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Tesis sobre el tema "Photographic theory"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 12 de febrero de 2022

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1

Li, Shyi-Shyang. "Comparing the ability of subjective quality factor and information theory to predict image quality /." Online version of thesis, 1994. http://hdl.handle.net/1850/11880.

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2

Culhane, Dylan. "Bumper to bumper: photographing across the class divide in post-apartheid South Africa. A photographic essay and analysis." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12000.

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Includes bibliographical references.<br>The eponymous collection of 64 photographs accompanying this text constitutes the creative research component of my M.A. in Media Theory & Practice. I chose to photograph the men (and to a lesser but nonetheless significant degree women) that we see being transported in bakkies and trucks on our roads on a daily basis, compiling a photographic essay engineered to provoke contemplation of current societal discrepancies.
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3

Câmara, Fernanda Dália Moniz da. "Olhar a fotografia-um lugar onde a ausência se faz presença." Master's thesis, Instituições portuguesas -- -Universidade Aberta, 1994. http://dited.bn.pt:80/29920.

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4

Shanks, Sarah M. "Re:Visions : A Mother's Secondary Images." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128.

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5

Perry, Shannon. "The Eastman Kodak Co. and the Canadian Kodak Co. Ltd : re-structuring the Canadian photographic industry, c.1885-1910." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/13060.

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Within the accepted historiography of photography, the importance of George Eastman and the Eastman Kodak Company (EKC) has become unassailable. They have been placed as the key, and often sole, agent in “revolutionizing” the amateur photography market in the late nineteenth century. While the photographic landscape and market of 1885-1914 was indeed radically altered, the historiographical dominance of what can be identified as the “Kodak story” has obscured the means through which EKC’s successful re-structuring of the existing manufacturing and distribution networks of photographic material
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6

Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.

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Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie
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7

McNary, Erin L. "Using the social cognitive theory of mass communication an examination of article and photographic content of a youth sport magazine from 1989-2008 /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3380111.

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Thesis (Ph.D.)--Indiana University, School of Health, Physical Education, and Recreation, 2009.<br>Title from PDF t.p. (viewed on Jul 14, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4508. Adviser: Paul M. Pedersen.
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8

Sasián, José. "Joseph Petzval lens design approach." SPIE-INT SOC OPTICAL ENGINEERING, 2017. http://hdl.handle.net/10150/627184.

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9

Shanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.

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10

Baptista, Maria Emília Moreira Tavares Samora. "João Martins (1898-1972)-imagens de um tempo "descritivo desolador"." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2000. http://dited.bn.pt:80/29482.

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11

Scansani, Andréa Carla. "A imagem explícita: a materialidade do cinema sob o olhar da fotografia." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-11092018-160508/.

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Este trabalho tem como objetivo pensar a fotografia cinematográfica dentro dos estudos do cinema como um modo de ampliar as perspectivas de abordagem sobre sua imagem. A partir da explicitação de seus aspectos físicos e sua potência em fazer reverberar uma série de questionamentos acerca da dimensão imaterial de seu corpo, traçamos um percurso heterogêneo pelos domínios da filosofia, da teoria da imagem e do cinema para desenvolver um pensamento que tenha como base a conjugação de saberes que constituem o olhar fotográfico. Nossa ênfase está no ato cinematográfico e nas relações recíprocas de
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12

Harris, Philip. "Photographing landscape : a theory of the experience of making." Thesis, Birmingham City University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573685.

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Existing photographic theory prioritises the image over any account of making. To date there is no theory that engages with the making of photographs and photographic works. Where the critical theory of the late 1970s and early 1980s saw major developments towards more culturally inclusive accounts of photography, it did little to address and even avoided the conditions of how photographs and photographic works of art came into being. As a consequence making has been consistently overlooked in photographic theory, leaving the issue of making images and photographic works absent of any construc
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13

Kirkpatrick, Erika Marie. "Photography, the State, and War: Mapping the Contemporary War Photography Landscape." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.

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This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State. Furthermore, it argues that this productive and performative power works to constrain the conditions of possibility for geopolitics. The central argument of this project is that contemporary war photography reifies a view of the international in which the liberal, democratic West is pitted against the barbaric Islamic world in a ‘civi
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14

Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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15

Bartel, Paul R. "Analysis of Umberger's theory for subtractive color reproduction /." Online version of thesis, 1990. http://hdl.handle.net/1850/10963.

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16

MELO, MARIA ISABEL AFONSO. "GOLDEN RATIO AND FIBONACCI NUMBERS: FROM THEORY TO PRACTICE THROUGH PHOTOGRAPHY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=33080@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE MESTRADO PROFISSIONAL EM MATEMÁTICA EM REDE NACIONAL<br>Este trabalho teve o intuito de conciliar o ensino de matemática com práticas muito presentes no cotidiano dos alunos nos dias atuais: o uso da tecnologia e a comunicação através da fotografia. Com esse objetivo, foram selecionados conteúdos matemáticos que historicamente estão relacionados com a beleza e harmonia: a razão áurea e a sequência de Fibonacci. Tais enfoques permitem associações diretas em outros ca
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17

Postlewait, Mariah A. "Miniatures Matter: Agency and Affect in Photographs by Lori Nix." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896.

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18

Page, Paul Scott. "Maps to Non-Existent Places." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430858356.

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19

Lu, Wei Yuan. "Is image analysis based on Gestalt theory a valuable approach to teaching photography?" Thesis, Durham University, 2008. http://etheses.dur.ac.uk/1922/.

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The general aim of the thesis is to justify the claim that image analysis based on Gestalt psychology can be helpful in improving students' understanding and practice in photography. The thesis firstly identifies the technique-led curriculum as the major problem in photographic education in Taiwan as well as in the teacher-researcher's classroom. A new teaching programme integrating image analysis with Gestalt theory was formulated at the beginning of the target semester, in an attempt to develop students' ability to produce and appreciate photographs.
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20

Paz, Anita. "Against indexicality : photography as a formation of thought." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:2a69c52b-0827-48ae-aa99-cd9143b31f64.

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Guided by the question of what does photography bring into being, 'Against Indexicality' is a proposition to rethink the foundation of the philosophy of photography - to rethink the supposed relation of truth between the photograph and the world. Taking Indexicality as a messy and convoluted conceptual field comprised of the notions of pointing, stillness, and fragmentation, this study works to untangle the three from each other, separately challenging each individual notion. In analysing each of the three through their conceptualisation by prominent thinkers, including Charles S. Peirce, Susa
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21

Harper, Stephen Bryce. "Investigations into Social Game Theory." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/812.

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Investigations into Social Game Theory is a document that describes my two-year exploration of the ritual encapsulated in our societal framework. It discusses the thoughts and processes that accompanied the three bodies of work that led to the creation of my final thesis exhibition.
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22

Johansson, Åsa. "Photographing in the Safari of Lapland." Thesis, Linköpings universitet, Tema Genus, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-162899.

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This essay is about the photographer Lotten von Düben and her photographing of the Samí people in a research expedition to Lapland in 1868 in which she took part as the expedition photographer. This expedition is taking place in the mountainous area of Kvikkjokk [Huhttán in Lule-samí]. Lotten von Düben´s husband Gustaf von Düben is a Medical doctor, Anthropologist and Professor at the Karolinska Institutet and is the head of the research expedition. Lottens´s role in the expedition is to document for her husband who has taken on his ageing colleague Anders Retzius work of cataloguing his well-
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23

Harada, Misao. "La Cohérence du texte chez André Breton. Une étude de quatre oeuvres : Nadja, Les Vases communicants, L’Amour fou et Arcane 17." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030038.

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Dans cette étude nous nous proposons de mettre au jour ce qui assure la cohérence du texte dans quatre récits autobiographiques d’André Breton : Nadja, Les Vases communicants, L’Amour fou et Arcane 17. Nous proposons de les appeler « tétralogie » bretonienne. Après avoir montré que les approches en narratologie ne sont pas adaptées à cette fin, nous verrons que l’argumentation ayant pour but de transmettre l’idée du surréalisme donne un cadre intégrateur à ces récits pour en assurer la cohérence. Chaque texte doit selon nous être considéré comme une situation de communication entre le lecteur
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24

Huang, Yi-hui. "An Interpretivist Study of Knowledge Provided by Seamless Digital-Synthesized Photographs." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1214941623.

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25

Hölzl, Ingrid. "Der autoporträtistische Pakt zur Theorie des fotografischen Selbstporträts am Beispiel von Samuel Fosso." Paderborn München Fink***5105586, 2008. http://d-nb.info/986681377/04.

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26

Tendero, Yohann. "Mathematical theory of the Flutter Shutter : its paradoxes and their solution." Phd thesis, École normale supérieure de Cachan - ENS Cachan, 2012. http://tel.archives-ouvertes.fr/tel-00752409.

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This thesis provides theoretical and practical solutions to two problems raised by digital photography of moving scenes, and infrared photography. Until recently photographing moving objects could only be done using short exposure times. Yet, two recent groundbreaking works have proposed two new designs of camera allowing arbitrary exposure times. The flutter shutter of Agrawal et al. creates an invertible motion blur by using a clever shutter technique to interrupt the photon flux during the exposure time according to a well chosen binary sequence. The motion-invariant photography of Levin et
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27

Barr, Sue. "The architecture of transit : photographing incidents of sublimity in the landscapes of motorway architecture between the Alps and Naples." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2851/.

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The aesthetics of motorway architecture has not received attention within theoretical photographic discourse and has never been the subject of an academic photographic research project. This project begins from the understanding of the motorway as one continuous piece of architecture that crosses international boundaries on its route across Europe – an architecture so large that it cannot be perceived in its entirety. As a research-by-practice PhD, photography is used to identify and record incidents of the sublime in the route of the motorway. The photographs are produced with a large field s
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28

Michelkevičius, Vytautas. "Photography as medium dispositif in the 1960s–80s in Lithuania." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20101001_150550-76904.

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The doctoral thesis deals with a methodological problem of analyzing photography. The argumentation is built on assumption that analysis of a content of a medium (in this case: photography) alone is unable to reveal important social and political aspects of the medium. Therefore an integral analysis of medium and its context is indispensable. Combination of approaches used in communication and media studies, philosophy, and art history lets to define the notions of dispositif and medium, which lead to construction and operationalization of a model of medium dispositif. The model is used for re
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29

Knox-Williams, Charlotte. "Slip, split, snag : diagramming the time image between Deleuzean theory and fine art practice." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/346353/.

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The project has engaged critically and reflectively in a series of investigations through Deleuzean theory and fine art practice. It has explored the functions of the diagram in relation to direct images of time, identifying novel perspectives on these aspects of Deleuzean theory through interconnections and a reciprocally transformative engagement with art practice. The research offers fresh insight into the complicated temporal shifts that become apparent through practice by layering visual and discursive elements. The work is concerned with the interrelation and transformation of different
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30

McDowell, Felice. "Photographed at ... : locating fashion imagery in the cultural landscape of Post-War Britain 1945-1962." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/7174/.

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This thesis explores a history of fashion and art in post-war Britain. The historical analysis of this study focuses on how institutions and spaces of public culture – such as museums, galleries, exhibitions and art schools – were used as locations for editorial photo-spreads published in the British editions of Vogue and Harper’s Bazaar between 1945 and 1962. Fashion magazines participate in the cultural production of art by depicting its institutions, its products and producers as fashionable. This thesis interrogates the ways in which the field of fashion, and fashion media in particular, t
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31

Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.
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32

Laing, Morna. "The 'woman-child' in fashion photography, 1990-2015 : childlike femininities, performativity, and reception studies." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9818/.

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The childlike character of ideal femininities has long been critiqued in feminist literature, from Mary Wollstonecraft (1792) to Susan Faludi (1992). Yet, despite the partial gains of feminism the ‘woman-child’ continues to be a prominent subject-position in fashion photography of the West. This thesis builds upon earlier feminist critiques of the infantilisation of women by considering the meaning of childlike femininities in the period spanning 1990 to 2015. In particular, it questions whether representations of childlike femininities can shed their dehumanising, ‘second sex’ connotations an
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33

Kiteley, Robin J. "An investigation of intersections between reanimation practice and queer theory in a moving image work." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/27014/.

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This practice-informed research establishes points of intersection between reanimative practices within moving image work and queer theoretical positions. It frames this within autoethnographic understandings of memories pertaining to my adolescent experience of gay acculturation via textual sources. A bricolage methodology deriving from the work of Kincheloe and Berry (2004) is used. Multiple methods of investigation are employed including alternative archive creation, moving image tests and prototypes, processes of reading and re-reading and autoethnographic, reflective and academic writing
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34

Owen, Daniel M. "Citizen Photojournalism: Motivations for Photographing a Natural Disaster and Sharing the Photos on the Web." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1362739905.

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35

Reidinger, Bobbi. "Weight as Status: An Expansion of Status Characteristics Theory." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586629807299555.

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36

Le, Guen Laurence. "Littératures pour la Jeunesse et photographie, mise à jour et étude analytique d’un corpus éditorial européen et américain, des années 1860 à aujourd'hui." Thesis, Rennes 2, 2019. http://www.theses.fr/2019REN20029.

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Si la littérature pour la jeunesse est fréquemment illustrée de dessins, qu’advient-il lorsque ces illustrations sont des photographies ? Le corpus d’œuvres pour la jeunesse illustrées de photographies, dont la recension était à peine entamée et qui s’avérait plus conséquent que supposé, requérait d’être étudié sous divers angles. L’ambition de cette thèse est de mettre en évidence les liens étroits entre les livres pour la jeunesse et l’illustration par la photographie et de mesurer les incidences des relations entre ces deux arts ou genres « mineurs », selon des perspectives historiques et g
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37

Hodgson, Philip. "Oppositional spaces : an evaluation of post-nationalist film theory using the work of migrant, exilic and diasporic filmmakers." Thesis, Northumbria University, 2013. http://nrl.northumbria.ac.uk/26289/.

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This thesis evaluates the usefulness of post-nationalist theory in developing and understanding existing debates around national cinemas in film studies. Whilst a great deal of research has focused on the significance and importance of national cinemas, changes in the international landscape have offered challenges to the value of national cinema as a concept. To date, these challenges have been primarily addressed within discussion of transnational cinema which, although useful, has yet to fully interrogate the power relationships between nations. The importance of post-nationalist theory in
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38

Morales, Hernandez Mauricio. "Médiatisation technologique et voix du réel. : une anthropologie historique du regard — de la trace à l'écran." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0041.

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Nous partons du constat de l’importance de l’image dans le processus d’anthropogénèse, car la fixité de l’image se dévoile comme une médiation temporelle, c’est-à-dire, comme la création d’un temps rapporté médiatisant notre rapport au réel et transgressant par là notre champ perceptif. À ce titre, l’histoire de l’image apparaît comme le développement de divers modèles eidétiques statiques qui vont être en négociation et relation permanente avec les modèles eidétiques dynamiques : le langage, les gestes, l’outillage, la musique, la danse, l’habitat ; modèles qui en contrepartie sont des médiat
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39

Langendorff, Judith. "Le nocturne comme catégorie esthétique de l'image dans la photographie et le cinéma contemporains." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA085.

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À partir d’un corpus ouvert de photographes et de cinéastes coloristes qui ont une fascination pour le nocturne, cette thèse explore les différentes gradations et significations de celui-ci, des plus évidentes aux plus abstraites. La thèse s’attache alors à démontrer que le régime nocturne transforme l’obscurité en valeurs chromatiques et qu’il éclaire, avec une subtilité qu’occulte la vision diurne, les aspects les plus complexes de la société et de l’esprit humain. La confrontation des analyses de séquences filmiques et de photographies dans une perspective articulant esthétique, philosophie
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40

Leffler, Laura Sutton. "Life in the Dollhouse: Laurie Simmons’s Early Work as a Display of Constructed Hierarchies." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116938975.

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41

Adam, Zoé. "Praxis Queer : les corps queers comme sites de création et de résistance." Thesis, Lille 3, 2018. http://www.theses.fr/2018LIL3H034/document.

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Praxis queer s'intéresse à l'utilisation de pratiques artistiques au sein du militantisme queer. La réflexion s'organise en trois axes : artistique, militant, et quotidien. L'axe artistique analyse les techniques d'invention de soi, de subversion des normes corporelles, sexuelles et de genre. Les militant-es établissent des jeux entre la performativité et la performance. L'axe militant met en évidence l'utilisation de l'art en tant qu'outil de lutte queer, ce qui questionne les stratégies de lutte et l'efficience politique de l'art. Le troisième axe se concentre sur les pratiques quotidiennes
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42

Leal, Pedro Germano Moraes Cardoso. "The invention of hieroglyphs : a theory for the transmission of hieroglyphs in early-modern Europe." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5167/.

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The present dissertation investigates the process of transmission of hieroglyphs from Egypt to Early-Modern Europe. This phenomenon has been studied by Egyptologists and Art Historians, mostly from a historical and descriptive standpoint, but here an original theoretical perspective was adopted: Grammatology or the study of writing. In order to understand this process of stimuli diffusion, and its outcome, it was deemed necessary to delve into both the Egyptian writing-system and the hieroglyphic phenomenon in the Renaissance, which led the dissertation to be divided into two parts. The First
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43

Reid, David. "'Just looking' : gazing at the male gaze; the representation of women in the films of Michelangelo Antonioni and Rainer Werner Fassbinder, and in the photography of Jeff Wall and Thomas Struth." Thesis, University of Derby, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322598.

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44

Jayaram, Vikram. "Reduced dimensionality hyperspectral classification using finite mixture models." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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45

Kutesko, Elizabeth. "Fashioning Brazil : globalization and the representation of Brazilian dress in National Geographic." Thesis, Courtauld Institute of Art (University of London), 2016. http://ualresearchonline.arts.ac.uk/12111/.

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As a popular ‘scientific’ and educational journal, National Geographic, since its founding in 1888, has positioned itself as a voice of authority within mainstream American print media, offering what purports to be an unprejudiced ‘window onto the world’. Previous scholarship has been quick to call attention to the magazine’s participation in an imperialist representational regime. Catherine A. Lutz and Jane L. Collins, Tamar Rothenberg and Linda Steet have all argued that National Geographic’s distinctive, quasi-anthropological outlook has established hierarchies of difference and rendered su
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46

Axelsson, Östen. "Aesthetic Appreciation Explicated." Doctoral thesis, Stockholms universitet, Psykologiska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-53385.

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The present doctoral thesis outlines a new model in psychological aesthetics, named the Information-Load Model. This model asserts that aesthetic appreciation is grounded in the relationship between the amount of information of stimuli and people’s capacity to process this information. This relationship results in information load, which in turn creates emotional responses to stimuli. Aesthetic appreciation corresponds to an optimal degree of information load. Initially, the optimal degree is relatively low. As an individual learns to master information in a domain (e.g., photography), the deg
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47

Winston, Summer D. "Not Just a Symbol But a Status Symbol." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1505.

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I create art, not out of a deep understanding of the world around me, but out of a lack of one. Human psychology, motives, behaviors, stressors, intentions and identity are the themes that boggle me the most. Therefore, it is only natural that my work would be fueled by the questions these themes pose. In the past I sought to understand what pushes people to make certain choices and how can the world around us affect the formation of identity. Currently I wonder about identity in terms of what do people use to form and reinforce identity both real and fabricated. In addition to this I am worki
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48

Feliciano, André Allessandrini. "A natureza fotográfica da arte." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-06022014-145333/.

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Neste texto apresento um modo de perceber o ambiente da arte sob o ponto de vista da filosofia da fotografia. Inicialmente, elaboro a noção de uma natureza fotográfica da arte utilizando como base os pensamentos de Malraux, Dubois e Flusser. Em seguida, ao relacionar os três autores, desenvolvo a ideia de uma sistema de funcionamento para a arte baseado na própria fotografia. Para finalizar, utilizo meu trabalho visual como ponto de partida para cultivar a filosofia da fotografia e essa natureza da arte específica<br>In this text I present a way of perceiving the art environment from the point
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Bogue, Elinor E. "A study of the gatekeeping role of chief photographers : the social identity theory and in-group bias in the assignment of sports photos." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1538076.

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Anderson, Carlos. "INDIVIDUAL IDENTIFICATION OF POLAR BEARS BY WHISKER SPOT PATTERNS." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3274.

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Many types of ecological studies require identification of individual animals. I developed and evaluated an automated identification system for polar bears (Ursus maritimus) based on their whisker spot patterns. First, I measured the reliability of using whisker spot patterns for identification from polar bear photographs taken in western Hudson Bay. This analysis involved estimating the complexity of each whisker spot pattern in terms of its information content. I found that 98% of patterns contained enough information to be reliable, and this result varied little among three different observ
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