMAGE OF THE LIBERATOR IN BETTY KAPLAN’S MINISERIES BOLÍVAR (1983)." ARTis ON, no. 7 (December 23, 2018): 45–56. http://dx.doi.org/10.37935/aion.v0i7.191.

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This study aims to explain the plot of the miniseries Bolívar (1983) by Venezuelan-American director, Betty Kaplan, from its beginning when Simón Bolívar is depicted in Paris, France in 1804, until the creation of Colombia in the Venezuelan city of Angostura in 1819. Fragmenting the scenes and the events related to the life and achievements of Simón Bolívar between 1804 and 1819, this article narrates all the matters proposed through the image of the Liberator and its context contrasting the plot with Bolivarian iconography, biography and literature in order to describe the events in which Bol
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Ferguson, Christine. "Power at play in paranormal history." Science Museum Group Journal, no. 22 (December 19, 2024). https://doi.org/10.15180/242201.

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This article presents a collective object biography and discussion of the Cottingley Fairy artefacts – cameras, photographs, watercolour sketches and print materials – held at the National Science and Media Museum. I demonstrate how the controversial paranormal claims made about the Cottingley cameras by Arthur Conan Doyle and Edward Gardner relied on the manipulation and obfuscation of key episodes in their history of use, a strategy that worked to distance the objects from each other and from their young female working-class operators Frances Griffiths and Elsie Wright. My article seeks to b
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Pearce, Hanne. "Lines, Bars and Circles: How William Playfair Invented Graphs by H. Becker." Deakin Review of Children's Literature 7, no. 4 (2018). http://dx.doi.org/10.20361/dr29347.

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Becker, Helaine. Lines, Bars and Circles: How William Playfair Invented Graphs. Illustrated by Marie-Ève Tremblay. Kids Can Press, 2017.Lines, Bars and Circles follows the life story of William Playfair. William was a dreamer and he saw the world differently than most people. Born in 1759 in Scotland, William was a joker with a unique sense of humour as a child. As he grew up, his independent spirit led him to leave home at fourteen to seek his fortune. He worked for inventors like William Watt and longed to invent something or make a discovery that would make him rich. Unfortunately, William
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Brien, Donna Lee. "Why Foodies Thrive in the Country: Mapping the Influence and Significance of the Rural and Regional Chef." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.83.

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Introduction The academic area known as food studies—incorporating elements from disciplines including anthropology, folklore, history, sociology, gastronomy, and cultural studies as well as a range of multi-disciplinary approaches—asserts that cooking and eating practices are less a matter of nutrition (maintaining life by absorbing nutrients from food) and more a personal or group expression of various social and/or cultural actions, values or positions. The French philosopher, Michel de Certeau agrees, arguing, moreover, that there is an urgency to name and unpick (what he identifies as) th
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Wise, Jenny, and Lesley McLean. "Making Light of Convicts." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2737.

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Introduction The social roles of alcohol consumption are rich and varied, with different types of alcoholic beverages reflecting important symbolic and cultural meanings. Sparkling wine is especially notable for its association with secular and sacred celebrations. Indeed, sparkling wine is rarely drunk as a matter of routine; bottles of such wine signal special occasions, heightened by the formality and excitement associated with opening the bottle and controlling (or not!) the resultant fizz (Faith). Originating in England and France in the late 1600s, sparkling wine marked a dramatic shift
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Brien, Donna Lee, Leonie Rutherford, and Rosemary Williamson. "Hearth and Hotmail." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2696.

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 Introduction It has frequently been noted that ICTs and social networking applications have blurred the once-clear boundary between work, leisure and entertainment, just as they have collapsed the distinction between public and private space. While each individual has a sense of what “home” means, both in terms of personal experience and more conceptually, the following three examples of online interaction (based on participants’ interest, or involvement, in activities traditionally associated with the home: pet care, craft and cooking) suggest that the utilisation of onli
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Rahman, Mohmin. "Is Straight the New Queer?" M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2446.

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He is, surely, the only heterosexual male in the country who could get away with being photographed half-naked and smothered in baby oil for GQ and still come over as an icon of masculinity. (GQ October 2002. Article on Beckham as GQ’s Sportsman of the Year, 264) Indeed. Let us tear our thoughts away from the image of David basted in oil and consider the extract as one of innumerable examples of the media fascination with Beckham. Given his penetration in Europe, Asia, Latin America and Africa, we can take as self-evident that Beckham is a quantifiably significant figure in contemporary global
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Libros sobre el tema "Photographers – france – biography"

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1952-, Mauriès Patrick, and Hedley Tom, eds. So far, so Goude. Thames & Hudson, 2005.

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2

Münster, Kunstmuseum Pablo Picasso, ed. Willy Ronis. Kehrer, 2013.

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3

McPhee, Laura. A Journey into Matisse's South of France. Roaring Forties Press, 2009.

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4

Temps du Maroc en France., ed. Maroc médina, médinas: Douze parcours photographiques pour le Temps du Maroc en France. Métamorphoses, 1999.

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5

Flavie, Durand-Ruel, and Durand-Ruel Paul-Louis, eds. Paul Durand-Ruel: Mémoires. Flammarion, 2014.

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6

John, Baxter. French Riviera and its artists: Art, literature, love, and life on the Côte d'Azur. Museyon, 2015.

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7

Jean-Claude, Gautrand, ed. Paris mon amour. Evergreen, 1999.

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8

1890-1976, Man Ray, ed. Man Ray's Montparnasse. H. N. Abrams, 2001.

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9

Belin, Valérie. Valérie Belin. Actes sud, 2001.

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10

Cristina, Zelich, and Jeu de paume (Gallery : France), eds. Florence Henri: Miroir des avant-gardes, 1927-1940. Photosynthèses, 2015.

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Capítulos de libros sobre el tema "Photographers – france – biography"

1

Trojanowska, Marta. "Architekt Mario Ceradini (1864-1941) i jego prace dla parafii salezjańskiej w Przemyślu do wybuchu I wojny światowej. Wstęp do badań." In 192. Historia – tożsamość – kultura. 100-lecie salezjańskiej Parafii Świętego Józefa w Przemyślu. The Francis de Sales Scientific Society, 2023. http://dx.doi.org/10.21852/tnfs.2023.1.08.

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The article aims to show the Piedmontese architect Mario Ceradini (1864 -1941), his connections with the Society of St Francis de Sales, and his work for the Salesian parish in Przemyśl from 1908 to 1914. The findings are based on Marco Spesso's monograph of the architect published in 2021, available archival materials (Ceradini's letters, his projects for Przemyśl), photographs from the archive of St Joseph parish in Przemyśl and the Salesian Archive of the Kraków Province. It is for the first time that an academic paper speaks about this topic more broadly - until now there has been no detai
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