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Tesis sobre el tema "Photography of women"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 30 de julio de 2024

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1

Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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2

Tsao, Kai-Wen Evangeline. "Photographing desire : women exploring sexuality through auto-photography." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/11536/.

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Feminist debates since the second-wave movement frequently construct ‘women’s sexual liberation’ and resistance to patriarchal heteronormativity as oppositions. This framework oversimplifies the interwoven relationship between personal and cultural constructions of women’s sexuality; furthermore, it risks overlooking individuals’ lived experiences and emotions. This research investigates the multiplicity and complexity of ‘women’s sexual desire’ by engaging with feminist symbolic interactionism and ideas from queer theories. How does a woman negotiate her personal ‘web of desire’ within social
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3

Skidmore, Colleen Marie. "Women in photography at the Notman Studio, Montreal, 1856-1881." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf.

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4

Bryant, Susan C. "The Beautiful Corpse: Violence against Women in Fashion Photography." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/158.

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My senior thesis deals with contemporary depictions of sexualized violence against women in fashion photography. Images of bloodied, bruised, and dead-looking models have proliferated in fashion magazine editorials and advertisements since the 1970s and I want to explore why sexualized violence is seen as sexy and compelling advertising, in light of the fact that domestic violence is the greatest cause of injury to women in America. I produced my own fashion photographs in locations of actual female homicides in Los Angeles County, particularly those nearest to Claremont, with the use of The L
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5

Crinall, Karen Maree, University of Western Sydney, and Critical Social Sciences Research Group. "Imag(in)ing women as homeless : re/tracing socially concerned photography." THESIS_XXX_CSSRG_Crinall_K.xml, 2003. http://handle.uws.edu.au:8081/1959.7/453.

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This thesis is primarily concerned with the meanings that are produced when women become visible amongst the homeless through photographic representations. While there have always been homeless women, unlike their male counterparts, they have remained largely invisible to the public and government policy makers.Social documentary photography has acted as one of the main avenues through which homeless women have, literally, been rendered visible. Driven by, and implicated in complex sociocultural and political circumstances, socially concerned photographs draw on the real and the fictional to g
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6

Crinall, Karen Maree. "Imag(in)ing women as homeless : re/tracing socially concerned photography." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/453.

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This thesis is primarily concerned with the meanings that are produced when women become visible amongst the homeless through photographic representations. While there have always been homeless women, unlike their male counterparts, they have remained largely invisible to the public and government policy makers.Social documentary photography has acted as one of the main avenues through which homeless women have, literally, been rendered visible. Driven by, and implicated in complex sociocultural and political circumstances, socially concerned photographs draw on the real and the fictional to g
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7

Crinall, Karen Maree. "Imag(in)ing women as homeless : re/tracing socially concerned photography /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20041103.175604/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.<br>"A thesis submitted for the degree of Doctor of Philosophy, Critical Social Sciences Research Group, University of Western Sydney" Bibliography : leaves 312-335.
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8

Spenny, Anne M. "Portrait of a young woman /." Online version of thesis, 1989. http://hdl.handle.net/1850/11529.

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9

Beeston, Alix Mallory. "Composite Visions: Writing and Photography in American Modernism." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13431.

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This dissertation builds on scholarship that apprehends the ways in which modernist writing instantiates the episteme of doubt and contingency that emerges, paradoxically, from the development of photographic technologies. It accounts for an unexplored aspect of the photography effect in modernist writing that is variously composite in form and narrative. Early twentieth century texts by Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald function analogously to photography—and are culturally imbricated with it—inasmuch as they privilege representational ambiguity through the
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10

Kuo, Hsiu-Li. "The solitary notations." Faculty of Creative Arts, 2004. http://ro.uow.edu.au/theses/182.

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This study investigates imagery from twentieth century art presenting the fluctuation of the human psyche, and historical western imagery revealing the mortal condition of human corporeality. The exploration of the interdisciplinary historical aspect of Surrealism (Rubin: 1968, Alexandrian: 1970, Bigsby: 1972), womens art (Orenstein: 1973, Chadwick: 1985), anatomical illustration (Roberts: 1992, Cazort: 1996), and death-related photography (Sante: 1992, Burns: 1990, 1998, OConnor: 1999) is an attempt to attain a coherent sense of being a human in the natural world. The Solitary Notations explo
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11

Newhouse, Kathryn D. "Women's body image, patriarchy, and photography a pictorial content analysis of National geographic's representation of women /." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4498.

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12

Henninger, Katherine. "Ordering the façade : photography and the politics of representation in contemporary Southern women's fiction /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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13

Turok, Karina. "Social skin : initiation through the bodily transformation of four South African women : an exploration using documentary photography." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/17244.

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Bibliography: p. 92-93.<br>My work questions social and cultural constructs of 'normality' and, by focusing on the practices of marginalised communities, questions dominant cultural conventions of female identity, beauty and sexuality. Within visual media, if the private or unsaid of female experience is said, it is seen as subversive. By focusing on four female initiations, my intention is to develop a specific yet complex comparison of different types of initiations. Embedded within the communities I have photographed are unique perceptions of beauty, each of which differs from mainstream no
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14

Richardson, Cynthia Watkins. "Picturing Nature: Education, Ornithology and Photography in the Life of Cordelia Stanwood: 1865-1958." Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/RichardsonCW2002.pdf.

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15

Grenley, Devin. "Women’s Empowerment Through The Erotic." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/292.

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First Semester: My thesis project is about showing women’s empowerment through their sexuality and comfort within their bodies own bodies. In our society women’s eroticism is seen as taboo and women are taught to turn away from the exploration of the erotic as a source of power within themselves. The erotic is often confused and misunderstood, it is an emotion and sense of empowerment that has been named by men and used against women. It’s now difficult to recognize that the erotic can even have a sense of empowerment for women, because strong women have been taught through our society to be v
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16

Adair, Vivyan C. "From "good ma" to "welfare queen" : a "genealogy" of the poor woman in 20th century American literature, photography and culture /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9511.

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17

Kowalski, Shelley. "Fading light : the case of Doris Ulmann /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-242). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.
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18

Smith, Ruth Marie. "Young Somali Women and Narrative Participatory Photography: Interrupting Fixed Identities through Dumarka Soomaaliyeed Voices Unveiled." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406883242.

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19

Strait, Laura. "Notions of Progress: The Framing of Women in the Arab Spring." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18494.

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The Arab Spring marked a new age of international political participation and support, facilitated by the wide circulation of imagery via social and mass media. Many in the West found themselves in ideological agreement with the political efforts of the protests, upholding the U.S. rhetorical tenets of democracy and freedom of speech. The visual framing of the Arab Spring in U.S. news media played a crucial role in forging this ideological consensus. My thesis focuses specifically on the visual framing of women in the Egyptian uprising by exploring the Western news portrayal of the presence of
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20

dos, Anjos Afonso Manoela. "Language and place in the life of Brazilian women in London : writing life narratives through art practice." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12000/.

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Studies on Brazilians living in Britain show that, along with loneliness, unemployment and cost of living, the lack of proficiency in English is a key problem. However, there is little qualitative information about how the host language affects their daily lives. This interdisciplinary practice-based research asks how an art practice activated by experiences of displacement and dislocation in language can become a place of enunciation for decolonial selves. To this end, this research includes not only individual practices, but also collective activities carried out with a group of Brazilian wo
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21

Fatehrad, Azadeh. "Photography, desire and resistance in the lives of women, following the 1979 revolution in Iran." Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1784/.

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In my last four years of PhD by practice at the Royal College of Art, I have conducted extensive research on archival photography including materials held at the Museum der Weltkulturen, Frankfurt am Main; the Institute for Iranian Contemporary Historical Studies (IICHS) , Tehran; and the International Institute of Social History (IISH), Amsterdam. My project started with the fortuitous encounter with a photograph taken by Iranian photographer Hengameh Golestan on the morning of March 8, 1979. The photograph shows women marching in the streets of Teheran in protest against the introduction of
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22

Carotenuto, Gianna Michele. "Domesticating the harem reconsidering the zenana and representations of elite Indian women in Colonial painting and photography of India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2024771361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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23

Stent, Sabina Daniela. "Women Surrealists : sexuality, fetish, femininity and female Surrealism." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3718/.

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The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or
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24

George, Kay. "Evolving patterns of identity: a visual response to observations of Cook Islands' women and their adornment." AUT University, 2010. http://hdl.handle.net/10292/915.

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This multimedia visual arts project investigates, from a personal perspective, changes in the context of Cook Islands’ women’s adornment. In a modern world, changes in adornment have become disconnected from cultural traditions and so this study explores how over time evolving patterns of adornment are employed by women to identify their place in society. Observations have been drawn from the developing relationship between the researcher and the women in Rarotonga, the Cook Islands’ community where this project took place. These observations are documented explored and articulated primarily t
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25

Grunbaum, Barbara. "Glamour /." Online version of thesis, 1987. http://hdl.handle.net/1850/10149.

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26

Wood, Susan M. "Seeing into the mirror the reality of fiction in the work of Carrie Mae Weems /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4900.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 6, 2007) Includes bibliographical references.
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27

Gavard, Sandra. "Photo-graft : a critical analysis of image manipulation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/MQ54990.pdf.

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28

Dellaposta, Jo-Ann J. "Homonymous projections /." Online version of thesis, 1989. http://hdl.handle.net/1850/11376.

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29

Fernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.

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This thesis examines the reclamation of the 'Blak' body by Indigenous female photo-media artists. The discussion will begin with an examination of photographic representatiors of Indigenous people by the colonising culture and their construction of 'Aboriginality'. The thesis will look at the introduction of Aboriginal artists to the medium of photography and their chronological movement through the decades This will begin with a documentary style approach in the 1960s to an intimate exploration of identity that came into prominence in the 1980s with an explosion of young urban photomedia arti
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30

MacLeod, Catriona. "Invisible presence : the representation of women in the Francophone bande dessinée." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4366/.

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The francophone bande dessinée came of age in the late twentieth century, earning the title of “Ninth Art” and becoming increasingly accepted as a focus of critical discussion and academic analysis. However, despite this impressive evolution, the representation of women in the bande dessinée remains vastly understudied. This thesis thus aims to provide a first step in the analysis of female characters as a distinct phenomenon within the Ninth Art. It considers the evolution of female depiction throughout the twentieth-century medium and beyond, and provides close studies of specific female cha
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31

Edge, Sarah-Jane. "Photography and identities : a case study and related photographic practice : an investigation into the role of early photographic representations of working-class women from London (1860-1865) as represented in the photographic collection of Arthur J. Mu." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428807.

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32

Bowles, Laurian Rebekah. "WIDENING THE LENS: EMBODIMENTS OF GENDER, WORK AND MIGRATION WITH MARKET WOMEN IN GHANA." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/114250.

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Anthropology<br>Ph.D.<br>Women have legendary roles as traders who financially dominate the sale of various market goods in West Africa. Head porters are young women from Ghana's rural northern region who work as human transporters in the various markets in urban areas throughout the country. Kayayei (female head porters) who work at these famed markets are the focus of this dissertation. The north of Ghana is the agricultural breadbasket of the country, with strong Islamic influences that thrive in dispersed, mostly rural ethnic enclaves. This contrasts sharply with the service manufacturing
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33

Soukhakian, Fazilat. "The Private Revealed: A Search for a New Modernity Through the Lens of the Shah and Contemporary Photographers in Iran." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522057558134736.

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34

Istanbouli, Yasmin. "Depoliticizing The Identities of Refugee Women." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1264.

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"My name is..." // "...اسمي" is a photo series that aims to depoliticize the highly politicized identity of the Arab, female refugee. Due to the growing number of refugees being forced out of their homes and displaced all around the globe, their collective existence has turned into a number. The world only sees one image when they think of an Arab refugee; the suffering, hopeless body of an Arab, struggling to cross borders. The world is not exposed to the real experiences of these individuals, and their stories remain untold. With this project, I aim to share these stories. Female refugees ha
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35

O'Dwyer, Kathryn A. "‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2630.

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For decades, scholars have debated the significance of the Works Progress Administration (WPA), emphasizing its political, economic, and artistic impact. This historiography is dominated by the accomplishments of white men. In an effort to highlight the long-neglected legions of black women who contributed to WPA projects and navigated the agency’s discriminatory practices, this paper will examine WPA operations in New Orleans where unemployment was the highest in the urban south, black women completed numerous large-scale projects, and white supremacist notions guided relief protocol. By anal
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36

Bosco, Adriana Perassi. "Entre a essência e a construção: experiências cotidianas do feminino a partir da produção fotográfica de jovens mulheres paulistanas." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-27112009-112839/.

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Este trabalho procura descrever de que forma cinco mulheres jovens, de 24 a 35 anos, profissionais de nível universitário, pertencentes às camadas médias paulistanas, experimentam a dimensão do feminino em sua vivência cotidiana e a representam através de imagens fotográficas produzidas por elas mesmas. Pela presença que têm a imagem na socialização contemporânea e como maneira de incluir o sujeito em ação na pesquisa, optamos por trabalhar com fotografias. A partir da consigna Fotografe sua experiência de ser mulher em doze poses, as participantes produziram o material pictórico, que serviu d
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37

Daine, Nicola A. "Heterosexuality at the movies : an auto-ethnographic study of young heterosexual women and their viewing experiences." Thesis, University of Gloucestershire, 2007. http://eprints.glos.ac.uk/1334/.

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This thesis takes a qualitative, auto-ethnographic approach to interrogating heterosexuality via a series of in-depth interviews with young women about their experiences of watching films. I have adopted a feminist approach to the research, locating myself within the project via a series of extracts from research diaries I have kept during the project, reflecting my own position as 'researched' as well as 'researcher'. This auto-ethnographic approach draws on the work of previous theorists researching women's lives from a feminist perspective (e.g. Skeggs: 1995, 1997; Stanley and Wise: 1990, 1
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38

Bouveresse, Clara. "L'invention d'une académie : Magnum Photos, 1947-2015." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H001.

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Institution mythique du monde de la photographie, l’agence Magnum, fondée en 1947 par un groupe de photographes entrepreneurs, est plus qu’une coopérative. Dans l’histoire de la photographie de la seconde moitié du XXe siècle, c’est un modèle prestigieux pour l’ensemble de la profession, qui revendique son excellence et défend un canon d’images d’exception. Magnum ne serait-elle pas davantage une académie,institution éternelle et renommée, où l’on entre par cooptation ? Cette thèse propose, à partir de l’étude d’archives inédites, de retracer l’histoire de Magnum. Le prisme académique permet d
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39

Boyd, Ailsa Margaret Susan. "A home of their own : representations of women in interiors in the art, design and literature of the late nineteenth century." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/4407/.

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This thesis engages with the contribution made by literary and visual representations to debates about woman's role in Britain and America between 1860 and 1917. During, that is, a period of transition from the relative securities of the early Victorian period until the radical social shifts propelled by the First World War. I introduce design reform debates in painting and interior design, and examine how these were approached by George Eliot, Henry James and Edith Wharton, both in the homes they actually lived in, and those they created in their fictions, particularly for their female charac
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40

Gorino, Vitor Hugo 1982. "Darel, a fotografia e a figura feminina nos anos 80." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284063.

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Orientador: Maria de Fatima Morethy Couto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T19:06:04Z (GMT). No. of bitstreams: 1 Gorino_VitorHugo_M.pdf: 37990068 bytes, checksum: 38ce33ebedcf48dc9371b81d54e703cb (MD5) Previous issue date: 2009<br>Resumo: Esta pesquisa teve por finalidade discutir as principais mudanças e inovações na obra artística de Darel Valença Lins decorrentes da incorporação de fotografias e de recursos de linguagem fotográfica em suas obras a partir de 1975. Para tanto, realizamos extensa pesqu
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41

MemÃria, Paula Roberta Fernandes. "A Imagem da mulher na moda: uma anÃlise das representaÃÃes dos corpos femeninos nas fotografias publicitÃrias da marca Dolce & Gabbana." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=7489.

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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico<br>Esta pesquisa aborda a representaÃÃo da beleza feminina nos corpos exibidos em vinte e quatro fotografias publicitÃrias da marca Dolce & Gabbana, analisadas sob a perspectiva de dois mÃtodos: a anÃlise composicional, sugerida por Rose (2001), e um mÃtodo desenvolvido por Dyer (1982) para a interpretaÃÃo das repr esentaÃÃes dos corpos na publicidade. Em um primeiro momento, se discute o conceito de representaÃÃo e a construÃÃo de um habitus (BOURDIEU, 1992, 2004), pelo corpo feminino nas fotografias. Apesar da elevada var
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42

Tavakoli, Omid. "A Burning Silence." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556307287955672.

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43

Tolbert, Tiffany Monique. "A content analysis of photographic images and gender in The source sports, Sports illustrated for women, Sports illustrated, and ESPN magazine." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217392.

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This study examined sports photographs in fifty-two issues (thirteen issues each) of The Source Sports, Sports Illustrated for Women. Sports Illustrated and ESPN Magazine for gender differences in the way athletes are visually portrayed. Duncan and Sayaovong's 1990 study was used as the foundation for this new study.The content analysis revealed quantitative differences in photographic depictions of female and male athletes. Like the previous study, gender differences were found in the overall number of photographs of female and male athletes. These photographs were then broken down into one-h
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44

Evans, Laura E. "Eating Our Words: How Museum Visitors and a Sample of Women Narratively React to and Interpret Lauren Greenfield's THIN." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299860725.

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45

Smith, Dominique J. "Something's Wrong When You Regret Things That Haven't Happened: Effects of the Victimization of Women in Media." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/309.

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This paper will explore how portrayals of male violence against female characters in film and television have affected the way in which women navigate through society. Images of exploitation, degradation, and violence towards females are constantly presented in television and film, creating an over saturation in the media market and fostering a sense of normalcy the extremely problematic issue of violence. Often, these images are internalized by women to the extent that their view the men around them becomes as distorted as the men who view them as nothing more than sex object. Men become thei
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46

Symons, Suellen. "Rememories /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030909.155641/index.html.

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47

Mac, Dougall Lola. ""Not lost to human sight": indian glimpses of privacy in Zenana photographers, Dayanita Singh, Gauri Gill and Ketaki Sheth." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/396367.

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This research looks at the contributions made by some Indian women photographers to the representation of privacy. Indian women photographers have enjoyed a privileged access in their bid to depict privacy, or the quality or state of being apart from observation, and that access can often be attributed to their gender. I propose to analyse the parallelisms and divergences in the representation of privacy by pioneer women photographers -with special attention to the phenomenon of zenana photography- as well as three contemporary practitioners: Dayanita Singh, Gauri Gill and Ketaki Sheth. I w
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Chun, Sara Myung-Su. "The Sun Through My Hair: A Response to (Un)Romantic Imaginations of Asian/American Women." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/268.

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Women of color are still trapped in the colonialist trajectory of Delacroix’s sexualized Women of Algiers (1834) and alienated from the world of Sargent’s Daughters of Edward Darley Boit (1882) in contemporary media images that serve to exocitize, fetishize, and commodify non-white female bodies. These historical and contemporary images form a psychological weight both imposed on women of color by outside perceptions and by now-cemented internal perceptions. While women do not passively absorb media images, it cannot be ignored that the hypersexual Asian/American woman in representation “haunt
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Astore, Mireille. "The Maternal Abject." University of Sydney. Sydney College of the Arts, 2002. http://hdl.handle.net/2123/500.

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Abstract In this Research paper and through my Studio practice, I search for what binds me and separates me from my children. I investigate abjection theories through Julia Kristeva and Georges Bataille and focus on a particular form I call the maternal abject. This occurs at the time an infant separates from its mother, acquires language and maps its own body. I am proposing that the mapping of the body is the point at which an individual perceives social structures and learns about prohibitions and taboos, hence the abject. I also investigate the relationship between the maternal abjec
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50

Schanding, Desireé Rose. "The ephemeral form and objects of inspection /." Online version of thesis, 2008. http://hdl.handle.net/1850/10828.

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